by Susan Lewis
Contents
About the Book
About the Author
Also by Susan Lewis
Title Page
Dedication
Acknowledgements
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Copyright
About the Book
In 1960s Bristol a family is overshadowed by tragedy . . .
While Susan, a typically feisty seven-year-old, is busy being brave, her mother, Eddress, is struggling for courage. Though bound by an indestructible love, their journey through a world that is darkening with tragedy is fraught with misunderstandings.
As a mother’s greatest fear becomes reality, Eddress tries to deny the truth. And, faced with a wall of adult secrets, Susan creates a world that will never allow her mother to leave.
Set in a world where a fridge is a luxury, cars have starting handles, and where bingo and coupons bring in the little extras, Just One More Day is a deeply moving true-life account of how the spectre of death moved into Susan’s family, and how hard they tried to pretend it wasn’t there.
About the Author
Susan Lewis is the bestselling author of thirty-two novels. She is also the author of Just One More Day and One Day at a Time, the moving memoirs of her childhood in Bristol. Having resided in France for many years she now lives in Gloucestershire. Her website address is www.susanlewis.com.
Susan is a supporter of the childhood bereavement charity, Winston’s Wish: www.winstonswish.org.uk and of the breast cancer charity, BUST: www.bustbristol.co.uk.
Also by Susan Lewis
A Class Apart
Dance While You Can
Stolen Beginnings
Darkest Longings
Obsession
Vengeance
Summer Madness
Last Resort
Wildfire
Chasing Dreams
Taking Chances
Cruel Venus
Strange Allure
Silent Truths
Wicked Beauty
Intimate Strangers
The Hornbeam Tree
JUST ONE MORE DAY
Susan Lewis
WILLIAM HEINEMANN : LONDON
To Eddress and Eddie’s grandchildren,
Grace and Thomas
Acknowledgements
Firstly I would like to thank my cousins Alwyn Brabham and Karen Shields, as well as my friends Sheelagh Cullen, Ruth Thomson, Pamela Salem, Denise Hastie and Fanny Blackburne, who each in their own way supported me so generously during this often painful, but occasionally hilarious journey. I’m also extremely grateful to Don and Betty Williams for sharing their memories of my mother, and of me as a child, as did my aunts Jean and Flo, and uncles Gordon and Maurice.
Most of all though I would like to thank my agent and good friend, Toby Eady, for so much humour, encouragement and enthusiasm throughout the writing of this book, as well as all his sensitivity and support during the crafting of many others.
To anyone else who knew Eddress, I hope you feel I’ve done her justice here and managed in some small way to recapture a little of her indomitable spirit.
Susan Lewis
Bristol 2005
Chapter One
Susan
I’m very brave. No-one else knows I’m being brave, because I haven’t told them. It’s a secret – between me and my dad.
I’m sitting at my desk now, in my classroom, watching the teacher chalk things up on the blackboard. It’s something about poetry, but I’m not really paying attention, which would make Daddy cross, because he loves poems. I’ve got a lot to think about though, because it’s not always easy being brave, and I have to make sure I’m doing it right.
As I think about it, I stare up at the big, oblong window with twelve square panes, where I can only see milk-coloured sky outside. If I stood on a chair to look I’d see the library next door, Warmley Hill and the petrol station opposite where my friends and I sometimes sneak into the ladies’ toilets to play doctors and nurses. But that’s another secret and I’m definitely never going to tell anyone about that – not even Daddy. And if Mummy ever found out I know she’d tell the police, because she already nearly did once. That was when she caught me and my friend Janet in the garden, pulling down our swimming costumes to show the boys our chests. We were so scared when Mummy came storming out of the house, telling us we were wicked and that she was taking us to the police, that we ran and hid in Mr Weiner’s shed. Mummy wouldn’t look for us there, because Mr Weiner’s German and Mummy doesn’t have anything to do with him because she still hasn’t forgiven him for the war. Daddy has, but Daddy forgives everyone for everything.
Today my hair is in plaits with two white bows at the end of each one. Grown-ups are always going on about my hair, saying how lovely it is, all thick and red and curly, but it’s all right for them, they don’t have to put up with Mummy’s brushing every morning, or the horrid, smelly boys in my class who call me Ginger and pull it. Granny told me once that Mummy, whose hair is the exact same colour (I bet Granny never used to be so mean with a brush when Mummy was little), used to beat people up if they called her Ginger, or worse, Ginge. I’ve never done that, but I do get really angry, especially on the days when Mummy forces my hair up into a high-topped ponytail that the boys keep swinging on, then running away before I can punch their noses.
I’ve got freckles too. I hate them. But even worse are the glasses I have to wear. As if they don’t make me look stupid enough, the right lens since I was six (I’m seven now) has been covered up with a white patch to make my left eye see properly. It doesn’t though, so I have to keep peering over the top so I can read my books and watch the telly. When Mummy spots me she puts her fingers under my chin and tilts my head up again. She’s very strict and won’t ever let me take them off. But even she laughed when we first got them from the optician. I was sulking and wanted to cry because I knew already how stupid I was going to feel in them, and how much fun everyone was going to poke at me. Then the optician gave us a pair of round National Health frames, which came for free, and when I put them on Mummy split her sides laughing. I love it when Mummy laughs, because it always makes me laugh too.
