by K. W. Jeter
She thought about him, the other, for a moment. David… she had seen him last in a newsreel, one of the many that Joseph’s propaganda writers and filmmakers churned out for the German theaters. A piece about how the American film industry was controlled by Jews, all part of that great international conspiracy. The wicked lies they used to deceive the American public – or at least that fair-haired, blue-eyed Aryan part of it – so they could go on raking in their bloodstained profits while sending innocent, handsome youths to their senseless deaths in Europe. The narrator had been some anonymous UFA hack, but Marte had heard Joseph’s voice, speaking his strident, battering words. He must have had a hand in it, or even written it personally; her own image had shown up on the screen, old footage of her disembarking at the Templehof airfields, a virtuous German heroine who had fled in disgust from Hollywood and the rich, hook-nosed lechers who ran it. Her face had looked tired as she had come down the steps from the JU-52’s door, from the long flight out of Lisbon, but the voice – Joseph’s voice – had hinted darkly of some lingering sadness at what the judischen Zuhalters had forced her to do while she had been in their thrall. No doubt the blood of the German males who watched the newsreel had quickened at the thought, and they could even feel virtuous while their groins tingled; such was Joseph’s mastery with words. The newsreel had ended with a still photo, taken from an American newspaper, of those rich Jewish film moguls, all in dinner jackets and with thick cigars in their hands, smiling and laughing among themselves at some USO fundraiser. David had been the youngest man in the photo, but even so, she had barely been able to recognize him. He had put on weight, and the dark, curly hair she remembered had thinned and greyed, just in these last few years of the war – as if he were turning into one of the men on either side of him, men old enough to be his father. His eyes hadn’t been laughing; even in the grainy newsprint blown up on the screen, Marte had been able to see the simmering anger under his brow. They seemed hard, mean-spirited eyes now, a rich man’s eyes, as though he had become exactly that which Joseph’s propaganda spoke of, a grasping figure of money and power.
“Yes,” said Marte slowly; she felt Joseph watching her, waiting for her to speak. “I’m sure it will be… magnificent…” She drew the fur wrap closer around her shoulders, against the chill lancing in through the broken windows.
Joseph went on talking; she watched him now as he stood overlooking the street, his raised hand and words sketching in the wonders that would be built in the new Berlin. He had changed as well, but not the way David had; Joseph’s face looked as if the flesh beneath the skin had been cut away with an invisible knife, the edges of bone growing sharper, ready to break through. She had been sitting a few days ago with some of the actors and stagehands at the studio, drinking ersatz coffee and waiting for von Behren to finish blocking out a sequence of camera movements, when Joseph’s voice had replaced the music coming from the radio. “That ranting skull,” a younger actress had sneered, glancing from the corner of her eye at Marte, as though defying the other woman to say anything. But Marte had said nothing; it was true, Joseph did look like a death’s-head. The shrill fury of his voice, when he spoke over the radio or at a mass rally, had burned away all the soft tissue, like a rendering fire. When he kissed her now, his fingertips stroking her cheek and neck, she would close her eyes and be unable to keep from seeing an old woodcut, Durer’s Tod und das Madchen, a skeleton embracing the flesh of its love.
“You’re so quiet.” Joseph stood before her, hands touching her hair on either side, his face lowered to try and look into her eyes. “I’m sorry I brought you here… I didn’t realize it would upset you so.”
“It’s all right… I don’t mind…” She wasn’t upset; it was merely an empty room, filled with broken rubble. There were spaces like this all over Berlin. The streets themselves were graveyards and ruins. “If this is what you want…” The building itself was silent, though she knew there a few of Joseph’s trusted men nearby, standing guard to ensure that no one intruded upon them. “To be here…”
He wrapped his arms around her shoulders, pulling her close to himself. “But of course, this place has such memories for us – does it not?”
His voice had become an actor’s now, a leading man mouthing bad dialogue. What Herr Wise and the others she had worked with in America would have laughed at and called pure corn, even when they had written it themselves. But she knew things like that, old movies, were there inside his head, a sentimental streak that revealed itself when he lapsed into being human for a moment.
