by Jay Posey
“It’s secret,” Wren added.
“Back to the… compound?” Painter asked. He lowered himself back into his chair. Sneaking from Mister Sun’s to the wall didn’t seem like such a stretch, but going all the way back to the governor’s compound was a different story. Not to mention getting back inside.
“Yeah,” Cass said. “It’s alright, Painter. We’ll figure something else out.”
Painter felt deflated. In theory it had been a challenge, almost an adventure. But now all of the realities started flooding into his mind, all of the tedious particulars of what it would entail. Travel back to the governor’s compound. Get back inside. Find the secret tunnel. And then what? Even if he didn’t get caught on the streets, how was he even supposed to find any of those people outside the wall? And what would they do when they saw Painter skulking around looking for them? Shoot him dead before he ever even saw them, most likely.
Who was he kidding? He was just a kid, a useless dishwasher who’d had too much to drink. But then something else started to bubble up in his mind. Thoughts of the thugs that had beaten him up nights ago. And thoughts of what people like them had done to his friend, Luck. And thoughts of his sister.
And where alcohol-induced bravery had burned away, anger filled the void. These people had taken nearly all he had. No way Painter was going to sit around while they took the rest. He stood up again.
“How do I find the tunnel?” he asked.
There was silence for a moment. And then Cass laid it all out for him; where the entrance was, how to access it, where it led, and how to find his way back again. And as they talked it through, other hasty plans came together. It began to seem possible again. And by the end, it almost seemed inevitable.
They escorted him to the door, everyone giving him final words of caution, and thanks, and encouragement. Then Mister Sun was opening the door just wide enough for Painter to slip out, and the night air was cold – and full of a crackling energy that almost felt alive. The door slid shut behind him, and he drew a deep breath.
To think. Him. Painter. A messenger. He almost laughed as he stepped out into the street.
ELEVEN
For Painter, the first few minutes had been a strange mix of fear and giddiness. The fear had begun to melt away after he’d successfully crossed the first of the major streets in his path. The giddiness wore off soon after. And now, as he crouched in shadow a hundred and fifty yards from the compound, he found himself falling into something like quiet determination. It was almost shocking how familiar it was beginning to feel. Stealing through the night, probing for anyone who might cross his path. He’d done it so frequently before. Before. Only now he was avoiding them instead of hunting them.
A patrol moved down the street, just two guardsmen, and neither of them paying much attention. Painter watched them from his hiding place, his eyes lowered slightly to reduce their glow. The guards seemed soft, somehow. Sloppy. How had he ever feared them? How could they possibly be the ones charged with protecting their city? With protecting Wren? And Cass?
He had been afraid before, truly afraid, when they’d made their way to Mister Sun’s. Borderline panicked. Fearing the consequences of his actions. Not knowing what would happen if they were caught, nor if they escaped. How long would Cass let him stay with them after what he had done? And he’d feared for them as well. For Cass, and for Wren. Painter had feared making another mistake, something that would give them away, that would cause harm to those two and leave him with nothing.
But now, here, on his own, it almost felt like this was what he was made for. His altered eyes could see in the dark, and he could sense the digital pulse of the unaltered. Now that he had calmed himself, it felt right. It felt good. Fear was still there, lingering around the edges, but at his center anger remained, cold and righteous. And as long as he held to that, he knew the fear had no place to enter in.
The patrol moved on out of sight, and Painter slipped from the shadows across a small thoroughfare and into another alley. He paused there, in a nook where the corner of the building protruded in an architectural flourish. Morningside was eerie in its stillness, and out from beyond the wall, he could hear the occasional calls of the Weir, cold and electric. Calls that had once filled him with utter terror. But those sounds had lost that power over him now and free from fear he could hear a melancholy, almost musical quality behind them. Painter couldn’t help but wonder what might happen once he was outside the wall. He hadn’t left Morningside at all, even during the day, since Wren had brought him back. Could he walk among the Weir now? Would they attack Painter, or ignore him? Or maybe even accept him?
For just a moment, he felt the slightest pang of regret. For all the horror, the loss of self – the black harvest – amongst the Weir there had been in some strange way a sense of belonging that Painter hadn’t known before and was unlikely to ever know again. An involuntary shiver brought him back to the moment. No. No, there was nothing good or right about what he had been. But maybe now he could find a way to bring good out of what he had become.
Painter eased around the corner of the building and threaded his way amongst the structures that led towards the governor’s compound. Random patrols were bound to be fewer, this close to a secure location, but that also meant an increase in stationed guards. He’d have to keep his eyes open and his wits about him. His eyes. He held a hand up in front of his face, and judged the moonshine glow cast upon it. He’d been careful to avoid looking directly at patrols. But it was going to be far more difficult to keep his gaze averted when Painter had to scan the walls to locate the guardsmen posted there. And all but the laziest would surely notice the telltale shine gleaming from out of the darkness. Maybe he’d have it figured out by the time he got there. Most likely, he was just going to have to get lucky.