I think I’m being quite brave at the moment, because I don’t mind that Mummy won’t be there when I get home after school. The first time she wasn’t there I was more frightened than when Daddy took us across the Clifton Suspension Bridge and we looked all the way down at the river. I was little then and hid behind Daddy’s legs. I still don’t like looking down when I’m high up, and I don’t really like it when Mummy’s not there, but I’m being brave, so I won’t cry. I expect Gary will though. He’s my brother, who’s four years younger than me, which makes him only three, so he’s allowed to cry. If I feel like crying too, I’ll wait till I’m on my own so no-one will see, because I don’t want Daddy to know I’m afraid in case it makes him afraid too. You see, it’s all right to be scared of the dark, and of spiders and witches and things, and to make Daddy sit at the bottom of the stairs singing and telling his silly jokes while I go to the toilet, but it’s not all right to be scared about Mummy not being there, because that’s just silly when we know she’s coming back.
Five and twenty ponies,
Trotting through the dark –
 
; Brandy for the Parson
’Baccy for the Clerk;
Laces for a lady, letters for a spy,
Watch the wall, my darling, while the Gentlemen go by!
The teacher’s reciting my favourite poem now. I recite it to Granny sometimes, though I keep forgetting bits, which makes her chuckle and then she hugs me to her chest, which is like a great big fluffy pillow. Granny is Mummy’s mummy and is very old and lives in a house full of ornaments and photographs and bottles of stout that she likes to drink. She plays bingo a lot too, either at the Regal in Staple Hill, or the Vandyke in Fishponds, or near us, at the Made-for-Ever youth club. When she goes there Mummy usually goes with her, and if it’s Saturday, and I’ve been good, they take me for the first session, and let me have my own card to cross off the numbers. I won a pound once, but I can’t remember what I did with it now. After the first session Daddy comes to pick me up and take me home to bed. Later, Mummy and Granny walk back to our house, then Daddy drives Granny home in his blue Morris car.
Daddy doesn’t like bingo very much. Or telly. He prefers books, which he reads under a lamp in the front room, while Mummy watches her favourite programmes all snuggled up by the fire in the dining room. It’s lovely snuggling up with her, but she doesn’t let me stay up very late. I have to go to bed earlier than everyone else on our street, probably than everyone in the whole wide world, which is horrible, because in the summer I can still hear my friends playing outside. But Mummy won’t give in. She’s really strict, and sometimes I don’t like her very much. She makes me want to go and live on an island where no grown-ups are allowed, and children can do anything they want whenever they want. Daddy read me a story about it once, and I’ve always remembered it, because that’s where I’m going to go if I ever run away. My dad’s the best story-reader in all the world. He sits out on the landing every night, between my and Gary’s bedrooms, and tells us all about Alice, or Pooh, or Brer Rabbit, or my absolute favourite, Naughty Amelia Jane. I want to be like her, but Mummy wouldn’t put up with it.
Five and twenty ponies
Trotting through the dark –
Brandy for the Parson
’Baccy for the Clerk;
Laces for a lady, letters for a spy,
Watch the wall, my darling, while the Gentlemen go by!
Mummy’s going to miss Coronation Street tonight. She hates missing it, and never does, unless she has to go away, like now. I wonder if there are tellies where she is. Children aren’t allowed in, so I don’t know. Usually, Gary and I go to Granny’s while Daddy visits her. Sometimes I go with Daddy, but I have to wait outside in the car.
It’s half past three now, because Mr Dobbs, the headmaster, is ringing the bell, which echoes up and down the corridors, and we all stand up to say ‘goodnight’ to Mrs Taylor, our teacher, which seems a bit silly when it’s not night at all.
Me and Sophie (she’s my new best friend) go to get our coats from the cloakroom, and even though it’s going to be May next week, it’s still a bit cold outside, so we make sure all our buttons are done up. Then, with our satchels strapped across us, we join the crowd gathering round the lollipop lady who’s always there to see us across the road.
‘Got any money for sweets?’ Sophie asks me. ‘I spent all mine on tuck.’
‘My dad gave me tuppence this morning,’ I tell her. ‘I’ve still got a penny ha’penny left.’
‘Hey, it’s Ginge with the one eye!’ Kelvin Milton shouts, and he pulls so hard on one of my plaits that I scream and try to bash him with my fists. I always miss though, because he’s too fast.
‘Cry baby, cry baby!’ two more boys start singing. Then some girls chime in, ‘Cry baby! Cry baby! Susan’s a baby.’
‘One-eyed monster, you mean,’ someone else shouts.
‘Ginger biscuit.’
Sophie puts her arm round me, but I push her off.
‘I hate you!’ I scream at the grinning Kelvin Milton. ‘I’m going to tell my mum about you.’
Kelvin merely pokes out his tongue and waggles his hands either side of his head. He looks like a cabbage flapping its leaves.
‘Come on, come on,’ the lollipop lady shouts. ‘I can’t hold the traffic all day.’
