Under that tree, where old Jolyon—waiting for Irene to come to him across the lawn—had breathed his last, Jolyon wondered, whimsically, whether, having put everything in such perfect order, he had not better close his own eyes and drift away. There was something undignified in parasitically clinging on to the effortless close of a life wherein he regretted two things only—the long division between his father and himself when he was young, and the lateness of his union with Irene.
From where he sat he could see a cluster of apple-trees in blossom. Nothing in Nature moved him so much as fruit-trees in blossom; and his heart ached suddenly because he might never see them flower again. Spring! Decidedly no man ought to have to die while his heart was still young enough to love beauty! Blackbirds sang recklessly in the shrubbery, swallows were flying high, the leaves above him glistened; and over the fields was every imaginable tint of early foliage, burnished by the level sunlight, away to where the distant ‘smoke-bush’ blue was trailed along the horizon. Irene’s flowers in their narrow beds had startling individuality that evening, little deep assertions of gay life. Only Chinese and Japanese painters, and perhaps Leonardo, had known how to get that startling little ego into each painted flower, and bird, and beast—the ego, yet the sense of species, the universality of life as well. They were the fellows! ‘I’ve made nothing that will live!’ thought Jolyon; ‘I’ve been an amateur—a mere lover, not a creator. Still, I shall leave Jon behind me when I go.’ What luck that the boy had not been caught by that ghastly war! He might so easily have been killed, like poor Jolly twenty years ago out in the Transvaal. Jon would do something some day—if the Age didn’t spoil him—an imaginative chap! His whim to take up farming was but a bit of sentiment, and about as likely to last. And just then he saw them coming up the field: Irene and the boy, walking from the station, with their arms linked. And, getting up, he strolled down through the new rose garden to meet them…
Irene came into his room that night and sat down by the window. She sat there without speaking till he said:
“What is it, my love?”
“We had an encounter today.”
“With whom?”
“Soames.”
Soames! He had kept that name out of his thoughts these last two years; conscious that it was bad for him. And, now, his heart moved in a disconcerting manner, as if it had side-slipped within his chest.
Irene went on quietly:
“He and his daughter were in the Gallery, and afterwards at the confectioner’s where we had tea.”
Jolyon went over and put his hand on her shoulder.
“How did he look?”
“Grey; but otherwise much the same.”
“And the daughter?”
“Pretty. At least, Jon thought so.”
Jolyon’s heart side-slipped again. His wife’s face had a strained and puzzled look.
“You didn’t—?” he began.
“No; but Jon knows their name. The girl dropped her handkerchief and he picked it up.”
Jolyon sat down on his bed. An evil chance!
“June was with you. Did she put her foot into it?”
“No; but it was all very queer and strained, and Jon could see it was.”
Jolyon drew a long breath, and said:
“I’ve often wondered whether we’ve been right to keep it from him. He’ll find out some day.”
“The later the better, Jolyon; the young have such cheap, hard judgment. When you were nineteen what would you have thought of YOUR mother if she had done what I have?” Yes! There it was! Jon worshipped his mother; and knew nothing of the tragedies, the inexorable necessities of life, nothing of the prisoned grief in an unhappy marriage, nothing of jealousy, or passion—knew nothing at all, as yet!
“What have you told him?” he said at last.
“That they were relations, but we didn’t know them; that you had never cared much for your family, or they for you. I expect he will be asking YOU.”
Jolyon smiled. “This promises to take the place of air-raids,” he said. “After all, one misses them.”
Irene looked up at him.
“We’ve known it would come some day.”
He answered her with sudden energy:
“I could never stand seeing Jon blame you. He shan’t do that, even in thought. He has imagination; and he’ll understand if it’s put to him properly. I think I had better tell him before he gets to know otherwise.”
“Not yet, Jolyon.”
That was like her—she had no foresight, and never went to meet trouble. Still—who knew? – she might be right. It was ill going against a mother’s instinct. It might be well to let the boy go on, if possible, till experience had given him some touchstone by which he could judge the values of that old tragedy; till love, jealousy, longing, had deepened his charity. All the same, one must take precautions—every precaution possible! And, long after Irene had left him, he lay awake turning over those precautions. He must write to Holly, telling her that Jon knew nothing as yet of family history. Holly was discreet, she would make sure of her husband, she would see to it! Jon could take the letter with him when he went tomorrow.
