I will not say that the characters on the Black Stone were similar to those on the colossal rock in Yucatan; but one suggested the other. As to the substance of the monolith, again I was baffled. The stone of which it was composed was a dully gleaming black, whose surface, where it was not dinted and roughened, created a curious illusion of semi-transparency.
I spent most of the morning there and came away baffled. No connection of the Stone with any other artifact in the world suggested itself to me. It was as if the monolith had been reared by alien hands, in an age distant and apart from human ken.
I returned to the village with my interest in no way abated. Now that I had seen the curious thing, my desire was still more keenly whetted to investigate the matter further and seek to learn by what strange hands and for what strange purpose the Black Stone had been reared in the long ago.
I sought out the tavern-keeper’s nephew and questioned him in regard to his dreams, but he was vague, though willing to oblige. He did not mind discussing them, but was unable to describe them with any clarity. Though he dreamed the same dreams repeatedly, and though they were hideously vivid at the time, they left no distinct impression on his waking mind. He remembered them only as chaotic nightmares through which huge whirling fires shot lurid tongues of flame and a black drum bellowed incessantly. One thing only he clearly remembered—in one dream he had seen the Black Stone, not on a mountain slope but set like a spire on a colossal black castle.
As for the rest of the villagers I found them not inclined to talk about the Stone, with the exception of the schoolmaster, a man of surprising education, who spent much more of his time out in the world than any of the rest.
He was much interested in what I told him of Von Junzt’s remarks about the Stone, and warmly agreed with the German author in the alleged age of the monolith. He believed that a coven had once existed in the vicinity and that possibly all of the original villagers had been members of that fertility cult which once threatened to undermine European civilization and gave rise to the tales of witchcraft. He cited the very name of the village to prove his point; it had not been originally named Stregoicavar, he said; according to legends the builders had called it Xuthltan, which was the aboriginal name of the site on which the village had been built many centuries ago.
This fact roused again an indescribable feeling of uneasiness. The barbarous name did not suggest connection with any Scythic, Slavic, or Mongolian race to which an aboriginal people of these mountains would, under natural circumstances, have belonged.
That the Magyars and Slavs of the lower valleys believed the original inhabitants of the village to be members of the witchcraft cult was evident, the schoolmaster said, by the name they gave it, which name continued to be used even after the older settlers had been massacred by the Turks, and the village rebuilt by a cleaner and more wholesome breed.
He did not believe that the members of the cult erected the monolith, but he did believe that they used it as a center of their activities, and repeating vague legends which had been handed down since before the Turkish invasion, he advanced the theory that the degenerate villagers had used it as a sort of altar on which they offered human sacrifices, using as victims the girls and babies stolen from his own ancestors in the lower valleys.
He discounted the myths of weird events on Midsummer Night, as well as a curious legend of a strange deity which the witch-people of Xuthltan were said to have invoked with chants and wild rituals of flagellation and slaughter.
He had never visited the Stone on Midsummer Night, he said, but he would not fear to do so; whatever had existed or taken place there in the past, had been long engulfed in the mists of time and oblivion. The Black Stone had lost its meaning save as a link to a dead and dusty past.
It was while returning from a visit with this schoolmaster one night about a week after my arrival at Stregoicavar that a sudden recollection struck me—it was Midsummer Night! The very time that the legends linked with grisly implications to the Black Stone. I turned away from the tavern and strode swiftly through the village. Stregoicavar lay silent; the villagers retired early. I saw no one as I passed rapidly out of the village and up into the firs which masked the mountain slopes in a weird light and etched the shadows blackly. No wind blew through the firs, but a mysterious, intangible rustling and whispering was abroad. Surely on such nights in past centuries, my whimsical imagination told me, naked witches astride magic broomsticks had flown across this valley, pursued by jeering demoniac familiars.
I came to the cliffs and was somewhat disquieted to note that the illusive moonlight lent them a subtle appearance I had not noticed before—in the weird light they appeared less like natural cliffs and more like the ruins of cyclopean and Titan-reared battlements jutting from the mountain slope.
Shaking off this hallucination with difficulty, I came upon the plateau and hesitated a moment before I plunged into the brooding darkness of the woods. A sort of breathless tenseness hung over the shadows, like an unseen monster holding its breath lest it scare away its prey.
I shook off the sensation—a natural one, considering the eeriness of the place and its evil reputation—and made my way through the wood, experiencing a most unpleasant sensation that I was being followed, and halting once, sure that something clammy and unstable had brushed against my face in the darkness.
I came out into the glade and saw the tall monolith rearing its gaunt height above the sward. At the edge of the woods on the side toward the cliff was a stone which formed a sort of natural seat. I sat down, reflecting that it was probably while there that the mad poet, Justin Geoffrey, had written his fantastic “People of the Monolith.” Mine host thought that it was the Stone which had caused Geoffrey’s insanity, but the seeds of madness had been sown in the poet’s brain long before he ever came to Stregoicavar.