“Of course, Joseph…” She closed her eyes at the nearness of him. “Whatever you say…”
“We’ve had many hours together here. That’s why it grieves my heart to see it this way.”
That was true; there had been many times when she had come back with him to this office, late at night when there had been no one about to see them. After one of his speeches or a broadcast or some other moment of triumph, his voice hammering the souls of German men and women into the shapes he wished them to take; she would wait for him in his chauffeured car outside the Sportspalast or the Rundfunk Haus, wait for him until he was finished and ready for her alone, the blood surging in his thin body. While his wife Magda and their brood of blond children slept at home, a bottle and a tray of cold delicacies would have been set out here for him and his personal guest, his aides withdrawing discreetly behind the ministry’s tall doors.
He led her to the couch at the side of the room. It had already been cleared of the debris that had fallen from the ceiling and walls, but the embroidered cushions were still coated with plaster dust. Even as she let herself be drawn down beside him, his hand pushing the wrap away from her neck, part of her was making a mental note, to remember to brush off the back of her dress, to make it easier for Joseph’s driver and anyone else to pretend not to know what had taken place.
“You’re so lovely,” he murmured at her ear. “That hasn’t changed… that never changes…”
She knew that was true; she could see it in the mirror of his gaze. It must be true; she wouldn’t exist otherwise. If her beauty had died, she would only have been the ghost of that woman she had seen in Joseph’s and David’s eyes, and up on the radiant screen in the darkened theaters.
He pressed her down against the cushions, his other hand having drawn up the hem of her dress, his palm and trembling fingers curved against the bare skin above the top of her stocking.
“Always…”
She didn’t know what he meant when he said that. Inside herself, in a little room behind her closed eyelids, she waited until it would be all over. Over for that other woman, the one with Marte Helle’s face.
Afterward, Joseph drew his trench coat, that he had unbelted and discarded on the floor, over them like a blanket. He held her close, the disarray of her dress and his uniform crushed between them. The winter chill in the ruined office had made it impossible for him to have her naked, as was his usual preference.
In that, he was like David, or perhaps like all men – she didn’t know. And in another way, the darkening of his mood when it was over, as though some bright and still-living part of him had died.
“How many more times,” murmured Joseph. “For us… to be like this.” He smiled sadly as he brushed a lock of her hair away from where it had fallen across her eyes. “Perhaps… perhaps this is the last time.”
He had said that before – his taste for the dramatic, the gestures and words of tragedies – but now Marte wondered if it might have become true. There was so little time left; everyone knew that. For the war, for everyone here in Berlin.
There was a question she had to ask him, the same one as before, the one she always asked afterward. She let that happen, she waited in the little room inside herself until it was all over, and she could have what she wanted. An answer.
“Where is my son?” She laid the side of her head against his chest, a pillow of stone. Careful to avoid letting him look into her eyes, to see an
ything there. Her voice as well; she had learned so much about being an actress from von Behren, about hiding things rather than showing them. “My baby…”
She had received different answers to that question before, some more satisfying than others. Sometimes Joseph had had photographs, rushed-looking blurry ones or those that had been carefully posed, all of them showing the same little boy, her child. There had even been one, a studio shot, with him in miniature Alpine lederhosen, white stockings drawn to below his knees, his face bright and laughing at whatever funny business the photographer had used to catch his attention; Joseph had had it enlarged and mounted in a frame bright with gold leaf, and had urged her to take it as a gift. But she wouldn’t; she had known it would have broken her heart every time she had taken it out of some secret place and looked at it.
Joseph stroked her hair. “I’m sure the child is all right -”
His soft words made her stiffen in his arms. She pushed herself away so she could look into his face. “What do you mean?”
“Nothing; nothing at all, my love.” His voice became even more soothing. “There’s nothing to worry about -”
“Something’s happened to him.” It would have been so easy for Joseph to lie to her, to lie completely, to have spoken the same words he had used so many times before. But there was a reason for every word from his mouth; he must have wanted her to catch the thread of doubt in these. “Where is he?” The winter air from the empty window-frames chilled her skin as she raised herself against the back of the sofa. “Where’s my son?”
