by Lisa Unger
Even good people are drawn to do evil things…
Twelve-year-old Rain Winter narrowly escaped an abduction while walking to a friend’s house. Her two best friends, Tess and Hank, were not as lucky. Tess never came home, and Hank was held in captivity before managing to escape. Their abductor was sent to prison but years later was released. Then someone delivered real justice—and killed him in cold blood.
Now Rain is living the perfect suburban life, her dark childhood buried deep. She spends her days as a stay-at-home mom, having put aside her career as a hard-hitting journalist to care for her infant daughter. But when another brutal murderer who escaped justice is found dead, Rain is unexpectedly drawn into the case. Eerie similarities to the murder of her friends’ abductor force Rain to revisit memories she’s worked hard to leave behind. Is there a vigilante at work? Who is the next target? Why can’t Rain just let it go?
Introducing one of the most compelling and original killers in crime fiction today, Lisa Unger takes readers deep inside the minds of both perpetrator and victim, blurring the lines between right and wrong, crime and justice, and showing that sometimes people deserve what comes to them.
LISA UNGER is the New York Times and internationally bestselling author of seventeen novels. Under My Skin, is an Edgar nominee and finalist for the Hammett Prize. Her story, The Sleep Tight Motel, is a #1 bestselling short and Edgar nominee. Lisa lives on the west coast of Florida with her family.
Also by Lisa Unger:
Under My Skin
The Red Hunter
Ink and Bone
The Whispering Hollows (Novella)
Crazy Love You
In The Blood
Heartbroken
Darkness, My Old Friend
Fragile
Die For You
Black Out
Sliver of Truth
Beautiful Lies
Smoke
Twice
The Darkness Gathers
Angel Fire
The Stranger Inside
Lisa Unger
Copyright
An imprint of HarperCollins Publishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HQ in 2019
Copyright © Lisa Unger 2019
Lisa Unger asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Ebook Edition © September 2019 ISBN: 9781474066761
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Praise for Lisa Unger:
‘Suspenseful, sensitive, sexy, subtle. The best nail-biter I have read for ages. Highly recommended’
Lee Child
‘Lisa Unger’s deliciously intense and addictive thriller got under my skin. I picked it up, was drawn into this dark, tangled tale, and couldn’t pull away until it was done. Gripping suspense at its best’
Karin Slaughter
‘Deeply plotted and complex and carries an undeniable momentum. Lisa Unger’s enthralling cast of characters pulled me right in and locked me down tight. This is one book that will have you racing to the last page, only to have you wishing the ride wasn’t over’
Michael Connelly
‘Riveting psychological suspense of the first order. If you haven’t yet experienced Lisa Unger, what are you waiting for?’
Harlan Coben
‘A perfectly dark and unsettling, spellbinding thriller. Told with both eloquence and urgency, Unger knows just how to hook her readers and reel them in. This book is not to be missed’
Mary Kubica
‘This is a haunting, compulsive tale that will have you under its spell long after you’ve closed the book’
Tess Gerritsen
‘A twisting labyrinth of a book where nothing is as it seems, dreams bleed into reality, and the past is the future. Lisa Unger is one of my favourite writers. And in this tilt-a-whirl of a psychological thriller, she’s at the top of her game’
Lisa Gardner
In loving memory of my wonderful grandmother
Millie Miscione
and my magnificent, dear agent and friend
Elaine Markson
Contents
Cover
Back Cover Text
Booklist
Title Page
Copyright
Note to Readers
Praise
Dedication
Quote
LAST NIGHT
ONE
TWO
THREE
FOUR
FIVE
SIX
SEVEN
EIGHT
NINE
TEN
ELEVEN
TWELVE
THIRTEEN
FOURTEEN
FIFTEEN
SIXTEEN
SEVENTEEN
EIGHTEEN
NINETEEN
TWENTY
TWENTY-ONE
TWENTY-TWO
TWENTY-THREE
TWENTY-FOUR
TWENTY-FIVE
TWENTY-SIX
TWENTY-SEVEN
TWENTY-EIGHT
TWENTY-NINE
THIRTY
THIRTY-ONE
THIRTY-TWO
THIRTY-THREE
THIRTY-FOUR
THIRTY-FIVE
THIRTY-SIX
THIRTY-SEVEN
THIRTY-EIGHT
THIRTY-NINE
FORTY
FORTY-ONE
FORTY-TWO
FORTY-THREE
FORTY-FOUR
SIX MONTHS LATER
FORTY-FIVE
FORTY-SIX
ACKNOWLEDGMENTS
Extract
About the Publisher
For what is evil but good tortured by its own hunger and thirst?
Kahlil Gibran, The Prophet
LAST NIGHT
I wait because I have nothing but time.
