The Mammoth Book of Westerns

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The Mammoth Book of Westerns Page 15

by Jon E. Lewis


  “Be ca’m, Bill; be ca’m,” he admonished himself, as he broke ground for the final hole where the sides of the “V” had at last come together in a point.

  “I’ve got the almighty cinch on you, Mr Pocket, an’ you can’t lose me,” he said many times as he sank the hole deeper and deeper.

  Four feet, five feet, six feet, he dug his way down into the earth. The digging grew harder. His pick grated on broken rock. He examined the rock. “Rotten quartz,” was his conclusion as, with the shovel, he cleared the bottom of the hole of loose dirt. He attacked the crumbling quartz with the pick, bursting the disintegrating rock asunder with every stroke.

  He thrust his shovel into the loose mass. His eye caught a gleam of yellow. He dropped the shovel and squatted suddenly on his heels. As a farmer rubs the clinging earth from fresh-dug potatoes, so the man, a piece of rotten quartz held in both hands, rubbed the dirt away.

  “Sufferin’ Sardanopolis!” he cried. “Lumps an’ chunks of it! Lumps an’ chunks of it!”

  It was only half rock he held in his hand. The other half was virgin gold. He dropped it into his pan and examined another piece. Little yellow was to be seen, but with his strong fingers he crumbled the rotten quartz away till both hands were filled with glowing yellow. He rubbed the dirt away from fragment after fragment, tossing them into the gold-pan. It was a treasure-hole. So much had the quartz rotten away that there was less of it than there was of gold. Now and again he found a piece to which no rock clung – a piece that was all gold. A chunk, where the pick had laid open the heart of the gold, glittered like a handful of yellow jewels, and he cocked his head at it and slowly turned it around and over to observe the rich play of the light upon it.

  “Talk about yer Too Much Gold diggin’s!” the man snorted contemptuously. “Why, this diggin’ ’d make it look like thirty cents. This diggin’ is All Gold. An’ right here an’ now I name this yere canyon ‘All Gold Canyon’, b’ gosh!”

  Still squatting on his heels, he continued examining the fragments and tossing them into the pan. Suddenly there came to him a premonition of danger. It seemed a shadow had fallen upon him. But there was no shadow. His heart had given a great jump up into his throat and was choking him. Then his blood slowly chilled and he felt the sweat of his shirt cold against his flesh.

  He did not spring up nor look around. He did not move. He was considering the nature of the premonition he had received, trying to locate the source of the mysterious force that had warned him, striving to sense the imperative presence of the unseen thing that threatened him. There is an aura of things hostile, made manifest by messengers too refined for the senses to know; and this aura he felt, but knew not how he felt it. His was the feeling as when a cloud passes over the sun. It seemed that between him and life had passed something dark and smothering and menacing; a gloom, as it were, that swallowed up life and made for death – his death.

  Every force of his being impelled him to spring up and confront the unseen danger, but his soul dominated the panic, and he remained squatting on his heels, in his hands a chunk of gold. He did not dare to look around, but he knew by now that there was something behind him and above him. He made believe to be interested in the gold in his hand. He examined it critically, turned it over and over, and rubbed the dirt from it. And all the time he knew that something behind him was looking at the gold over his shoulder.

  Still feigning interest in the chunk of gold in his hand, he listened intently and he heard the breathing of the thing behind him. His eyes searched the ground in front of him for a weapon, but they saw only the uprooted gold, worthless to him now in his extremity. There was his pick, a handy weapon on occasion; but this was not such an occasion. The man realized his predicament. He was in a narrow hole that was seven feet deep. His head did not come to the surface of the ground. He was in a trap.

  He remained squatting on his heels. He was quite cool and collected; but his mind, considering every factor, showed him only his helplessness. He continued rubbing the dirt from the quartz fragments and throwing the gold into the pan. There was nothing else for him to do. Yet he knew that he would have to rise up, sooner or later, and face the danger that breathed at his back. The minutes passed, and with the passage of each minute he knew that by so much he was nearer the time when he must stand up, or else – and his wet shirt went cold against his flesh again at the thought – or else he might receive death as he stooped there over his treasure.

