I returned the gun to its holster, then I started rifling through everything in sight – the great disarray of papers heaped upon the desk, Fong’s accounting ledgers, sales invoices, catalogs, letters and postcards written in English, Mandarin, Wu, Cantonese, French, Spanish, and Arabic. I still had my gloves on, so it’s not like I had to worry over fingerprints. A few of the desk drawers were unlocked, and I’d just started in on those, when the phone perched atop the filing cabinet rang. I froze, whatever I was looking at clutched forgotten in my hands, and stared at the phone.
Sure, it wasn’t every day I blundered into the immediate aftermath of this sort of foul play, but I was plenty savvy enough I knew better than to answer that call. It didn’t much matter who was on the other end of the line. If I answered, I could be placed at the scene of a murder only minutes after it had gone down. The phone rang a second time, and a third, and I glanced at the dead man in the chair. The crimson halo surrounding the switchblade’s inlaid mother-of-pearl handle was still spreading, blossoming like some grim rose, and now there was blood dripping to the floor, as well. The phone rang a fourth time. A fifth. And then I was seized by an overwhelming compulsion to answer it, and answer it I did. I wasn’t the least bit thrown that the voice coming through the receiver was Ellen Andrews’. All at once, the pieces were falling into place. You spend enough years doing the stepin fetchit routine for imps like Harpootlian, you find yourself ever more jaded at the inexplicable and the uncanny.
“Beaumont,” she said, “I didn’t think you were going to pick up.”
“I wasn’t. Funny thing how I did anyway.”
“Funny thing,” she said, and I heard her light a cigarette and realized my hands were shaking.
“See, I’m thinking maybe I had a little push,” I said. “That about the size of it?”
“Wouldn’t have been necessary if you’d have just answered the damn phone in the first place.”
“You already know Fong’s dead, don’t you?” And, I swear to fuck, nothing makes me feel like more of a jackass than asking questions I know the answers to.
“Don’t you worry about Fong. I’m sure he had all his ducks in a row and was right as rain with Buddha. I need you to pay attention – ”
“Harpootlian had him killed, didn’t she? And you knew he’d be dead when I showed up.” She didn’t reply straight away, and I thought I could hear a radio playing in the background. “You knew,” I said again, only this time it wasn’t a query.
“Listen,” she said. “You’re a courier. I was told you’re a courier we can trust, elsewise I never would have handed you this job.”
“You didn’t hand me the job. Your boss did.”
“You’re splitting hairs, Miss Beaumont.”
“Yeah, well, there’s a fucking dead celestial in the room with me. It’s giving me the fidgets.”
“So, how about you shut up and listen, and I’ll have you out of there in a jiffy.” And that’s what I did, I shut up, either because I knew it was the path of least resistance or because whatever spell she’d used to persuade me to answer the phone was still working.
“On Fong’s desk there’s a funny little porcelain statue of a cat.”
“You mean the Maneki Neko?”
“If that’s what it’s called, that’s what I mean. Now, break it open. There’s a key inside.”
I tried not to, just to see if I was being played as badly as I suspected I was being played. I gritted my teeth, dug in my heels, and tried hard not to break that damned cat.
“You’re wasting time. Auntie H didn’t mention you were such a crybaby.”
“Auntie H and I have an agreement when it comes to free will. To my free will.”
“Break the goddamn cat,” Ellen Andrews growled, and that’s exactly what I did. In fact, I slammed it down directly on top of Fong’s head. Bits of brightly painted porcelain flew everywhere, and a rusty barrel key tumbled out and landed at my feet. “Now pick it up,” she said. “The key fits the bottom left-hand drawer of Fong’s desk. Open it.”
This time, I didn’t even try to resist her. I was getting a headache from the last futile attempt. I unlocked the drawer and pulled it open. Inside, there was nothing but the yellowed sheet of newspaper lining the drawer, three golf balls, a couple of old racing forms, and a finely carved wooden box lacquered almost the same shade of red as Jimmy Fong’s blood. I didn’t need to be told I’d been sent to retrieve the box – or, more specifically, whatever was inside the box.
“Yeah, I got it,” I told Ellen Andrews.
