The stranger bared all his teeth again, exposing the too-pink gums.
"In his library, to which I had a more complete access after his sudden and as yet undiscovered death from entirely natural causes, I found a complete collection of stories about androids, from Shelley's Frankenstein through Capek's R.U.R. to Asimov's—"
"Frankenstein?" said the old man with interest. "There used to be a Frankenstein who had the soda-wasser place on Halstead Street—a Litvack, nebbich."
"What are you talking?" Mrs. Gumbeiner demanded. "His name was Frankenthal, and it wasn't on Halstead, it was on Roosevelt."
"—clearly shown that all mankind has an instinctive antipathy towards androids and there will be an inevitable struggle between them—"
"Of course, of course!" Old Mr. Gumbeiner clicked his teeth against his pipe. "I am always wrong, you are always right. How could you stand to be married to such a stupid person all this time?"
"I don't know," the old woman said. "Sometimes I wonder, myself. I think it must be his good looks." She began to laugh. Old Mr. Gumbeiner blinked, then began to smile, then took his wife's hand.
"Foolish old woman," the stranger said. "Why do you laugh? Do you not know I have come to destroy you?"
"What?" old Mr. Gumbeiner shouted. "Close your mouth, you!" He darted from his chair and struck the stranger with the flat of his hand. The stranger's head struck against the porch pillar and bounced back.
"When you talk to my wife, talk respectable, you hear?"
Old Mrs. Gumbeiner, cheeks very pink, pushed her husband back to his chair. Then she leaned forward and examined the stranger's head. She clicked her tongue as she pulled aside a flap of grey, skinlike material.
"Gumbeiner, look! He's all springs and wires inside!"
"I told you he was a golem, but no, you wouldn't listen," the old man said.
"You said he walked like a golem."
"How could he walk like a golem unless he was one?"
"All right, all right … You broke him, so now fix him."
"My grandfather, his light shines from Paradise, told me that when MoHaRal—Moreynu Ha-Rav Löw—his memory for a blessing, made the golem in Prague, three hundred? four hundred years ago? he wrote on his forehead the Holy Name."
Smiling reminiscently, the old woman continued, "And the golem cut the rabbi's wood and brought his water and guarded the ghetto."
"And one time only he disobeyed the Rabbi Löw, and Rabbi Löw erased the Shem Ha-Mephorash from the golem's forehead and the golem fell down like a dead one. And they put him up in the attic of the shule, and he's still there today if the Communisten haven't sent him to Moscow … This is not just a story," he said.
"Avadda not!" said the old woman.
"I myself have seen both the shule and the rabbi's grave," her husband said conclusively.
"But I think this must be a different kind of golem, Gumbeiner. See, on his forehead; nothing written."
"What's the matter, there's a law I can't write something there? Where is that lump of clay Bud brought us from his class?"
The old man washed his hands, adjusted his little black skull-cap, and slowly and carefully wrote four Hebrew letters on the grey forehead.
"Ezra the Scribe himself couldn't do better," the old woman said admiringly. "Nothing happens," she observed, looking at the lifeless figure sprawled in the chair.
"Well, after all, am I Rabbi Löw?" her husband asked deprecatingly. "No," he answered. He leaned over and examined the exposed mechanism. "This spring goes here … this wire comes with this one …" The figure moved. "But this one goes where? And this one?"
"Let be," said his wife. The figure sat up slowly and rolled its eyes loosely.
"Listen, Reb Golem," the old man said, wagging his finger. "Pay attention to what I say—you understand?"
"Understand …"
"If you want to stay here, you got to do like Mr. Gumbeiner says."
"Do-like-Mr.-Gumbeiner-says …"
"That's the way I like to hear a golem talk. Malka, give here the mirror from the pocketbook. Look, you see your face? You see the forehead, what's written? If you don't do like Mr. Gumbeiner says, he'll wipe out what's written and you'll be no more alive."
"No-more-alive …"
"That's right. Now, listen. Under the porch you'll find a lawnmower. Take it. And cut the lawn. Then come back. Go."
"Go …" The figure shambled down the stairs. Presently the sound of the lawnmower whirred through the quiet air in the street just like the street where Jackie Cooper shed huge tears on Wallace Beery's shirt and Chester Conklin rolled his eyes at Marie Dressler.
"So what will you write to Tillie?" old Mr. Gumbeiner asked.
"What should I write?" old Mrs. Gumbeiner shrugged. "I'll write that the weather is lovely out here and that we are both, Blessed be the Name, in good health."
The old man nodded his head slowly, and they sat together on the front porch in the warm afternoon sun.
