. And as he watched, a head began to raise itself above that earthwork.
It was such a brief glimpse that later he was unable to describe it coherently – by then, of course, it no longer mattered. The thing revealed itself in total silence, and by parts. First the drooping, jointed antennae, in constant nervous motion, were lifted above the trees; then the great globular eyes followed them, dull and faceted, set in a wedge-shaped carapace like the stained and polished skull of a dead horse; finally came the mouthparts, working like a machine. Two trembling, oddly-curved forelimbs appeared, and, braced against the earth's dark edge (although they left not the slightest mark), levered this shocking mask high above the dwarf's stance. He never saw the rest of the creature. The valley winked out below him; the cliff lurched and spun; he shuddered, and heard a thin piping noise coming out of his own mouth -Then it was gone.
He retained the impression of something fading, of a noise he had never actually heard gradually diminishing from some unimaginable crescendo – as if an invisible energy dissipating itself like water dribbling away under a stone: then he felt the rough powdery bark of the yew against his sweating hand; the cry of the jackdaws came back to him (faint at first, as though from a vast distance); the valley of the Cressbrook was once more as it had been -Such a brief glimpse.
The sun sank, the dark welled in: but the small hunched figure on the cliff remained – chin on knees, singed grey hair moving in the night wind, expression quizzical. When he eventually got up to leave his ledge and begin the careful retreat, he saw suddenly that it was scattered with hundreds of little luminous insects. Leaping and glittering in an excess of life and energy, they scuttled over his feet, flickered between the roots of the yew, and tumbled in a constant rain over the edge, spilling into the depths like sparks. He could not see where they came from; and when he tried to pick some of them up they evaded him.
During his descent he had expected to see them falling past him into space: but when a few minutes later the difficulties eased and he was able to look up, they had gone, and he couldn't even see the ledge.
*
In a languor of puzzlement and dried blood, then, his wounds gaping at him every time he closed his eyes, Galen Hornwrack abandoned his familiar rooms, his stale but bearable captivity. Nothing was said. Nothing was explained. The shrewd whores watched him go (moving abstractedly from window to window, fingers raised to a drooping underlip, a leaded cheek, a favourite comb). The boy, too, followed him with uncommunicative eyes. Did he understand what had happened? Would he wait for as much as a day before drifting away into some desperate, motiveless new liaison? Hornwrack could not care for him (both of them bore too obviously the signature of the City, the impassive self-indulgence, the narcissism which precludes compassion): but he'had a sudden quick vision of the boy's thin shoulders hunched against a corrosive yellow lamplight; of dripping brickwork and energetic shadows; and he found himself searching for something to say in farewell, some gift or acknowledgement. Nothing came, so he said nothing, and let the inevitable profitless curves of the Rue Sepile carry him out of sight.
Eventually, he knew, his present inertia would be replaced by a faint bitterness, a sense of betrayal which, though directed away from himself, would yet be experienced on behalf of the boy. In this way he managed his crippled emotions. For now he could only watch covertly the faces of his unwelcome companions, waiting for some indication of their purpose. Beneath his cloak he had hidden his second best knife, a thing with a peculiar hilt and an old black stain he could not remove.
They had fetched him a horse, though he hated that method of travel, and urged him silently to get up on it. Now, the Plaza of Unrealized Time and its shabby dependencies behind them, they shepherded him through the Low City. Alves passed like a dream, its breached copper dome and sprawling rookeries lapped in the silence of desuetude. Along the Camine Auriale a drizzling rain commenced. The earthy wounds of the Cispontine Quarter opened before them like a freshly-dug graveyard.
.. Eastward, where the Artists'Quarter huddles up to the skirts of the High City (and Carron Ban, it's said, deserted by her sour daughter, still waits for Norvin Trinor in the inexpressibly sad shadows beneath the heights of MinnetSaba), dawn had filled the streets with faces Hornwrack knew. The curdled horizontal light picked out a wicked jaw, an eyebrow like a punctuation mark – here a blanched cheek, there a goitre like a pregnancy or some prodigal carious baring of the teeth. Deformed and weary, furtive or gleeful, they were the faces of usurers and wastrels, of despairing cannibals and blemished martyrs, all corroded in the moral marrow and burnt to the underlying bone with the City's mark: Equipot the one-eyed merchant with his sardonic grin and rotting septum; pale Madam 'L', her haematitic eyes full of fever, hurrying to keep an appointment in the Boulevard Aussman; Paulinus Rack the undertaker's agent, his very large head covered with broken veins, carrying a short jade cane…
They were customers of his for the most part, though none of them seemed to know him now. It was as if the events of the night had removed him from his proper sphere.
No such sleight had operated in the case of Alstath Fulthor, however much he might have wished it otherwise. From booth and gutter the eyes of the Low City stared out, to pass incuriously over Fay Glass and her outlandishly cropped hair; dwell a little longer on the old man who rode by her side (puzzled perhaps by the strange geometries on his robe, and briefly disconcerted by his tranquil yellow features and impenetrable smile); then fasten greedily on the Reborn Man like the eyes of communicants or at least the spectators at an execution.
Fulthor, that myth!
