“There is much to be learned from our distant ancestors, if only we can open our minds and accept that another civilization from a distant epoch may have developed manufacturing techniques that are as great or perhaps even greater than our own. As we assimilate new data and new views of old data, it is wise to heed the advice Petrie gave to an American who visited him during his research at Giza. The American expressed a feeling that he had been to a funeral after hearing Petrie’s findings, which had evidently shattered some favorite pyramid theory of the time. Petrie said, ‘By all means let the old theories have a decent burial; though we should take care that in our haste none of the wounded ones are buried alive.’
“With such a convincing collection of artifacts that prove the existence of precision machinery in ancient Egypt, the idea that the Great Pyramid was built by an advanced civilization that inhabited the Earth thousands of years ago becomes more admissible. I am not proposing that this civilization was more advanced technologically than ours on all levels, but it does appear that, as far as masonry work and construction are concerned, they were exceeding current capabilities and specifications. Making routine work of precision machining huge pieces of extremely hard igneous rock is astonishingly impressive.
“Considered logically, the pyramid builders’ civilization must have developed their knowledge in the same manner any civilization would and had reached their ”state of the art“ through technological progress over many years. As of this writing, there is much research being conducted by many professionals throughout the world. These people are determined to find answers to the many unsolved mysteries indicating that our planet Earth has supported other advanced societies in the distant past. Perhaps when this new knowledge and insight is assimilated, the history books will be rewritten and, if mankind is able to learn from historical events, then perhaps the greatest lesson we can learn is now being formulated for the benefit of future generations. New technology and advances in the sciences are enabling us to take a closer look at the foundations upon which world history has been built, and these foundations seem to be crumbling. It would be illogical, therefore, to dogmatically adhere to any theoretical point concerning ancient civilizations.” 98
The Great Pyramid and the Mighty Crystal
How then can we can design an object to respond sympathetically with the earth’s vibration? How do we utilize that energy? How can we turn it into usable electricity? If we could somehow utilize this energy, it would possibly be the greatest invention in the world.
Says Dunn, “We must, first of all, understand what a transducer is. Early on we discussed the piezoelectric effect vibration has on quartz crystal. Alternately compressing and releasing the quartz produces electricity. Microphones and other modern electronic devices work on this principle. Speak into a microphone and the sound of your voice (mechanical vibration) is converted into electrical impulses. The reverse happens with a speaker where electrical impulses are converted into mechanical vibrations. It has also been speculated that quartz-bearing rock creates the phenomenon known as ball lightning. The quartz crystal is the transducer. It transforms one form of energy into another. Understanding the source of the energy and having the means to tap into it, all we need to do is convert the unlimited mechanical stresses therein into usable electricity utilizing quartz crystals!
“The Great Pyramid was a geomechanical power plant that responded sympathetically with the earth’s vibrations and converted that energy into electricity! They used the electricity to power their civilization, which included machine tools with which they shaped hard igneous rock.
“Ok, you may say, how does this power plant work? It’s all very well to throw out a broad statement like that which rationalizes your own theory on machining, but we need more facts and proof that what has been stated is more than an interesting and radical theory. It has to have more proof based on truth and fact!
“Well let’s start with the power crystal, or transducers. It so happens that the transducers for this power plant are an integral part of the construction that is designed to resonate in harmony with the pyramid itself, and also the earth. The King’s Chamber, in which a procession of visitors have noted unusual effects, and in which Tom Danley detected the infrasonic vibrations of the earth, is, in itself, a mighty transducer.
“In any machine there are devices that function to make the machine work. This machine was no different. Though the inner chambers and passages of the Great Pyramid seem to be devoid of what we would consider to be mechanical or electrical devices, there are devices still housed there that are similar in nature to mechanical devices created today.
“These devices could also be considered to be electrical devices in that they have the ability to convert or transduce mechanical energy into electrical energy. You might think of other examples, as the evidence becomes more apparent. The devices, which have resided inside the Great Pyramid since it was built, have not been rec-ognized for what they truly were. Nevertheless, they were an integral part of this machine’s function.
Dunn’s Egyptian satellite.
“The granite out of which this chamber is constructed is an igneous rock containing silicon quartz crystals. This particular granite, which was brought from the Aswan Quarries, contains 55% or more quartz crystal.”
Work by two scientists, Dee Jay Nelson and David H. Coville, shows a special significance in the stone the builders chose in building the King’s Chamber. They write:
“This means that lining the King’s Chamber, for instance, are literally hundreds of tons of microscopic quartz particles. The particles are hexagonal, by-pyramidal or rhombohedral in shape. Rhomboid crystals are six-sided prisms with quadrangle sides that present a parallelogram on any of the six facets. This guarantees that embedded within the granite rock is a high percentage of quartz fragments whose surfaces, by the law of natural averages, are parallel on the upper and lower sides. Additionally, any slight plasticity of the granite aggregate would allow a ‘piezotension’ upon these parallel surfaces and cause an electromotive flow. The great mass of stone above the pyramid chambers presses downward by gravitational force upon the granite walls thereby converting them into perpetual electric generators.