<
~ * ~
ZENNA HENDERSON
Zenna Henderson began the chronicles of The People with Ararat (F&SF, October, 1952)— which is currently available, for any of you who were so unlucky as to miss it, in the Bantam anthology frontiers in space—and continued them in Gilead (F&SF, August, 1954), two stories which demonstrated conclusively that the tale of interstellar aliens may be neither an adventurous melodrama nor an intellectual exercise, but a deep wellspring of warmth and emotion. Even if you have not read the earlier stories, you’ll find their background clearly set forth in this latest report on The People, which tells of a Group who attempted to deny their heritage and to sell the proud birthright of the stars for a bitter mess of
POTTAGE
You get tired of teaching after a while. Well, maybe not of teaching itself, because it's insidious and remains a tug in the blood for all of your life, but there comes a day when you look down at the paper you're grading or listen to an answer you're giving a child and you get a boinnng! feeling. And each reverberation of the boing is a year in your life, another set of children through your hands, another beat in monotony, and it's frightening. The value of the work you're doing doesn't enter into it at that moment and the monotony is bitter on your tongue.
Sometimes you can assuage that feeling by consciously savoring those precious days of pseudo freedom between the time you receive your contract for the next year and the moment you sign it. Because you can escape at that moment, but somehow—you don't.
But I did one spring. I quit teaching. I didn't sign up again. I went chasing after—after what? Maybe excitement—maybe a dream of wonder—maybe a new bright wonderful world that just must be somewhere else because it isn't here-and-now. Maybe a place to begin again so I'd never end up at the same frightening emotional dead end. So I quit.
But by late August the emptiness inside me was bigger than boredom, bigger than monotony, bigger than lusting after freedom. It was almost terror to be next door to September and not care that in a few weeks school starts— tomorrow school starts—first day of school. So, almost at the last minute, I went to the placement bureau. Of course it was too late to try to return to my other school, and besides, the mold of the years there still chafed in too many places.
"Well," the placement director said as he shuffled his end-of-the-season cards, past Algebra and Home EC and PE and High-School English, "there's always Bendo." He thumbed out a battered-looking three-by-five. "There's always Bendo."
And I took his emphasis and look for what they were intended and sighed.
"Bendo?"
"Small school. One room. Mining town, or used to be. Ghost town now." He sighed wearily and let down his professional hair. "Ghost people, too. Can't keep a teacher there more than a year. Low pay—fair housing—at someone's home. No community activities—no social life. No city within fifty or so miles. No movies. No nothing but children to be taught. Ten of them this year. All grades."
"Sounds like the town I grew up
in," I said. "Except we had two rooms and lots of community activities."
"I've been to Bendo." The director leaned back in his chair, hands behind his head. "Sick community. Unhappy people. No interest in anything. Only reason they have a school is because it's the law. Law-abiding anyway. Not enough interest in anything to break a law, I guess."
"I'll take it," I said quickly before I could think beyond the feeling that this sounded about as far back as I could go to get a good running start at things again.
He glanced at me quizzically. "If you're thinking of lighting a torch of high reform to set Bendo afire with enthusiasm, forget it. I've seen plenty of king-sized torches fizzle out there."
"I have no torch," I said. "Frankly I'm fed to the teeth with bouncing bright enthusiasm and hugs PTA's and activities until they come out your ears. They usually turn out to be the most monotonous kind of monotony. Bendo will be a rest."
"It will that," the director said, leaning over his cards again. "Saul Diemus is the president of the board. If you don't have a car the only way to get to Bendo is by bus—it runs once a week."
~ * ~
I stepped out into the August sunshine after the interview and sagged a little under its savage pressure, almost hearing a hiss as the refrigerated coolness of the placement bureau evaporated from my skin.
I walked over to the quad and sat down on one of the stone benches I'd never had time to use, those years ago when I had been a student here. I looked up at my old dorm window and, for a moment, felt a wild homesickness—not only for years that were gone and hopes that had died and dreams that had had grim awakenings, but for a special magic I had found in that room. It was a magic—a true magic—that opened such vistas to me that for a while anything seemed possible, anything feasible—if not for me right now, then for others, someday. Even now, after the dilution of time, I couldn't quite believe that magic, and even now, as then, I wanted fiercely to believe it. If only it could be so! If only it could be so!
I sighed and stood up. I suppose everyone has a magic moment somewhere in his life and, like me, can't believe that anyone else could have the same—but mine was different! No one else could have had the same experience! I laughed at myself. Enough of the past and of dreaming. Bendo waited. I had things to do.
~ * ~
I watched the rolling clouds of red-yellow dust billow away from the jolting bus, and cupped my hands over my face to get a breath of clean air. The grit between my teeth and the smothering sift of dust across my clothes was familiar enough to me, but I hoped by the time we reached Bendo we would have left this dust plain behind and come into a little more vegetation. I shifted wearily on the angular seat, wondering if it had ever been designed for anyone's comfort, and caught myself as a sudden braking of the bus flung me forward.
We sat and waited for the dust of our going to catch up with us, while the last-but-me passenger, a withered old Indian, slowly gathered up his gunny-sack bundles and his battered saddle and edged his Levied velveteen-bloused self up the aisle and out to the bleak roadside.
We roared away, leaving him a desolate figure in a wide desolation. I wondered where he was headed. How many weary miles to his hogan in what hidden wash or miniature greenness in all this wilderness.
