by Sheila Hale
Chubb, Thomas Caldecot, tr. 1967. The Letters of Pietro Aretino. New Haven.
Ciani, Giuseppe 1862. Storia del popolo cadorino. Cadore.
Clark, Kenneth 1956. The Nude. London.
Clark, Kenneth 1972. The Artist Grows Old. Cambridge.
Clark, Kenneth 1981. Moments of Vision. London.
Cleugh, James 1965. The Divine Aretino. London and New York.
Colonna, Francesco (1499) 1998. Hypnerotomachia Polifili, ed. Marco Ariani and Mino Gabriele, 2 vols. Milan.
Colonna, Francesco (1499) 1999. Hypnerotomachia Polipfili: The Strife of Love in a Dream, tr. Joscelyn Godwin. London.
Cozzi, Gaetano 1973. ‘Authority and the Law in Renaissance Venice’, in Hale 1973, pp. 293–345.
Cozzi, Gaetano 1980. ‘La Donna, l’Amore e Tiziano’, in Tiziano e Venezia 1980, pp. 47–63.
Cremades, Fernando Checa 1999. ‘The Image of Charles V’, in Soly 1999a, pp. 477–99.
Crowe, Joseph A. and Giovanni Battista Cavalcaselle 1881. The Life and Times of Titian, 2 vols, 2nd edn. London.
Crouzet-Pavan, Elisabeth 2002. Venice Triumphant. Baltimore and London.
Dean, Trevor and K. J. P. Lowe 1998. Marriage in Italy. Cambridge and New York.
D’Elia, Una Roman 2005. The Poetics of Titian’s Religious Paintings. Cambridge.
de Maria, Blake 2011. Becoming Venetian. London.
Dennistoun, James 1909. Memoirs of the Dukes of Urbino, ed. Edward Hutton, 3 vols. London and New York.
Dinoisi, Roberto and Anna Marcone, ‘Relazione tecnica del restauro’, in Rome 1995, pp. 325–35.
Dolce, Lodovico (1557) 1910. L’Aretino: dialogo della pittura, con l’aggiunta di varie rime e lettere. Introduction and notes by Guido Bettelli. Florence.
Duffy, Eamon 2006. Saints and Sinners: A History of the Popes. New Haven and London.
Dunkerton, Jill 2003. ‘Titian’s Painting Technique’, in London 2003, pp. 45–60.
Dunkerton, Jill, Susan Foister and Nicholas Penny 1999. Dürer to Veronese: Sixteenth-Century Painting in the National Gallery. London.
Dunkerton, Jill and Nicholas Penny 1995. ‘“Noli me tangere”, London, The National Gallery’, in Rome 1995, pp. 364–7.
Edinburgh 2004. The Age of Titian: Venetian Renaissance Art from Scottish Collections, exh. cat., ed. Aidan Weston-Lewis. National Galleries of Scotland, Edinburgh.
Eisler, Colin 1989. The Genius of Jacopo Bellini. New York and London.
Elliott, J. H. 2002. Imperial Spain: 1469–1716. London.
Elton, G. R., ed. 1958. The New Cambridge Modern History, vol. 2: The Reformation: 1520–1559. Cambridge.
Fabiani, Giovanni 1963. Chiese del Cadore. Belluno.
Fabbro, Celso 1976. Tiziano. Cadore.
Fabbro, Celso, 1977. Tiziano: le lettere, ed. Clemente Gandini. Cadore.
Fehl, Philipp P. 1957. ‘The Hidden Genre: A Study of the Concert Champêtre in the Louvre’, Journal of Aesthetics and Art Criticism, vol. 16, no. 2, pp. 153–68.
Fenlon, Iain 2003. ‘Music and Experience in Titian’s Venice’, in Meilman 2003, pp. 163–82.
Fletcher, Jennifer 2003a. ‘Bellini’s Social World’, in Humfrey 2003, pp. 12–47.
Fletcher, Jennifer 2003b. ‘Titian as a Painter of Portraits’, in Madrid 2003, pp. 320–6.
Fletcher, Jennifer 2006. ‘“La sembianza vera”. I ritratti di Tiziano’, in Naples 2006, pp. 36–50.
Foscari, Lodovico 1935. Iconografia di Tiziano. Venice.
Freedberg, David 1989. The Power of Images: Studies in the History and Theory of Response. London.
Freedberg, Sydney 1971. Painting in Italy: 1500–1600. London.
