These men all had ideas about what should be in their movie. They wanted things in the background, chairs or trees, or they wanted ropes or screaming, or shoes. Sometimes they would say, Just do it, I’m paying for it, or things like that, because everything in these movies had a price. Every hair bow, every flower, every object, every gesture. If the men thought up something new, there would have to be a discussion about how much that new thing ought to cost.
“So I learned about life,” said Oryx.
“Learned what?” said Jimmy. He shouldn’t have had the pizza, and the weed they’d smoked on top of that. He was feeling a little sick.
“That everything has a price.”
“Not everything. That can’t be true. You can’t buy time. You can’t buy …” He wanted to say love, but hesitated. It was too soppy.
“You can’t buy it, but it has a price,” said Oryx. “Everything has a price.”
“Not me,” said Jimmy, trying to joke. “I don’t have a price.”
Wrong, as usual.
Being in a movie, said Oryx, was doing what you were told. If they wanted you to smile then you had to smile, if they wanted you to cry you had to do that too. Whatever it was, you had to do it, and you did it because you were afraid not to. You did what they told you to do to the men who came, and then sometimes those men did things to you. That was movies.
“What sort of things?” said Jimmy.
“You know,” said Oryx. “You saw. You have the picture of it.”
“I only saw that one,” said Jimmy. “Only the one, with you in.”
“I bet you saw more with me in. You don’t remember. I could look different, I could wear different clothes and wigs, I could be someone else, do other things.”
“Like what else? What else did they make you do?”
“They were all the same, those movies,” said Oryx. She’d washed her hands, she was painting her nails now, her delicate oval nails, so perfectly shaped. Peach-coloured, to match the flowered wrapper she was wearing. Not a smudge on her. Later on she would do her toes.
It was less boring for the children to make the movies than to do what they did the rest of the time, which was nothing much. They watched cartoons on the old DVD in one of the rooms, mice and birds being chased around by other animals that could never catch them; or they brushed and braided one another’s hair, or they ate and slept. Sometimes other people came to use the space, to make different kinds of movies. Grown-up women came, women with breasts, and grown-up men – actors. The children could watch them making those movies if they didn’t get in the way. Though sometimes the actors objected because the little girls would giggle at their penises – so big, and then sometimes, all of a sudden, so small – and then the children had to go back into their room.
They washed a lot – that was important. They took showers with a bucket. They were supposed to be pure-looking. On a bad day when there was no business they would get tired and restless, and then they would argue and fight. Sometimes they’d be given a toke or a drink to calm them down – beer, maybe – but no hard drugs, those would shrivel them up; and they weren’t allowed to smoke. The man in charge – the big man, not the man with the camera – said they shouldn’t smoke because it would make their teeth brown. They did smoke sometimes anyway, because the man with the camera might give them a cigarette to share.
The man with the camera was white, and his name was Jack. He was the one they mostly saw. He had hair like frayed rope and he smelled too strong, because he was a meat-eater. He ate so much meat! He didn’t like fish. He didn’t like rice either, but he liked noodles. Noodles with lots of meat.
Jack said that where he came from the movies were bigger and better, the best in the world. He kept saying he wanted to go home. He said it was only pure dumb chance he wasn’t dead – that this fucking country hadn’t killed him with its lousy food. He said he’d almost died from some disease he’d got from the water and the only thing that had saved him was getting really, really pissed, because alcohol killed germs. Then he had to explain to them about germs. The little girls laughed about the germs, because they didn’t believe in them; but they believed about the disease, because they’d seen that happen. Spirits caused it, everyone knew that. Spirits and bad luck. Jack had not said the right prayers.
Jack said he would get sick more often from the rotten food and water, only he had a really strong stomach. He said you needed a strong stomach in this business. He said the videocam was antique-roadshow junk and the lights were poor so no wonder everything looked like cheap shit. He said he wished he had a million dollars but he’d pissed all his money away. He said he couldn’t hold on to money, it slid off him like water off a greased whore. “Don’t be like me when you grow up,” he would say. And the girls would laugh, because whatever else happened to them they would never be like him, a rope-haired clownish giant with a cock like a wrinkly old carrot.
Oryx said she had many chances to see that old carrot up close, because Jack wanted to do movie things with her when there were no movies. Then he would be sad and tell her he was sorry. That was puzzling.
“You did it for nothing?” said Jimmy. “I thought you said everything has a price.” He didn’t feel he’d won the argument about money, he wanted another turn.
Oryx paused, lifting the nail-polish brush. She looked at her hand. “I traded him,” she said.
“Traded him for what?” said Jimmy. “What did that pathetic prick of a loser have to offer?”
