The Dowry Bride
The Dowry Bride
SHOBHAN BANTWAL
KENSINGTON BOOKS
http://www.kensingtonbooks.com
Acknowledgments
No project of mine can begin without offering a prayer to Ganesh, the god who removes obstacles and grants wishes. So, my initial salute of thanksgiving goes to Him.
I want to thank my daughter, Maya, my most ardent champion. I couldn’t have done it without you.
My sincere appreciation goes to my agents, Stephanie Lehmann and Elaine Koster. Thank you for putting your faith in me and patiently guiding me through this exciting yet bewildering process.
My heartfelt thanks go to my warm and supportive editor and publisher respectively, Audrey LaFehr and Laurie Parkin, for taking a chance on a new author. To the two other lovely ladies, who are so enthusiastic about my book and working hard on my behalf, Magee King and Joan Schulhafer, a special thank-you. The editorial, production, marketing and sales staff at Kensington Publishing richly deserve my gratitude and praise for a job well done.
Dorothy Garlock and Anjali Banerjee, I cannot even begin to thank you both for your generosity. Despite your bestselling author status and hectic schedules, you gave me such prompt and thoughtful cover blurbs that I will always think of you fondly.
I am forever indebted to my critique partners, Teri Bozowski and Linda Aldrich, for their incisive and thoughtful feedback.
To my son-in-law, Sameet, I love you for your constant support. And for my long line of friends, family and well-wishers, too many to list, a big hug of appreciation.
Last but not least, to the love of my life, husband, partner and best friend, Prakash. I am deeply grateful to the fates that brought you into my life. We are in this together, as always.
Author’s Note
Dear Reader,
India has a rich and diversified culture filled with colorful folklore, gracious people, a delightful profusion of regional cuisines and breathtaking natural wonders. And yet, as shocking as it may seem to the more advanced cultures of the world, the archaic system of dowry is alive and thriving in contemporary India.
Dowry is a gift of cash, valuables and household items presented by the bride’s family to the groom at the time of marriage. It is considered a contribution toward the household expenses of the groom’s family. Although a dowry is not universal among all Indian castes and classes, there are some that practice it very strictly. To this day, it plays a significant role in many of India’s arranged marriages.
Despite a highly educated middle class, the glitzy Bollywood movie and fashion industries, the high-tech and call-center boom that is touted as India’s pride and joy, there is a shameful secret that casts a dark shadow on all those brilliant accomplishments. In spite of a federal law, the Dowry Prohibition Act of 1961, and its amendments in the 1980s, the dowry has continued to proliferate and become more entrenched.
India’s dowry system is a corrupt and decadent tradition, and yet, its advocates argue that it is merely a method of ensuring equitable distribution of a parent’s estate among daughters and sons. But when one analyzes the crude and inhuman way it is sometimes practiced, it can be viewed as a form of extortion.
As if that were not enough to qualify as a misdeed, if and when a bride’s family fails to produce the expected dowry or falls short of the promised amount, the bride is often abused or tortured or killed by her husband’s family—and, indeed, may suffer all three, in that order.
Statistics on bride abuse and bride killings are highly skewed because of a large number of cases that go unreported or undocumented. They are often brushed aside as accidents. Corrupt police officials that condone the perpetration by looking the other way serve to add to the travesty of an already distorted legal system. Allegedly, anywhere from 5,000 to 25,000 dowry brides are killed and maimed each year. There is no way to gauge the validity of any of the available statistical data.
Although The Dowry Bride is entirely fictional, some of its elements are based on facts surrounding the dowry system. In narrating the story of my young protagonist, Megha Ramnath, I often placed myself in her shoes, and as a result I experienced her fears, concerns, joys and tribulations. Notwithstanding the drama, adventure and action essential to a work of fiction, I have tried to paint a realistic portrait of a culture that is simple yet complex in many ways, abundant yet lacking in some areas, progressive yet shockingly primitive.
I sincerely hope you enjoy reading and sharing with others The Dowry Bride as much as I have enjoyed writing it.
Best wishes,
Shobhan Bantwal
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
A Special Chat with Shobhan Bantwal
Chapter 1
Her parents named her Megha, which means “cloud” in Sanskrit, perhaps because she cast a gray shadow over their lives at a time when they didn’t expect overcast skies. She was an unexpected, unpleasant surprise—rather late in their lives. Her father was in his forties, her mother in her thirties. When they were desperately hoping it would at least turn out to be a boy after having had two girls, now ages thirteen and eleven, she came along—another screaming infant girl—with all the wants and needs and tribulations of a female, all the burdens of a Hindu Brahmin woman.
Her father never recovered from the disappointment. Her mother quietly accepted it as her destiny. Together they began to contemplate how they would ever manage to put aside enough money to pay three varadakhshinas. Dowries.