Then we headed straight as a die for the towering redness of the bare mountains that lined the horizon. Peering ahead I could see the road, ruler straight, disappearing into the distance. I sighed and shifted again and let the roar of the motor and the weariness of my bones lull me into a stupor on the border between sleep and waking.
A change in the motor roar brought me back to the jouncing bus. We jerked to a stop again. I looked out the window through the settling clouds of dust and wondered who we could be picking up out here in the middle of nowhere. Then a clot of dust dissolved and I saw
BENDO POST OFFICE
GENERAL STORE
Garage & Service Station
Dry Goods & Hardware
Magazines
in descending size on the front of the leaning, weather-beaten building propped between two crumbling smoke-blackened stone ruins. After so much flatness it was almost a shock to see the bare tumbled boulders crowding down to the roadside and humping their lichen-stained shoulders against the sky.
"Bendo," the bus driver said, unfolding his lanky legs and hunching out of the bus. "End of the line—end of civilization—end of everything!" He grinned and the dusty mask of his face broke into engaging smile patterns.
"Small, isn't it?" I grinned back.
"Usta be bigger. Not that it helps now. Roaring mining town years ago." As he spoke I could pick out disintegrating buildings dotting the rocky hillsides and tumbling into the steep washes. "My dad can remember it when he was a kid. That was long enough ago that there was still a river for the town to be in the bend o'."
"Is that where it got its name?"
"Some say yes, some say no. Might have been a feller named Bendo." The driver grunted as he unlashed my luggage from the bus roof and swung it to the ground.
"Oh, hi!" said the driver.
I swung around to see who was there. The man was tall, well built, good-looking—and old. Older than his face— older than years could have made him because he was really young, not much older than I. His face was a stern unhappy stillness, his hands stiff on the brim of his Stetson as he he'd it waist high.
In that brief pause before his "Miss Amerson?" I felt the same feeling coming from him that you can feel around some highly religious person who knows God only as a stern implacable vengeful deity, impatient of worthless man, waiting only for an unguarded moment to strike him down in his sin. I wondered who or what his God was that prisoned him so cruelly. Then I was answering, "Yes, how do you do?" And ' e touched my hand briefly with a "Saul Diemus" and turned to the problem of my two large suitcases and my record player.
I followed Mr. Diemus' shuffling feet silently, since he seemed to have slight inclination for talk. I hadn't expected a reception committee, but kids must have changed a lot since I was one, otherwise curiosity about teacher would have lured out at least a couple of them for a preview look. But the silent two of us walked on for a half block or so from the highway and the post office and rounded the rocky corner of a hill. I looked across the dry creek bed and up the one winding street that was residential Bendo. I paused on the splintery old bridge and took a good look. I'd never see Bendo like this again. Familiarity would blur some outlines and sharpen others, and I'd never again see it, free from the knowledge of who lived behind which blank front door.
The houses were scattered haphazardly over the hillsides, and erratic flights of rough stone steps led down from each to the road that paralleled the bone-dry creek bed. The houses were not shacks but they were unpainted and weathered until they blended into the background almost perfectly. Each front yard had things growing in it, but such subdued blossomings and unobtrusive planting that they could easily have been only accidental massings of natural vegetation.
Such a passion for anonymity…
"The school—" I had missed the swift thrust of his hand.
"Where?" Nothing I could see spoke school to me.
"Around the bend." This time I followed his indication and suddenly, out of the featurelessness of the place, I saw a bell tower barely topping the hill beyond the town, with the fine pencil stroke of a flagpole to one side. Mr. Diemus pulled himself together to make the effort.
"The school's in the prettiest place around here. There's a spring and trees, and—" He ran out of words and looked at me as though trying to conjure up something else I'd like to hear. "I'm board president," he said abruptly. "You'll have ten children from first grade to second-year high school. You're the boss in your school. Whatever you do is your business. Any discipline you find desirable—use. We don't pamper our children. Teach them what you have to. Don't bother the parents with reasons and explanations. The school is yours."
"And you'd just as soon do away with it and me, too,"
I smiled at him.
He looked startled. "The law says school them." He started across the bridge. "So school them."
I followed meekly, wondering wryly what would happen if I asked Mr. Diemus why he hated himself and the world he was in and even—oh, breathe it softly—the children I was to "school."
"You'll stay at my place," he said. "We have an extra room."
I was uneasily conscious of the wide gap of silence that followed his pronouncement, but couldn't think of a thing to fill it. I shifted my small case from one hand to the other and kept my eyes on the rocky path that protested with shifting stones and vocal gravel every step we took. It seemed to me that Mr. Diemus was trying to make all the noise he could with his shuffling feet. But, in spite of the amplified echo from the hills around us, no door opened, no face pressed to a window. It was a distinct relief to hear suddenly the happy unthinking rusty singing of hens as they scratched in the coarse dust.
The Best From Fantasy and Science Fiction Fifth Series Page 8