And so the day on which he had put the polish on his material estate died out with the chiming of the stable clock; and another began for Jolyon in the shadow of a spiritual disorder which could not be so rounded off and polished…
But Jon, whose room had once been his day nursery, lay awake too, the prey of a sensation disputed by those who have never known it, “love at first sight!” He had felt it beginning in him with the glint of those dark eyes gazing into his athwart the Juno—a conviction that this was his ‘dream’; so that what followed had seemed to him at once natural and miraculous. Fleur! Her name alone was almost enough for one who was terribly susceptible to the charm of words. In a homoeopathic age, when boys and girls were coeducated, and mixed up in early life till sex was almost abolished, Jon was singularly old-fashioned. His modern school took boys only, and his holidays had been spent at Robin Hill with boy friends, or his parents alone. He had never, therefore, been inoculated against the germs of love by small doses of the poison. And now in the dark his temperature was mounting fast. He lay awake, featuring Fleur—as they called it—recalling her words, especially that “Au revoir!” so soft and sprightly.
He was still so wide-awake at dawn that he got up, slipped on tennis shoes, trousers, and a sweater, and in silence crept down-stairs and out through the study window. It was just light; there was a smell of grass. ‘Fleur!’ he thought; ‘Fleur!’ It was mysteriously white out-of-doors, with nothing awake except the birds just beginning to chirp. ‘I’ll go down into the coppice,’ he thought. He ran down through the fields, reached the pond just as the sun rose, and passed into the coppice. Bluebells carpeted the ground there; among the larch-trees there was mystery—the air, as it were, composed of that romantic quality. Jon sniffed its freshness, and stared at the bluebells in the sharpening light. Fleur! It rhymed with her! And she lived at Mapledurham—a jolly name, too, on the river somewhere. He could find it in the atlas presently. He would write to her. But would she answer? Oh! She must. She had said “Au revoir!” Not good-bye! What luck that she had dropped her handkerchief. He would never have known her but for that. And the more he thought of that handkerchief, the more amazing his luck seemed. Fleur! It certainly rhymed with her! Rhythm thronged his head; words jostled to be joined together; he was on the verge of a poem.
Jon remained in this condition for more than half an hour, then returned to the house, and getting a ladder, climbed in at his bedroom window out of sheer exhilaration. Then, remembering that the study window was open, he went down and shut it, first removing the ladder, so as to obliterate all traces of his feeling. The thing was too deep to be revealed to mortal soul—even to his mother.
Chapter IV.
THE MAUSOLEUM
There are houses whose souls have passed into the limbo of Time, leaving their bodies in the limbo of London. S
uch was not quite the condition of “Timothy’s” on the Bayswater Road, for Timothy’s soul still had one foot in Timothy Forsyte’s body, and Smither kept the atmosphere unchanging, of camphor and port wine and house whose windows are only opened to air it twice a day.
To Forsyte imagination that house was now a sort of Chinese pill-box, a series of layers in the last of which was Timothy. One did not reach him, or so it was reported by members of the family who, out of old-time habit or absent-mindedness, would drive up once in a blue moon and ask after their surviving uncle. Such were Francie, now quite emancipated from God (she frankly avowed atheism), Euphemia, emancipated from old Nicholas, and Winifred Dartie from her “man of the world.” But, after all, everybody was emancipated now, or said they were—perhaps not quite the same thing!
When Soames, therefore, took it on his way to Paddington station on the morning after that encounter, it was hardly with the expectation of seeing Timothy in the flesh. His heart made a faint demonstration within him while he stood in full south sunlight on the newly whitened doorstep of that little house where four Forsytes had once lived, and now but one dwelt on like a winter fly; the house into which Soames had come and out of which he had gone times without number, divested of, or burdened with, fardels of family gossip; the house of the “old people” of another century, another age.
