"That's fine, miss," Goodnight said. "A cowboy needs a horse." "Well, do-do-do you have one, more-more-mister?" Georgie asked.
Clarie resolved to box him soundly, when she got the opportunity. She had an urge to go in the house and see about her mother, but she hesitated to leave Georgie alone with Mr. Goodnight.
There was no telling what he might ask for next.
"Why, I'll have to inspect my herd," Goodnight said, amused. "I wouldn't want to give a cowboy like you just any horse." "More-more-make it brown, if you've go-go-got a brown one," Georgie said. "But-but-brown's my from-from-favorite can-can-color!" His stutter became worse when he got excited.
"Would you come back in, please? All of you?" Lorena asked, from the doorway. "I'm so sorry I drove you out in the wind." "It ain't the first breeze I've felt," Goodnight remarked. Evidence of her sobbing was in Lorena's face, but she had put a comb in her hair and seemed composed, more composed than she had been even when he arrived.
"You children go into the bedroom. You, too, Clarie," she said. "I have to talk to Mr.
Goodnight a minute more. Then, we'll try to get back to normal." "Ma, Georgie's been asking Mr.
Goodnight for a horse," Clarie blurted out.
She didn't want to go in the bedroom. She wanted to report on Georgie's misbehavior first.
"Where he's going, there are plenty of horses," Lorena said. "Don't question me now.
Go in the bedroom." The children went, obediently.
"I'm sending them off to Nebraska," Lorena said, the minute she knew the bedroom door was closed. "I have a friend there. She'll take them till this is over.
"I thought it was over, or I wouldn't have been living nowhere near here," she added. "He told me if I ever had children, he'd come and burn them, like he burned that little boy. It was the last thing he said to me, before he and his Mexicans left." "I should have stopped that man a long time ago," Goodnight said.
"You didn't, though," Lorena said. "He burned your cowboys, despite you. I won't take a chance with my children." "Don't blame you," Goodnight said.
"You've got a fine brood. I like that talkative little boy, he takes up for himself." "He's going to Nebraska, and so are the rest of them," Lorena said. "As soon as I can get them packed and on a train, they're going. Mox Mox is a bad man, Mr. Goodnight.
He's not getting a chance to torment any of mine." "I thought all the mean wolves was about killed out, in this country," Goodnight said. "I thought that man was dead, or I would have stayed after him. Of course, maybe he is dead. Maybe this manburner is somebody else." "I can't take that chance, not with my children," Lorena said. "Now my husband's gone too, and it's my fault. He ain't a killer, and he has no business hunting killers with Captain Call, not anymore." Goodnight felt a little uncomfortable. After all, he had urged the man to go, though it was none of his business. Once again he wondered when he would ever learn not to meddle in other people's business.
The woman was right. Pea Eye was not a killer, and had no business having to deal with a Joey Garza, or a Mox Mox.
"There's something else," Lorena said. "I think we ought to close the school, until this ends.
If Mox Mox showed up, he might burn all the children. He's capable of it--he might pen us in and burn us all. I won't risk it for my children or for anybody's." "What if I set a guard?" Goodnight asked.
"No," Lorena said. "If I had known he was alive, I'd never have started the school. When he's dead, and I know it, there'll be time for studying and teaching. But not until I know he's dead." "I better go myself and stop him, then," Goodnight said. "That way, when it's done, I'll know it's done, and so will you." "Let Captain Call do it," Lorena said.
"I'm sure that sounds bold. I have no right to give you orders. I've no right even to make suggestions. But you came here and asked what I knew, and I told you. I have seen that man, and you haven't. If I were you, I'd let Captain Call do it." "It was my men he burned," Goodnight said.
"It's my responsibility, not Call's." Lorena didn't respond. She felt she had overstepped as it was, by saying what she had said. She thought she was right, and had said what she felt.