  Still he squatted on his heels, rubbing dirt from gold and debating in just what manner he should rise up. He might rise up with a rush and claw his way out of the hole to meet whatever threatened on the even footing above ground. Or he might rise up slowly and carelessly, and feign casually to discover the thing that breathed at his back. His instinct and every fighting fibre of his body favored the mad, clawing rush to the surface. His intellect, and the craft thereof, favored the slow and cautious meeting with the thing that menaced and which he could not see. And while he debated, a loud, crashing noise burst on his ear. At the same instant he received a stunning blow on the left side of his back, and from the point of impact felt a rush of flame through his flesh. He sprang up in the air, but halfway to his feet collapsed. His body crumpled in like a leaf withered in sudden heat, and he came down, his chest across his pan of gold, his face in the dirt and rock, his legs tangled and twisted because of the restricted space at the bottom of the hole. His legs twitched convulsively several times. His body was shaken with a mighty ague. There was a slow expansion of the lungs, accompanied by a deep sigh. Then the air was slowly, very slowly, exhaled, and his body as slowly flattened itself down into inertness.

  Above, revolver in hand, a man was peering down over the edge of the hole. He peered for a long time at the prone and motionless body beneath him. After a while the stranger sat down on the edge of the hole so that he could see into it, and rested the revolver on his knee. Reaching his hand into a pocket, he drew out a wisp of brown paper. Into this he dropped a few crumbs of tobacco. The combination became a cigarette, brown and squat, with the ends turned in. Not once did he take his eyes from the body at the bottom of the hole. He lighted the cigarette and drew its smoke into his lungs with a caressing intake of the breath. He smoked slowly. Once the cigarette went out and he relighted it. And all the while he studied the body beneath him.

  In the end he tossed the cigarette stub away and rose to his feet. He moved to the edge of the hole. Spanning it, a hand resting on each edge, and with the revolver still in the right hand, he muscled his body down into the hole. While his feet were yet a yard from the bottom he released his hands and dropped down.

  At the instant his feet struck bottom he saw the pocket-miner’s arm leap out, and his own legs knew a swift, jerking grip that overthrew him. In the nature of the jump his revolver-hand was above his head. Swiftly as the grip had flashed about his legs, just as swiftly he brought the revolver down. He was still in the air, his fall in process of completion, when he pulled the trigger. The explosion was deafening in the confined space. The smoke filled the hole so that he could see nothing. He struck the bottom on his back, and like a cat’s the pocket-miner’s body was on top of him. Even as the miner’s body passed on top, the stranger crooked in his right arm to fire; and even in that instant the miner, with a quick thrust of elbow, struck his wrist. The muzzle was thrown up and the bullet thudded into the dirt of the side of the hole.

  The next instant the stranger felt the miner’s hand grip his wrist. The struggle was now for the revolver. Each man strove to turn it against the other’s body. The smoke in the hole was clearing. The stranger, lying on his back, was beginning to see dimly. But suddenly he was blinded by a handful of dirt deliberately flung into his eyes by his antagonist. In that moment of shock his grip on the revolver was broken. In the next moment he felt a smashing darkness descend upon his brain, and in the midst of the darkness even the darkness ceased.

  But the pocket-miner fired again and again, until the revolver w
as empty. Then he tossed it from him and, breathing heavily, sat down on the dead man’s legs.

  The miner was sobbing and struggling for breath. “Measly skunk!” he panted; “a-campin’ on my trail an’ lettin’ me do the work, an’ then shootin’ me in the back!”

  He was half crying from anger and exhaustion. He peered at the face of the dead man. It was sprinkled with loose dirt and gravel, and it was difficult to distinguish the features.

  “Never laid eyes on him before,” the miner concluded his scrutiny. “Just a common an’ ordinary thief, hang him! An’ he shot me in the back! He shot me in the back!”

  He opened his shirt and felt himself, front and back, on his left side.

  “Went clean through, and no harm done!” he cried jubilantly. “I’ll bet he aimed right all right; but he drew the gun over when he pulled the trigger – the cur! But I fixed ’m! Oh, I fixed ’m!”

