by Bruno Schulz
"Is he alive?" I asked.
"Of course. I can hardly hold him," Mother said. "Shall I place him on the floor?"
She put the plate down, and leaning over him, we observed him closely. There was a hollow place between his numerous curved legs, which he was moving slightly. His uplifted pincers and feelers seemed to be listening. I tipped the plate, and Father moved cautiously and with a certain hesitation onto the floor. Upon touching the flat surface under him, he gave a sudden start with all of his legs, while his hard arthropod joints made a clacking sound. I barred his way. He hesitated, investigated the obstacle with his feelers, then lifted his pincers and turned aside. We let him run in his chosen direction, where there was no furniture to give him shelter. Running in wavy jerks on his many legs, he reached the wall and, before we could stop him, ran lightly up it, not pausing anywhere. I shuddered with instinctive revulsion as I watched his progress up the wallpaper. Meanwhile, Father reached a small built-in kitchen cupboard, hung for a moment on its edge, testing the terrain with his pincers, and then crawled into it.
He was discovering the apartment afresh from the new point of view of a crab; evidently, he perceived all objects by his sense of smell, for, in spite of careful checking, I could not find on him any organ of sight. He seemed to consider carefully the objects he encountered in his path, stopping and feeling them with his antennae, then embracing them with his pincers, as if to test them and make their acquaintance; after a time, he left them and continued on his run, pulling his abdomen behind him, lifted slightly from the floor. He acted the same way with the pieces of bread and meat that we threw on the floor for him, hoping he would eat them. He gave them a perfunctory examination and ran on, not recognizing that they were edible.
Watching these patient surveys of the room, one could assume that he was obstinately and indefatigably looking for something. From time to time, he ran to a corner of the kitchen, crept under a barrel of water that was leaking, and, upon reaching the puddle, seemed to drink.
Sometimes he disappeared for days on end. He seemed to manage perfectly well without food, but this did not seem to affect his vitality. With mixed feelings of shame and repugnance, we concealed by day our secret fear that he might visit us in bed during the night. But this never occurred, although in the daytime he would wander all over the furniture. He particularly liked to stay in the spaces between the wardrobes and the wall.
We could not discount certain manifestations of reason and even a sense of humor. For instance, Father never failed to appear in the dining room during mealtimes, although his participation in them was purely symbolic. If the dining-room door was by chance closed during dinner and he had been left in the next room, he scratched at the bottom of the door, running up and down along the crack, until we opened it for him. In time, he learned how to insert his pincers and legs under the door, and after some elaborate maneuvers he finally succeeded in insinuating his body through it sideways into the dining room. This seemed to give him pleasure. He would then stop under the table, lying quite still, his abdomen slightly pulsating. What the meaning of these rhythmic pulsations was, we could not imagine. They seemed obscene and malicious, but at the same time expressed a rather gross and lustful satisfaction. Our dog, Nimrod, would approach him slowly and, without conviction, sniff at him cautiously, sneeze, and turn away indifferently, not having reached any conclusions.
Meanwhile, the demoralization in our household was increasing. Genya slept all day long, her slim body bonelessly undulating with her deep breaths. We often found in the soup reels of cotton, which she had thrown in unthinkingly with the vegetables. Our shop was open nonstop, day and night. A continuous sale took place amid complicated bargainings and discussions. To crown it all, Uncle Charles came to stay.
He was strangely depressed and silent. He declared with a sigh that after his recent unfortunate experiences he had decided to change his way of life and devote himself to the study of languages. He never went out but remained locked in the most remote room—from which Genya had removed all the carpets and curtains, as she did not approve of our visitor. There he spent his time, reading old price lists. Several times he tried viciously to step on Father. Screaming with horroT, we told him to stop it. Afterward he only smiled wryly to himself, while Father, not realizing the danger he had been in, hung around and studied some spots on the floor.
My father, quick and mobile as long as he was on his feet, shared with all crustaceans the characteristic that when turned on his back he became largely immobile. It was sad and pitiful to see him desperately moving all his limbs and rotating helplessly around his own axis. We could hardly force ourselves to look at the conspicuous, almost shameless mechanism of his anatomy, completely exposed under the bare articulated belly. At such moments, Uncle Charles could hardly restrain himself from stamping on Father. We ran to his rescue with some object at hand, which he caught tightly with his pincers, quickly regaining his normal position; then at once he started a lightning, zigzag run at double speed, as if wanting to obliterate the memory of his unsightly fall.
I must force myself to report truthfully the unbelievable deed, from which my memory recoils even now. To this day I cannot understand how we became the conscious perpetrators of it. A strange fatality must have been driving us to it; for fate does not evade consciousness or will but engulfs them in its mechanism, so that we are able to admit and accept, as in a hypnotic trance, things that under normal circumstances would fill us with horror.
Shaken badly, I asked my mother in despair, again and again, "How could you have done it? If it were Genya who had done it—but you yourself?" Mother cried, wrung her hands, and could find no answer. Had she thought that Father would be better off? Had she seen in that act the only solution to a hopeless situation, or did she do it out of inconceivable thoughtlessness and frivolity? Fate has a thousand wiles when it chooses to impose on us its incomprehensible whims. A temporary blackout, a moment of inattention or blindness, is enough to insinuate an act between the Scylla and Charybdis of decision. Afterward, with hindsight, we may endlessly ponder that act, explain our motives, try to discover our true intentions; but the act remains irrevocable.
When Father was brought in on a dish, we came to our senses and understood fully what had happened. He lay large and swollen from the boiling, pale gray and jellified. We sat in silence, dumbfounded. Only Uncle Charles lifted his fork toward the dish, but at once he put it down uncertainly, looking at us askance. Mother ordered it to be taken to the sitting room. It stood there afterward on a table covered with a velvet cloth, next to the album of family photographs and a musical cigarette box. Avoided by us all, it just stood there.
But my father's earthly wanderings were not yet at an end, and the next installment—the extension of the story beyond permissible limits—is the most painful of all. Why didn't he give up, why didn't he admit that he was beaten when there was every reason to do so and when even Fate could go no farther in utterly confounding him? After several weeks of immobility in the sitting room, he somehow rallied and seemed to be slowly recovering. One morning, we found the plate empty. One leg lay on the edge of the dish, in some congealed tomato sauce and aspic that bore the traces of his escape. Although boiled and shedding his legs on the way, with his remaining strength he had dragged himself somewhere to begin a homeless wandering, and we never saw him again.
Table of Contents
title page
copyright
translator's preface
The Book
Age of Genius
Spring
A Night in July
My Father Joins the Fire Brigade
A Second Fall
Dead Season
Sanatorium Under the Sign of the Hourglass
Dodo
Eddie
The Old Age Pensioner
Loneliness
Father's Last Escape
back cover
hulz, Sanatorium Under the Sign of the Hourglass