“...The inner chambers of the Great Pyramid have been generating electrical energy since their construction 46 centuries ago. A man within the King’s Chamber would thus come within a weak but definite induction field.”98
Dunn comments that “While Nelson and Coville have made an interesting observation and speculation regarding the granite inside the pyramid, I am not sure that they are correct in stating that the pressure of thousands of tons of masonry would create an electromotive flow in the granite. The pressure on the quartz would need to be alternatively pressed and released in order for electricity to flow. The pressure they are describing would be static and, while it would undoubtedly squeeze the quartz to some degree, the electron flow would cease after the pressure came to rest. Quartz crystal does not create energy; it just converts one kind of energy into another. Needless to say, this point in itself leads to some interesting observations regarding the characteristics of the granite complex.” 98
The Acoustics of the Great Pyramid
One key to Dunn’s theory of the Giza Power Plant is the acoustics of the Great Pyramid. Above the King’s Chamber are five rows of granite beams, making a total of 43 beams weighing up to 70 tons each. Each layer is separated by a space large enough to crawl into. The red granite beams are cut square and parallel on three sides but were left seemingly untouched on the top surface, which was rough and uneven. Some of them even had holes gouged into the top of them.
In cutting these giant monoliths, the builders evidently found it necessary to treat the beams destined for the uppermost chamber with the same respect as those intended for the ceiling directly above the King’s Chamber. Each beam was cut flat and square on three sides, with the topside seemingly untouched. This is interesting, considering that the ones directly above the
King’s Chamber would be the only ones visible to those entering the pyramid. Even so, the attention these granite-ceiling beams received was nonetheless inferior to the attention commanded by the granite out of which the walls were constructed.
William Flinders Petrie writes: “The roofing beams are not of ‘polished granite,’ as they have been described; on the contrary, they have rough-dressed surfaces, very fair and true so far as they go, but without any pretense to polish.”
From his observations of the granite inside the King’s Chamber, Petrie continues with those of upper chambers: “All the chambers over the King’s Chamber are floored with horizontal beams of granite, rough dressed on the under sides which form the ceilings, but wholly unwrought above.”
Says Dunn, “It is remarkable that the builders would exert the same amount of effort in finishing the 34 beams which would not be seen once the pyramid was built, as they did nine beams forming the ceiling of the King’s Chamber which would be seen. Even if these beams were imperative to the strength of the complex, deviations in accuracy would surely be allowed, making the cutting of the blocks less time consuming. Unless, of course, they were either using these upper beams for a specific purpose, and/or were using standardized machinery methods that produced parts with little variation.
“Traditional theory has it that the granite beams served to relieve pressure on the chamber and allow this chamber to be built with a flat ceiling. I disagree. The pyramid builders knew about and were already utilizing a design feature that was structurally sound on a lower level inside the pyramid. If we look at the cantilevered arched ceiling of the Queen’s Chamber, we can see that it has more masonry piled on top of it than the King’s Chamber. The question could be asked, therefore, that if the builders had wanted to put a flat ceiling in this chamber, wouldn’t they have only needed to add one layer of beams? For the distance between the walls, a single layer of beams in the Queen’s Chamber, like the 43 granite beams above the King’s Chamber, would be supporting no more than their own weight.
“This leads me to ask, ”Why five layers of these beams?“ To include so many monolithic blocks of granite in the structure is redundant. Especially when we consider the amount of incredibly difficult work that must have been invested in quarrying, cutting, transporting them 500 miles from the Aswan quarries, and then raising them to the 175 foot level of the pyramid. There is surely another reason for such an enormous effort and investment of time.”
Continues Dunn, “The 43 giant beams above the King’s Chamber were not included in the structure to relieve the King’s Chamber from excessive pressure from above, but were included to fulfill a more advanced purpose. A simple yet refined technology can be discerned in the granite complex at the heart of the Great Pyramid, and with this technology the ancient power plant operated.
“The giant granite beams above the King’s Chamber could be considered to be 43 individual bridges. Like the Tacoma Narrows bridge, each one is capable of vibrating if a suitable type and amount of energy is introduced. If we were to concentrate on forcing just one of the beams to oscillate, with each of the other beams tuned to that frequency or a harmonic of that frequency, the other beams would be forced to vibrate at the same frequency or a harmonic. If the energy contained within the forcing frequency was great enough, this transfer of energy from one beam to the next could affect the entire series of beams. A situation could exist, therefore, in which one individual beam in the ceiling directly above the King’s Chamber could indirectly influence another beam in the uppermost chamber by forcing it to vibrate at the same frequency as the original forcing frequency or one of its harmonic frequencies. The amount of energy absorbed by these beams from the source, would depend on the natural resonant frequency of the beam.
