The Rod of Light (Soul of the Robot)

by Barrington J. Bayley

  THE ROD OF LIGHT

  Barrington J. Bayley

  www.sfgateway.com

  Enter the SF Gateway …

  In the last years of the twentieth century (as Wells might have put it), Gollancz, Britain’s oldest and most distinguished science fiction imprint, created the SF and Fantasy Masterworks series. Dedicated to re-publishing the English language’s finest works of SF and Fantasy, most of which were languishing out of print at the time, they were – and remain – landmark lists, consummately fulfilling the original mission statement:

  ‘SF MASTERWORKS is a library of the greatest SF ever written, chosen with the help of today’s leading SF writers and editors. These books show that genuinely innovative SF is as exciting today as when it was first written.’

  Now, as we move inexorably into the twenty-first century, we are delighted to be widening our remit even more. The realities of commercial publishing are such that vast troves of classic SF & Fantasy are almost certainly destined never again to see print. Until very recently, this meant that anyone interested in reading any of these books would have been confined to scouring second-hand bookshops. The advent of digital publishing has changed that paradigm for ever.

  The technology now exists to enable us to make available, for the first time, the entire backlists of an incredibly wide range of classic and modern SF and fantasy authors. Our plan is, at its simplest, to use this technology to build on the success of the SF and Fantasy Masterworks series and to go even further.

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  Contents

  Title Page

  Gateway Introduction

  Contents

  1

  2

  3

  4

  5

  6

  7

  8

  9

  10

  11

  12

  13

  14

  Website

  Also by Barrington J. Bayley

  Dedication

  Author Bio

  Copyright

  1

  Reddened and magnified, the sun had descended through a clear sky and was poised over the edge of the hilly landscape, when its radiance picked out a burnished metal figure that had climbed to the summit of a turfed ridge. The traveller paused, and for a considerable while gazed intently at the mellowed orb, as though endeavouring to return its eternal stare. For his eyes, like the evening sun itself, were also red and glowing, and seemed to project the same intense presence.

  His body was bronze-black, man-shaped and handsome, decorated from head to foot with scroll-like engravings. The face was an enigma: an immobile machine-visage, its expression stern yet hinting at tenderness. Suddenly the robot’s head tilted up, as his attention was caught by a glint of golden light. The sun had caught the underside of a plane’s wing, moving slowly on the end of a newly appeared contrail.

  Jasperodus stepped back into the shadow of the ridge, and waited half-kneeling, one arm rested on a bended knee, hoping that the plane’s pilot had not, in turn, spotted him.

  When he emerged the plane was gone, and for the first time he looked down the west-facing slope.

  He saw a compact, cirque-like valley. Toward the bottom of the slope, a little to his left, stood a building, the first he had come across in this wilderness. It was about the size of a three-storey villa but had the form of a ziggurat, constructed of well-fitting stone blocks, with a porch projecting from one side. In front of this porch stood an oddly shaped cowl, also carved from stone, which acted as a windshield for an elegant bowl mounted on a pedestal. In the bowl, a pale flame burned.

  The place had the appearance of a temple. Jasperodus was surprised to find an intact and apparently inhabited building of any kind in so isolated a spot. He estimated its age at no more than a hundred years, in which case it was of no interest to him archaeologically, having been built long after the collapse of the Old Empire. He would have passed it by, had not his sighting of the aircraft disconcerted him. These bare hillsides offered little concealment from what could possibly be a photographic reconnaissance with robots as its object. He would try to take shelter in the building until dark.

  Making his way down the slope, he reached the porch, lingering to inspect the fire in the bowl. The wick was a fleecy wad floating in perfumed oil. The flame burned steadily. It was alive with sparkling flecks which swarmed up it to vanish at its fringe, releasing a powerful scent of roses.

  Jasperodus found the arrangement charming. Cautiously he stepped into the porch, to find the passage blocked by a slab of reddish stone he recognised as porphyry. He pounded on it with his fist, tuning up his hearing so as to detect any response. He heard nothing, and began to think the building unoccupied after all, but then there came the hiss of a pneumatic mechanism, and the slab drew aside.

