The class of commoners in France to which Voltaire belonged had felt most acutely the mismatch between their sense of personal worth and the limited scope allowed to their abilities by the existing order. By the time of his death, he had put far behind the humiliation of being thrashed by the minions of a French nob. He parleyed on equal terms with princes and ministers. He had shown by personal example that the hero of the newborn secular society was the entrepreneur – intellectual as well as commercial.
The Interesting Madman
Against this moral revolution – the de-Christianization of European society and the self-consciously heretical programme of constructing Heaven on Earth through increased wealth and intellectual sophistication – Rousseau launched a counter-revolution. Indeed, it can be claimed without melodrama that one afternoon in October 1749, walking on a provincial road outside Paris, this ‘guttersnipe of genius’ inaugurated the characteristically modern revolt against modernity, with reverberations that grow stronger as the Crystal Palace extends around the world.
In his radical perspective, the new commercial society, which was acquiring its main features of class divisions, inequality and callous elites during the eighteenth century, made its members corrupt, hypocritical and cruel with its prescribed values of wealth, vanity and ostentation. Human beings were good by nature until they entered such a society, exposing themselves to ceaseless and psychologically debilitating transformation and bewildering complexity. Propelled into an endless process of change, and deprived of their peace and stability, human beings failed to be either privately happy or active citizens.
This is plainly the world view of a solitary and rootless exile; its interpretation cannot be divorced from the life and personality of Rousseau, and actually of the many uprooted men who raised their failure to adapt themselves to a stable life in society to the rank of injustice against the human race. Born in 1712 to a watchmaker in Geneva, Rousseau had a largely unsupervised childhood and adolescence. He lost his mother and was only ten years old when his father deposited him with indifferent relatives and left the city. At the age of fifteen he ran away from his guardians and found his way to Savoy, where he soon became the toy boy of a French noblewoman. She turned out to be the great love of his life, introducing him to books and music. Rousseau, always seeking in women substitutes for his mother, called her maman.
By the time Rousseau arrived in Paris in the mid-1740s, he had, in an itinerant early career across Europe, already toiled in various subordinate positions: as an apprentice engraver in Geneva; a footman in Turin, tutor in Lyons and secretary in Venice. In Paris in 1745 he started living with a near-illiterate seamstress, who bore him five children, while making his first tentative forays into the city’s salons, the focal point of the French Enlightenment, where the commercial society was theorized and promoted by freethinking men (and a few women), and in which Rousseau turned out to have no real place.
One of his earliest acquaintances in Paris was Denis Diderot, a fellow provincial who was committed to making the most of that decade’s relatively free intellectual climate. As a frequent contributor to the Encyclopédie, publishing nearly four hundred articles, many of them on politics and music, Rousseau appeared to have joined in the collective endeavour of France’s ambitious rising class. But Rousseau, who had felt material deprivation, class divisions and social injustice more keenly than the other upstarts, was developing his own views on the good life proposed by them.
On the afternoon of October 1749, Rousseau was travelling to see Diderot, who had been imprisoned in a fortress at Vincennes outside Paris for authoring a tract that challenged the existence of God. Reading a newspaper on the way, Rousseau noticed an advertisement for a prize essay competition. The topic was: ‘Has the progress of the sciences and arts done more to corrupt morals or improve them?’ In his autobiography, Confessions, Rousseau recalled: ‘The moment I read this I beheld another universe and became another man.’ He had to, he claims, sit down by the roadside, and he spent the next hour in a trance, drenching his coat in tears.
This epiphany may not have been quite so histrionically received; Rousseau may have already started to formulate his heresies. Nevertheless, he boldly declared in his prize-winning contribution to the essay contest that contrary to what the Enlightenment philosophes claimed about the civilizing and liberating effects of progress, it was leading to new forms of enslavement. The arts and sciences, he wrote, were merely ‘garlands of flowers over the chains which weigh us down’. In fact, ‘our minds have been corrupted in proportion’ as human knowledge has improved. ‘Civilized man,’ he argued, ‘is born and dies a slave. The infant is bound up in swaddling clothes, the corpse is nailed down in his coffin. All his life man is imprisoned by our institutions.’
