by Sue Gee
‘What have you been doing?’
She got in next to Robert; they drove away. Slowly through the village, then gaining speed.
‘Let’s have some music,’ he said.
‘Sinatra.’
Everyone groaned. ‘Not again.’
She took no notice, slotting the tape in, pressing the button. The car was filled with Sinatra: they all began to sing.
After a while, Jessica stopped. She sat with her head pressed up to the window, looking out over the blue-green mountainside, the valley and the winding river, getting smaller, smaller, as they climbed.
And then I have to spoil it all by saying something stupid, like I love you …
She shut her eyes, and the music floated through her, and out through the open window as they drove away.
Tom sat between them, waiting for lunch. Behind them, the trolley
rattled and shook, coming along the aisle, but the plane was flying smoothly, and the little cat liked it. She sat on the plastic tray in front of him, waiting for her lunch, too.
Frances and Oliver looked at each other, over his head.
‘He seems fine.’
‘Yes. You okay?’
He nodded, and looked at his watch, returned to his book while he waited.
Frances looked out of the window. They were flying above the clouds: a thick, sunlit landscape of white, of such apparent substance and solidity that it was hard to believe it would not break your fall. If you opened the door of the plane and stepped out – surely you could walk upon those hills and along those valleys, surely you would be safe.
The plane flew steadily on. Far below them, far beneath the cloud, the mountains of Portugal were growing smaller and smaller, miles away. She saw before her the house, the garden, the darkness of the night, a cool breeze stirring the vines as she burned her letter, and Tom, coming up behind her, blindly seeking her out.
I shall be this and I shall be that, and tomorrow everything will be –
She saw him, lying as still as death at the side of the pool, his face blue and his teeth clamped shut; moving, twitching, trying to say her name.
Dora knew about things, she knew what was what. It sounded so simple, and it went so deep –
Dora, wrote Frances, leaning back, closing her eyes, seeing before her once again that oh, so lovely face, beloved Dora, help me to make it right.
Copyright
First published in 1993 by Century
This edition published 2012 by Bello an imprint of Pan Macmillan, a division of Macmillan Publishers Limited Pan Macmillan, 20 New Wharf Road, London N1 9RR Basingstoke and Oxford Associated companies throughout the world
www.panmacmillan.com/imprints/bello
ISBN 978-1-4472-3437-1 EPUB
ISBN 978-1-4472-3436-4 POD
Copyright © Sue Gee, 1993
The right of Sue Gee to be identified as the
author of this work has been asserted in accordance
with the Copyright, Designs and Patents Act 1988.
Every effort has been made to contact the copyright holders of the material reproduced in this book. If any have been inadvertently overlooked, the publisher will be pleased to make restitution at the earliest opportunity.
You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
The Macmillan Group has no responsibility for the information provided by any author websites whose address you obtain from this book (‘author websites’).
The inclusion of author website addresses in this book does not constitute an endorsement by or association with us of such sites or the content, products, advertising or other materials presented on such sites.
This book remains true to the original in every way. Some aspects may appear out-of-date to modern-day readers. Bello makes no apology for this, as to retrospectively change any content would be anachronistic and undermine the authenticity of the original.
Bello has no responsibility for the content of the material in this book. The opinions expressed are those of the author and do not constitute an endorsement by, or association with, us of the characterization and content.
A CIP catalogue record for this book is available from the British Library.
Visit www.panmacmillan.com to read more about all our books
and to buy them. You will also find features, author interviews and
news of any author events, and you can sign up for e-newsletters
so that you’re always first to hear about our new releases.