by Kim Newman
Chapter 51
IN THE HEART OF DARKNESS
Midnight was hours past. She sat in Jack's chair, contemplating the disarray of papers crawling over his desk. On her return, Morrison had recounted five separate crises that had arisen since her departure yesterday afternoon. As tactfully as possible, the young man accused her of neglecting her duties, as of late had the director. The shot had gone home. Something would have to be done soon. Jack was off with his vampire minx, and Genevieve had hardly been any better, with Charles.
The purpose of the Hall was changing. Lecture schedules had fallen into disrepair with Druitt's death. The institution's primary educational purpose was collapsing. In the meantime, with the Infirmary worked ragged, the Hall was taking more and more of the medical slack. Lecture halls were becoming wards. Jack, when he could be distracted from his own interests, authorised the engaging of more medical staff. The immediate problem was sparing enough qualified people for a board of interview. And, as ever, money was in short supply. Those who had been generous in the past seemed to be finding other interests. Or turning. Vampires were notoriously uncharitable.
She was torn between the fast-fading elation of her last feeding and the thousand gnat-bite problems of Toynbee Hall. Recently there had been too many strands to her life, too many demands on her time. Important matters were neglected.
She stood up and wandered about the room. One wall was lined with Jack's medical books and files. In its corner, under a glass case, was his prized phonograph. As Acting Director, this office should be her home. But she had been haring off to the Old Jago, to Chelsea. Now, she wondered whether she had been hunting Jack the Ripper or Charles Beauregard.
She found herself standing by the tiny window that looked out on to Commercial Street. The fog was thick tonight, a street-level sea of churning yellow that lapped at the buildings. For the warm, the November cold would be as sharp as a razor. Or a scalpel.
The Ripper had not murdered since the last weekend of September. She dared hope he had vanished for good. Perhaps Colonel Moran had been right, perhaps Montague Druitt had been the Silver Knife? No. That was impossible. And yet Moran had said something that night which ticked away in the back of her mind.
Opposite the Hall, wrapped in a black cloak, stood a man, fog swirling around and above him. He seemed to be wrestling with some inner question, just as she was. It was Charles.
Moran had said the Hall was in the centre of a pattern, a pattern dotted on to the map by the murders.
Charles crossed the road with a sudden resolve, the fog parting for him.