Freedman, Luba 1995. Titian’s Portraits through Aretino’s Lens. University Park, PA.
Gentili, Augusto 1988. Da Tiziano a Tiziano: mito e allegoria nella cultura veneziana del cinquecento. Rome.
Gentili, Augusto 1993. ‘Tiziano e la religione’, in Titian 500 1993, pp. 147–65.
Gentile, Augusto 2003. ‘La pittura religiosa dell’ultimo Tiziano’, in Studi Tizianeschi, no. I, ed. W. R. Rearick et al. Milan, pp. 9–18.
Giebe, Marlies 1995. ‘“Venere dormiente”, Dresda, Gemäldegalerie’, in Rome 1995, pp. 369–85.
Gilbert, Creighton 1980. ‘Some Findings on Early Works of Titian’, Art Bulletin, vol. 62, no. 1, pp. 36–75.
Gilbert, Felix 1977. ‘Venetian Diplomacy before Pavia’, in Felix Gilbert, History: Choice and Commitment. Cambridge, MA, and London, pp. 295–321.
Gilbert, Felix 1973. ‘Venice in the Crisis of the League of Cambrai’, in Hale 1973, pp. 274–92.
Gilbert, Felix 1980. The Pope, his Banker and Venice. Cambridge, MA.
Gilbert, Josiah 1869. Titian’s Country. London.
Gilmore, Myron 1973. ‘Myth and Reality in Venetian Political Theory’, in Hale 1973, pp. 431–44.
Ginzburg, Carlo 1980. ‘Tiziano, Ovido e i codici della figurazione erotica nel “500”’, in Tiziano e Venezia 1980, pp. 125–35.
Gleason, Elisabeth G. 1993. Gasparo Contarini: Venice, Rome, and Reform. Berkeley, CA.
Goffen, Rona 1986. Piety and Patronage in Renaissance Venice: Bellini, Titian and the Franciscans. New Haven and London.
Goffen, Rona 1990. ‘Tiziano, i donatori e i soggetti religiosi’, in Washington and Venice 1990, pp. 85–93.
Goffen, Rona 1993. ‘Titian’s Sacred and Profane Love: Individuality and Sexuality in a Renaissance Marriage Picture’, in Titian 500 1993, pp. 121–44.
Goffen, Rona 1997a. Titian’s Women. New Haven and London.
Goffen, Rona, ed. 1997b. Titian’s ‘Venus of Urbino’. Cambridge.
Gould, Cecil 1959. The Sixteenth-Century Venetian School. National Gallery, London.
Gould, Cecil 1975. The Sixteenth-Century Italian Schools. National Gallery, London.
Goy, Richard 1997. Venice: The City and its Architecture. London.
Grendler, Paul F. 1966. ‘Religious Restlessness in Sixteenth-century Italy’, CCHA, Study Sessions, vol. 33, pp. 25–38.
Grendler, Paul F. 1969. Critics of the Italian World. Madison, WI.
Hale, J. R., ed. 1973. Renaissance Venice. London.
Hale, J. R. 1977. Florence and the Medici: The Pattern of Control. London.
Hale, J. R. 1990. Artists and Warfare in the Renaissance. New Haven and London.
Hale, John 1993. The Civilisation of Europe in the Renaissance. London and New York.
Hale, J. R. (1971) 2000. Renaissance Europe. Oxford.
Hanning, Robert W. and David Rosand 1983. ‘Titian’s “Presentation of the Virgin”: The Second Door’, Burlington Magazine, vol. CXV, p. 603.
Haskell, Francis 1976. Rediscoveries in Art. London.
Haskins, Susan 1993. Mary Magdalen: Myth and Metaphor. London (New York edns 1994 and 1995).
Hazlitt, William 1856. Criticisms on Art, and Sketches of the Picture Galleries of England, ed. by his son. London.
Heath, Michael 1989. ‘Unlikely Alliance: Valois and Ottomans’, Renaissance Studies, vol. 3, no. 3, pp. 303–15.
Hills, Paul 1999. Venetian Colour: Marble, Mosaic, Painting and Glass 1250–1550. New Haven and London.
Hills, Paul 2003. ‘Titian’s Colour’, in Madrid 2003, pp. 308–13.
Hills, Paul 2006. ‘Titian’s Veils’, Art History, vol. 29, no. 5, pp. 771–95.
