“Sexy, scary, and creepy as hell,
Sublime will both seduce you and send chills down
your spine. A beautiful, haunting read.”
—Tahereh Mafi,
New York Times bestselling author of Shatter Me
“A romantic and unforgettable story of first love.”
—Kami Garcia,
#1 New York Times bestselling author of Unbreakable
and coauthor of Beautiful Creatures
* * *
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To a writing partnership and friendship that gets stronger with every book
ACKNOWLEDGMENTS
This book feels like it’s been in this secret corner of our hearts for so long and now it’s out in the world! (We can only hope it behaves itself and doesn’t eat crackers in your bed.)
Our agent, Holly Root, has been along for this entire journey, and no doubt all three of us are doing a ridiculous happy dance seeing this labor of love in print for the first time. Our editor, Zareen Jaffery, wanted to acquire this story long before any of our other books saw the light of day, and we have a special throne in Christina Lauren Wonderland reserved for her for loving Colin and Lucy so long ago, and for making them so much stronger with every edit. Thank you, Lizzy Bromley, for our beautiful cover. It still takes our breath away. Thank you to everyone at Simon & Schuster Books for Young Readers—especially Katy Hershberger, Chrissy Noh, and Julia Maguire—for welcoming us with so much enthusiasm! Let’s go get matching ring pops.
Our prereaders have seen this book so many times, I’m sure they don’t even really know which version is final, and so sorry for that! But on the upside, we love you endlessly: Alison Cherry, Martha Henley, Erin Billings Service, and Anne Jamison. Thanks as well to the kindly critical eyes of Myra McEntire, Gretchen Kopmanis, and Tonya Irving. Thank you: Lauren Suero for being the most fabulous assistant, Nathan Bransford for giving a world of writers a clear road map and a set of tools, and always to Tahereh Mafi for the assurance that the only thing in our way was time. We adore you.
Thanks to John Donello for the mentoring, the friendship, the endless giggles, and of course, for the spark of an idea that turned into a book.
Finally, thank you to our husbands and kiddos for keeping up the enthusiasm from the day we wrote the first word of Sublime to this very moment. Right now.
Lo, there’s only a thirteen-minute wait for the Tower of Terror.
C, then let’s skip over there together and outline as we go.
sublime
1. (adjective) transcendent; complete, absolute
2. (transitive verb) to cause to pass directly from the solid to the vapor state
A slumber did my spirit seal
I had no human fears:
She seem’d a thing that could not feel
The touch of earthly years.
No motion has she now, no force;
She neither hears nor sees;
Roll’d round in earth’s diurnal course,
With rocks, and stones, and trees.
—SIR WILLIAM WORDSWORTH
Chapter 1 • HER
THE GIRL IS BENT INTO odd angles when she wakes. It doesn’t seem possible that she could have been sleeping here, alone on a dirt path, surrounded by leaves and grass and clouds. She feels like she might have fallen from the sky.
She sits up, dusty and disoriented. Behind her, a narrow trail turns and disappears, crowded with trees flaming garishly with fall colors. In front of her is a lake. It is calm and blue, its surface rippling only at the edges where shallow water meets rock. On instinct, she crawls to it and peers in, feeling a tug of instinctive pity for the confused girl staring back at her.
Only when she stands does she see the hulking buildings looming at the perimeter of the park. Made of gray stone, they stand tall over the tips of fiery red trees, staring down at where she’s landed. The buildings strike her as both welcoming and threatening, as if she’s at that in-between stage of awake and asleep when it’s possible for dreams and reality to coexist.
Instead of being afraid, she feels a surge of excitement tear through her. Excitement, like the sound of a gunshot to a sprinter.
Go.
She slips down the trail and across the dirt road to where the sidewalk abruptly begins. She doesn’t remember putting on the silk dress she’s wearing, printed with a delicate floral calico and falling in wispy folds to her knees. She stares at her unfamiliar feet, wrapped in stiff new sandals. Although she isn’t cold, uniformed students walk past, wrapped in thick wool, navy and gray. Personality lies in the small additions: boots, earrings, the flash of a red scarf. But few bother to notice the wisp of a girl shuffling and hunched over, fighting against the weight of the wind.
The smell of damp earth is familiar, as is the way the stone buildings capture the echoes of the quad and hold them tight, making time slow down and conversations last longer. From the way the wind whips all around her, and from her precious new memory of the trees in the woods, she also knows that it’s autumn.
But nothing looks like it did yesterday. And yesterday, it was spring.
• • •
An archway looms ahead, adorned with tarnished green-blue copper letters that seem to be written from the same ink as the sky.
SAINT OSANNA’S PREPARATORY SCHOOL FOR GIRLS AND BOYS
GRADES K–12
EST. 1814
Beneath it, a broad iron sign lurches in the wind:
And whosoever shall offend one of these little ones that believe in me, it is better for him that a millstone were hanged about his neck, and he were cast into the sea.