The sight of Smither—still corseted up to the armpits because the new fashion which came in as they were going out about 1903 had never been considered “nice” by Aunts Juley and Hester—brought a pale friendliness to Soames’s lips; Smither, still faithfully arranged to old pattern in every detail, an invaluable servant—none such left—smiling back at him, with the words: “Why! it’s Mr. Soames, after all this time! And how are YOU, sir? Mr. Timothy will be so pleased to know you’ve been.”
“How is he?”
“Oh! he keeps fairly bobbish for his age, sir; but of course he’s a wonderful man. As I said to Mrs. Dartie when she was here last: It WOULD please Miss Forsyte and Mrs. Juley and Miss Hester to see how he relishes a baked apple still. But he’s quite deaf. And a mercy, I always think. For what we should have done with him in the air-raids, I don’t know.”
“Ah!” said Soames. “What DID you do with him?”
“We just left him in his bed, and had the bell run down into the cellar, so that Cook and I could hear him if he rang. It would never have done to let him know there was a war on. As I said to Cook, ‘If Mr. Timothy rings, they may do what they like—I’m going up. My dear mistresses would have a fit if they could see him ringing and nobody going to him.’ But he slept through them all beautiful. And the one in the daytime he was having his bath. It WAS a mercy, because he might have noticed the people in the street all looking up—he often looks out of the window.”
“Quite!” murmured Soames. Smither was getting garrulous! “I just want to look round and see if there’s anything to be done.”
“Yes, sir. I don’t think there’s anything except a smell of mice in the dining-room that we don’t know how to get rid of. It’s funny they should be there, and not a crumb, since Mr. Timothy took to not coming down, just before the war. But they’re nasty little things; you never know where they’ll take you next.”
“Does he leave his bed?”
“Oh! yes, sir; he takes nice exercise between his bed and the window in the morning, not to risk a change of air. And he’s quite comfortable in himself; has his Will out every day regular. It’s a great consolation to him—that.”
“Well, Smither, I want to see him, if I can; in case he has anything to say to me.”
Smither coloured up above her corsets.
“It WILL be an occasion!” she said. “Shall I take you round the house, sir, while I send Cook to break it to him?”
“No, you go to him,” said Soames. “I can go round the house by myself.”
One could not confess to sentiment before another, and Soames felt that he was going to be sentimental nosing round those rooms so saturated with the past. When Smither, creaking with excitement, had left him, Soames entered the dining-room and sniffed. In his opinion it wasn’t mice, but incipient wood-rot, and he examined the panelling. Whether it was worth a coat of paint, at Timothy’s age, he was not sure. The room had always been the most modern in the house; and only a faint smile curled Soames’s lips and nostrils. Walls of a rich green surmounted the oak dado; a heavy metal chandelier hung by a chain from a ceiling divided by imitation beams. The pictures had been bought by Timothy, a bargain, one day at Jobson’s sixty years ago—three Snyder “still lifes,” two faintly coloured drawings of a boy and a girl, rather charming, which bore the initials “J.R.”—Timothy had always believed they might turn out to be Joshua Reynolds, but Soames, who admired them, had discovered that they were only John Robinson; and a doubtful Morland of a white pony being shod. Deep-red plush curtains, ten high-backed dark mahogany chairs with deep-red plush seats, a Turkey carpet, and a mahogany dining-table as large as the room was small, such was an apartment which Soames could remember unchanged in soul or body since he was four years old. He looked especially at the two drawings, and thought: ‘I shall buy those at the sale.’
From the dining-room he passed into Timothy’s study. He did not remember ever having been in that room. It was lined from floor to ceiling with volumes, and he looked at them with curiosity. One wall seemed devoted to educational books, which Timothy’s firm had published two generations back—sometimes as many as twenty copies of one book. Soames read their titles and shuddered. The middle wall had precisely the same books as used to be in the library at his own father’s in Park Lane, from which he deduced the fancy that James and his youngest brother had gone out together one day and bought a brace of small libraries. The third wall he approached with more excitement. Here, surely, Timothy’s own taste would be found. It was. The books were dummies. The fourth wall was all heavily curtained window. And turned towards it was a large chair with a mahogany reading-stand attached, on which a yellowish and folded copy of The Times, dated July 6, 1914, the day Timothy first failed to come down, as if in preparation for the war, seemed waiting for him still. In a corner stood a large globe of that world never visited by Timothy, deeply convinced of the unreality of everything but England, and permanently upset by the sea, on which he had been very sick one Sunday afternoon in 1836, out of a pleasure boat off the pier at Brighton, with Juley and Hester, Swithin and Hatty Chessman; all due to Swithin, who was always taking things into his head, and who, thank goodness, had been sick too. Soames knew all about it, having heard the tale fifty times at least from one or other of them. He went up to the globe, and gave it a spin; it emitted a faint creak and moved about an inch, bringing into his purview a daddy-long-legs which had died on it in latitude 44.