  His fingers were investigating the bullet-hole in his side, and a shade of regret passed over his face. “It’s goin’ to be stiffer’n hell,” he said. “An’ it’s up to me to get mended an’ get out o’ here.”

  He crawled out of the hole and went down the hill to his camp. Half an hour later he returned, leading his pack-horse. His open shirt disclosed the rude bandages with which he had dressed his wound. He was slow and awkward with his left-hand movements, but that did not prevent his using the arm.

  The bight of the pack-rope under the dead man’s shoulders enabled him to heave the body out of the hole. Then he set to work gathering up his gold. He worked steadily for several hours, pausing often to rest his stiffening shoulder and to exclaim:

  “He shot me in the back, the measly skunk! He shot me in the back!”

  When his treasure was quite cleaned up and wrapped securely into a number of blanket-covered parcels, he made an estimate of its value.

  “Four hundred pounds, or I’m a Hottentot,” he concluded. “Say two hundred in quartz an’ dirt – that leaves two hundred pounds of gold, Bill! Wake up! Two hundred pounds of gold! Forty thousand dollars! An’ it’s yourn – all yourn!”

  He scratched his head delightedly and his fingers blundered into an unfamiliar groove. They quested along it for several inches. It was a crease through his scalp where the second bullet had ploughed.

  He walked angrily over to the dead man.

  “You would, would you?” he bullied. “You would, eh? Well, I fixed you good an’ plenty, an’ I’ll give you a decent burial, too. That’s more’n you’d have done for me.”

  He dragged the body to the edge of the hole and toppled it in. It struck the bottom with a dull crash, on its side, the face twisted up to the light. The miner peered down at it.

  “An’ you shot me in the back!” he said accusingly.

  With pick and shovel he filled the hole. Then he loaded the gold on his horse. It was too great a load for the animal, and when he had gained his camp he transferred part of it to his saddle-horse. Even so, he was compelled to abandon a portion of his outfit – pick and shovel and gold-pan, extra food and cooking utensils, and divers odds and ends.

  The sun was at the zenith when the man forced the horses at the screen of vines and creepers. To climb the huge boulders the animals were compelled to uprear and struggle blindly through the tangled mass of vegetation. Once the saddle-horse fell heavily and the man removed the pack to get the animal on its feet. After it started on its way again the man thrust his head out from among the leaves and peered up at the hillside.

  “The measly skunk!” he said, and disappeared.

  There was a ripping and tearing of vines and boughs. The trees surged back and forth, marking the passage of the animals through the midst of them. There was a clashing of steel-shod hoofs on stone, and now and again a sharp cry of command. Then the voice of the man was raised in song:—

  “Tu’n around an’ tu’n yo’ face

  Untoe them sweet hills of grace

  (D’pow’rs of sin yo’ am scornin’!).

  Look about an’ look aroun’

  Fling yo’ sin-pack on d’ groun’

  (Yo’ will meet wid d’ Lord in d’ mornin’!).”

  The song grew fainter and fainter, and through the silence crept back the spirit of the place. The stream once more drowsed and whispered; the hum of the mountain bees rose sleepily. Down through the perfume-weighted air fluttered the snowy fluffs of the cottonwoods. The butterflies drifted in and out among the trees, and over all blazed the quiet sunshine. Only remained the hoof-marks in the meadow and the torn hillside to mark the boisterous trail of the life that had broken the peace of the place and passed on.

  JOHN G. NEIHARDT

  The Last Thunder Song

  JOHN GNEISENAU NEIHARDT (1881–1973) was brought up in a pioneer sod house in Kansas. He graduated from Nebraska Normal College at the age of sixteen, and took a variety of jobs before devoting himself to writing, eventually becoming Professor of Poetry at the University of Nebraska. For a number of years he lived amongst the Omahas and Sioux, and later served on the Bureau of Indian Affairs. American Indians are at the centre of his Western fiction, and he was amongst the very first to portray them sympathetically. In the Western genre, Neihardt published three novels, The Dawn Builder (1911), Life’s a Love (1914), When the Tree Flowered (1951), and two collections of short stories, The Lonesome Trail (1907) and Indian Tales and Others (1926). Neihardt also worked as secretary to the Sioux medicine man, Black Elk, a collaboration which led to Black Elk Speaks (1932), one of the most important books published about Amerindians. As a poet, Neihardt is most famous for his five-part Cycle of the West.