Mark 9:42
The campus is larger than she expects, but somehow she knows where to look—right, not left—to find the grouping of smaller brick buildings and, in the distance, a wood cabin. She moves forward with a different kind of excitement now, like walking into a warm house knowing what’s for dinner. The familiar kind. Except she has no idea where she is.
Or who.
Of the four main buildings, she chooses the one on the left, bordering the wilderness. The steps are crowded with students, but even so, no one helps her with the door, which seems intent on pushing her back outside with its own weight. The handle is leaden and dull in her grip, and beside it, her skin seems to shimmer.
“Close the door,” someone calls. “It’s freezing!”
The girl ducks into the entryway, breaking her attention from her own stardust skin. The air inside is warm and carries the familiar smell of bacon and coffee beans. She hovers near the door, but nobody looks up. It’s as if she’s any other student walking into a crowd; life keeps moving in the roaring dining hall, and in a blurred frenzy, she stands perfectly still. She’s not invisible—she can see her reflection in the window to her right—but she might as well be.
Finally, she makes her way through a maze of tables and chairs to an old woman with a clipboard who stands at the doorway to the kitchen. She’s ticking items off a list, her pen pressing and flicking in perfect, practiced check marks. A single question perches on the girl’s tongue and sticks there, unmoving, while she waits for the old woman to notice her.
The girl is afraid to speak. She doesn’t even know herself, let alone how to ask the one question she needs answered. Glancing down, she sees that her skin glows faintly under the honeyed light fixture, and for the first time it occurs to her to worry that she doesn’t
look entirely . . . normal. What if she opens her mouth and dissolves into a flock of ravens? What if she’s lost her words along with her past?
Get it together.
“Excuse me,” she says once, and then louder.
The woman looks up, clearly surprised to find a stranger standing so close. She seems a mixture of confused and, eventually, uneasy as she takes in the dusty dress, the hair tangled with leaves. Her eyes scan the girl’s face, searching as if a name perches near the back of her mind. “Are you . . . ? Can I help you?”
The girl wants to ask, Do you know me? Instead, she says, “What day is it?”
The woman’s eyebrows move closer together as she looks the girl over. It wasn’t the right question somehow, but she answers anyway: “It’s Tuesday.”
“But which Tuesday?”
Pointing to a calendar behind her, the woman says, “Tuesday, October fourth.”
Only now does the girl realize that knowing the date doesn’t help much, because although those numbers feel unfamiliar and wrong, she doesn’t know what year it should be. The girl steps back, mumbling her thanks, and reclaims her place against the wall. She feels glued to this building, as if it’s where she’ll be found.
“It’s you,” someone will say. “You’re back. You’re back.”
• • •
But no one says that. The dining hall clears out over the next hour until only a group of giggling teenage girls remains seated at a round table in the corner. Now the girl is positive something is wrong: Not once do they look her way. Even in her moth-eaten memories she knows how quickly teenage eyes seek out anyone different.
From the kitchen, a boy emerges, pulling a red apron over his neck and tying it as he walks. Wild, dark curls fall into his eyes, and he flips them away with an unconscious shake of his head.
In that moment, her silent heart twists beneath the empty walls of her chest. And she realizes, in the absence of hunger or thirst, discomfort or cold, this is the first physical sensation she’s had since waking under a sky full of falling leaves.
Her eyes move over every part of him, her lungs greedy for breath she doesn’t remember needing before now. He’s tall and lanky, managing somehow to look broad. His teeth are white but the slightest bit crooked. A small silver ring curves around the center of his full bottom lip, and her fingers burn with the need to reach out and touch it. His nose has been broken at least once. But he’s perfect. And something about the light in his eyes when he looks up makes her ache to share herself with him. But share what? Her mind? Her body? How can she share things she doesn’t know?
When he approaches the other table, the schoolgirls stop talking and watch him, eyes full of anticipation.
“Hey.” He greets them with a wave. “Grabbing a late breakfast?”
A blond girl with a strip of garish pink in her hair leans forward and slowly tugs his apron string loose. “Just came by to have something sweet.”
The boy grins, but it’s a patient grin—flexed jaw, smile climbing only partway up his face—and he steps out of her grip, motioning to the buffet against the far wall. “Go grab whatever you want. I need to start clearing it out soon.”
“Jay said you guys did some pretty crazy stunts in the quarry yesterday,” she says.
“Yeah.” He nods in a slow, easy movement and pushes a handful of wavy hair off his forehead. “We set up some jumps. It was pretty sick.” A short pause and then: “You guys might want to grab some food real quick. Kitchen closed five minutes ago.”
Out of instinct, the girl glances to the kitchen and sees the old woman standing in the doorway and watching the boy. The woman blinks over to her then, studying with eyes both wary and unblinking; the girl is the first to look away.
“Can’t you sit and hang out for a few?” Pink-Haired Girl asks, her voice and lips heavy with a pout.
“Sorry, Amanda, I have calc over in Henley. Just helping Dot finish up in the kitchen.”
He’s fascinating to watch: his unhurried smile, the solid curve of his shoulders and the comfortable way he slips his hands in his pockets and rocks on the balls of his feet. It’s easy to tell why the schoolgirls want him to stay.