  In its place was revealed a silvery panel, or screen, on which an image was slowly forming. It was of a tall, slender man in a light blue gown. He would be aged about sixty, with flaxen hair falling to his shoulders. His eyes matched the gown: pale blue. They were hypnotically steady as they rested on Jasperodus, and his lips moved.

  ‘What brings a servant of Ahriman to the Temple of Light?’ asked a resonant, though rather high-pitched voice.

  Jasperodus took a moment before replying. ‘I am no one’s servant,’ he said evenly. ‘I am a free construct. May I shelter under your roof for a while?’

  The gowned man looked him up and down thoughtfully, though no camera to convey his image was visible. ‘You ask for shelter? Do you feel the cold, robot?’

  ‘No, I do not feel the cold,’ Jasperodus said. Suddenly impatient, he reached out and clawed down the silvery screen. It was silky and ripped easily. But ten feet further along, the passageway was again blocked by a second slab of porphyry.

  ‘It is understandable that you should fear me,’ he said, disgruntled. ‘Very well, then, I shall bother you no further.’

  Soon it would be dark. He decided to remain in the porch till after sunset, and then be on his way. But now the man spoke again, his voice slightly slurred.

  ‘I do not fear you, robot. Come, enter the Temple of Light. After all, you are a creature.’

  With a hiss the second block of porphyry slid aside. Jasperodus went forward. Behind him, the barrier closed up again.

  He found himself in a simply furnished room, the walls and ceiling painted sky-blue. The man whose image had appeared on the screen stood beside a low table, laid with a half-full wine decanter and a glass goblet.

  Clearly this was a living chamber. An ottoman, long enough to double as a sleeping couch, stood against one wall. Domestic articles—silver cups and platters, bottles, wooden caskets, combs and brushes—occupied a shelf running the length of the wall opposite. Otherwise the furniture consisted only of the table and two stout timber chairs.

  There were no windows—the ziggurat did not appear to possess any. Lighting was by means of a bright oil lamp hanging from the ceiling, close to a flue for carrying away the fumes, while ventilation grills were set high in the walls.

  The blue-eyed man was regarding Jasperodus with a peculiarly intense expression. He reached out, refilling the goblet from the decanter. Then he sat down, gesturing.

  ‘Be seated, Ahriman.’

  Though equally comfortable standing, Jasperodus gingerly settled his weight in the remaining chair. It cracked, but held.

  ‘My name is not Ahriman.’

  ‘All robots should be called Ahriman,’ said the
temple-keeper, for this was what Jasperodus by now presumed him to be. He was, it was becoming evident, somewhat drunk. ‘But never mind. What is your business in this region?’

  ‘I am an archaeologist,’ Jasperodus told him, ‘on my way to join my assistants who are carrying out a dig to the north-west of here. I travel on foot to be less conspicuous. As you may know, the Borgor Alliance has been making incursions into this area, and Borgors destroy robots out of hand.’

  The templar nodded. ‘So I believe. You are an archaeologist, you say? But also you claim to be a free construct. What interest could archaeology possibly have for you?’

  ‘I study the past to seek the cause of historical change,’ the robot said in an intentionally neutral voice. ‘We emerge from a turbulent dark age. Why did the splendid Rule of Tergov that preceded it collapse like a house of cards? Is there a law of history that brings calamity just when civilisation seems about to fulfil itself? This is what I aim to find out.’

  ‘I repeat, why should you?’ The templar sounded querulous, and Jasperodus became uneasy. Had his wish to learn something of the temple made him divulge his own circumstances too freely?

  ‘I owe it to those who made me,’ he said simply.

  ‘You have an instruction? So you are not so free after all.’

  ‘There is no instruction. It is of my own choosing.’

  The man grunted. He almost scowled. ‘Then this is an unusual sentiment. What can the advance of human civilisation mean to you? You are a robot. Not a man.’