Some Hindus believe that if you give your child a depressing name, you can keep evil away from it. They often apply a dot of kohl on a baby’s face to mar its perfection, as no one will be tempted to put a hex on a flawed child. Megha was told she was an unusually beautiful baby, bright and full of energy. She often wondered if the name Megha was her spot of kohl, guaranteed to deflect the evil eye. When asked about it, her mother said the only reason they called her Megha was because they happened to like the name.
Then there was the astrologer, a man known for his accuracy, who had cast her janam-patrika. Horoscope. He had apparently predicted a dark, threatening period in Megha’s life, when a large cloud would settle over her head, and Yama, the god of death, would pay her a visit. He wasn’t able to foretell exactly when…but the menace would come, he’d warned.
It would come. It was bound to come—sooner or later.
Chapter 2
At the age of twenty-one, Megha Ramnath was not only married for a year but was about to be executed. In the damp, foggy darkness of the night, she stood outside the woodshed, her brows drawn in puzzlement, the loose end of her plain blue cotton sari tightly drawn around her slim shoulders. Had she heard correctly, or was her mind playing strange tricks on her?
Standing on her toes, she peeped into the shed’s window, secretly listening to her would-be murderers whispering, hatching their sinister plan to finish her off.
There was no light anywhere except for t
he ominous, dull yellow glow coming from the kandeel. Lantern. It barely illuminated the woodpile leaning against the wall in the corner and the two tins of kerosene standing nearby. The concrete floor, reduced to a blotchy gray from decades of sawdust, oil stains, and dirt, looked grungier than ever.
Icy fingers crept down the nape of her neck, telling her something was not quite right. What was it she sensed? What unexplained electric charge sent chills up and down her spine? Megha strained to listen, trying to make sense of the conversation going on inside the shed.
Kuppu, the fat old calico cat, sat huddled at her feet, shuddering, sending tremors up Megha’s legs. Was it experiencing the same eerie feeling she was? Cats could sense danger better than humans. The leaves rustled in the nearby guava tree, making her jump. She looked up, afraid to breathe, but realized it was only some night creature stirring—perhaps a bird disturbed by Kuppu’s presence. Just then Kuppu’s back lifted in an arch—a definite sign of fear. And Megha’s breathing turned ragged.
Then it dawned on her. Her large dark eyes opened wide with alarm. She was going to be killed! Realization struck her like a punch in the stomach. Terror replaced numbing shock, sending her heartbeat soaring.
Oh, God! Could this really be happening to her? And why? She was an ordinary housewife with a boring life; she had no enemies. She was considered pretty, but it couldn’t possibly be a reason for anyone to kill her. She had no particular talents and posed no threat to anyone. Although her life meant little to anybody but herself, her death would mean even less.
And yet, she was going to be murdered!
The most puzzling part of the mystery was that her executioners were none other than her husband, Suresh Ramnath, and his ferocious mother, Chandramma Ramnath. The children in the family called her Amma. In their native Kannada language, Amma meant mother, but since she was also the eldest female in the family, she was Amma to all the kids, including nieces and nephews. Even the male servant who came in daily to wash the clothes and mop the floors addressed her as Amma-bai. Bai was the respectful Indian equivalent of the English term madam.
Despite what was going on in the woodshed, the surrounding scene looked perfectly normal. The nondescript Ramnath home, with its sooty windows and aged concrete frame, was like many other homes in Cantonment Galli or Street—single-storied, with three bedrooms and a small backyard. The houses were dark, boxy squares rising out of the fog.
The neighborhood was middle-class, where most of the women stayed home and cooked and raised the children while the men held office jobs or owned small businesses. Most every family had a servant come in daily for an hour or two to perform the menial tasks—not a luxury but a necessity. Very rarely did this class of folks travel for pleasure. They ate at a restaurant or went to the cinema perhaps once a month. Money was usually tight and every rupee had to be saved for the children’s futures.
At this late hour, the rural town of Palgaum was asleep. Even the most vigilant watchdogs dozed in languorous abandon in the sultry humidity of the tropical October night. The last show at the movie theaters had let out and the crowds had gone home to their beds. Except for a handful of individuals who had business staying awake, like night-shift guards and policemen, nurses minding hushed hospital wards, industrious prostitutes, and the occasional nocturnal youth or drunk loitering on a darkened street, the place was tranquil. A fine, damp mist had wound its way from the river and spread like a ghostly shroud, while a silent quarter-moon watched over the slumbering town.
After long hours of slogging in the kitchen to keep her husband and in-laws well-fed and content, Megha usually slept like the dead. It was her sole escape from a life she had slowly come to abhor—her only relief for those aching feet, back, and arms that resulted from shopping for endless lists of rations and hauling them home on foot, grinding spices, coconut and various kinds of batters on the heavy grinding stone, serving meals, and handling heavy pots of steaming food and buckets of bath water. One of the advantages of being so young was the ability to sink into oblivion once her head settled on the pillow each night.
And yet, a little earlier, startled by an odd sound, her eyelids had flown open in an instant. It was different from the normal nightly cacophony of snores coming from her in-laws’ room. She could only hear her father-in-law, Vinayak Ramnath, or Appaji as the kids called him, snoring in the master bedroom, and her teenaged sister-in-law, Shanti, breathing like a muffled whistle in her room across the passageway.