“Why do you think he is bad?” said Oryx. “He never did anything with me that you don’t do. Not nearly so many things!”
“I don’t do them against your will,” said Jimmy. “Anyway you’re grown up now.”
Oryx laughed. “What is my will?” she said. Then she must have seen his pained look, so she stopped laughing. “He taught me to read,” she said quietly. “To speak English, and to read English words. Talking first, then reading, not so good at first, and I still don’t talk so good but you always have to start somewhere, don’t you think so, Jimmy?”
“You talk perfectly,” said Jimmy.
“You don’t need to tell lies to me. So that is how. It took a long time, but he was very patient. He had one book, I don’t know where he got it but it was a book for children. It had a girl in it with long braids, and stockings – that was a hard word, stockings – who jumped around and did whatever she liked. So this is what we read. It was a good trade, because, Jimmy, if I hadn’t done it I couldn’t be talking to you, no?”
“Done what?” said Jimmy. He couldn’t stand it. If he had this Jack, this piece of garbage, in the room right now he’d wring his neck like a wormy old sock. “What did you do for him? You sucked him off?”
“Crake is right,” said Oryx coldly. “You do not have an elegant mind.”
Elegant mind was just mathtalk, that patronizing jargon the math nerds used, but it hurt Jimmy anyway. No. What hurt was the thought of Oryx and Crake discussing him that way, behind his back.
“I’m sorry,” he said. He ought to know better than to speak so bluntly to her.
“Now maybe I wouldn’t do it, but I was a child then,” said Oryx more softly. “Why are you so angry?”
“I don’t buy it,” said Jimmy. Where was her rage, how far down was it buried, what did he have to do to dig it up?
“You don’t buy what?”
“Your whole fucking story. All this sweetness and acceptance and crap.”
“If you don’t want to buy that, Jimmy,” said Oryx, looking at him tenderly, “what is it that you would like to buy instead?”
Jack had a name for the building where the movies went on. He called it Pixieland. None of the children knew what that meant – Pixieland – because it was an English word and an English idea, and Jack couldn’t explain it. “All right, pixies, rise and shine,” he’d say. “Candy time!” He brought candies for them as a treat, sometimes. “Want a candy, candy?” he’d say. That also was a joke, but they didn’t kno
w what it meant either.
He let them see the movies of themselves if he felt like it, or if he’d just been doing drugs. They could tell when he’d been shooting or snorting, because he was happier then. He liked to play pop music while they were working, something with a bounce. Upbeat, he called it. Elvis Presley, things like that. He said he liked the golden oldies, from back when songs had words. “Call me sentimental,” he said, causing puzzlement. He liked Frank Sinatra too, and Doris Day: Oryx knew all the words to “Love Me or Leave Me” before she had any idea what they meant. “Sing us some pixieland jazz,” Jack would say, and so that was what Oryx would sing. He was always pleased.
“What was this guy’s name?” said Jimmy. What a jerk, this Jack. Jack the jerk, the jerkoff. Name-calling helped, thought Jimmy. He’d like to twist the guy’s head off.
“His name was Jack. I told you. He told us a poem about it, in English. Jack be nimble, Jack be quick, Jack has got a big candlestick.”
“I mean his other name.”
“He didn’t have another name.”
Working was what Jack called what they did. Working girls, he called them. He used to say, Whistle while you work. He used to say, Work harder. He used to say, Put some jazz into it. He used to say, Act like you mean it, or you want to get hurt? He used to say, Come on, sex midgets, you can do better. He used to say, You’re only young once.
“That’s all,” said Oryx.
“What do you mean, that’s all?”
“That’s all there was,” she said. “That’s all there was to it.”
“What about, did they ever …”
“Did they ever what?”
“They didn’t. Not when you were that young. They couldn’t have.”
“Please, Jimmy, tell me what you are asking.” Oh, very cool. He wanted to shake her.
“Did they rape you?” He could barely squeeze it out. What answer was he expecting, what did he want?
“Why do you want to talk about ugly things?” she said. Her voice was silvery, like a music box. She waved one hand in the air to dry the nails. “We should think only beautiful things, as much as we can. There is so much beautiful in the world if you look around. You are looking only at the dirt under your feet, Jimmy. It’s not good for you.”
She would never tell him. Why did this drive him so crazy? “It wasn’t real sex, was it?” he asked. “In the movies. It was only acting. Wasn’t it?”
“But Jimmy, you should know. All sex is real.”
