Letters to a Young Poet

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by Rainer Maria Rilke


  And one more thing: do not believe that that abundance of love which was once, as a boy, bestowed on you is now lost. Can you tell whether back then great and good desires did not ripen within you, and resolutions which you still live by today? I believe that love remains so strong and powerful in your memory because it was your first deep experience of solitariness and the first inner work that you undertook on your life. – All good wishes to you, dear Mr Kappus!

  Yours,

  Rainer Maria Rilke

  Sonnet

  Through my life there trembles unlamenting

  suffering dark and deep, without a sigh.

  Pure as snow the blossoming of my dreams

  consecrates the stillest of my days.

  Often though a question’s gravity

  cuts across my path. I seem to shrink,

  pass coldly on as if beside a lake

  whose waters are too vast for me to measure.

  And then a sadness settles, dim, opaque,

  like the grey of pallid summer nights,

  shimmered through with stars – now and then – :

  love then is what my hands attempt to grasp

  because I want to say a prayer whose sounds

  my burning mouth, my lips, cannot bring forth …

  (Franz Kappus)

  Borgeby gård, Flãdie, Sweden, 12 August 1904

  I want to talk to you again for a while, dear Mr Kappus, although I can say almost nothing that is of any help, hardly anything useful. You have had many great sadnesses which have now passed by. And you say that their passing was also hard and upsetting for you. But I ask you to consider whether these great unhappinesses did not rather pass through you. Whether much within you has not changed, whether somewhere, in some part of your being, you were not transformed while you were unhappy? The only sorrows which are harmful and bad are those one takes among people in order to drown them out. Like diseases which are treated superficially and inexpertly, they only abate, and after a short pause break out again with more terrible force, and accumulate inside and are life, unlived, rejected, lost life – from which we can die. If it were possible for us to see further than our knowledge reaches, and a little beyond the outworks of our intuitions, perhaps we should then bear our sadnesses with greater assurance than our joys. For they are the moments when something new enters into us, something unknown to us; our feelings, shy and inhibited, fall silent, everything in us withdraws, a stillness settles on us, and at the centre of it is the new presence that nobody yet knows, making no sound.

  I believe that almost all our sadnesses are periods of tautening that we experience as numbness because we can no longer hear the stirring of our feelings, which have become foreign to us. Because we are alone with the strange thing that has entered into us; because everything familiar and accustomed is taken away from us for a moment; because we are in the middle of a transition where we cannot stand still. And that is why sadness passes: what is new in us, the thing that has supervened, has entered into our heart, penetrated to its innermost chamber and not lingered even there – it is already in our blood. And we never quite know what it was. One might easily suppose that nothing had happened, but we have altered the way a house alters when a guest enters it. We cannot say who has come, perhaps we shall never know, but there are many indications that it is the future that enters into us like this, in order to be transformed within us, long before it actually occurs. And that is why it is so important to be solitary and attentive when one is sad: because the apparently uneventful and static moment when our future comes upon us is so much closer to life than that other noisy and accidental point when it happens to us as if from the outside. The quieter, the more patient and open we are in our sadness, the deeper and more unerringly the new will penetrate into us, the better we shall acquire it, the more it will be our fate, and when one day in the future it ‘takes place’ (that is, steps out of us towards others) we shall feel related and close to it in our inmost hearts. And that is necessary. It is necessary – and little by little our development will tend in this direction – that nothing alien should happen to us, but only what has long been part of us. We have already had to adjust our understanding of so many theories of planetary motion, and so too we shall gradually learn to recognize that what we call fate originates in ourselves, in humankind, and does not work on us from the outside. Only because so many people did not absorb their fates while they were inhabited by them, and did not make them a part of themselves, only because of this did they fail to recognize what emerged from them. It was so foreign to them that in their confused panic they assumed it must just have entered into them, for they swore never to have found anything of the sort in themselves before. Just as for a long time people were deceived about the movement of the sun, so we are still deceived about the movement of what is to come. The future is fixed, dear Mr Kappus, but we move around in infinite space.

  How could things not be difficult for us?