“Good girl. Now, you have maybe twelve minutes before the cops show. Go out the same way you came in.” Then she gave me a Riverside Drive address and said there’d be a car waiting for me at the corner of Canal and Mulberry, a green Chevrolet coupe. “Just give the driver that address. He’ll see you get where you’re going.”
“Yeah,” I said, sliding the desk drawer shut again and locking it. I pocketed the key. “But sister, you and me are gonna have a talk.”
“Wouldn’t miss it for the world, Nat,” she said and hung up. I shut my eyes, wondering if I really had twelve minutes before the bulls arrived, and if they were even on their way, wondering what would happen if I endeavored not to make the rendezvous with the green coupe. I stood there, trying to decide whether Harpootlian would have gone back on her word and given this bitch permission to turn her hoodoo tricks on me, and if aspirin would do anything at all for the dull throb behind my eyes. Then I looked at Fong one last time, at the knife jutting out of his back, his thin grey hair powdered with porcelain dust from the shattered “Lucky Cat.” And then I stopped asking questions and did as I’d been told.
The car was there, just like she’d told me it would be. There was a young colored man behind the wheel, and when I climbed in the back, he asked me where we were headed.
“I’m guessing Hell,” I said, “sooner or later.”
“Got that right,” he laughed and winked at me from the rearview mirror. “But I was thinking more in terms of the immediate here and now.”
So I recited the address I’d been given over the phone, 435 Riverside.
“That’s the Colosseum,” he said.
“It is if you say so,” I replied. “Just get me there.”
The driver nodded and pulled away from the curb. As he navigated the slick, wet streets, I sat listening to the rain against the Chevy’s hard top and the music coming from the Motorola. In particular, I can remember hearing the Dorsey Brothers’ “Chasing Shadows.” I suppose you’d call that a harbinger, if you go in for that sort of thing. Me, I do my best not to. In this business, you start jumping at everything that might be an omen or a portent, you end up doing nothing else. Ironically, rubbing shoulders with the supernatural has made me a great believer in coincidence.
Anyway, the driver drove, the radio played, and I sat staring at the red lacquered box I’d stolen from a dead man’s locked desk drawer. I thought it might be mahogany, but it was impossible to be sure, what with all that cinnabar-tinted varnish. I know enough about Chinese mythology that I recognized the strange creature carved into the top. It was a qilin, a stout, antlered beast with cloven hooves, the scales of a dragon, and a long leonine tail. Much of its body was wreathed in flame, and its gaping jaws revealed teeth like daggers. For the Chinese, the qilin is a harbinger of good fortune, though it certainly hadn’t worked out that way for Jimmy Fong. The box was heavier than it looked, most likely because of whatever was stashed inside. There was no latch, and as I examined it more closely, I realized there was no sign whatsoever of hinges or even a seam to indicate it actually had a lid.
“Unless I got it backwards,” the driver said, “Miss Andrews didn’t say nothing about trying to open that box, now did she?”
I looked up, startled, feeling like the proverbial kid caught with her hand in the cookie jar. He glanced at me in the mirror, then his eyes drifted back to the road.
“She didn’t say one way or the other,” I told
him.
“Then how about we err on the side of caution?”
“So you didn’t know where you’re taking me, but you know I shouldn’t open this box? How’s that work?”
“Ain’t the world just full of mysteries,” he said.
For a minute or so, I silently watched the headlights of the oncoming traffic and the metronomic sweep of the windshield wipers. Then I asked the driver how long he’d worked for Ellen Andrews.
“Not very,” he said. “Never laid eyes on the lady before this afternoon. Why you want to know?”
“No particular reason,” I said, looking back down at the box and the qilin etched in the wood. I decided I was better off not asking any more questions, better off getting this over and done with, and never mind what did and didn’t quite add up. “Just trying to make conversation, that’s all.”
Which got him to talking about the Chicago stockyards and Cleveland and how it was he’d eventually wound up in New York City. He never told me his name, and I didn’t ask. The trip uptown seemed to take forever, and the longer I sat with that box in my lap, the heavier it felt. I finally moved it, putting it down on the seat beside me. By the time we reached our destination, the rain had stopped and the setting sun was showing through the clouds, glittering off the dripping trees in Riverside Park and the waters of the wide grey Hudson. He pulled over, and I reached for my wallet.
