Serpents in Eden
Countryside Crimes
With an Introduction by
Martin Edwards
Poisoned Pen Press
Copyright
Copyright © 2016
Published by Poisoned Pen Press in association with the British Library
Introduction copyright © 2015 Martin Edwards
First E-book Edition 2016
ISBN: 9781464205767 ebook
All rights reserved. No part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the publisher of this book.
‘A Proper Mystery’ by Margery Allingham reprinted by permission of Peters Fraser & Dunlop (www.petersfraserdunlop.com) on behalf of the Estate of Margery Allingham. ‘The Genuine Tabard’ reproduced with permission of Curtis Brown Group Ltd, London, on behalf of the estate of E.C. Bentley. Copyright © The Estate of E.C. Bentley. ‘Direct Evidence’ reprinted by permission of the Marsh Agency Ltd on behalf of the Society of Authors. ‘Clue in the Mustard’ by Leo Bruce reprinted by permission of Peters Fraser & Dunlop (www.petersfraserdunlop.com) on behalf of the Estate of Leo Bruce. ‘Our Pageant’ copyright © Estate of Gladys Mitchell c/o Gregory and Company Authors’ Agents.
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Contents
Serpents in Eden
Copyright
Contents
Introduction
The Black Doctor
Murder By Proxy
The Fad of the Fisherman
The Genuine Tabard
The Gylston Slander
The Long Barrow
The Naturalist at Law
A Proper Mystery
Direct Evidence
Inquest
The Scarecrow
Clue in the Mustard
Our Pageant
More from this Author
Contact Us
Introduction
One of the most famous conversations in the literature of crime fiction takes place in Arthur Conan Doyle’s story “The Copper Beeches”. Sherlock Holmes and Dr Watson are travelling by train to Winchester on a lovely spring day, and the delights of the passing scenery move the good doctor to raptures. Holmes, that old spoilsport, shakes his head gravely: “You look at these scattered houses, and you are impressed by their beauty…I look at them, and the only thought that comes to me is a feeling of their isolation and of the impunity with which crime may be committed there…They always fill me with a certain horror. It is my belief, Watson, founded upon my experience, that the lowest and vilest alleys in London do not present a more dreadful record of sin than does the smiling and beautiful countryside…Think of the deeds of hellish cruelty, the hidden wickedness which may go on, year in, year out, in such places, and none the wiser.”
This memorable passage helps to explain why the appeal of crime in the countryside is both intense and enduring. More than half a century later, W.H. Auden went so far as to say, in his essay “The Guilty Vicarage” that he found it “very difficult, for example, to read [a detective story] that is not set in rural England.” This sounds rather extreme, but for Auden, there was an ideal milieu for crime and mystery: “Nature should reflect its human inhabitants, i.e., it should be the Great Good Place; for the more Eden-like it is, the greater the contradiction of murder. The country is preferable to the town…”
Auden was writing at a time when the Golden Age of Murder in detective fiction was drawing to a close. Agatha Christie had led the way in popularising the rural English whodunit novel (although she also set many of her stories in exotic foreign locations) with enduringly popular books such as The Murder of Roger Ackroyd and The Murder at the Vicarage. In his survey of the genre Snobbery with Violence, a crime writer of a later generation, Colin Watson, coined the term Mayhem Parva to convey the typical setting of this kind of story.
For Watson, Mayhem Parva was located in the south of England, and had “an inn with reasonable accommodation for itinerant detectives, a village institute, a library, and shops—including a chemist’s where weed-killer and hair dye might be conveniently bought…there would be a good bus service for the keeping of suspicious appointments in the nearby town…” Watson regarded Mayhem Parva as “a mythical kingdom…It was derived in part from the ways and values of a society that had begun to fade away from the very moment of the shots at Sarajevo…”
Watson’s portrayal is a caricature of Golden Age fiction, though like many caricatures, it contains more than a grain of truth. He acknowledged the durability of the appeal of the rural whodunit, but nevertheless under estimated it, perhaps because he failed fully to understand it. More than a quarter of a century after Snobbery with Violence was published, Midsomer Murders, based on novels written by Caroline Graham, arrived on the television screens. At the time of writing the series is still going strong, with more than one hundred episodes screened. Midsomer has become a Mayhem Parva for the twenty-first century, with a homicide per capita rate outstripping those of many an urban ghetto.
Just as Midsomer Murders has been watched around the world, so Agatha Christie’s books (and the TV series, films, and other adaptations they spawned) continue to enjoy global success, even half a century after her death. Detective stories set in the heart of the countryside remain remarkably popular, as has been illustrated by the success of several titles in the British Library’s Crime Classics, such as three books by the previously neglected John Bude: The Cornish Coast Murder, The Lake District Murder, and The Sussex Downs Murder.