  And if we come back to solitude, it grows ever clearer that fundamentally it is not something that one can take or leave. We are solitary. It is possible to deceive yourself and act as if it were not the case. That is all. How much better though, to see and accept that that is what we are, and even to take it as our starting-point. If we do, the effect is admittedly one of giddiness; for all the points on which we are accustomed to rest our eyes are taken away from us, there is no longer anything close by, and everything remote is infinitely so. Someone transported from his room, almost without warning and interval, onto the top of a high mountain would feel something like it: he would be virtually destroyed by an unparalleled sense of insecurity, by an exposure to something nameless. He would think he was falling or believe himself to be hurtling out into space or shattered into a thousand pieces: what a monstrous lie his brain would have to invent to rein in and clarify the state of his senses. In the same way all distances, all measurements, alter for the one who becomes solitary; many such changes suddenly take place at once and, as with the man on the mountaintop, unusual imaginings and curious sensations occur which seem to take on dimensions greater than can be tolerated. But it is necessary for us to experience this too. We must accept our existence in as wide a sense as can be; everything, even the unheard-of, must be possible within it. That, when you come down to it, is the only kind of courage that is demanded of us: the courage for the oddest, the most unexpected, the most inexplicable things that we may encounter. That human beings have been cowardly in this regard has done life endless harm; the experiences we describe as ‘apparitions’, the entire so-called ‘spirit world’, death, all those things so closely akin to us have by our daily rejection of them been forced so far out of our lives that the senses with which we might apprehend them have atrophied. To say nothing of God. But the fear of the inexplicable has not just rendered the individual existence poorer; relations between people, too, have been restricted, as it were lifted out of the river-bed of endless possibilities and placed on a deserted bank where nothing happens. For it is not lethargy alone which causes human relationships to repeat themselves in the same old way with such unspeakable monotony in instance after instance; it is the fearful shying away from any kind of new, unforeseeable experience which we think we may not be equal to. But only someone who is ready for anything and rules nothing out, not even the most enigmatic things, will experience the relationship with another as a living thing and will himself live his own existence to the full. For imagining an individual’s existence as a larger or smaller room reveals to us that most people are only acquainted with one corner of their particular room, a place by the window, a little area to pace up and down. That way, they have a certain security. And yet the perilous uncertainty that drives the prisoners in Poe’s tales to grope out the outlines of their terrible dungeons and so to know the unspeakable horrors of their surroundings, is so much more human. But we are not prisoners. There are no traps or snares set up around us, and there is nothing that should frighten or torment us. We a
re placed into life as into the element with which we have the most affinity, and moreover we have after thousands of years of adaptation come to resemble this life so closely that if we keep still we can, thanks to our facility for mimicry, hardly be distinguished from all that surrounds us. We have no reason to be mistrustful of our world, for it is not against us. If it holds terrors they are our terrors, if it has its abysses these abysses belong to us, if there are dangers then we must try to love them. And if we only organize our life according to the principle which teaches us always to hold to what is difficult, then what now still appears most foreign will become our most intimate and most reliable experience. How can we forget those ancient myths found at the beginnings of all peoples? The myths about the dragons who at the last moment turn into princesses? Perhaps all the dragons in our lives are princesses, only waiting for the day when they will see us handsome and brave? Perhaps everything terrifying is deep down a helpless thing that needs our help.

  So, dear Mr Kappus, you shouldn’t be dismayed if a sadness rises up in front of you, greater than any you have ever seen before; or if a disquiet plays over your hands and over all your doings like light and cloud-shadow. You must think that something is happening with you, that life has not forgotten you, that it holds you in its hand; it will not let you fall. Why should you want to exclude from your life all unsettling, all pain, all depression of spirit, when you don’t know what work it is these states are performing within you? Why do you want to persecute yourself with the question of where it all comes from and where it is leading? You well know you are in a period of transition and want nothing more than to be transformed. If there is something ailing in the way you go about things, then remember that sickness is the means by which an organism rids itself of something foreign to it. All one has to do is help it to be ill, to have its whole illness and let it break out, for that is how it mends itself. There is so much, my dear Mr Kappus, going on in you now. You must be patient as an invalid and trusting as a convalescent, for you are perhaps both. And more than that: you are also the doctor responsible for looking after himself. But with all illnesses there are many days when the doctor can do nothing but wait. And inasfar as you are your own doctor, this above all is what you must do now.

  Do not watch yourself too closely. Do not draw over-rapid conclusions from what is happening to you. Simply let it happen. Otherwise you will too readily find yourself looking on your past, which is of course not uninvolved with everything that is going on in you now, reproachfully (that is, moralistically). But what now affects you from among the divagations, desires and longings of your boyhood is not what you will recall and condemn. The extraordinary circumstances of a solitary and helpless childhood are so difficult, so complicated, exposed to so many influences and at the same time removed from any real life-context, that if a vice enters into it we must not be too quick to call it a vice. We should in general be very careful with names; it is so often the name of a crime which destroys a life, not the nameless and personal act itself, which was perhaps completely necessary to that life and could have been absorbed by it without difficulty. And the expenditure of energy only seems so great because you put too much importance on the victory. It is not victory that is the ‘great thing’ you think you have achieved, though the feeling itself is not in error. What is great is that there was already something there that you were able to set in place of that deception, something true and real. Without it, your victory would only have been a moral reaction with no further significance, but as it is it has become a segment of your life. Of your life, dear Mr Kappus, which I am thinking of with so many hopes and wishes. Do you remember how this life of yours longed in childhood to belong to the ‘grown-ups’? I can see that it now longs to move on from them and is drawn to those who are greater yet. That is why it does not cease to be difficult, but also why it will not cease to grow.