“No ma’am,” he said, shaking his head. “Miss Andrews, she’s already seen to your fare.”
“Then I hope you won’t mind if I see to your tip,” I said, and I gave him five dollars. He thanked me, and I took the wooden box and stepped out onto the wet sidewalk.
“She’s up on the eleventh,” he told me, nodding towards the apartments. Then he drove off, and I turned to face the imposing curved brick and limestone façade of the building the driver had called the Colosseum. I rarely find myself any farther north than the Upper West Side, so this was pretty much terra incognita for me.
The doorman gave me directions, after giving both me and Fong’s box the hairy eyeball, and I quickly made my way to the elevators, hurrying through that ritzy marble sepulcher passing itself off as a lobby. When the operator asked which floor I needed, I told him the eleventh, and he shook his head and muttered something under his breath. I almost asked him to speak up, but thought better of it. Didn’t I already have plenty enough on my mind without entertaining the opinions of elevator boys? Sure, I did. I had a murdered Chinaman, a mysterious box, and this pushy little sorceress calling herself Ellen Andrews. I also had an especially disagreeable feeling about this job, and the sooner it was settled, the better. I kept my eyes on the brass needle as it haltingly swung from left to right, counting off the floors, and when the doors parted she was there waiting for me. She slipped the boy a sawbuck, and he stuffed it into his jacket pocket and left us alone.
“So nice to see you again, Nat,” she said, but she was looking at the lacquered box, not me. “Would you like to come in and have a drink? Auntie H says you have a weakness for rye whiskey.”
“Well, she’s right about that. But, just now, I’d be more fond of an explanation.”
“How odd,” she said, glancing up at me, still smiling. “Auntie said one thing she liked about you was how you didn’t ask a lot of questions. Said you were real good at minding your own business.”
“Sometimes I make exceptions.”
“Let me get you that drink,” she said, and I followed her the short distance from the elevator to the door of her apartment. Turns out, she had the whole floor to herself, each level of the Colosseum being a single apartment. Pretty ritzy accommodations, I thought, for someone who was mostly from out of town. But then I’d spent the last few years living in that one-bedroom cracker box above the Yellow Dragon, hot and cold running cockroaches and so forth. She locked the door behind us, then led me through the foyer to a parlor. The whole place was done up gaudy period French, Louis Quinze and the like, all floral brocade and Orientalia. The walls were decorated with damask hangings, mostly of ample-bosomed women reclining in pastoral scenes, dogs and sheep and what have you lying at their feet. Ellen told me to have a seat, so I parked myself on a récamier near a window.
“Harpootlian spring for this place?” I asked.
“No,” she replied. “It belonged to my mother.”
“So you come from money.”
“Did I mention how you ask an awful lot of questions?”
“You might have,” I said, and she inquired as to whether I liked my whiskey neat or on the rocks. I told her neat, and I set the red box down on the sofa next to me.
“If you’re not too thirsty, would you mind if I take a peek at that first?” she asked, pointing at the box.
“Be my guest,” I said, and Ellen smiled again. She picked up the red lacquered box, then sat next to me. She cradled it in her lap, and there was this goofy expression on her face, a mix of awe, dread, and eager expectation.
“Must be something extra damn special,” I said, and she laughed. It was a nervous kind of a laugh.
I’ve already mentioned how I couldn’t discern any evidence the box had a lid, and I’d supposed there was some secret to getting it open, a gentle squeeze or nudge in just the right spot. Turns out, all it needed was someone to say the magic words.
“Pain had no sting, and pleasure’s wreath no flower,” she said, speaking slowly and all but whispering the words. There was a sharp click and the top of the box suddenly slid back with enough force that it tumbled over her knees and fell to the carpet.
“Keats,” I said.
“Keats,” she echoed, but added nothing more. She was too busy gazing at what lay inside the box, nestled in a bed of velvet the color of poppies. She started to touch it, then hesitated, her fingertips hovering an inch or so above the object.
“You’re fucking kidding me,” I said, once I saw what was inside.