Besides, part of her mind had already begun to occupy itself with the logistics of flight: getting the children's things together, finding neighbors who might take their animals, or hiring a helper to live in the house and look after things. There was no time even to write Clara. Lorena knew she would not draw an easy breath until the children were gone and safe.
Clara would be surprised, when five children got off the train expecting to live with her. But Lorena knew Clara would take them. Since her daughters' marriages, Clara had been too much alone, anyway. At least it seemed so, from her letters. Having children in the house again might not be the worst thing for her.
"I expect you think I'm too old to subdue the man," Goodnight said. He was annoyed, and surprised at his annoyance. But the definite way the young woman had come down for Call and not for him, stirred something in Goodnight; the competitor, perhaps, or just the male. In his long years as a pioneer, he had always led, no matter how long, how difficult or how ugly the task. He had always led. He had been the man to do the job, whatever that job was. He was vain enough to think he was still the man who could do the job, whatever it happened to be, although his own vanity annoyed him, too.
"No, you're not a killer," Lorena said.
"I know you may have killed to survive, but you're not a killer. Mox Mox is a killer, and so is Captain Call. Send a killer after a killer. That's why I said it. I wasn't thinking about your age.
"Besides, people here need you," she added. "This whole part of the country needs you. You're the man who built the school, and I know you've built others, too. You brought the doctor here.
You paid for the courthouse. You're needed. Nobody needs Captain Call." "Well, the rich men need him," Goodnight said.
"Yes, because he's a killer," Lorena said.
"That's why they need him. He's as hard as Blue Duck, and he's as hard as Mox Mox." "He's got that other boy to catch first," Goodnight reminded her.
"Mr. Goodnight, I've got to start packing," Lorena said, standing up. "I've got to go to the school and dismiss my pupils. They'll want to know why, and I'm going to tell them. Then I've got to hunt up somebody to do the chores here, for a while. Then I've got to pack. I want to start for Amarillo tonight. I want my children out of here, now." "You'll be in a regular lather, before you get all that done," Goodnight said. "I expect I could stop the train for you, at Quanah, and I'll send a wagon and a cowboy or two to help you get to the train." "Much obliged," Lorena said. "And could you lend me a weapon? All my husband left me with was a shotgun. Of course, he didn't know about Mox Mox. I've never even said that name to him." "I can lend you several guns, but I doubt you'll need them, once you're on the train for Nebraska," Goodnight said.
"My children are going to Nebraska, I'm not," Lorena replied.
"Not going?" Goodnight said. "Why not, ma'am? You're the one he nearly burned. I doubt that he's in six hundred miles of here, but six hundred miles can be crossed. If anyone has a right to be scared, it's you. Why not leave with your children?" "Because I have to find my husband and bring him home," Lorena said. "I should have set my heels and kept him, but I didn't. It's my place to go bring him back." "Now, that's rash," Goodnight said. "If you'd like me to lend you something, why not accept the loan of a man who knows the country and can go get your husband and bring him home?" "None of your cowboys married him," Lorena said. "I married him. He's a good man, and I need him. Besides, he won't mind anybody but me, unless it's the Captain. I'm going to go find him, and he's going to mind me, particularly now." Charles Goodnight, rarely quelled, felt quelled this time. He knew determination when he saw it. He ceased to argue, but he did promise to send two cowboys with a wagon, to get her to the train at Quanah. As he was preparing to leave, he told Lorena he wanted to provide each of her boys with a horse, when they returned.
"I do like the wa
y that talkative little boy takes up for himself," he repeated.
"Don't forget to send me the gun," Lorena said. "I don't want to be going south without a gun."
Riding to Crow Town across the empty land, Maria began to wish she would never have to arrive. The happiest moments of her life had often been spent alone, with her horse. From the time of Three Legs, she had always loved going away alone, with her horse.