A glance at my watch showed that the hour of midnight was close at hand. I leaned back, awaiting whatever ghostly demonstration might appear. A thin night wind started up among the branches of the firs, with an uncanny suggestion of faint, unseen pipes whispering an eerie and evil tune. The monotony of the sound and my steady gazing at the monolith produced a sort of self-hypnosis upon me; I grew drowsy. I fought this feeling, but sleep stole on me in spite of myself; the monolith seemed to sway and dance, strangely distorted to my gaze, and then I slept.
I opened my eyes and sought to rise, but lay still, as if an icy hand gripped me helpless. Cold terror stole over me. The glade was no longer deserted. It was thronged by a silent crowd of strange people, and my distended eyes took in strange barbaric details of costume which my reason told me were archaic and forgotten even in this backward land. Surely, I thought, these are villagers who have come here to hold some fantastic conclave—but another glance told me that these people were not of the folk of Stregoicavar. They were a shorter, more squat race, whose brows were lower, whose faces were broader and duller. Some had Slavic or Magyar features, but those features were degraded as from a mixture of some baser, alien strain I could not classify. Many wore the hides of wild beasts, and their whole appearance, both men and women, was one of sensual brutishness. They terrified and repelled me, but they gave me no heed. They formed in a vast half-circle in front of the monolith and began a sort of chant, flinging their arms in unison and weaving their bodies rhythmically from the waist upward. All eyes were fixed on the top of the Stone, which they seemed to be invoking. But the strangest of all was the dimness of their voices; not fifty yards from me hundreds of men and women were unmistakably lifting their voices in a wild chant, yet those voices came to me as a faint indistinguishable murmur as if from across vast leagues of Space—or time.
Before the monolith stood a sort of brazier from which a vile, nauseous yellow smoke billowed upward, curling curiously in an undulating spiral around the black shaft, like a vast unstable serpent.
On one side of this brazier lay two figures—a young girl, stark naked and bound hand and foot, and an infant, apparently o
nly a few months old. On the other side of the brazier squatted a hideous old hag with a queer sort of black drum on her lap; this drum she beat with slow, light blows of her open palms, but I could not hear the sound.
The rhythm of the swaying bodies grew faster, and into the space between the people and the monolith sprang a naked young woman, her eyes blazing, her long black hair flying loose. Spinning dizzily on her toes, she whirled across the open space and fell prostrate before the Stone, where she lay motionless. The next instant a fantastic figure followed her—a man from whose waist hung a goatskin, and whose features were entirely hidden by a sort of mask made from a huge wolf’s head, so that he looked like a monstrous, nightmare being, horribly compounded of elements both human and bestial. In his hand he held a bunch of long fir switches bound together at the larger ends, and the moonlight glinted on a chain of heavy gold looped about his neck. A smaller chain depending from it suggested a pendant of some sort, but this was missing.
The people tossed their arms violently and seemed to redouble their shouts as this grotesque creature loped across the open space with many a fantastic leap and caper. Coming to the woman who lay before the monolith, he began to lash her with the switches he bore, and she leaped up and spun into the wild mazes of the most incredible dance I have ever seen. And her tormentor danced with her, keeping the wild rhythm, matching her every whirl and bound, while incessantly raining cruel blows on her naked body. And at every blow he shouted a single word, over and over, and all the people shouted it back. I could see the working of their lips, and now the faint far-off murmur of their voices merged and blended into one distant shout, repeated over and over with slobbering ecstasy. But what that one word was, I could not make out.
In dizzy whirls spun the wild dancers, while the lookers-on, standing still in their tracks, followed the rhythm of their dance with swaying bodies and weaving arms. Madness grew in the eyes of the capering votaress and was reflected in the eyes of the watchers. Wilder and more extravagant grew the whirling frenzy of that mad dance—it became a bestial and obscene thing, while the old hag howled and battered the drum like a crazy woman, and the switches cracked out a devil’s tune.
Blood trickled down the dancer’s limbs, but she seemed not to feel the lashing save as a stimulus for further enormities of outrageous motion; bounding into the midst of the yellow smoke which now spread out tenuous tentacles to embrace both flying figures, she seemed to merge with that foul fog and veil herself with it. Then emerging into plain view, closely followed by the beast-thing that flogged her, she shot into an indescribable, explosive burst of dynamic mad motion, and on the very crest of that mad wave, she dropped suddenly to the sward, quivering and panting as if completely overcome by her frenzied exertions. The lashing continued with unabated violence and intensity, and she began to wriggle toward the monolith on her belly. The priest—or such I will call him—followed, lashing her unprotected body with all the power of his arm as she writhed along, leaving a heavy track of blood on the trampled earth. She reached the monolith and, gasping and panting, flung both arms about it and covered the cold stone with fierce hot kisses, as in frenzied and unholy adoration.