“Don’t go jumping to conclusions, Nat.”
“It’s a dildo,” I said, probably sounding as incredulous as I felt. “Exactly which conclusions am I not supposed to jump to? Sure, I enjoy a good rub-off as much as the next girl, but…you’re telling me Harpootlian killed Fong over a dildo?”
“I never said Auntie H killed Fong.”
“Then I suppose he stuck that knife there himself.”
And that’s when she told me to shut the hell up for five minutes, if I knew how. She reached into the box and lifted out the phallus, handling it as gingerly as somebody might handle a sweaty stick of dynamite. But whatever made the thing special, it wasn’t anything I could see.
“Le godemichet maudit,” she murmured, her voice so filled with reverence you’d have thought she was holding the devil’s own wang. Near as I could tell, it was cast from some sort of hard black ceramic. It glistened faintly in the light getting in through the drapes. “I’ll tell you about it,” she said, “if you really want to know. I don’t see the harm.”
“Just so long as you get to the part where it makes sense that Harpootlian bumped the Chinaman for this dingus of yours, then sure.”
She took her eyes off the thing long enough to scowl at me. “Auntie H didn’t kill Fong. One of Szabó’s goons did that, then panicked and ran before he figured out where the box was hidden.”
(Now, as for Madam Magdalena Szabó, the biggest boil on Auntie H’s fanny, we’ll get back to her by and by.)
“Ellen, how can you possibly fucking know that? Better yet, how could you’ve known Szabó’s man would have given up and cleared out by the time I arrived?”
“Why did you answer that phone, Nat?” she asked, and that shut me up, good and proper. “As for our prize here,” she continued, “it’s a long story, a long story with a lot of missing pieces. The dingus, as you put it, is usually called le godemichet maudit. Which doesn’t necessarily mean it’s actually cursed, mind you. Not literally. You do speak French, I assume?”
“Yeah,” I said. “I do speak French.”
“That’s
ducky, Nat. Now, here’s about as much as anyone could tell you. Though, frankly, I’d have thought a scholarly type like yourself would know all about it.”
“Never said I was a scholar,” I interrupted.
“But you went to college. Radcliffe, Class of 1923, right? Graduated with honors.”
“Lots of people go to college. Doesn’t necessarily make them scholars. I just sell books.”
“My mistake,” she said, carefully returning the black dildo to its velvet case. “It won’t happen again.” Then she told me her tale, and I sat there on the récamier and listened to what she had to say. Yeah, it was long. There were certainly a whole lot of missing pieces. And as a wise man once said, this might not be schoolbook history, not Mr. Wells’ history, but, near as I’ve been able to discover since that evening at her apartment, it’s history, nevertheless. She asked me whether or not I’d ever heard of a Fourteenth-Century Persian alchemist named al-Jaldaki, Izz al-Din Aydamir al-Jaldaki, and I had, naturally.
“Well, he’s sort of a hobby of mine,” she said. “Came across his grimoire a few years back. Anyway, he’s not where it begins, but that’s where the written record starts. While studying in Anatolia, al-Jaldaki heard tales of a fabulous artifact that had been crafted from the horn of a unicorn at the behest of King Solomon.”
“From a unicorn,” I cut in. “So we believe in those now, do we?”
“Why not, Nat? I think it’s safe to assume you’ve seen some peculiar shit in your time. That you’ve pierced the veil, so to speak. Surely a unicorn must be small potatoes for a worldly woman like yourself.”
“So you’d think,” I said.
“Anyhow,” she went on, “the ivory horn was carved into the shape of a penis by the king’s most skilled artisans. Supposedly, the result was so revered it was even placed in Solomon’s temple, alongside the Ark of the Covenant and a slew of other sacred Hebrew relics. Records al-Jaldaki found in a mosque in the Taurus Mountains indicated that the horn had been removed from Solomon’s temple when it was sacked in 587 BC by the Babylonians and that eventually it had gone to Medina. But it was taken from Medina during, or shortly after, the siege of 627, when the Meccans invaded. And it’s at this point that the horn is believed to have been given its ebony coating of porcelain enamel, possibly in an attempt to disguise it.”
Beneath an Oil-Dark Sea Page 43