To avoid Presidio and Doniphan, the hard sheriff, she rode up the river for two days before crossing into Texas. She saw mule deer and antelope, many antelope, but no people. It was cold, and the north wind sang in her face. At night, she persuaded her spotted horse--she called him Grasshopper, because he had a way of suddenly springing sideways--to lie down, so she could sleep close to him and share his warmth.
Twice she saw trains moving across the long plain. The trains did not seem to be moving very fast; no wonder Joey could rob them. The locomotives pulled only two or three cars. They were just little trains, moving slowly across the endless line of the horizon. Maria had ridden a train only once, to go to her mother when her mother was dying. It had rattled so badly that she had been unable to think.
Grasshopper did not like the new country, and he shied at many things. Once, a tumbleweed surprised him, and he bucked a few times.
Maria was amused, that he was so skittish; she didn't think he could throw her. She enjoyed it, when Grasshopper was naughty. He was irritated with her for bringing him so far from the cornfield. But he obediently lay down at night, so Maria would be warm.
As she rode east, through the sage and the thin chaparral, Maria wondered about herself. Why was she traveling so far, for a boy who didn't care about anyone but himself? She should just let Joey go. There was a hopelessness in what she was doing, and Maria felt it strongly. She should stay at home and help Rafael and Teresa, for they were loving children.
With them, even though they were damaged, she could be happy as a mother, and they could be happy too.
But Joey was different. He would not yield her even a moment of affection. She wondered if he blamed her for Juan Castro, and for the fact that he had been sold to the Apaches.
It seemed to Maria, remembering before that time, that Joey had been a good boy. He played with other children, and she could tease him and hug him.
But when Joey came back, there was no touching him, and he never smiled, unless he was looking at himself in the mirror. Maria wondered if it was wrong to blame the change in Joey on the Apaches. Perhaps the coldness had been in him earlier. Perhaps it came from her grandfather, a cold old man who did not speak a word to his wife, Maria's grandmother, for seven years, because he blamed her for the death of their first son. What was in Joey could have come from that old man.
Maria rode on toward Crow Town, across the great, empty Texas plain. When she came to the Pecos, with its steep banks, she followed it north for two days, before she could find the courage to cross it. Since the time when the lawmen tied her to the mule and almost drowned her in the Rio Grande, she had had a fear of water that she could not control.
But she knew that Crow Town was east of the Pecos; she would have to cross it somewhere. As she rode along, fearing the river, Maria felt her motherhood to be a cold chain linking her to Joey, who wanted nothing from her and had no love for her or interest in her. If she drowned crossing the Pecos, Joey might not ever know, and might not care if he did know. Why did she think she had to risk the water, in order to warn him that the famous lawman was coming after him? Was it only because she had given birth to him? Did that mean she could never be quit of the pain of such a son? Would her obligation always be so hard and so unredeemed?
Grasshopper did not like the Pecos, either. Every time she found a cut in the brushy banks and tried to force him down it, he balked, sulked, whirled, tried to resist. Because Maria was so frightened herself, she let the spotted horse defeat her, several times. They went on up the plain, following the west bank of the river.
The cold was deepening, ever deepening. The clouds were gray, like the sage grass. Maria awoke so stiff with cold that she could hardly mount.
In the mornings, the chaparral thorns were white with frost, and the water in the Pecos was black from cold.
One morning, Maria decided to cross. She felt that if she didn't cross that day, she would give up and stop trying to be a good mother to Joey and go home. It might be for the sake of her father's memory, and her brother's, that she was coming to warn Joey. He might not care himself; he might think he was a match for Captain Call. He might even feel complimented that such a famous man had been summoned to kill him.
Maria broke a limb off a dead mesquite tree to use as a whip. Rarely had she needed to strike her horse, but this morning, when he refused to take the water, she beat him with all her strength until, finally, unable to turn in a narrow cutbank, he made a convulsive plunge into the dark water. It was so cold that Maria feared she might pass out. Her fingers became too numb to hold the bridle. She hung on to Grasshopper's neck with both arms as he struggled out of the water and up the thin cut in the east bank.