  ‘And the difference …?’

  Making a dismissive face, the templar gulped wine, spilling it from the corners of his mouth and dribbling it down his gown. Then, with an air of self-possession, he brushed away the drop.

  ‘Can you tell me something about this place?’ Jasperodus asked. The Temple of Light, you called it. Also you insisted on forcing an identification with someone called “Ahriman” upon me. This is the mythic projection, perhaps? Is Ahriman one of the robotic gods?’

  ‘It could be said that in a sense he is,’ the templar agreed, apparently struck by the thought. ‘By your very nature you cannot help but serve him. Even if you imagine you serve the light, you cannot help but serve the darkness.’

  Having drained the wine cup, the templar put it down but this time did not refill it. ‘Do you seek ancient knowledge, robot? Then you have come to the right place, because this is the last temple of the world’s first and only true religion—the religion of Zoroaster, founded on an objective knowledge of the real nature of the world.’

  ‘I would not have attributed “objective knowledge” to any religion,’ Jasperodus said pensively.

  ‘You would be correct as to the others. They are all corruptions or misunderstandings of some aspect of Zoroastrian teaching.’

  ‘What, exactly, is the purpose of this temple?’ Jasperodus enquired. ‘Is it a place of instruction? Do you have pupils?’

  The other smiled, his parchment-like skin creasing. ‘I was a pupil once. There are no more, except the occasional wayfarer. Come, let me show you my one and only function.’

  The man rose, and beckoned. Deeper into the temple they went, to where the light was dim and the passages were of bare stone. Then the templar drew aside a curtain and ushered the hulking robot into the inner sanctum.

  They were in a dome-shaped chamber, the concave ceiling painted midnight-blue and pricked with bright points of light to represent stars. The centre of the chamber was occupied by a fan-shaped flame which burned with a hissing sound and threw off an almost overpowering scent, again of roses. Like a peacock’s tail blazed this fan, reaching almost to half the height of the chamber. Yet for all its size its glow was soft. It failed to dispel the dimness of the room.

  The flame too contained brighter flecks, like those in the flame of the shrine outside the temple but larger. They soared, danced and gyrated, and vanished as they reached the fire’s fringe.

  ‘Does the flame inspire you, robot?’ came the templar’s dry voice. ‘It should. It is the symbol of what your kind gropes for and covets. The fire is the fire of consciousness that roars through the universe and brings awareness to transient forms Those sparks you see are individual souls, born of the fire and glowing briefly, only to vanish forever when their course is done. You asked me what is the difference between man and robot. You know very well, I think.’

  Jasperodus felt chill at these words. He turned to confront his host. The man stared back at him, eyes of pale blue directly meeting the red eyes of the robot.

  ‘How would I know?’ Jasperodus demanded.

  The templar made no answer but turned and strolled from the chamber.

  Back in the living room he took his place as before and resumed drinking heavily. Jasperodus began to get the impression that he drank constantly.

  ‘Well, now you know my function. I am the last keeper of the sacred flame, the last worshipper of Ahura Mazda. With my death, the light of the world is symbolically quenched.’

  ‘You live here alone?’ asked Jasperodus.

  ‘I know of no neighbour within a hundred miles.’

  ‘How do you provide for yourself?’

  ‘Ancient science.’ The templar smiled. ‘There is a garden on the other side of the hill, covered with a glass dome. It contains special tanks and trays for growing food quickly and easily. There I also ferment my wine.’

  ‘I am interested in this teaching of Zoroaster. Tell me something about it.’

  ‘Indeed, I know you are,’ the templar said, with what Jasperodus thought annoying mysteriousness. He prevaricated, but when Jasperodus pressed him further he proved more than willing to expatiate.

  The world, he said, consisted of a cosmic struggle between two opposed and roughly equal powers, personified by the gods Ahura Mazda, prince of light, and Ahriman, prince of darkness. By light was meant the realm of consciousness or spirit. By darkness was meant the realm of unconsciousness, of dense materiality and blind mechanical forces. From the beginning of time the war between the two had gone on without pause, as each sought to subdue the other and make itself ruler of all existence.