But what about Amma, her mother-in-law, the Amazon witch? The older woman’s notorious snoring was ominously absent. It was generally riotous enough to disturb anyone within a hundred meters. Was that corpulent mass of a woman, Chandramma, lying awake? Was she hatching another one of her twisted plans to make Megha’s life even more difficult?
After a minute, Megha recognized the peculiar sound. It was the door to the small storage shed that sat at a little distance from the rear of the house and contained their monthly supply of wood and kerosene. The hinges on the door were rusty and squeaked every time it was opened or shut. It was a familiar echo from her daily trips to the shed to haul in the wood for the kitchen and bathroom hearths. The Ramnaths were too stingy for a gas stove, and the daily bath water was heated in a big brass cauldron because electricity was both expensive and unreliable.
Megha’s breath caught on the possibility that she might have forgotten to lock the shed before retiring for the night. Amma would surely take her to task for such carelessness. Her fierce and tyrannical mother-in-law would never tolerate incompetence on Megha’s part. A young daughter-in-law could not afford to make even trivial mistakes. A bride had to earn her keep and the right to be called a good Brahmin wife.
Megha turned around in bed, wondering if her husband, Suresh, had heard the noise. She was mystified to find him missing. Generally he’d be huddled under the sheet beside her, his bony buttocks sticking out at a strange angle, his wide-lipped mouth hanging open in deep, childlike slumber.
Frowning, she glanced at the bedside clock. The neon-red digital display read 12:23 AM. The bedroom door was ajar. Where could Suresh be? It was a warm night and she’d wondered if he’d gone for a glass of water. She herself had awakened perspiring. Her thick, long plait lay limply against her moist back. Her sari clung to her hips and legs.
Sleeping in a sari, which was six long yards of fabric, was terribly uncomfortable and impractical, but in an old-fashioned family such as this, she was not allowed to wear nightgowns or kaftans. There were established rules of etiquette and attire for ladies. Amma had made them clear right from the beginning. “Those silly gowns and frocks that show the legs and bosoms are not allowed in our house, okay? Ladies in our house only wear saris.”
Assuming Suresh was probably in the kitchen or bathroom, Megha called out to him. She received no reply.
That was when the first faint ripple of fear crossed her mind. Could a burglar have broken into their shed? Thefts were not uncommon around this neighborhood, and wood and kerosene were expensive commodities.
Her next thought made her sit up in stark alarm. Oh my God! Someone is stealing our firewood and Suresh is trying to confront them—all one hundred and five pounds of him. They’ll crush him to a pulp! Her heartbeat had leapt in panic. He needs my help.
She shot out of bed like an arrow, her long, slim legs moving rapidly despite the bulky folds of the sari and the petticoat swirling around them. She rushed through the old-fashioned kitchen, nearly stumbling over the round grinding stone before reaching the rear door leading to the covered veranda. Kuppu, the family cat, hearing Megha’s footsteps, bounced off the window sill and followed close on her heels.
Standing on the veranda steps, she puzzled some more over her husband’s absence. The fog made it difficult to see much, but a faint sliver of light was visible underneath the door of the woodshed. She visualized images of Suresh lying in a pool of blood, his skinny body motionless. As far as she had determined, Suresh was incapable of defending himself
against even the weakest of attacks. Suresh needed her. But what should she do?
Well, defend him, of course! Steely determination goaded her into action. Being the youngest of three girls, she had learned to wrestle with her older sisters for everything including space in their small, cramped house, their parents’ attention, clothes and toys. So now she’d put those acquired defensive moves to good use.
Megha wasn’t about to let some petty thugs make her a widow at twenty-one. She’d fight them with everything she had—if necessary, even give her own life to save her husband’s. It was her duty as an ideal wife. But she had to come up with a strategy. Barging into the shed like a crazed woman wouldn’t do her any good, nor Suresh for that matter. First she had to determine the gravity of the situation.
She was afraid of the dark, always had been, but something in the shed seemed to beckon her with a force that both frightened and excited her. She stepped down from the veranda.
Nearing the shed, Megha heard hushed voices, barely audible. Talking burglars? Or was it Suresh, her naïve, impractical husband, actually trying to strike a compromise with the thieves? There was only one way to find out. Despite the misgivings nipping at her brain, she tiptoed barefoot across the dirt-covered yard toward the shed.
She’d been so preoccupied she nearly walked right into the big tulsi pot. Somehow she managed to break her fall by grabbing it with both hands. But she grazed her knees and nearly banged her head on its edge in the process.
The holy tulsi plant was a tropical variety of basil, held sacred by Hindus. In most conservative households it was planted in a clay pot or urn anchored to the ground in the center of the courtyard—an honored place. The urn was usually painted in bright colors and the plant well-tended. It was customary for women to pray daily to the tulsi for blessings.
The Dowry Bride Page 1