From the quiet, dim interior of my car, I watch the quiet neighborhood, settle into the upholstery. Autumn. Leaves lofting on cool air. Tacky, ghoulish Halloween decorations adorning stoops and lawns, hanging from trees—skeletons, and jack-o’-lanterns, witches on brooms. It’s a school night, so no kids playing flashlight tag, no pickup soccer match in the street. Maybe kids don’t even do that anymore. That’s what I understand, anyway. That they’re all iPad-addicted couch potatoes now. It’s the new frontier o
f parenting. But you’ll know better about this than I’m likely to.
Younger families live on this block. SUVs are hastily parked. Basketball hoops tilt in driveways; bikes twist on the lawn. Recycling cans wait patiently at the curb on Wednesday, garbage on Friday. Tonight, there’s a game on. I see it playing on big-screen televisions in three different open-plan living rooms.
But the house I’m watching is dark. A beautiful silver Benz that’s about to be repossessed sits in the driveway. It’s one of those cars—the kind that people dream about, an aspirational car, the kind you get when… But it certainly hasn’t brought its owner any happiness. The guy I’m watching—he’s depressed. I can see it in his slouch as he comes and goes, in the haunted circles that have settled around his eyes.
I can’t muster any compassion for him. And I know that you aren’t shedding any tears. In fact, I’m willing to bet that you’ve spent at least as much time thinking about him as I have—even though, of course, you have other things on your mind now.
An older man walks his dog, a white puff of a thing on a slender leash. Not a dog at all really, more like an extra-large guinea pig. I sink a little deeper in my seat, then stay stone-still. I haven’t seen this man on this street before, and I’ve been here most nights for a while. He’s out of his routine, I guess, maybe decided to take a new route tonight. I’m not too worried, though. My car—a beige Toyota Corolla—is utterly forgettable, practically invisible in its commonness; the windows tinted (but not too dark). If he doesn’t see me, a lone person slouched in the driver’s seat and clearly up to no good, he won’t even notice it.
I’m in luck. He’s squinting at the screen on his smartphone. He’s older, not fluent with it. So it takes all of his concentration. That device is the best thing that ever happened to people who want to be invisible. He walks right by, oblivious to the car, to me, to his surroundings. Even his dog is distracted, incurious, nose to the pavement. Sniff, sniff, sniff. Finally, they’re gone and I’m alone again.
Time passes. I breathe into the night.
One by one, windows go dark except for the odd light here and there. There’s an insomniac in 704, a nurse who comes home after 3 a.m. on Wednesdays and Fridays to 708.
Just after 2 a.m., I slip from the car, close the door silently and shoulder my pack. I am a shadow shifting through the shadows of the trees, drifting, silent, up the edge of the house. I easily pick the lock on the side entrance—you can learn how to do anything on YouTube these days—and enter the house through the unlocked interior door. From the garage into the laundry room. From the laundry room into the kitchen—a typical suburban layout. I stand inside for a moment, listening.
I can still hear it, you know, the sound of her father’s voice.
I am willing to bet that you hear it, too. Maybe in those quiet moments, when you lie in bed at night, the wail of total despair comes back like a haunting. I imagine that your mind drifts back to that courtroom. Your face pulled tight with that helpless mingle of anger and sorrow, nostrils flaring just slightly. I was right there with you even though you didn’t know it. Or maybe you did. Sometimes I wonder if you know how close I am. If you sense me.
When the verdict was delivered, there was a moment, remember? A tiny sliver of time where the information moved through synapses and neurons, a heartbeat. In that breath, I watched her mother drain of what little energy and color remained in her too-thin body. I watched her father buckle over, her brother dip his head into his hands. The unforgiving light of the courtroom grew brighter somehow, an ugly white sizzle. And then the room exploded in a wave of sound that contained all the notes of despair, disbelief, rage. I’d been there before, in the presence of injustice, as have you. You know how it wafts like smoke from the black spaces beneath tables and chairs. It rises up, tall and menacing. I was always here, it seems to say as it looms over you, towering, victorious. It brings you to your knees. In the presence of nothing else do you feel smaller or more powerless.
When we’re young, we’re naive enough to believe. We’re raised on the comic-book ideal of good vanquishing evil. We believe that white magic is stronger than black. That criminals are punished, and justice is always served. Even when it seems that evil might triumph—no. In the final moment, a cosmic force does the reckoning for good, one way or another. We want to believe that.
But it’s not so. Not always. Sometimes justice needs a little push.