  And if I have anything else to say to you it is this: do not think that the person who is trying to console you lives effortlessly among the simple, quiet words that sometimes make you feel better. His life is full of troubles and sadness and falls far short of them. But if it were any different he could never have found the words that he did.

  Yours,

  Rainer Maria Rilke

  Furuborg, Jonsered, Sweden, 4 November 1904

  My dear Mr Kappus,

  During this time that has passed without a letter I was partly travelling and partly too busy to be able to write. And even today writing is not going to be easy because I have had to write a good number of letters already and my hand is tired. If I had someone to dictate to I’d have plenty to say, but as it is you’ll have to make do with just a few words in return for your long letter.

  I think of you often, dear Mr Kappus, and with such a concentration of good wishes that really in some way it ought to help. Whether my letters can really be a help to you, well, I have my doubts. Do not say: Yes, they are. Just let them sink in quietly and without any particular sense of gratitude, and let’s wait and see what will come of it.

  There’s not perhaps much purpose in my dealing with the detail of what you wrote, for what I might be able to say about your tendency towards self-doubt or your inability to reconcile your inner and outer life, or about anything else that assails you – it all comes down to what I have said before: the same desire that you might find enough patience in you to endure, and simplicity enough to have faith; that you might gain more and more trust in what is hard and in your own loneliness among other people. And otherwise let life take its course. Believe me: life is right, whatever happens.

  And as to feelings: all feelings are pure that focus you and raise you up. An impure feeling is one that only comprises one side of your nature and so distorts you. Any thoughts that match up to your childhood are good. Everything that makes more of you than you have hitherto been in your best moments is right. Every heightening is good if it occurs in the quick of your bloodstream, if it is not an intoxication, not a troubling but a joy one can see right to the bottom of. Do you understand what I mean?

  And your doubts can become a good quality if you school them. They must grow to be knowledgeable, they must learn to be critical. As soon as they begin to spoil something for you ask them why a thing is ugly, demand hard evidence, test them, and you will perhaps find them at a loss and short of an answer, or perhaps mutinous. But do not give in, request arguments, and act with this kind of attentiveness and consistency every single time, and the day will come when instead of being demolishers they will be among your best workers – perhaps the canniest of all those at work on the building of your life.

  That is all, dear Mr Kappus, that I can say to you for today. But I’m also sending you the off-print of a little work that has just appeared in the Prague journal Deutsche Arbeit. There I continue to speak to you of life and of death and of the greatness and splendour of both.

  Yours,

  Rainer Maria Rilke

  Paris, on the second day of Christmas 1908

  You ought to know, dear Mr Kappus, how happy I was to get this lovely letter from you. The news you give me, actual and articulate as it now is, seems good to me, and the more I thought about it the more it struck me as incontrovertibly good. I really wanted to write you this in time for Christmas Eve; but what with the work that has been occupying me variously and without interruption this winter the old festival came up so quickly that I hardly had time enough to make the most necessary purchases, much less to write a letter.

  But during these Christmas days I have often thought of you and imagined how quiet you must be in your solitary fort up among the empty mountains over which those great south winds rush as if they wanted to devour them in mighty chunks.

  The silence must be immense to be able to receive such sounds and movements, and when one thinks that they are joined by the noise of the sea, present in the distance, perhaps the most inward note in this prehistoric harmony, one can only hope that you have the trust and patience to let this marvel
lous solitude work on you, a solitude which will never be deleted from your life. In all that lies before you to experience and do, it will continue as an anonymous influence and have a subtly decisive effect, perhaps like the way the blood of our ancestors moves unceasingly within us and mingles with our own to make us the unique, not-to-be-repeated being that we are at every turn of our lives.

  Yes: I am glad that you have this firm, utterable form of existence, the rank, the uniform, the duty, all these tangible and well-defined things that in such surroundings, with an equally isolated and not numerous company of men, take on a seriousness and necessity; and which, over and above the aspects of play and pastime that are also part of the military profession, make for a certain vigilance and not only permit an individual attentiveness but actually teach it. And to be in circumstances that work on us, that set us before great natural phenomena from time to time, is all we need.

  Art too is only a way of living, and it is possible, however one lives, to prepare oneself for it without knowing; in every real situation we are nearer to it, better neighbours, than in the unreal half-artistic professions which by pretending to be close to art in fact deny and hurt its very existence, as for example is the case with the whole of journalism and almost all criticism and three-quarters of what passes for literature. I am glad, in a word, that you have withstood the dangers of slipping into all this, and that somewhere you are living alone and courageous in a rough reality. May the year to come maintain and strengthen you in it.

  Ever yours,

 

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