Sophie links my arm as we cross over. ‘It’s all right, they’re just stupid,’ she says. ‘Let’s go in the shop and get some sweets.’
I can’t find my clean hanky so I dry my eyes with my coat sleeve. I hate Kelvin Milton so much that I’m going to think of something really evil and nasty to do to him. If I was a witch I’d turn him into a slug, then my brother would eat him, because my brother eats slugs. Or he did once, before Mummy snatched it away then stuck her fingers down his throat to make him sick.
The queue inside the corner tuck shop isn’t very long, and no-one horrid is in there, because the horrid children never have any money. I just hope they’re not waiting outside to steal our sweets. As we move up the queue Sophie and I greedily eye all the jars, mouths watering. What shall we have? A sherbert dip? A lucky bag? A packet of Smith’s crisps with a little blue bag of salt? A penny-ha’penny would buy us three sticks of red liquorice, or six fruit salad chews, three white chocolate mice or six mojos. We end up getting four mojos, and two aniseed twists, which are Sophie’s favourites. Even though Sophie’s parents are rich, I don’t mind paying for her, because she shared her potato puffs and Wagon Wheel with me at playtime.
She lives in a really big house with a tower and a weathercock on the top, and hundreds of rooms which are great for hide-and-seek, but I’m a bit nervous of the secret passageways and trapdoors under the rugs. If one of them opens up I could be swallowed down into the centre of the earth and might even end up in Australia, where Rolf Harris comes from, and I wouldn’t be able to find my way home then. The paintings on the walls are really scary too, because the eyes move. It doesn’t matter where I stand, they’re always looking at me. I’m glad we don’t have any paintings like that in our house, which isn’t nearly so big as Sophie’s. We don’t own ours either. It belongs to the man from the council who comes round to collect the rent every week.
Kelvin Milton and his gang have gone when we go outside, so we’re safe to share out the sweets. Sophie nudges me, and tells me to look. Marilyn Caldwell and Ruth Myers are crossing the street. They’re in the fourth form and are exactly like me and Sophie want to be when we’re eleven – pretty, popular, lots of friends, and all the boys after us. It’ll probably happen for Sophie because she’s already really pretty, but not for me with these stupid, horrible glasses and freckles.
‘See you tomorrow then,’ Sophie says, sucking on an aniseed twist and pocketing her mojos. She lives in the opposite direction so we can’t walk home together.
I start walking along the road between the shop and the petrol station, going down Holly Hill, past the prefabs that were put up after the war, then the phone box outside Jackie Wilshire’s house, and the small rank of shops where Mummy sometimes goes to get her cigarettes in Smarts, the newsagents, or some pork chops and chitlings in the butchers. I don’t like the butcher much, he’s always making rude jokes with Mummy and winking, and looking like he wants to kiss her.
Once I get past the shops I run up to the top of the tump then all the way down again. I like doing that, and I would have done it again, but then I remember that Mummy isn’t going to be home and I don’t feel like it any more. I skip on down the hill being brave and feeling very different from all the children swarming down the hill too. Their mothers will be waiting when they get home. They’re lucky, but I bet they don’t feel like a heroine in a book, the way I do, because I have to be grown-up now and take care of Dad and Gary. I’ll cook their tea, make their beds, scrub the floors, chop wood, darn socks and vacuum up after them, because they always make a terrible mess, and wear my fingers to the bone, and what thanks will I get?
I asked Sophie once, ‘Do you ever feel different to everyone else?’
‘In what way?’ she’d answered.
I didn’t know how to put it into words so I just shrugged and didn’t ask again.
The cul-de-sac we live in is called Greenways. It’s a bit like a clock with the hands poking out the wrong way. The face is the green, where the boys play football and the girls do leapfrog. The hand that sticks out from nine o’clock is the way into the street, and our house is almost at the bottom of the hand that pokes off of six o’clock. I’m still skipping as I turn into the street, plaits flying as I bob past Julie and Adam Prentice’s house – Adam, who’s a year older than me, has iron things on his leg because he had polio when he was little – then I speed past Mr and Mrs Weiner’s because he’s foreign, and also past the Crofts’ house because they’re a bad bunch whose garden is scruffy and whose uncle has been in prison. Sally Croft is three years older than me and already smokes and goes out with boys.
‘She’ll come to a bad end, that girl,’ Mummy always says when we see her. ‘I don’t want you going near her.’
A lot of our neighbours are scared of Mummy because she’s tall and always speaks her mind. They’re her friends too, because they’re always coming in our house for cups of tea and a fag and a chat about the kids. Most of the houses down our bit of the street have children about the same age as me and Gary, so there’s always a lot for the mums to discuss.
Since no-one’s in at our house I skip on by, still brave, and go next door to Mrs Williams, who’s looking out of the window, holding Gary up in her arms so he can see me coming. I give them a wave and push open the yellow gate to carry on skipping down the front path to the front door. Gary immediately drags me into the living room where he’s been playing cars in the cardboard garage that Mr Williams, who looks like the film star Robert Mitchum, made for five-year-old Nigel.
I’m not really interested in his cars, so he says, ‘Where’s Mummy?’