He was the enigma of the Low City, the meat and drink of their gossip. In the streets beneath Minnet-Saba all motion ceased at his comings and goings, whatever the hour. The constant bedlam of the gutters abated as he rode by, wrapped in his queer diplomatic status and his queerer armour with its strangely elongated joints at knee and elbow and its tremulous blood-red glow. Who was he? Did he serve the City, or it him? He was like some living flaw in time, through which leaked faint poisonous memories of the Afternoon – its fantastic conspiracies and motiveless sciences, all its frigid cruelties and raging glory. Since his triumphant entry at the head of the Reborn Armies eighty years ago (the Northern wolves driven before him to be caught at last between his hammer and the anvil of Tomb the Giant Dwarf), he had gone about Viriconium like the courier of a God, the very beat of his heart a response to some lost prehistoric cue. He was a miasmal past and an ambivalent future, a foreign prince in a familiar city. He was, and always had been, the repository of more fears than hopes.
So they quietened as he passed. It was like an embarrassment in them. A few smiled up at him. Some spat. Others fingered thoughtfully the metal pendant at their necks and wished, perhaps, for the night.
If Hornwrack was disposed to a certain cynical amusement at this reception of the Queen's favourite advisor, it was dispelled when their destination became plain. Fulthor led his little group first to Minnet-Saba by a northward traverse – the precipitous Rivelin Way being at this hour impassable for the stalls of a makeshift but flourishing fish market; then on to the Camine again; and by this indirect and ill-chosen route (like a main remembering quite another city) brought them finally to the Proton Circuit: a road which has only one ending, there in the great filigree metal shell of Methven's hall. Dwarfed by the vast curve of that airy way, spiralling above the lesser thoroughfares on its hundred fragile stone pillars, they inched their way towards the palace under a sky like red lead, four small figures imprisoned in a monstrously beautiful geometry. Above them orbited a solitary fish eagle, raucous and lost here on the edge of the mountains, making long white arcs against the clouds.
Hunched up on his horse in the wind and the rain, Hornwrack perceived simultaneously his destination and his mistake. He nodded bitterly to himself. He looked up at the fish eagle to remind himself of old freedoms cruelly taken away. Then he reached deliberately over to his left where the old man rode
by his side; hooked one arm round the ancient neck; and brought his second-best knife smoothly from its place of concealment beneath his wet woollen cloak. His own horse halted in confusion, but the old man's continued to move in a nervous circle. This had the effect of dislodging him from its saddle, so that his weight was completely supported by Hornwrack's stranglehold – while Hornwrack's flawed blade, flickering in the ashy light, pricked his yellow skin; and Hornwrack's flawed laugh died in his face like a poisoned dog.
'I'll go no further on this bloody road,'cried Hornwrack, 'until you tell me why, Aistath Fulthor! What have I ever had here but disappointments?'
Above him, closer now, it seemed, the fish eagle screamed. Its cries caused a kind of elation to spill through him, briefly anaesthetising the ache of his wounds and strengthening him if need be for another murder.
'I've not ridden this road for eighty years. I know you, Fulthor. Give me a reason why I should come with you now!'
But a chill went through him as he spoke; and though his words were for the Reborn Man, he found himself staring into the parchment face of his impassive hostage. The old man had spoken not once since his cryptic greeting of the dawn in Hornwrack's rooms – not once in all that long ride across the City: but now he opened his mouth and gave vent to a sudden mewing wail, a cry with no speech in it at all, which rose inhumanly into the sky and fled away'like an ancient bird. This done, he became still again, his lips dry and bluish, his rheumy eyes fixed vacantly on the empty air. The queer geometrical embroidery on his robe seemed to settle itself slowly, as if a moment before it had been in violent and independent motion.
Hornwrack clung tightly to him and shuddered, as the victim clings to his assassin. His wounds hurt him suddenly. He felt sick and he felt very old.
Alstath Fulthor, caught between one tepid nightmare and the next:
For two days a scene from his previous life had hung at the outside edge of perception, giving him the impression that he was accompanied everywhere by one or two partly visible companions. They were tall and whitish – candle-like figures resembling the drawings of the insane – and whenever he turned his head they vanished immediately. At unexpected moments the scene would submerge him completely, and he would become aware that they were walking in some sort of sunken ornamental garden planted with flowers whose names he could not remember and filled with a smell of horsehair and mint which varied in intensity with the wind from beyond the walls. Across it floated the voices of his companions, engaged in some half-serious philosophical or religious dispute. His relationship to them, whilst not precisely sexual, could be described in only the most complex and emotional of terms; and his constant attempts to see them more clearly had given his head a slight sideways tilt, and lent to his expression an even more withdrawn quality than was usual.