I make a quick loop through the house to assure myself that everything is as it was the last time I was here. The decor is Target, IKEA chic, white and dove gray, with bold accent patterns. There are lots of those picture collages with words like LOVE and DREAM and FAMILY: her parents—smiling and benevolent; her wedding photos—gauzy, a fairy-tale dream; a gaggle of gap-toothed nieces and nephews; girls’ night out, toasting with pink drinks in martini glasses. Throw pillows and soft blankets, knickknacks, decorative pieces of driftwood are artfully arranged. She was house-proud, the woman who lived here once. She liked things pretty and comfortable. Now, surfaces are covered with dust. Her home, it smells like garbage.
As I finish my tour, I feel a twist of sadness for her. Here’s someone who did everything right. She followed all the rules, went to college, worked in public relations, got married, got pregnant. Pretty, and, by all accounts, sweet and kind. And look. Her cute house, her little dreams, her innocent life, empty, rotting. She deserved better.
Nothing I can do about that. But this is the next best thing.
I know what you’re thinking. What anyone might think. Who am I to say that a man found innocent by a jury of his peers is guilty as sin? And even if he is, who am I to deliver justice?
It’s true. I am no one. But this is how I knew.
When Laney Markham went missing, I immediately suspected that it was her oh-so-handsome husband. Because let’s get real: the incident of stranger crime is a statistical anomaly. (We both have a thing or two to add to that conversation, don’t we? But I’m sure you’d agree that statistically it’s true.) The idea of the other, the stranger, the destroyer who breaks into your home and kills your family, or takes your child? It does happen. But not as often as a man kills his wife. Or a father rapes his daughter. Or an uncle molests his niece. Those things don’t always make the news. Why? Because it’s not news; that’s the everyday horror show of normal life.
So there’s that. The it’s-always-the-husband thing. But what sealed it for me was those national morning show appearances. He did the circuit, ostensibly to plead for the lovely Laney’s safe return. Tall, with movie-star good looks, he was a natural. And those morning show hosts, they lapped it up. Laney? She was a beauty, too. One of those luscious pregnant girls—even prettier with her little baby belly, glowing skin and silky, hormone-rich hair. If the Markhams had been less good-looking, this would have been less of a story. You know it’s true.
Anyway, he gets on camera and starts to weep, and I mean blubber. Steve Markham stares right at the camera, tears streaming down his face and he begs for whoever took his wife and unborn child to just bring them home. Quite a performance.
Except.
Men don’t cry like that. Men, when they are overcome by emotion to the degree that they lose control and start to weep, they cover their faces. Crying is a disobeying of every cultural message a man ever receives. To weep like a woman? It fills him with shame. So he covers his face. That’s how I knew he killed his wife. Steve Markham was a sociopath. Those tears were as fake as they come.
You remember. I know you were thinking the same thing.
You might say that’s not enough. I know you; you follow the rules—or, anyway, you have a kind of code. But we all know there was enough physical evidence to send the bastard to the electric chair. It was those lawyers with all their tricks—cast doubt on this, get that thrown out, confuse and mislead the slack-jawed jury with complicated cell phone evidence. This satellite says he was there at this ti
me, couldn’t have done it.
Still, I generally wait a year. Just to be sure. I watch and wait, do my research. At least a year, sometimes much, much longer, as you know. I choose very carefully. I think about it long and hard. Because it would suck to be wrong. I wouldn’t, couldn’t, justify that. It’s a line I can’t step over. Really. Because then—what am I?
Anyway, my old friend, I’m gratified to report that the year since he was acquitted of his wife’s murder has been very bad for Steve Markham. He lost his job. All his friends. His lover-slash-alibi Tami—you remember her, right? The whole case hung on that mousy blonde from Hoboken. Well, she broke up with him. I’m sure you know all this. If I know you, you’re keeping tabs, too.
You probably didn’t know that for a while he hung around Tami’s place, stalking. I thought we were going to have a problem, that I’d have to act before I was ready. But Steve is nothing else if not a smart guy. Probably figured it wouldn’t look great if his girlfriend turned up dead less than a year after his wife’s body was found in a shallow grave, just miles from her own home, she and her unborn child killed by multiple stab wounds with a six-inch serrated blade (from her own kitchen). He finally stopped following Tami, the one that got away.
He’s about to lose the house. Last month, the lights went out. The pool where they think he killed his wife has turned green, water thick now with algae. Sure, he had his book deal. He did the talk show circuit, this time playing the innocent man, wrongly accused, on a tireless hunt for his wife’s killer. He’d been unfaithful, he admitted, grim and remorseful. He was sorry. So sorry. More crocodile tears.
He burned through the advance money fast. It wasn’t that much. Between agent commission, taxes, it was no windfall. He might have made it last. But people don’t get it. Money, if you don’t protect it, is flammable. It goes up in flames and floats away like ash. The IRS is after him now. The system. Maybe it does have its ways of getting you, even if you slip through its cracks at first.