It isn’t just that the strong exploit the weak; the powerless themselves are prone to enviously imitate the powerful. But people who try to make more of themselves than others end up trying to dominate others, forcing them into positions of inferiority and deference. The lucky few on top remain insecure, exposed to the envy and malice of the also-rans. The latter use all means available to them to realize their unfulfilled cravings while making sure to veil them with a show of civility, even benevolence.
In Rousseau’s bleak vision, ‘sincere friendship, real esteem and perfect confidence are banished from among men. Jealousy, suspicion, fear, coldness, reserve, hate and fraud lie constantly concealed under that uniform.’ This pathological inner life was a devastating ‘hidden contradiction’ at the heart of commercial society, which turned the serene flow of progress into a maelstrom.
Human beings, he predicted, would eventually recoil from their alienation in the modern world into desperate pleadings to God to regain their ‘ignorance, innocence, and poverty, the only goods that can make for our happiness and that are precious in your sight’. For the next two decades Rousseau would elaborate this blinding flash of inspiration on the road to Vincennes, with anger and bitter contempt, a profound critique of the way we – ‘victims of the blind inconsistency of our hearts’ – still live. Or, ‘die without having lived’.
* * *
What makes Rousseau, and his self-described ‘history of the human heart’, so astonishingly germane and eerily resonant is that, unlike his fellow eighteenth-century writers, he described the quintessential inner experience of modernity for most people: the uprooted outsider in the commercial metropolis, aspiring for a place in it, and struggling with complex feelings of envy, fascination, revulsion and rejection.
He never ceased to speak out of his own intensely personal experience of fear, confusion, loneliness and loss – spiritual ordeals today experienced millions of times over around the world. Hölderlin, one of Rousseau’s many distinguished German devotees, wrote in his ode to the Genevan, ‘You’ve heard and understood the strangers’ voice / Interpreted their soul.’ Rousseau connects easily with the strangers to modernity, who feel scorned and despised by its brilliant but apparently exclusive realm. His books were the biggest best-sellers of the eighteenth century, and we still return to them today because they explore dark emotions stirring in the hearts of strangers rather than the workings of abstract reason. They reveal human beings as subject to conflicting impulses rather than as rational individuals pursuing their self-interest.
Take for instance his epistolary novel Julie, ou La Nouvelle Héloïse (1761), whose socially outcast protagonist Saint-Preux is exactly the author’s own age. He arrives in glittering Paris to find in it ‘many masks but no human faces’. Everyone is tyrannized by the fear of other people’s opinion. The airs of politeness conceal a lack of fidelity and trust. Survival in the crowd seems guaranteed by conformity to the views and opinions of whichever sectarian group one belongs to. The elites engage meanwhile in their own factional battles and presume to think on behalf of everyone else. The general moral law is one of obedience and conformity to the rules of the rich and powerful. Such a society where social bonds are defined by a dependence
on other people’s opinion and competitive private ambition is a place devoid of any possibility of individual freedom. It is a city of valets, ‘the most degraded of men’ whose sense of impotence breeds wickedness – in children, in servants, in writers and the nobility.
Saint-Preux’s lover, Julie, reminds him that Paris also contains poor and voiceless people, remote from the exalted realms where opinions are made and spread, and that it is his responsibility to speak for them. In many ways Rousseau embraced this obligation, setting himself against the conventionally enlightened wisdom of his age, and inventing the category of disadvantaged and trampled-upon ‘people’, who have a claim on our compassionate understanding.
The political philosophers who spoke of social contracts defined by the right to property or the fear of premature death had tended to neglect the underprivileged. Contra Hobbes and Locke, Rousseau refused to believe that the obligations to civil society could be derived from self-interest, the preservation of life or the enjoyment of private property. For socialized human beings were prone to deceive and to exploit others while pretending to be public-spirited.