  “The Last Thunder Song” is from The Lonesome Trail collection.

  IT IS AN ancient custom to paint tragedy in blood tints. This is because men were once merely animals, and have not as yet been able to live down their ancestry. Yet the stroke of a dagger is a caress beside the throb of hopeless days.

  Life can ache; the living will tell you this. But the dead make no complaint.

  There is no greater tragedy than the fall of a dream! Napoleon dreamed; so did a savage. It is the same. I know of the scene of a great tragedy. Very few have recognized it as such; there was so little noise along with it. It happened at the Omaha Agency, which is situated on the Missouri River some seventy miles above Omaha.

  The summer of 1900 debilitated all thermal adjectives. It was not hot; it was Saharical! It would hardly have been hyperbole to have said that the Old Century lay dying of a fever. The untilled hills of the reservation thrust themselves up in the August sunshine like the emaciated joints of one bedridden. The land lay as yellow as the skin of a fever patient, except in those rare spots where the melancholy corn struggled heartlessly up a hillside, making a blotch like a bedsore!

  The blood of the prairie was impoverished, and the sky would give no drink with which to fill the dwindling veins. When one wished to search the horizon for the cloud that was not there, he did it from beneath an arched hand. The small whirlwinds that awoke like sudden fits of madness in the sultry air, rearing yellow columns of dust into the sky – these alone relieved the monotony of dazzle.

  Every evening the clouds rolled flashing about the horizon and thundered back into the night. They were merely taunts, like the holding of a cool cup just out of reach of a fevered mouth; and the clear nights passed, bringing dewless dawns, until the ground cracked like a parched lip!

  The annual Indian powwow was to be ended prematurely that year, for the sun beat uninvitingly upon the flat bottom where the dances were held, and the Indians found much comfort in the shade of their summer tepees. But when it was noised about that, upon the next day, the old medicine-man Mahowari (Passing Cloud) would dance potent dances and sing a thunder song with which to awaken the lazy thunder spirits to their neglected duty of rain-making, then the argument of the heat became feeble.

  So the next morning, the bronze head of every Indian tepee-hold took his pony, his dogs, his squaw, and his papooses of indefinite number to
the powwow ground. In addition to these, the old men carried with them long memories and an implicit faith. The young men, who had been away to Indian school, and had succeeded to some extent in stuffing their brown skins with white souls, carried with them curiosity and doubt, which, if properly united, beget derision.

  The old men went to a shrine; the young men went to a show. When a shrine becomes a show, the World advances a step. And that is the benevolence of Natural Law!

  About the open space in which the dances were held, an oval covering had been built with willow boughs, beneath which the Indians lounged in sweating groups. Slowly about the various small circles went the cumbersome stone pipes.

  To one listening, drowsed with the intense sunlight, the buzzle and mutter and snarl of the gossiping Omahas seemed the grotesque echoes from a vanished age. Between the dazzle of the sun and the sharply contrasting blue shade, there was but a line of division; yet a thousand years lay between one gazing into the sun and those dozing in the shadow. It was as if God had flung down a bit of the Young World’s twilight into the midst of the Old World’s noon. Here lounged the masterpiece of the toiling centuries – a Yankee. There sat the remnant of a race as primitive as Israel. Yet the white man looked on with the contempt of superiority.

  Before ten o’clock everybody had arrived and his family with him. A little group, composed of the Indian Agent, the Agency Physician, the Mission Preacher, and a newspaper man, down from the city for reportorial purposes, waited and chatted, sitting upon a ragged patch of available shadow.

  “These Omahas are an exceptional race,” the preacher was saying in his ministerial tone of voice; “an exceptional race!”

  The newspaper man mopped his face, lit a cigarette and nodded assent with a hidden meaning twinkling in his eye.

  “Quite exceptional!” he said, tossing his head in the direction of an unusually corpulent bunch of steaming, sweating, bronze men and women. “God, like some lesser master-musicians, has not confined himself to grand opera, it seems!”

 

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