Serpents in Eden celebrates the rural British mystery by bringing together an eclectic mix of short crime stories written over, very roughly, half a century. Conan Doyle is represented, as are such major figures as G.K. Chesterton and Margery Allingham. Famous in their day were such authors as R. Austin Freeman, H.C. Bailey, and Anthony Berkeley. M. McDonnell Bodkin and Herbert Jenkins were rather less renowned. At different times, and in different ways, they all explored the possibilities of crime in the countryside in lively fashion, and sometimes with great ingenuity.
The Berkeley story included here is especially noteworthy, as it was unpublished during his lifetime, and thereafter appeared in a privately produced book so rare that even the British Library did not have a copy. By way of contrast, only in recent years has the real, and rather surprising, identity of the author of “Inquest” become known. She was, in fact, the step-daughter of P.G. Wodehouse, and she originally published the story under the unlikely pen-name “Loel Yeo”. One of many pleasures afforded by the invitation to put this anthology together has been the chance to give credit where it is due—and to ensure that this enjoyable story, from an author whose promise as a crime writer was sadly never fulfilled, is finally credited to Leonora Wodehouse.
Martin Edwards
www.martinedwardsbooks.com
The Black Doctor
Arthur Conan Doyle
Arthur Conan Doyle (1859–1930) will forever be remembered as the creator of Sherlock Holmes, but his literary achievements were many and varied. His work included historical and science fiction, tales about boxing and pirates, and stories of terror and the supernatural. His disenchantment with being typecast as Holmes’ creator led him to kill off the great detective at the Reichenbach Falls, so that he could focus on other areas of writing, but Holmes’
popularity was so great that pressure to revive him ultimately proved irresistible.
Holmes does not feature in this relatively unfamiliar tale, which first appeared in the Strand Magazine in 1898, prior to the detective’s return in The Hound of the Baskervilles. Set in a village in the north west of England, it is a mystery story which displays those touches of the macabre and exotic that distinguish Conan Doyle’s better work. It also boasts a murder trial which gives rise to a splendid sensation in court.
***
Bishop’s Crossing is a small village lying ten miles in a south-westerly direction from Liverpool. Here in the early seventies there settled a doctor named Aloysius Lana. Nothing was known locally either of his antecedents or of the reasons which had prompted him to come to this Lancashire hamlet. Two facts only were certain about him; the one that he had gained his medical qualification with some distinction at Glasgow; the other that he came undoubtedly of a tropical race, and was so dark that he might almost have had a strain of the Indian in his composition. His predominant features were, however, European, and he possessed a stately courtesy and carriage which suggested a Spanish extraction. A swarthy skin, raven-black hair, and dark, sparkling eyes under a pair of heavily-tufted brows made a strange contrast to the flaxen or chestnut rustics of England, and the newcomer was soon known as ‘The Black Doctor of Bishop’s Crossing.’ At first it was a term of ridicule and reproach; as the years went on it became a title of honour which was familiar to the whole country-side, and extended far beyond the narrow confines of the village.
For the newcomer proved himself to be a capable surgeon and an accomplished physician. The practice of that district had been in the hands of Edward Rowe, the son of Sir William Rowe, the Liverpool consultant, but he had not inherited the talents of his father, and Dr Lana, with his advantages of presence and of manner, soon beat him out of the field. Dr Lana’s social success was as rapid as his professional. A remarkable surgical cure in the case of the Hon. James Lowry, the second son of Lord Belton, was the means of introducing him to county society, where he became a favourite through the charm of his conversation and the elegance of his manners. An absence of antecedents and of relatives is sometimes an aid rather than an impediment to social advancement, and the distinguished individuality of the handsome doctor was its own recommendation.
His patients had one fault—and one fault only—to find with him. He appeared to be a confirmed bachelor. This was the more remarkable since the house which he occupied was a large one, and it was known that his success in practice had enabled him to save considerable sums. At first the local matchmakers were continually coupling his name with one or other of the eligible ladies, but as years passed and Dr Lana remained unmarried, it came to be generally understood that for some reason he must remain a bachelor. Some even went so far as to assert that he was already married, and that it was in order to escape the consequence of an early misalliance that he had buried himself at Bishop’s Crossing. And, then, just as the matchmakers had finally given him up in despair, his engagement was suddenly announced to Miss Frances Morton, of Leigh Hall.
Miss Morton was a young lady who was well known upon the country-side, her father, James Haldane Morton, having been the Squire of Bishop’s Crossing. Both her parents were, however, dead, and she lived with her only brother, Arthur Morton, who had inherited the family estate. In person Miss Morton was tall and stately, and she was famous for her quick, impetuous nature and for her strength of character. She met Dr Lana at a gardenparty, and a friendship, which quickly ripened into love, sprang up between them. Nothing could exceed their devotion to each other. There was some discrepancy in age, he being thirty-seven, and she twenty-four; but, save in that one respect, there was no possible objection to be found with the match. The engagement was in February, and it was arranged that the marriage should take place in August.