Rousseau was also the first to air the suspicion, amplified for two centuries since, that commercial society with its appurtenance of government and law was designed to keep the majority in servitude to a tiny minority with illegitimate authority: ‘All these grand words,’ he charged, ‘of society, of justice, of law, of mutual defence, of help for the weak, of philosophy and of the progress of reason are only lures invented by clever politicians or by base flatterers to impose themselves on the simple.’
As for individual merit and competition, both advocated by the Enlightenment philosophes, their rewards were few, and their psychic costs very high. They led to unceasing and exhausting mimetic rivalry and, eventually, enmity:
I would show how much this universal desire for reputation, honours, and preferment which consumes us all exercises and compares talents and strengths, how much it excites and multiplies the passions and, in making all men competitors, rivals, or rather enemies, how many reverses, how many successes, how many catastrophes of every kind it daily causes by leading so many Contenders to enter the same lists: I would show that it is to this ardour to be talked about, to this frenzy to achieve distinction which almost always keeps us outside ourselves, that we owe what is best and what is worst among men, our virtues and our vices, our Sciences and our errors, our Conquerors and our Philosophers; that is to say a multitude of bad things for a small number of good things.
Rousseau’s ideal society was Sparta, small, harsh, self-sufficient, fiercely patriotic and defiantly un-cosmopolitan and uncommercial. In this society at least, the corrupting urge to promote oneself over others, and the deceiving of the poor by the rich, could be counterpoised by the surrender of individuality to public service, and the desire to seek pride for community and country.
* * *
By a fateful accident, Rousseau was a rare figure, a déclassé in the glamorously snobbish circles of eighteenth-century France. For someone like Voltaire, Parisian high society of this time was the apogee of social and cultural refinement. Its gracious sociability had erected a standard for civilization for other societies to follow and imitate (and many such as Frederick of Prussia and Catherine of Russia eagerly did, with the help of obliging French thinkers).
In the aristocratic salon, the central institution of the emerging public sphere, a shared civility complemented high-minded intellectual speculation and debate. As opinion and argument cordially circulated, no one spoke of revolution or victimhood; any claims on behalf of class or nation, or confession of economic grievance, would have been regarded as signs of ill-breeding.
Rousseau, however, ranged himself against these sophisticated salons, where he lingered long enough to cultivate a suspicion of intellectuals, specialists, experts, and their rich aristocratic and despotic patrons. Here were the beginnings of the public sphere and civil society, two of the great spurs of modernity; but Rousseau saw them as centres of soul-destroying hypocrisy. ‘In the midst of so much philosophy, humanity, and civilization, and of such sublime codes of morality,’ he wrote, ‘we have nothing to show for ourselves but a frivolous and deceitful appearance, honour without virtue, reason without wisdom, and pleasure without happiness.’
Choosing to represent the powerless, and to express the soul of the stranger, he became an outsider in the world that brought him fame and would have given him, had he wanted it, a comfortable and even luxurious existence. He rejected all opportunities to enhance his wealth and influence, turning down audiences with kings as well as academic sinecures. The only woman who ever loved him, his maman, wrote, ‘He was ugly enough to frighten me and life did not make him more attractive. But he was a pathetic figure and I treated him with gentleness and kindness. He was an interesting madman.’
Two Views on Progress
Rousseau alienated his aristocratic patrons; he quarrelled with most of his friends and well-wishers, including Hume and Diderot, many of whom also ended up deriding him as a madman. But he disagreed most violently – and productively – with Voltaire.