  Though the conflict took many forms, the surfaces of planets were a front-line of special interest. Here the two principles struggled in a kind of scrum, mixing and mingling. From the unharmonious mixture there arose organic life, compounded of awareness and gross matter both.

  When Jasperodus asked with what weapons the gods fought, the templar seemed amused. The angels of Ahura Mazda do not confont the dark directly,’ he said. ‘Insofar as we are concerned, it is through the affairs and hearts of men that they contend with the dark angels of Ahriman. What are the two currents in the human psyche? There is the striving towards the light, that is, for greater consciousness. And there is also submission to the powers of unconsciousness, that is, animal ignorance, coarse cruelty, tyranny, failure to perceive. The struggle between the two is the struggle between Ahura Mazda and Ahriman. And it is there, in the affairs of men, that Ahriman will shortly have his victory.’

  ‘So you are pessimistic about the future of mankind?’

  ‘I speak with sure knowledge that we enter the final phase of the struggle here on Earth. You see, the cosmic war is capable of subtle involvements. The aim of pure consciousness is eventually the rule and command matter in all its aspects. What else is the purpose of science? Likewise, the aim of the material principle is to imprison and enslave consciousness. In this the adversary has shown cunning beyond compare. He takes religion, originally a system for kindling new consciousness, and makes of it a system for totally imprisoning human awareness. Now he has a new weapon with which he can outflank, invade and conquer the realm of Ahura Mazda, a weapon that nothing can stop. You know what I speak of, do you not, when I describe this weapon?’

  ‘No, I do not,’ Jasperodus said.

  ‘I speak of yourself. I speak of the robot. A complete simulacrum of a man! Able to do anything a man can do, to think and even to feel! But lacki
ng consciousness. The perfect Ahrimanic creature! Intelligent, but without any spark of the sacred flame! Robots are Ahriman’s new servants, and in their millions they will comprise his armies. Mimicking the light, Ahriman will overcome the light.’

  In reply, Jasperodus chose his words carefully. ‘It is true that there are now large numbers of free constructs, and that these have begun to design and make a new generation of constructs less tractable to human orders than the old,’ he said. ‘But as for the emergence of a world-system of self-directed constructs to challenge mankind, I do not think this could happen. As you point out, robots are not conscious. When men and robots meet, it is still the robots who become the subordinates before very long.’

  ‘You do not give me any impression of compliance whatsoever,’ the templar murmured. ‘In any case, the matter does not end there. Did I not say that the darkness seeks to capture the light? The robot hungers for consciousness. And so he moves against the light, to seize the light. Thus will Ahura Mazda be clapped in a steel dungeon, a prisoner of metal, and Ahriman his jailer.’

  Jasperodus shook his head. ‘You are quite wrong. Robots do not have any conception of consciousness. For them it is a meaningless word.’

  ‘Ordinary robots do not,’ the templar said quietly. ‘But there are robots of extreme mental subtlety, and some of them know what is lacking in them. After all, a construct’s level of intelligence is now only a technical issue. There are robots far exceeding the mental capacity possible for a human being.’

  A sense of amazement was coming over Jasperodus as he grasped what the man was saying, but again he shook his head. ‘You apparently believe artificial consciousness to be the next step in construct development. I can tell you categorically that artificial consciousness is a scientific impossibility. It has been proved so.’

  ‘Well, I am no robotician,’ said the templar dreamily, ‘but I have met better minds than mine who believe this “impossibility” could be circumvented. Ahrimanic minds.’ With a sudden, almost aggressive movement the man noisily drained his goblet and banged it down on the table beside him. ‘What of you, for instance?’ he demanded loudly. ‘We sit here talking of consciousness, and you seem to have no difficulty over the meaning of the word. One might almost think you were conscious. At any rate, it tells me something about you. It tells me that your tale of archaeological work is only a cover. You go to join Gargan, perhaps.’