Upon the 3rd of June Dr Lana received a letter from abroad. In a small village the postmaster is also in a position to be the gossip-master, and Mr Bankley, of Bishop’s Crossing, had many of the secrets of his neighbours in his possession. Of this particular letter he remarked only that it was in a curious envelope, that it was in a man’s handwriting, that the postscript was Buenos Aires, and the stamp of the Argentine Republic. It was the first letter which he had ever known Dr Lana to have from abroad, and this was the reason why his attention was particularly called to it before he handed it to the local postman. It was delivered by the evening delivery of that date.
Next morning—that is, upon the 4th of June—Dr Lana called upon Miss Morton, and a long interview followed, from which he was observed to return in a state of great agitation. Miss Morton remained in her room all that day, and her maid found her several times in tears. In the course of a week it was an open secret to the whole village that the engagement was at an end, that Dr Lana had behaved shamefully to the young lady, and that Arthur Morton, her brother, was talking of horse-whipping him. In what particular respect the doctor had behaved badly was unknown—some surmised one thing and some another; but it was observed, and taken as the obvious sign of a guilty conscience, that he would go for miles round rather than pass the windows of Leigh Hall, and that he gave up attending morning service upon Sundays where he might have met the young lady. There was an advertisement also in the Lancet as to the sale of a practice which mentioned no names, but which was thought by some to refer to Bishop’s Crossing, and to mean that Dr Lana was thinking of abandoning the scene of his success. Such was the position of affairs when, upon the evening of Monday, June 21st, there came a fresh development which changed what had been a mere village scandal into a tragedy which arrested the attention of the whole nation. Some detail is necessary to cause the facts of that evening to present their full significance.
The sole occupants of the doctor’s house were his housekeeper, an elderly and most respectable woman, named Martha Woods, and a young servant—Mary Pilling. The coachman and the surgery-boy slept out. It was the custom of the doctor to sit at night in his study, which was next to the surgery in the wing of the house which was farthest from the servants’ quarters. This side of the house had a door of its own for the convenience of patients, so that it was possible for the doctor to admit and receive a visitor there without the knowledge of anyone. As a matter of fact, when patients came late it was quite usual for him to let them in and out by the surgery entrance, for the maid and the housekeeper were in the habit of retiring early.
On this particular night Martha Woods went into the doctor’s study at half-past nine, and found him writing at his desk. She bade him good night, sent the maid to bed, and then occupied herself until a quarter to eleven in household matters. It was striking eleven upon the hall clock when she went to her own room. She had been there about a quarter of an hour or twenty minutes when she heard a cry or call, which appeared to come from within the house. She waited some time, but it was not repeated. Much alarmed, for the sound was loud and urgent, she put on a dressing-gown, and ran at the top of her speed to the doctor’s study.
‘Who’s there?’ cried a voice, as she tapped at the door.
‘I am here, sir—Mrs Woods.’
‘I beg that you will leave me in peace. Go back to your room this instant!’ cried the voice, which was, to the best of her belief, that of her master. The tone was so harsh and so unlike her master’s usual manner, that she was surprised and hurt.
‘I thought I heard you calling, sir,’ she explained, but no answer was given to her. Mrs Woods looked at the clock as she returned to her room, and it was then half-past eleven.
At some period between eleven and twelve (she could not be positive as to the exact hour) a patient called upon the doctor and was unable to get any reply from him. This late visitor was Mrs Madding, the wife of the village grocer, who was dangerously ill of typhoid fever. Dr Lana had asked her to look in the last thing and let him know how her husband was progressing. She observed that the light wa
s burning in the study, but having knocked several times at the surgery door without response, she concluded that the doctor had been called out, and so returned home.
There is a short, winding drive with a lamp at the end of it leading down from the house to the road. As Mrs Madding emerged from the gate a man was coming along the footpath. Thinking that it might be Dr Lana returning from some professional visit, she waited for him, and was surprised to see that it was Mr Arthur Morton, the young squire. In the light of the lamp she observed that his manner was excited, and that he carried in his hand a heavy hunting-crop. He was turning in at the gate when she addressed him.
‘The doctor is not in, sir,’ said she.
‘How do you know that?’ he asked harshly.
‘I have been to the surgery door, sir.’
‘I see a light,’ said the young squire, looking up the drive. ‘That is in his study, is it not?’
‘Yes, sir; but I am sure that he is out.’
‘Well, he must come in again,’ said young Morton, and passed through the gate while Mrs Madding went upon her homeward way.
At three o’clock that morning her husband suffered a sharp relapse, and she was so alarmed by his symptoms that she determined to call the doctor without delay. As she passed through the gate she was surprised to see someone lurking among the laurel bushes. It was certainly a man, and to the best of her belief Mr Arthur Morton. Preoccupied with her own troubles, she gave no particular attention to the incident, but hurried on upon her errand.
When she reached the house she perceived to her surprise that the light was still burning in the study. She therefore tapped at the surgery door. There was no answer. She repeated the knocking several times without effect. It appeared to her to be unlikely that the doctor would either go to bed or go out leaving so brilliant a light behind him, and it struck Mrs Madding that it was possible that he might have dropped asleep in his chair. She tapped at the study window, therefore, but without result. Then, finding that there was an opening between the curtain and the woodwork, she looked through.
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