The two men rarely disguised their feelings for each other. Voltaire denounced Rousseau as a ‘tramp who would like to see the rich robbed by the poor, the better to establish the fraternal unity of man’. He marked the margins of his copies of the political writing of Rousseau with such remarks as ‘ridiculous’, ‘depraved’, ‘pitiful’, ‘abominable’ and ‘false’. He secretly authored a pamphlet against Rousseau that revealed the exponent of children’s education as having given his own five children to a foundling home. Voltaire also accused Rousseau of wanting to turn human beings back into ‘brutes’: ‘To read your book,’ he said, ‘makes one long to go on all fours. Since, however, it is now some sixty years since I gave up the practice, I feel that it is unfortunately impossible for me to resume it.’ ‘I hate you,’ Rousseau wrote to Voltaire in 1760, and went on to assault nearly everything the elder writer wrote.
The Catholic monarchist Joseph de Maistre disliked both Voltaire, who ‘undermined the political structure by corrupting morals’, and Rousseau, who is driven by ‘a certain plebeian anger that excites him against every kind of superiority’. Nietzsche appeared to be building on this contrast when he claimed to identify in the battle between Voltaire and Rousseau the ‘unfinished problem of civilization’. On one side stood the ‘representative of the victorious, ruling classes and their valuations’; on the other, a vulgar plebeian, overcome by his primordial resentment of a superior civilization.
One doesn’t have to subscribe to Nietzsche’s dichotomies to see that the disagreements between Voltaire and Rousseau illuminate some of our perennial questions: how human beings define themselves, what holds societies together, and divides them, why the underprivileged majority erupts in revolt against the privileged few, and what roles intellectuals play in these conflicts. They argued particularly fiercely over the moral character of the human type we call the bourgeois: a figure still emerging in eighteenth-century Europe, empowered by a scientific temper and meritocratic spirit, and emboldened by thinkers who claimed that his instincts for self-preservation and self-interest could serve as the foundation of a new secular society.
Voltaire had an uncomplicated view of self-love and self-interest: ‘Amour propre is the instrument of our preservation … we need it … it is as impossible for a society to be formed and be durable without self-interest as it would be to produce children without carnal desire.’ In contrast, Rousseau saw amour propre as a dangerous craving to secure recognition for one’s person from others, which tipped over easily into hatred and self-hatred.
‘Insatiable ambition,’ he charged, ‘the thirst of raising their respective fortunes, not so much from real want as from the desire to surpass others, inspired all men with a vile propensity to injure one another.’ Brought together by ‘mutual needs’ and ‘common interests’ while at the same time divided by their competing amour propre and pursuit of
power, human beings were condemned to disunity and injustice. Violence, deceit and betrayal were rendered inevitable by a state of affairs in which ‘everyone pretends to be working for the other’s profit or reputation, while only seeking to raise his own above them and at their expense’.
Voltaire’s self-enrichment began in early eighteenth-century England; he accordingly hailed the London Stock Exchange, which had just become fully operational, as a secular embodiment of social harmony: the place where ‘Jew, Mohammedan and Christian deal with each other as though they were all of the same faith, and only apply the word infidel to people who go bankrupt.’
For Rousseau, ‘the word finance is a slave’s word’ and freedom turns into a commodity, degrading buyer and seller alike, wherever commerce reigns. ‘Financial systems make venal souls.’ Their secret workings are a ‘means of making pilferers and traitors, and of putting freedom and the public good upon the auction block’. Countering Voltaire and Montesquieu’s anglophilia, he claimed that the political and economic life of globalizing England offered a bogus liberty: ‘The English people think they are free. They greatly deceive themselves; they are free only during the election of members of Parliament. As soon as they are elected, the people are their slave, as if nothing.’
Presciently critiquing the neo-liberal conflation of free enterprise with freedom, Rousseau claimed that individual liberty was deeply menaced in a society driven by commerce, individual competitiveness and amour propre. Anticipating anti-globalization critics, he argued that finance money is ‘at once the weakest and most useless for the purpose of driving the political mechanism toward its goal, and the strongest and most reliable for the purpose of deflecting it from its course’. Liberty was best protected not by prosperity but the general equality of all subjects, both urban and rural, and balanced economic growth. Emphasizing national self-sufficiency, he also distrusted the great and opaque forces of international trade, especially the trade in luxuries.
Age of Anger Page 9