Hills, Paul 2007. ‘Titian’s Fire: Pyrotechnics and Representations in Sixteenth-Century Venice’, Oxford Art Journal, vol. 30, no. 5, pp. 185–204.
Hirst, Michael 1981. Sebastiano del Piombo. Oxford.
Holberton, Paul 1986. ‘La bibliotechina e la raccolta d’arte di Zuanantonio Venier’, Atti dell’Istituto Veneto, vol. CXLIV, pp. 172–93.
Holberton, Paul 1987. ‘The Choice of Texts for the Camerino Pictures’, in Bacchanals by Titian and Rubens 1987, pp. 57–66.
Holberton, Paul 1993. ‘The Pastorale or Fête Champêtre in the Early Sixteenth-Century’, in Titian 500 1993, pp. 245–62.
Hollingsworth, Mary 1996. Patronage in Sixteenth-Ce
ntury Italy. London.
Hollingsworth, Mary 2004. The Cardinal’s Hat. London.
Hood, William and Charles Hope, 1977. ‘Titian’s Vatican Altarpiece and the Pictures Underneath’, Art Bulletin, vol. 59, no. 4, pp. 534–52.
Hook, Judith 1972. The Sack of Rome. London.
Hope, Charles 1971–2. ‘The “Camerini d’Alabastro” of Alfonso d’Este’, Burlington Magazine, vol. CXIII, 1971, pp. 641–50, and vol. CXIV, 1972, pp. 714–21.
Hope, Charles 1973. ‘Documents Concerning Titian’, Burlington Magazine, vol. CXV, pp. 809–10.
Hope, Charles 1977. ‘A Neglected Document about Titian’s “Danae” in Naples’, Arte Veneta, vol. XXXI, pp. 188–9.
Hope, Charles 1979. ‘Titian as Court Painter’, Oxford Art Journal, vol. 2, pp. 7–10.
Hope, Charles 1980a. Titian. London.
Hope, Charles, 1980b. ‘Problems of Interpretation in Titian’s Erotic Paintings’, in Tiziano e Venezia 1980, pp. 111–24.
Hope, Charles 1980c. ‘Titian’s Role as “Official Painter” to the Venetian Republic’, in Tiziano e Venezia 1980, pp. 301–5.
Hope, Charles 1981. ‘Federico II Gonzaga as a Patron of Painting’, in London 1981, pp. 73–5.
Hope, Charles 1987. ‘The Camerino d’Alabastro: A Reconsideration of the Evidence’, in Bacchanals by Titian and Rubens 1987, pp. 25–42.
Hope, Charles 1990a. ‘Altarpieces and the Requirements of Patrons’, in J. Henderson and T. Verdon, eds, Christianity and the Renaissance. Syracuse, pp. 535–71.
Hope, Charles 1990b. ‘Tiziano e la committenza’, in Washington and Venice 1990, pp. 77–84.
Hope, Charles 1990c. ‘Titian, Philip II and Mary Tudor’, in E. Chaney and P. Mack, eds, England and the Continental Renaissance: Essays in Honour of J. B. Trapp. Woodbridge, pp. 53–65.
Hope, Charles 1993. ‘The Early Biographies of Titian’, in Titian 500 1993, pp. 167–92.
Hope, Charles 1994. ‘A New Document about Titian’s Pietà’, in John Onians, ed., Sight and Insight: Essays on Art and Culture in Honour of E. H. Gombrich at 85. London, pp. 153–67.
Hope, Charles 1996. ‘Some Misdated Letters of Pietro Aretino’, Journal of the Warburg and Courtauld Institutes, vol. 59, pp. 304–14.
Hope, Charles 1997. ‘The Attribution of Some Paduan Paintings of the Early Sixteenth Century’, artibus et historiae, no. 35, pp. 81–99.
Hope, Charles 2003a. ‘I Camerini d’Alabastro’, in Atti del Convegno di Studi: Il progetto della via coperta, ed. Marco Borella and Angela Ghinato. Ferrara, pp. 31–9.
Hope, Charles 2003b. ‘Giorgione or Titian? History of a Controversy’, in The Frick Collection Lecture Series. New York.
Hope, Charles 2003c. ‘Titian’s Life and Times’, in Madrid 2003, pp. 302–8.
Hope, Charles 2005. ‘Titian and Some Portraits of Charles V’, in Vienna 2005, pp. 89–99.
Hope, Charles 2007a. ‘La biografia di Tiziano secondo Vasari’, in Belluno–Pieve di Cadore 2007, pp. 37–41.