Joseph shook his head. “You must remember, Marte, that we are in wartime. The Reich is pressed from all sides by its enemies. The Bolshevik hordes march in from the east…” His voice had risen, as though he had been addressing a rally or the microphone of one of his radio broadcasts. “You must understand; until we have turned the tide, until that victory is ours – and it will be – and we can sweep the interlopers from our soil… until then, there is confusion and disorder. You know how the refugees have come streaming into this city… my city; you’ve seen them. Where did you think they came from?” Shrill now, even a little angry, as though he were chiding her for her foolishness. “They are the lucky ones, those who managed to get away with their few scraps of belongings, their suitcases and their handcarts, all that they could manage to carry away with them – and sometimes not even that, nothing more than their empty hands and bellies. They ran from the animals in their tanks and heavy boots, Asiatic beasts…” Joseph’s lip curled in disgust. “And some were not so fortunate; some waited too long to gather their things and flee. The women make their way here with the blood still running down their legs, their white breasts clawed by black fingernails, their eyes still vacant from the sight of their husbands and brothers killed for attempting to protect them, and what happened to them after their murderers stepped over those corpses.” He nodded, his own eyes grim-set. “So be it; I will take them in and care for them, and soon there will be revenge for such violations. But in the meantime…”
She had heard those stories before, the sexual appetites of the Russian soldiers. That was what women spoke of, in the shelters during the air raids, as if to make welcome a direct hit from a bomb, one that end their lives in quick fury, before the rape-mad armies could enter the city. She had paid little attention; none of it mattered to her. It was all like the recounting of another person’s dream, news from a world barely connected to this one. But now…
“That’s where he is, then.” Her voice sounded hollow, lifeless, even inside herself. “That’s what has happened to my baby. Left behind, forgotten…” Abandoned. Snow drifted across the glass teeth set in the jaws of the window-frames. All this world was in winter, from which it could never awaken.
“No, no; you’re wrong.” Joseph held her by the shoulders, a doll limp in his hands. “She’ll bring him here. The one to whom he was given – she’s strong. Stronger… stronger than you.” He said the last in a whisper. “You’ll see. She’ll take care of your child. She’s devoted to him, she always has been, from the beginning; she loves him as though he were her own child. Your little boy’s safe with her, wherever she is. Tomorrow, or the next day – soon – she’ll be here with him. There are still divisions of the German army in those regions to the east; their duty is to protect the civilian population and see that they reach sanctuary as quickly as possible. They’ll arrive here in Berlin safe and sound, and -” His voice rose, trying to instill his own excitement into her. “You’ll be able to see him! Not just a photograph, but a child you can hold in your arms! She’ll give him back to you… her task will have been completed…”
You liar. She hated him now, knew that she had always hated him. For lying to her, for telling her the truth, for any word that came from his thin-lipped serpent’s mouth. He had wanted her to know that her child was lost, that the war had broken over him like an ocean wave, the tide that now was flooding this little island’s shores; a wave red as blood, that had dragged her child out into the depths to drown. Perhaps it had happened already, weeks or months ago – why would Joseph tell her now? To crack open whatever was left of her heart, to kill her…
To say goodbye to her.
To say goodbye to everything; he knew, he had read the last pages of the filmscript, the one he himself had written, the one for which he had cast the Fuhrer as the leading man. Though that was a star that had flickered and gone out, run to ground in a concrete hole beneath the Chancellery’s rubble-strewn garden, a sick and aging little man pushing imaginary armies across tattered maps; Joseph had told her what had become of him. Now, in the midst of the burnt or crumbling stage-scenery of Berlin, Joseph was himself the star; he was the only one of the Nazi hierarchy to show his face in the battered streets of the city, going from one bomb site to another, the center of the crowds pressing close to him, the ones who had always adored him and the grumblers who now had to confess they admired his strange and persistent courage… or craziness, whatever one wanted to call it. The smoldering ruins suited him; they were sufficiently dramatic. Most of the other bigwigs had fled, looking for safety in the west; when the end came, they would rather fall into the hands of the Americans than the Russians. Only a few had gone underground with the Fuhrer. Joseph’s cast had failed him, abandoned their roles, even the one for whom he written the grandest, most heroic part. To save the production, as Marte had heard von Behren and the others mirthlessly joking at the studio, Joseph now had to play everything himself. He was enough of an egotist to do that. The final scenes could now be shot, with no camera but the human eye, here in the streets of Berlin.