But then he turns, blinking away from the table of his peers to the girl sitting alone, watching him. She can actually see the pulse in his neck begin to pound, and it seems to echo inside her own throat.
And he sees her, bare legs and arms, wearing a spring dress in October.
“You here for breakfast?” he asks. His voice vibrates through her. “Last call . . .”
Her mouth opens again, and what spills forward isn’t what she expects; nor does she dissolve into a flock of ravens. “I think I’m here for you.”
Chapter 2 • HIM
A WEEK LATER
COLIN HOVERS NEAR THE DOOR, staring down at the fingers sticking out of the end of his newly set cast. They’re big and awkward—some are crooked from the older breaks he’d never had set. His knuckles are wide, his skin scarred from cuts and scrapes left to heal on their own. Today his fingers look swollen. Abused.
He’s finally managed to get the door open when his boss confronts him.
“Colin,” Dot says, her face set in a grim line. “Joe called and told me you’ve been at the infirmary all morning.” She doesn’t need to add, Don’t bother making an excuse, or, I knew this would happen again.
He exhales a shaky breath, and it condenses in the cold air in front of him. “I’m sorry, Dot,” he says, letting the door close behind him.
“Why are you apologizing to me? It’s your arm in a cast.” She clears her throat, her expression softening as she touches the plaster. “Broken this time?” He nods. “So why are you showing up for work?”
Her apron is drenched. She’s been doing dishes again, and Colin makes a mental note to kick Dane’s ass for not finishing before he left for class.
“I was coming to tell you I can’t work for the next two weeks.” The words burn as they come out. Working in the dining hall makes him feel less like a charity case.
“Only two?” She cocks her head and looks straight at him, catching the lie.
“Okay, four.” He fidgets, starting to reach to scratch his neck with the hand of his broken arm, and then winces, working to not grunt some cusswords in front of Dot. She was his mom’s best friend and the closest thing he’s had to a grandmother for the past twelve years. The last thing he wants to do is upset her.
“And you haven’t been to basketball in three weeks,” she says. His eyes widen, and she nods. “Yep, I know about that. Talked to Coach Tucker a week ago; he says they cut you from the team.”
“Come on, Dot. You know that kind of stuff isn’t my thing.”
Dot narrows her eyes, considering him. “What is your thing, exactly? Defying death? Driving the rest of us to drink, worrying about you? I’ve always loved your fire, kiddo. But I’m not going to tolerate any more of this insanity.”
“It’s not insanity,” Colin says against his better judgment. “It’s biking.”
“Now, that’s a bald-faced lie. It’s tricks and props and jumping from train cars to the tracks. It’s riding on the train tracks and across bridges made out of rope over the quarry.” His head snaps up, and Dot nods forcefully. “Oh yeah. I know about that, too. You could have died out there. When will you realize you can only be so reckless before it’s too far?”
Colin curses under his breath. “Does Joe know?”
“No.” He hears the layer of warning in her voice, the unspoken not yet. “Slow down. The tricks, the racing. Everything. I’m too old to lose this much sleep worrying about you.” She pauses, considering her words before speaking. “I know seventeen-year-old boys think they’re invincible, but you more than anyone know how quickly people can be taken from us. I’m not going to let it happen to you.”
He bristles slightly, and Dot reaches for his arm.
“Just promise you’ll be more careful. Promise you’ll think.” When he doesn’t respond, she
closes her eyes for a long beat. “I’m cutting down your spending account and revoking your state parks pass. You’re grounded to school property until I say otherwise.” She glances at him, probably waiting for him to explode, but he knows it isn’t worth it. Since Colin’s parents died, Joe has kept Colin under his roof and handled the official details of Colin’s meager inheritance, but Dot has the unofficial final say. The two of them give Colin miles of rope to proverbially hang himself and are always there to cut him loose when he almost does. This has been coming for a long time.
He nods, hooking his bag over his shoulder before walking into the kitchen to cross his name off of his dining hall shifts. The marker squeals in the silence with a sound of finality, and he can feel the pressure of Dot’s attention on his back. He hates disappointing her. He knows how much she worries about him; it’s a constant, obsessive loop in her mind.
It’s why he hid in his room with a broken arm last night instead of going straight to the infirmary. It’s why Dot and Joe will never, ever know half the stupid shit he’s done.
• • •
Pulling his hood up against the wind, he grips the handrail as he climbs the steps of Henley Hall. The metal is cold and familiar beneath his palm, colder even than the autumn air that snakes around him. White paint has started to flake away, the surface marked with the scars of tires and skateboard axles—most of them his. The beginnings of rust bloom around the edges. What little sleep he got last night was broken up by stabbing pain; now he’s just sore and tired and not sure he can deal with today.
He pushes through the door, and emptiness greets him; the space ticks dully with the synchronized rhythm of the clocks at either end of the long hallway.
The halls don’t stay empty for long, though. The bell rings, and he turns the corner to find Jay pressing a girl against a locker outside class, a set of red-tipped acrylic nails running through his dirty-blond hair.
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