The final fifty yards posed no difficulty, and Painter felt he covered them far more quickly than he’d expected. Undoubtedly it was because he’d been counting on that time to grant him some revelation on how to gain entry. Naturally, there hadn’t been one. The compound stood twenty-five yards away across an open stretch of ground, well-lit and offering few places to find cover.
Cass had said the north-eastern gate was his best bet, since it hadn’t been used for months, but that didn’t guarantee it’d go unwatched. On the contrary, since one or more of Morningside’s disgruntled citizens had trashed the memorial a night or two ago, there was good reason to think there might be an extra guardsman or two stationed nearby. Painter circled around that direction anyway, swinging wide to avoid street lights where he could, and occasionally putting a building between him and the compound whenever he thought he might be too exposed. When the north-eastern gate was finally in view, Painter crouched low and cupped his hands around his eyes to shield their glow as much as possible.
On top of the wall he could see a faint electromagnetic swirl that indicated a guardsman that he couldn’t quite make out otherwise. Though he wasn’t seeing it, exactly. It was another sense that detected the guard’s residual signal, processed it into something Painter could interpret, and though seeing wasn’t quite right, he always felt like it had more to do with his eyes than anything else.
This was the testing point. The moment that would decide whether he would succeed or fail. Playing hide and seek with the patrols had been one thing. Walking out into the open during the night would present a similar challenge. But infiltrating the compound was something else entirely. Something he’d never done before in either of his lives.
He sat back on his haunches and tried to think it through. Somehow back at Mister Sun’s they’d skimmed over this part. Once you’re inside… almost taken it for granted. Painter had never been much of one to call the shots. That’d always been more of Snow’s thing.
Snow. Little sister, always in charge, always in control. She’d been the clever one, and confident. He smiled with bitterness at the memories. At first it’d just been easier to go along with her because she was such a bul
ly. He pictured her as the chubby four year-old, full of fire – fearless and fearsome. Remembered the bruises on his own thin arms and shins. But Snow had changed after Dad had died. Still fearless and in charge, but tempered. Wiser, maybe, or at least less concerned about just getting what she wanted, doing it her way. But then doing it her way had gone from the easy thing to the right thing. At least most of the time. What would she have told him now?
You can’t do it, her voice said in his head. And Snow would’ve been right. The old Painter could never have done it. But that wasn’t him anymore. He was stronger now, faster. Surely there was something he could do.
You can’t do it alone, her voice came again – correcting his initial thought as if he’d interrupted her before she’d finished. That’s what she would’ve told Painter. It was a fault, Snow said, how much he took upon himself, how little he trusted others. And the beginning of a plan formed in his mind.
“Wren,” he pimmed, whispering into the night air and speaking to his friend a half-mile away.
“Painter, are you OK?” came the reply a few moments later, Wren’s voice somewhere inside Painter’s own head.
“At the c-c-compound,” Painter answered. “Do you know a wuh, a way to get the guards to… to… to broadcast?”
“Hmm… no, I don’t think so. Sorry,” he said. And then, “Hold on, let me ask my mom.”
There was a long delay before the response came. Painter’s calves were starting to burn. A pair of guardsmen wandered into view, and he shifted back.
“She thinks she can try something. Do you want her to do it now?” Wren said.
“Wait one sss-second.”
The patrol moved counter-clockwise around the governor’s compound, and didn’t seem to be in a hurry about it. Judging from the looks of things, Painter guessed no one had found the bodies yet. The guards moved on out of sight.
“OK, go,” Painter said.
Seconds ticked by. Ten. Fifteen. Thirty. Painter was just about to pim again when all of a sudden there was a shimmering flare on the wall, like mirage roiling off hot concrete. And then another. And another. One after the other, the guardsmen were responding to whatever Cass had done, actively broadcasting information through the digital and lighting up in Painter’s vision with each burst.
“OK, is anything happening?” Wren asked.
“Yes,” Painter answered. “Thhh-thanks. I see them now. Gotta go.”
“OK. Be careful.”
There were eight that Painter could see – four along the top of the wall, two by the gate, and another two somewhere deeper in the courtyard. It surprised him to see guards actually posted at the north-eastern gate, but it looked like they weren’t taking any chances. There was a gap, though, along the wall. Two guards stood close together, apparently in conversation, and that left them spaced unevenly. His opening.
Painter surveyed the street once more, saw it was clear. He sidled his way along the edge, towards the darkest corridor he could find, where two lights overlapped incompletely. The first ten yards would be the greatest danger. But the closer he got to the wall, the less chance there was that someone would be able to see him from above. Assuming they didn’t see Painter start his run. There were no guarantees, and sitting around any longer wasn’t going to improve his chances at all. It was tough to judge, but as best as he could tell, none of the guardsmen were looking his way. Time to try. He inhaled sharply and launched himself out of his hiding place.
Ducking his head and leaning forward, Painter sprinted directly towards the wall of the compound, running lightly on the balls of his feet to minimize the noise. Panic rose up the instant he stepped into the light, but he gritted his teeth and pressed on. Five yards in. Seven. Ten. He passed from the brightest segment into partial shadow, chances of success improving with every step. And then he was at the base of the wall, pressed flat against it, heart pounding more from the fear of getting caught than from any exertion. Seconds stretched. But no sounds of warning came to him. He’d made it.