This great film, the warping of reality to the vision unreeling inside Joseph’s head – she knew that was all that mattered to him now. And perhaps now there was no role in it for the Reichsminister ’s romantic infatuation. She would have to be eliminated, this illicit affair clashing with the hero’s public image he attempted to project.
There was only one way Joseph could do that. In this he was weak, that he couldn’t say goodbye to her, he couldn’t turn her away. He had stretched his hands halfway around the world, to gather her back to himself; there would be no way he could give her up with a few curt words. But other words could do it for him. The truth, when he could so easily have lied to her again, told her that her child was safe, here is another photograph of him, doesn’t he look happy? Joseph was a master of words; he had meant to let it slip out – I’m sure the child is all right – those words just enough to tell her, to tell her everything. And to let her hate him, to let that hate free at last. A hate that freed her from him.
Without her child, that small life, in his grasp, he no longer had any hold over her. With just those few words, he had told her as much.
He didn’t try to stop her as she pushed herself out of his arms. With his trench coat draped across his bare chest, he silently watched as she stood up to put her dress and undergarments back in order, then sat down on the edge of the dusty sofa to slip on her shoes.<
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“Marte… I’m sorry…”
She was at the door, her hand on the brass knob turned cold as ice by the winter that had invaded the empty building. She looked over her fur-wrapped shoulder at him.
That had been weakness, too, for him to have said anything now. To have spoken words that had no meaning.
She was not that weak now. She regarded him for a moment, then pulled the door open, stepped through, and closed it behind herself. Her footsteps echoed through the vacant corridors.
TWENTY
When she lifted her face from the ground, she saw the imprint her jaw and mouth had made in the trampled snow between the wagon tracks. Liesel touched her lips with her fingers; the snow where she knelt was muddied with the tramping of so many boots across it, and now the bright red of her blood released a wisp of steam before it froze into sharp-edged ice. Under the skies crumpling with clouds of dark silver, clouds heavy with more bone-chilling snow and sleet, the crystals looked like black diamond chips. For a moment, she wanted to scoop them up in her hand and hold them tight, as though she had discovered a treasure in this road’s slush-filled ruts.
“ Mutti -” A child’s voice whined close to her ear, like a buzzing summer insect. The heat that pulsed behind her brow and parched her tongue was fever, she knew. The blood that had frozen on the ground might not even have been from splitting her lip against a stone when she had tripped and fallen; she had been coughing for days now, and after every spell she had tasted hot wet salt on her tongue. “ Mutti, they’re leaving us -” Desperation rose in the child’s voice. “We have to catch up with them!”
Dizzy, she managed to get to her feet. The ice and dirty snow sifted from the heavy coat and the layers of clothing that shapelessly swaddled her body. A soldier had given her the coat to keep her warm on the long trek westward; she had gotten that much at least, and a share of the blackened and withered potatoes that he and his squadmates had with them, a few mouthfuls for herself and for the two little boys she had with her. All she’d had to do in return had been to go with each soldier out of reach of their little fire’s wavering light, open her legs or kneel before them, their grimy woolen gloves pressed hard against the sides of her head. The coat had belonged to the last of the soldiers, the one who hadn’t taken her for his few minutes in the darkness, the one who instead had lain down by the fire, knees drawn up and face ghastly pale, the one who’d died with a sudden burst of blood from his mouth and nose, his lungs giving way like rotted burlap sacks. He had come all the way from Russia, he had escaped when the German lines along the Dnieper had collapsed – and he had at least made it this far home. They had stripped the coat from his corpse and given it to Liesel, and had left him curled like a child beside the ashes of the fire.