It was symptomatic, perhaps, of a sudden self-doubt. The old man in the embroidered robe – guarded as to his immediate origins, secretive of purpose though evidently benign – had issued from the recent history of Viriconium with all the force of a living myth. And on that high path under the brow of Hollin Low Moor, less than a week before (night coming on, the sweat drying on him, and the distant shriek of a fish eagle making alien the bleating of the autumn flocks), Alstath Fulthor had relinquished to him what he secretly saw as the stewardship of the empire. He did not quite understand how this had come about. Only that he had fought so long against the quicksand of his Afternoon memories (because after the passing of tegeus-Cromis and the vanishing of Tomb the Iron Dwarf who else was left to advise the Queen?) and now the fight was failing and he was tired to death. Only that the old man's charisma was immense, his frail old figure looming somehow over every foreseeable future, a warning or a threat.
So, even before the appearance at his house in the early hours, of the woman Fay Glass, incoherent and alone, he had begun to act in a stupor, consumed by the feeling that there was nothing to choose between the fevers of his skull and those of the world outside it. When he closed his eyes strange waxen figures moved through a garden; when he opened them again he found that he had allowed the girl (like some demented diviner) to lead him half-way across the city in search of a cheap assassin. Somewhere along the way he had collected the old man, who now watched him sardonically and offered him no assistance… 'I can connect nothing with nothing…'The tenement in the Rue Sepile filled him with disgust for the people among whom he must now make his life. Its stairways wound like a tedious. argument, luring part of his brain along with them until he found himself thinking, apropos of nothing, If the dead have a city it is like this one, and it smells of rats and withered geraniums … 'But look how the leaves fall…'While his boy bled him patiently the assassin groaned and whispered from the disordered bed. Fulthor eyed the process with distaste, noting how the boy's face, delicate and womanish in the unsteady light, filled with a strange detached sympathy. Later, watching the assassin dress, he felt only impatience at the Low City swagger of him, and missed the hidden knife…
Now Hornwrack closed on his victim like a rat-trap.
There was a sudden hiss of indrawn breath. A flurry of hooves. The knife flickered out from somewhere, a blemished steel tongue in the grey light. The old man gasped once and was silent. They remained locked together for a long moment, like lovers. Above them, somewhere up in the dark morning, a huge bird shrieked. The madwoman began to ride round them in circles, whimpering and waving her arms. Hornwrack laughed madly. 'I'll go no further, Fulthor! I've been this way before. It's a road to nothing!'Suddenly he stared into the face of his hostage as if he saw his own death there. 'What?'Fear stretched his thin brutalised features.
The old man opened his throat, retched; squawked inhumanly; then seemed to smile.
'Oh! Oh! Oh!'cried Fay Glass, staring upward.
Alstath Fulthor, his brain an empty beach across which were scattered the bones of understanding, felt, rather than saw, something detach itself from the racing clouds above.
It fell slowly at first, toppling languidly off one great wing, giving vent to a high wailing cry (thus do the fish eagles of the Southern Marches plummet almost lazily a thousand yards into the cold salt water of their native sea-lochs: but this one was fully five feet from wingtip to wingtip, and of an odd grey colour); plunged quicker and quicker until Fulthor was sure it must bury itself in the paving of the Circuit; then in the final instant shot horizontally across his field of vision in a rush of displaced air, to smash into the assassin's ribcage with a noise like an axe going into an oak door. Shouting in rage and fright, Hornwrack fell backwards off his horse. He lost his hold on the old man, hit the wet road, and was bowled over in a mist of blood and feathers.
Relieved – if astonished – at this turn of events, Fulthor drew his powered blade and cursed his horse in close; found that he could get a clear stroke at neither assassin nor bird, and swept the old man up to safety instead. This gave him the illusion, at least, of participation.
In the immediate aftermath of its strike the hawk had the advantage of momentum: with its talons fastened in his face Hornwrack went rolling and bellowing about the roadway, knife-arm flailing while he tried with the other to protect his eyes and throat. There was little to choose between them for ferocity. The bird shrieked and croaked; the man groaned and wept; rain fell on them both. Alstath Fulthor stared appalled. Eventually, blood streaming from his face and forearms, the man wriggled into a kneeling position. He grasped the bird by its neck and pulled it off him. Time after time he drove the knife into its body, but it was like stabbing a brick wall. The huge wings buffeted him. Their faces were inches apart, and both of them were screaming now as if they had finally recognised one another from some other country and were continuing a quarrel begun there long ago… Suddenly the man threw his knife away, transferred both hands to the bird's neck, and twisted it once.
They raised their bloody heads and shrieked together. The man choked. The bird was still.
Fulthor rode over, dismounted, and watched Hornwra
ck get unsteadily to his feet. His cloak was ripped, his shoulders a mantle of blood. He looked round him like an idiot, empty-eyed. 'Yours, I suppose,'he said to Fulthor, his voice thick and dull. He hardly seemed to notice the powered blade flickering and spitting at his throat. He held out the dead bird. 'Some bloody thing dug up out of the ground.'
The Reborn Man stared at it in silence. It was a perfect image of a bird made all in metal: a fantasy with armoured wings, every feather beaten from wafer-thin iridium, the fierce raptorial beak and talons forged from steel and graven with strange delicate designs. It hung from Hornwrack's hand, though, like anything newly dead – loose of limb, open-mouthed and vulnerable (as if in the moment of death it had been surprised by some truth which made nothing of beaks and claws), one great wing hanging in a slack double curve. He shook his head stupidly and turned away.
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