Now, the fun part. Painter had never tried any extended climbing before and he hadn’t known what to expect. He was relieved to find that the wall wasn’t nearly as smooth as he’d originally thought. It was composed of steel panels joined together and there were slight gaps between the plates, barely wide enough for Painter to jam his fingertips into. That alone wouldn’t have been enough for any normal human. But Painter was no normal human. He extended his claws. And began to climb.
After a few test holds, he found that by angling his claws downwards into the seams he was able to hook in a relatively strong grip. It was his feet that caused him trouble. Cramming the toe of his shoe into a gap gave some help with balance, but was hardly enough to provide any push. His arms would have to do the work. He wrestled his way up four feet off the ground when his first slip came.
It happened so fast that he didn’t have any time to try to catch himself. Painter just fell straight down. His body reacted instinctively, legs bending to absorb the shock of impact. He landed lightly, thankfully, and after a few stunned seconds of frantic listening, it appeared that he’d managed to escape detection. Climbing seemed like an even worse idea now than it had just a minute ago, and it’d hadn’t seemed like such a great idea then anyway. But Painter couldn’t think of anything else to do, and the residual signal was starting to fade on the guardsmen. There wasn’t time to try something else.
On a whim, he pulled his shoes off, buckled them together, and jammed them down the back of his pants. It wasn’t comfortable by any means, but when he started climbing again he was glad to notice he had a much better feel for the wall without his shoes on.
Painter took it slower this time, making sure both feet had some sense of stability before he tried to move a hand up. It was hard work, though, hauling himself up the wall using almost nothing but arm strength. He kept his body pressed as flat against the wall as he could, feeling his way up rather than looking. The gaps were regularly spaced and it didn’t take long for Painter to get a rhythm established. Even so, every time he released one handhold to slide his way up to another, he felt at any second he could plummet right back down again.
His forearms began to burn, and it became increasingly difficult for Painter to keep his hands curled into the hooks that gave him the surest grip. By the time he was halfway up the wall, his claws almost felt like they were starting to tear away. But still he pushed himself. For Snow, and Luck, and Wren. For Cass. Hand up. Pull. Reach. Set feet. Hand up. Again and again and again. And then he slid his right hand up, looking for a seam, and found instead a corner.
The top of the wall.
Whether it was from surprise at having reached the top, or a sense of relief come too soon, Painter lost concentration for a crucial moment – and in turn lost his already precarious footing. He slipped sideways, dangling from one hand, and spun around backwards, wrenching his shoulder and elbow. For a sickening second, he felt his fingers sliding along the top of the wall. Losing grip. He was falling.
No.
Something broke deep inside him, and the glowing ember of anger he had been nurturing kindled into a rage. And with rage came strength. Without knowing how, Painter found himself flipped back around, facing the wall again. He simply refused to fall. He reached, stretched, willed himself up high enough to get hold of the ledge. Then he scrambled up, rolled over the parapet, and flopped ungracefully onto the walk.
Painter lay panting there for several seconds, adrenaline, or something like it, coursing through his veins. His arms trembled and he noticed when he tried to close his hands into fists, he couldn’t do it. There was dark ichor around a couple of his fingertips where his claws had partially peeled back the nails. The buckle of one of his shoes was digging into his kidney.
And then Painter’s brain caught up with him, and he realized he was inside the compound, lying on top of the wall where four guardsmen were posted. He quickly rolled to his stomach and scanned. The two guards who had been talking were separ
ated now, and one was moving his way. But just behind Painter, a set of stairs led down to the courtyard. He slithered on his belly, moving backward, until he reached the steps, and then turned and hurried down them, crouched as low as he could go.
It was dark at the bottom of the stairs, and when he reached the courtyard, Painter doubled back and pressed himself flat against the side of the stairs. He slid along until he reached the corner where they jutted out from the wall, then tucked himself into the alcove it created. There he sat down and put his face in his hands, and tried very hard to suppress the nervous laughter that threatened to bubble out. Relief mingled with disbelief; the hardest part was over. He was going to make it.
Painter slipped his shoes back on, took a moment to gather his thoughts and focus, and then slipped out into the courtyard. Not far now. Not far to the tunnel, and from there, to the outside. The outside. At night. A smile spread itself involuntarily.
Sky was tired. Not that tired was new or different, necessarily, tired was pretty much part of the job. He was just noticing it again, the way he did when there was a momentary lull. He was lying on his belly, four stories up, keeping watch for Swoop and Mouse while they searched a cluster of buildings not far from the wall. It was a clear night, with less than half a moon, and long shadows stretched from the buildings. The optic on his rifle could be set to amplify ambient light, but for the time being Sky had left it off, preferring to keep his eyes adjusted to the natural level of light. He suppressed a yawn.
The team had been going almost nonstop since the night before, prepping for security for the Governor’s big speech. And then afterwards, after the disturbance had threatened to turn into a full-blown riot, they’d sprung into action, plugging holes in the line and keeping a hard posture – to make sure anybody in the crowd that was thinking about firing that first shot knew good and clear they’d be dead before they got off a second.