On the whole journey, she had not allowed herself a fire. She did not feel it was wise to build a fire in the Texans' country. A fire might bring her someone she didn't want. It might bring her cowboys, or killers, or lawmen.
But this morning she built a fire, in order not to freeze. Sleet began to blow, and her clothes were wet. She was so numb in her hands and feet that she thought she might die if she didn't get warm. The air felt cold inside her when she breathed. She broke off small limbs of mesquite and made herself a little fire, while Grasshopper grazed on the cold tufts of grass.
Suddenly, Grasshopper threw up his head and neighed. Maria was too cold to stop him. She knew there were wild horses in Texas. Perhaps he had only neighed at one of them. She had the revolver Billy had given her in her saddlebags. She got it out, but her fingers were stiff from the cold water. She might not be able to shoot well, if she had to shoot.
Then, to her relief, the old Kickapoo Famous Shoes appeared out of the sleet. He moved, as always, at his own gait, a walk that was almost a trot.
Famous Shoes saw at once that Maria was almost frozen. He thought he had better make coffee. Fortunately, Maria had coffee and an old, bent pot with her. She was trembling from cold. She had made a fire so small that it warmed only part of her.
When Maria saw Famous Shoes making coffee, she felt relieved. The old man was peculiar; he appeared and disappeared at whim.
But he was competent. He had offered to take her deep into the Madre once and hide her from the lawmen, when they were being rough with her. Maria had refused his offer. She would not be driven from her children by any lawmen. If she ever had to go to the Madre, she would take Rafael and Teresa with her.
Then Grasshopper neighed again, looking to the north, where the sleet came from.
Famous Shoes saw Maria's concern, and understood it. There were many bad men in Texas.
He gave her a cup of boiling coffee. Just holding the hot cup would make her hands feel better, and the coffee would warm her insides.
"I am traveling with Pea Eye," Famous Shoes said. "His woman is going to teach me to read. His horse is a little slow. I was looking for a place to cross the river when I found you." "Who is this man? I don't know him," Maria said.
"He is a friend of the Captain--you remember?" Famous Shoes said.
"The Captain who hung my father?" Maria asked.
"That one," Famous Shoes said. "Now he is looking for Joey. Did you know that?" "Why would I be here, freezing, where the Texans could get me, if I didn't know that," Maria said. "I am on my way to warn Joey.
Now you bring me one of the men who is going to kill him. Why didn't you let me freeze?" "Pea Eye doesn't know you," Famous Shoes assured her. "Joey is in Crow Town, anyway. We didn't go there because if we had, one of the bad men might have killed us." The coffee made Maria feel a lot warmer.
The tin cup was so hot she had
to hold it with a part of her skirt or her hands would have burned. When she realized what Famous Shoes was telling her, she grew angry.
"Why are you bringing men to kill my son?" she asked. "I thought you were my friend." "I have been to the Rio Rojo," Famous Shoes said. "I was looking for my grandfather, but his spirit had wandered off. I don't know where it lives. I was coming to Ojinaga to see you. I thought you might have some corn. Then I met Pea Eye, who is my old friend. He doesn't know where he is going. I don't want him to get sick, so I am helping him." "I don't care if he gets sick. I don't want him to kill my son," Maria said.
"How far away is he?" "He is a few miles north," Famous Shoes said. "He wanted to sit by the fire and drink more coffee. I came on to the river to find a crossing." "Here's the crossing--you found it," Maria said.
"Go on across it and go away, and take this killer with you. Don't be bringing killers to murder my son." Famous Shoes felt irritated. He had built up Maria's fire, and made her coffee. Now she was demanding that he leave. While she was talking, telling him to leave, he remembered something that had almost gone out of his mind while he was traveling. Seeing the track of Mox Mox, The-Snake-You-Do-Not-See, had made his mind too busy to work properly.
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