‘Mausoleum!’ he thought. ‘George was right!’ And he went out and up the stairs. On the half landing he stopped before the case of stuffed humming-birds which had delighted his childhood. They looked not a day older, suspended on wires above pampas-grass. If the case were opened the birds would not begin to hum, but the whole thing would crumble, he suspected. It wouldn’t be worth putting that into the sale! And suddenly he was caught by a memory of Aunt Ann—dear old Aunt Ann—holding him by the hand in front of that case and saying: “Look, Soamey! Aren’t they bright and pretty, dear little humming-birds!” Soames remembered his own answer: “They don’t hum, Auntie.” He must have been six, in a black velveteen suit with a light-blue collar—he remembered that suit well! Aunt Ann with her ringlets, and her spidery kind hands, and her grave old aquiline smile—a fine old lady, Aunt Ann! He moved on up to the drawing-room door. There on each side of it were the groups of miniatures. Those he would certainly buy in! The miniatures of his four aunts, one of his uncle Swithin adolescent, and one of his uncle Nicholas as a boy. They had all been painted by a young lady friend of the family at a time, 1830, about, when miniatures were considered very genteel, and lasting too, painted as they were on ivory. Many a time
had he heard the tale of that young lady: “Very talented, my dear; she had quite a weakness for Swithin, and very soon after she went into a consumption and died: so like Keats—we often spoke of it.”
Well, there they were! Ann, Juley, Hester, Susan—quite a small child; Swithin, with sky-blue eyes, pink cheeks, yellow curls, white waistcoat—large as life; and Nicholas, like Cupid with an eye on heaven. Now he came to think of it, Uncle Nick had always been rather like that—a wonderful man to the last. Yes, she must have had talent, and miniatures had a certain back-watered cachet of their own, little subject to the currents of competition on aesthetic Change. Soames opened the drawing-room door. The room was dusted, the furniture uncovered, the curtains drawn back, precisely as if his aunts still dwelt there patiently waiting. And a thought came to him: When Timothy died—why not? Would it not be almost a duty to preserve this house—like Carlyle’s—and put up a tablet, and show it? “Specimen of mid-Victorian abode—entrance, one shilling, with catalogue.” After all, it was the completest thing, and perhaps the deadest in the London of today. Perfect in its special taste and culture, if, that is, he took down and carried over to his own collection the four Barbizon pictures he had given them. The still sky-blue walls, the green curtains patterned with red flowers and ferns; the crewel-worked fire-screen before the cast-iron grate; the mahogany cupboard with glass windows, full of little knick-knacks; the beaded footstools; Keats, Shelley, Southey, Cowper, Coleridge, Byron’s “Corsair” (but nothing else), and the Victorian poets in a bookshelf row; the marqueterie cabinet lined with dim red plush, full of family relics; Hester’s first fan; the buckles of their mother’s father’s shoes; three bottled scorpions; and one very yellow elephant’s tusk, sent home from India by Great-uncle Edgar Forsyte, who had been in jute; a yellow bit of paper propped up, with spidery writing on it, recording God knew what! And the pictures crowding on the walls—all water-colours save those four Barbizons looking like the foreigners they were, and doubtful customers at that—pictures bright and illustrative, “Telling the Bees,” “Hey for the Ferry!” and two in the style of Frith, all thimblerig and crinolines, given them by Swithin. Oh! many, many pictures at which Soames had gazed a thousand times in supercilious fascination; a marvellous collection of bright, smooth gilt frames.
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