Hope, Charles 2007b. ‘Titian’s Family and the Dispersal of his Estate’, in Vienna and Venice 2007, pp. 409–16.
Hope, Charles 2008a. ‘The Audiences for Publications on the Visual Arts in Renaissance Italy’, in Officini dell nuovo: sodalizii fra letterati, artisti, ed editori nella cultura italiana fra Riforma e Controriforma, Symposium papers, ed. Harald Hendrix and Paolo Procaccioli. Rome, pp. 173–83.
Hope, Charles 2008b. ‘Giorgione in Vasari’s Vite’, in Giorgione entmythisiert, ed. Sylvia Ferino-Pagden. Turnhout, pp. 15–37.
Howard, Deborah 1975. Jacopo Sansovino: Architecture and Patronage in Renaissance Venice. New Haven and London.
Howard, Deborah 1980. The Architectural History of Venice. New Haven and London.
Howard, Deborah 1985. ‘Giorgione’s “Tempesta” and Titian’s “Assunta” in the Context of the Cambrai Wars’, Art History, vol. 8, no. 3, pp. 271–89.
Howard, Deborah 2003. ‘Titian’s Painted Architecture’, in Meilman 2003, pp. 146–62.
Hudson, Mark 2009. Titian: The Last Days. London.
Humfrey, Peter 1993. The Altarpiece in Renaissance Venice. New Haven and London.
Humfrey, Peter 1995. Painting in Renaissance Venice. New Haven and London.
Humfrey, Peter 2003a. ‘The Patron and Early Provenance of Titian’s Three Ages of Man’, Burlington Magazine, vol. CXLV, pp. 787–91.
Humfrey, Peter, ed. 2003b. The Cambridge Companion to Giovanni Bellini. Cambridge.
Humfrey, Peter 2007. Titian: The Complete Paintings. London.
Ilchman, Frederick 2009. ‘Venetian Painting in an Age of Rivals’, in Boston 2009, pp. 21–39.
Joannides, Paul 2001. Titian to 1518: The Assumption of Genius. New Haven and London.
Knecht, R. J. 1982. Francis I. Cambridge.
Kris, Ernst and Otto Kurz 1979. Legend, Myth, and Magic in the Image of the Artist. New Haven and London.
Labalme, Patricia H. 1982. ‘Personality and Politics in Venice: Pietro Aretino’, in Rosand 1982a, pp. 119–28.
Labalme, Patricia H. and Laura Sanguineti White, eds 2008. Cità Excelentissima: Selections from the Renaissance Diaries of Marin Sanudo, tr. Linda L. Carroll. Baltimore.
Larivaille, Paul 1997. Pietro Aretino. Rome.
Laven, Mary 2002. Virgins of Venice: Enclosed Lives and Broken Vows in the Renaissance Convent. London.
Lepschy, Anna Laura 1998. Davanti a Tintoretto: una storia del gusto attraverso i secoli. Venice.
Lomazzo, Gian Paolo 1974. Trattato dell’ arte della pittura, scoltura ed architettura, 1584, in Roberto Paolo Ciardi, Scritti sulle arti, vol. 2. Florence.
London 1981. Splendours of the Gonzaga, exh. cat., ed. David Chambers and Jane Martineau. Victoria and Albert Museum, London.
London 1983. The Genius of Venice, exh. cat., ed. Jane Martineau and Charles Hope. Royal Academy of Arts, London.
London 2003. Titian, exh. cat. National Gallery, London.
Madrid 2003. Tiziano, exh. cat., ed. Miguel Falomir. Museo Nacional del Prado, Madrid.
Mallett, Michael 2000. ‘Venetian Elites in the Crises of the Early Sixteenth Century’, in Stella Fletcher and Christine Shaw, eds, The World of Savonarola. Warwick.
Mallett, Michael E. and J. R. Hale 1984. The Military Organisation of a Renaissance State: Venice c. 1400–1617. Cambridge.
Maltby, William S. 1983. Alba. A Biography of Fernando Alvarez de Toledo, Third Duke of Alba, 1507–1582. Berkeley and Los Angeles, CA.
Maltby, William S. 2002. The Reign of Charles V. Basingstoke and New York.
Mancini, Matteo 1998. Tiziano e le corti d’Absburgo nei documenti degli archivi spagnoli. Venice.