“The ability of the beams to dissipate the energy they are subject to would have to be considered, as well as the natural resonating frequency of the granite beam. If the forcing frequency (sound input) coincided with the natural frequency of the beam, and there was little damping (the beams were not restrained from vibrating), then the transfer of energy would be maximized. Consequently, so would the vibration of the beams.
“It is quite clear that the giant granite beams above the King’s Chamber have a length of 17 feet (the width of the Chamber) in which they can react to induced motion and vibrate without restraint. Some damping may occur if the beams adjacent faces are so close that they rub together. However, if the beams vibrate in unison, it is possible that such damping would not happen. To perfect the ability of the 43 granite beams to resonate with the forcing frequency, the natural frequency of each beam would have to be of the same frequency as the forcing frequency, or be in harmony with it.”
Tuned Granite Beams
Dunn asserts, “It would be possible to tune a length of granite, such as those found in the Great Pyramid, by altering its physical dimensions. A precise frequency could be attained by either altering the length of the beam which is allowed to vibrate (as in the playing of stringed instruments), or by removing material from the beam’s mass, as in the tuning of bells. (A bell is tuned to a fundamental hum and its harmonics by removing metal from critical areas.) Striking it while it was being held in a position similar to that of the beams above the King’s Chamber, as one would strike a tuning fork, could induce oscillation of the beam. The frequency of the vibration would be sampled and more material removed until the correct frequency had been reached.
“Rather than a lack of attention, therefore, the top surfaces of these granite beams may have arrived at their present shape through the application of more careful attention and work than the sides or the bottom. Before being placed inside the Great Pyramid, each beam may have been suspended on each end in the same position that it would hold once placed inside the Great Pyramid, and a considerable amount of attention paid to the upper surface. Each granite beam was shaped and gouged on the topside as it was tuned! Thousands of tons of granite were actually tuned to resonate in harmony with the fundamental frequency of the earth and the pyramid!
“The granite beams above the King’s Chamber resemble what a granite beam might look like after it has been tuned in such a manner. After cutting three sides square and true to each other, the remaining side could have been cut and shaped until it reached a specific resonating frequency. The removal of material on the upper side of the beam would take into consideration the elasticity of the beam, as a variation of elasticity in the beam might result in more material being removed at one point along the beam’s length than another. The fact that the beams above the King’s Chamber are all shapes and sizes would support this speculation. In some of the granite beams, it wouldn’t be surprising to find holes gouged out of the granite as the tuners worked on trouble spots.”98
Piazzi Smyth also comments on these markings in his classic book The Great Pyramid,110“These markings, moreover, have only been discovered in those dark holes or hollows, the so-called ‘chambers,’ but much rather ‘hollows of construction,’ broken into by Colonel Howard Vyse above the ‘King’s Chamber’ of the Great Pyramid. There, also, you see other traces of the steps of mere practical work, such as the ’Bat-holes’ in the stones, by which the heavy blocks were doubtless lifted to their places, and everything is left perfectly rough.”110
Rather than holes used for lifting the blocks into place, William Flinders Petrie speculates on another reason for Smyth’s so-called “bat-holes:”
“The flooring of the top chamber has large holes in it, evidently to hold the butt ends of beams which supported the sloping roof-blocks during the building.”98
Dunn comments, “Another reason for the holes gouged in the beams near the end of the beams may have been to provide feedback into the center of the beam, instead of transferring vibration into the core masonry. Although we must consider that both reasons given for the ”bat-holes“ may be possible explanations for their existence, it does not preclude other possibilities, which have yet to be considered.
 
; “According to Boris Said, who was with Tom Danley when he conducted his tests, the King’s Chamber resonated at a fundamental frequency and the entire structure of the King’s Chamber reinforced this frequency by producing dominant frequencies that created an F sharp chord. Using large amplifiers F sharp is the frequency that is in harmony with the earth. Said claimed that the Indian Shamans tuned their ceremonial flutes to F sharp because it is a frequency that is sacred to mother earth.
“Testing for frequency, Tom Danley placed accelerometers in the spaces above the King’s Chamber, but I don’t know whether he went as far as checking the frequency of each beam. Said said something in his interview with Art Bell that may be some indication of where Danley was heading with his research, he said that the beams above the King’s Chamber were, ‘like baffles in a speaker.’ Further research would need to be conducted before any assertion could be made as to the relationship these holes may have with tuning these beams to a specific frequency. However, when we consider the characteristics of the entire granite complex, along with other features found in the Great Pyramid, it seems clear that the results of this research will be along the lines of what I am theorizing.
Technology of the Gods: The Incredible Sciences of the Ancients Page 25