The fantastic priest bounded high in the air, flinging away the red-dabbled switches, and the worshippers, howling and foaming at the mouths, turned on each other with tooth and nail, rending one another’s garments and flesh in a blind passion of bestiality. The priest swept up the infant with a long arm, and shouting again that Name, whirled the wailing babe high in the air and dashed its brains out against the monolith, leaving a ghastly stain on the black surface. Cold with horror, I saw him rip the tiny body open with his bare brutish fingers and fling handfuls of blood on the shaft, then toss the red and torn shape into the brazier, extinguishing flame and smoke in a crimson rain, while the maddened brutes behind him howled over and over that Name. Then suddenly they all fell prostrate, writhing like snakes, while the priest flung wide his gory hands as in triumph. I opened my mouth to scream my horror and loathing, but only a dry rattle sounded; a huge monstrous toad-like thing squatted on the top of the monolith!
I saw its bloated, repulsive, and unstable outline against the moonlight, and set in what would have been the face of a natural creature, its huge, blinking eyes which reflected all the lust, abysmal greed, obscene cruelty, and monstrous evil that has stalked the sons of men since their ancestors moved blind and hairless in the tree-tops. In those grisly eyes mirrored all the unholy things and vile secrets that sleep in the cities under the sea, and that skulk from the light of day in the blackness of primordial caverns. And so that ghastly thing that the unhallowed ritual of cruelty and sadism and blood had evoked from the silence of the hills, leered and blinked down on its bestial worshippers, who groveled in abhorrent abasement before it.
Now the beast-masked priest lifted the bound and weakly writhing girl in his brutish hands and held her up toward that horror on the monolith. And as that monstrosity sucked in its breath, lustfully and slobberingly, something snapped in my brain and I fell into a merciful faint.
I opened my eyes on a still white dawn. All the events of the night rushed back on me and I sprang up, then stared about me in amazement. The monolith brooded gaunt and silent above the sward which waved, green and untrampled, in the morning breeze. A few quick strides took me across the glade; here had the dancers leaped and bounded until the ground should have been trampled bare, and here had the votaress wriggled her painful way to the Stone, streaming blood on the earth. But no drop of crimson showed on the uncrushed sward. I looked, shudderingly, at the side of the monolith against which the bestial priest had brained the stolen baby—but no dark stain or grisly clot showed there.
A dream! It had been a wild nightmare—or else—I shrugged my shoulders. What vivid clarity for a dream!
I returned quietly to the village and entered the inn without being seen. And there I sat meditating over the strange events of the night. More and more was I prone to discard the dream-theory. That what I had seen was illusion and without material substance, was evident. But I believed that I had looked on the mirrored shadow of a deed perpetrated in ghastly actuality in bygone days. But how was I to know? What proof to show that my vision had been a gathering of foul specters rather than a mere nightmare originating in my own brain?
As if for answer a name flashed into my mind—Selim Bahadur! According to legend this man, who had been a soldier as well as a scribe, had commanded that part of Suleiman’s army which had devastated Stregoicavar. It seemed logical enough; and if so, he had gone straight from the blotted-out countryside to the bloody field of Schomvaal, and his doom. I sprang up with a sudden shout—that manuscript which was taken from the Turk’s body, and which Count Boris shuddered over—might it not contain some narration of what the conquering Turks found in Stregoicavar? What else could have shaken the iron nerves of the Polish adventurer? And since the bones of the Count had never been recovered, what more certain than that lacquered case, with its mysterious contents, still lay hidden beneath the ruins that covered Boris Vladinoff? I began packing my bag with fierce haste.
* * *
Three days later found me ensconced in a little village a few miles from the old battlefield, and when the moon rose I was working with savage intensity on the great pile of crumbling stone that crowned the hill. It was back-breaking toil—looking back now I cannot see how I accomplished it, though I labored without a pause from moonrise to dawn. Just as the sun was coming up I tore aside the last tangle of stones and looked on all that was mortal of Count Boris Vladinoff—only a few pitiful fragments of crumbling bone—and among them, crushed out of all original shape, lay a case whose lacquered surface had kept it from complete decay through the centuries.
I seized it with frenzied eagerness, and piling back some of the stones on the bones I hurried away; for I did not care to be discovered by the suspicious peasants in an act of apparent desecration.
Back in my tavern chamber I opened the case and found
the parchment comparatively intact; and there was something else in the case—a small squat object wrapped in silk. I was wild to plumb the secrets of those yellowed pages, but weariness forbade me. Since leaving Stregoicavar I had hardly slept at all, and the terrific exertions of the previous night combined to overcome me. In spite of myself I was forced to stretch myself down on my bed, nor did I awake until sundown.
I snatched a hasty supper, and then in the light of a flickering candle, I set myself to read the neat Turkish characters that covered the parchment. It was difficult work, for I am not deeply versed in the language and the archaic style of the narrative baffled me. But as I toiled through it, a word or phrase here and there leaped at me and a dimly growing horror shook me in its grip. I bent my energies fiercely to the task, and as the tale grew clearer and took more tangible form my blood chilled in my veins, my hair stood up, and my tongue clove to my mouth. All external things partook of the grisly madness of that infernal manuscript until the night sounds of insects and creatures in the woods took the form of ghastly murmurings and stealthy treadings of ghoulish horrors and the sighing of the night wind changed to tittering obscene gloating of evil over the souls of men.
Tales of the Cthulhu Mythos Page 9