Masson, Giorgina 1976. Courtesans of the Italian Renaissance. London.
Matthew, Louisa C. 2002. ‘“Vendecolori a Venezia”: The Reconstruction of a Profession’, Burlington Magazine, vol. CXLIV, pp. 680–6.
Mayer, August L. 1939. ‘Niccolò Aurelio, the Commissioner of Titian’s “Sacred and Profane Love”’, Art Bulletin, vol. 21, no. 1, p. 89.
Mazzotta, Antonio 2012. Titian: A Fresh Look at Nature. London.
Mazzucco, Melania 2009. Jacomo Tintoretto e i suoi figli: Storia di una famiglia veneziana. Milan.
Meilman, Patricia, ed. 2003. The Cambridge Companion to Titian. Cambridge.
Mellencamp, Emma H. 1969. ‘A Note on the Costume of Titian’s Flora’, Art Bulletin, vol. 51, no. 2, pp. 174–7.
Merkel, Ettore 1980. ‘Tiziano e i suoi mosaistici a San Marco’, in Tiziano e Venezia 1980, pp. 275–83.
Mitchell, Bonner 1979. Italian Civic Pageantry in the High Renaissance: A Descriptive Bibliography of Triumphal Entries and Selected Other Festivals of State. Florence.
Mitchell, Bonner 1986. Majesty of State: Triumphal Progresses of Foreign Sovereigns in Renaissance Italy (1494–1600). Florence.
Molmenti, Pompeo 1906. La storia di Venezia. Bergamo.
Muir, Edward 1981. Civic Ritual in Renaissance Venice. Princeton.
Naples 2006. Tiziano e il ritratto
di corte da Raffaello ai Carracci, exh. cat., ed. Maria Sapio. Museo di Capodimonte, Naples.
Neff, Mary Frances 1985. ‘Chancellery Secretaries in Venetian Politics and Society 1480–1533’, PhD diss., University of California, Los Angeles.
Nepi Scirè, Giovanna 1993. ‘Tecniche esecutive di alcuni dipinti di Tiziano’, in Tiziano 500, pp. 401–13.
Newton, Eric 1952. Tintoretto. London.
Newton, Stella Mary 1988. The Dress of the Venetians 1495–1525. Aldershot.
Norwich, John Julius 1981. Venice: The Greatness and the Fall. London.
Oberthaler, Elke and Elizabeth Walmsley 2006. ‘Technical Studies and Painting Methods’, in Washington and Vienna 2006, pp. 285–300.
Ovid (Publius Ovidius Naso) (AD c. 6) 2004. Metamorphoses, tr. David Raeburn. London and New York.
Pallucchini, Ridolfo 1969. Tiziano, 2 vols. Florence.
Panofsky, Erwin 1957. Meaning in the Visual Arts. New York.
Panofsky, Erwin 1969. Problems in Titian, Mostly Iconographic. New York.
Paris 1993. Le Siècle de Titien: L’ge d’or de la peinture à Venise, exh. cat., ed. Gilles Fage. Paris.
Paris 2009. Titien, Tintoret, Véronèse: Rivalités à Venise, exh. cat. Paris.
Parker, Geoffrey 1999. ‘The Political World of Charles V’, in Soly 1999a, pp. 113–225.
Pater, Walter 1877. ‘The School of Giorgione’, in Walter Pater, The Renaissance: Studies in Art and Poetry. London.
Pedrocco, Filippo 2001. Titian: The Complete Paintings. London.
Penny, Nicholas 2008. The National Gallery Catalogue of Sixteenth-Century Italian Paintings, 2 vols. London.
Phillips, Claude 1898. Titian: A Study of his Life and Work. London.
Philostratus (2nd–3rd centuries AD) 1969. Philostratus the Elder and Younger, and Callistratus, Imagines and Descriptions, tr. Arthur Fairbanks. London and Cambridge, MA.
Pietro Aretino nel cinquecentenario della nascita 1995. Conference papers, 2 vols. Rome.
Pino, Paolo (1548) 1954. Dialogo di pittura. Milan.
Pommier, Édouard 2006. ‘Potere del ritratto e ritratto del potere’, in Naples 2006, pp. 24–35.
Pope-Hennessy, John 1996. Italian High Renaissance and Baroque Sculpture. London.
Preto, Paolo 1978. Peste e società a Venezia. Vicenza.
Pullan, Brian 1971. Rich and Poor in Renaissance Venice. Oxford.