7
~
Sveltana
~
Snowman opens his eyes, shuts them, opens them, keeps them open. He’s had a terrible night. He doesn’t know which is worse, a past he can’t regain or a present that will destroy him if he looks at it too clearly. Then there’s the future. Sheer vertigo.
The sun is above the horizon, lifting steadily as if on a pulley; flattish clouds, pink and purple on top and golden underneath, stand still in the sky around it. The waves are waving, up down up down. The thought of them makes him queasy. He’s violently thirsty, and he has a headache and a hollow cottony space between his ears. It takes him some moments to register the fact that he has a hangover.
“It’s your own fault,” he tells himself. He behaved foolishly the night before: he guzzled, he yelled, he gibbered, he indulged in pointless repinings. Once he wouldn’t have had a hangover after so little booze, but he’s out of practice now, and out of shape.
At least he didn’t fall out of the tree. “Tomorrow is another day,” he declaims to the pink and purple clouds. But if tomorrow is another day, what’s today? The same day as it always is, except that he feels as if he has tongue fur all over his body.
~ ~ ~
A long scrawl of birds unwinds from the empty towers – gulls, egrets, herons, heading off to fish along the shore. A mile or so to the south, a salt marsh is forming on a one-time landfill dotted with semi-flooded townhouses. That’s where all the birds are going: minnow city. He watches them with resentment: everything is fine with them, not a care in the world. Eat, fuck, poop, screech, that’s all they do. In a former life he might have snuck up on them, studied them through binoculars, wondering at their grace. No, he never would have done that, it hadn’t been his style. Some grade-school teacher, a nature snoop – Sally Whatshername? – herding them along on what she called field trips. The Compound golf course and lily ponds had been their hunting grounds. Look! See the nice ducks? Those are called mallards! Snowman had found birds tedious even then, but he wouldn’t have wished to harm them. Whereas right now he yearns for a big slingshot.
He climbs down from the tree, more carefully than usual: he’s still a bit dizzy. He checks his baseball cap, dumps out a butterfly – attracted by the salt, no doubt – and pisses on the grasshoppers, as usual. I have a daily routine, he thinks. Routines are good. His entire head is becoming one big stash of obsolete fridge magnets.
Then he opens up his cement-block cache, puts on his one-eyed sunglasses, drinks water from a stored beer bottle. If only he had a real beer, or an aspirin, or more Scotch.
“Hair of the dog,” he says to the beer bottle. He mustn’t drink too much water at a time, he’ll throw up. He pours the rest of the water over his head, gets himself a second bottle, and sits down with his back against the tree, waiting for his stomach to settle. He wishes he had something to read. To read, to view, to hear, to study, to compile. Rag ends of language are floating in his head: mephitic, metronome, mastitis, metatarsal, maudlin.
“I used to be erudite,” he says out loud. Erudite. A hopeless word. What are all those things he once thought he knew, and where have they gone?
~ ~ ~
After a while he finds he’s hungry. What’s in the cache, foodwise? Shouldn’t there be a mango? No, that was yesterday. All that’s left of it is a sticky ant-covered plastic bag. There’s the chocolate energy Joltbar, but he doesn’t feel up to that, so he opens the can of Sveltana No-Meat Cocktail Sausages with his rusty can opener. He could use a better one of those. The sausages are a diet brand, beige and unpleasantly soft – babies’ turds, he thinks – but he manages to get them down. Sveltanas are always better if you don’t look.
They’re protein, but they’re not enough for him. Not enough calories. He drinks the warm, bland sausage juice, which – he tells himself – must surely be full of vitamins. Or minerals, at least. Or something. He used to know. What’s happening to his mind? He has a vision of the top of his neck, opening up into his head like a bathroom drain. Fragments of words are swirling down it, in a grey liquid he realizes is his dissolving brain.
Time to face reality. Crudely put, he’s slowly starving to death. A fish a week is all he can depend on, and the people take that literally: it can be a decent-sized fish or a very small one, all spikes and bones. He knows that if he doesn’t balance out the protein with starches and that other stuff – carbohydrates, or are those the same as starches? – he’ll start dissolving his own fat, what’s left of it, and after that his own muscles. The heart is a muscle. He pictures his heart, shrivelling up until it’s no bigger than a walnut.
At first he’d been able to get fruit, not only from the cans of it he’d been able to scrounge, but also from the deserted arboretum an hour’s walk to the north. He’d known how to find it, he’d had a map then, but it’s long gone, blown away in a thunderstorm. Fruits of the World was the section he’d headed for. There’d been some bananas ripening in the Tropicals area, and several other things, round, green, and knobbly, that he hadn’t wanted to eat because they might have been poisonous. There’d been some grapes too, on a trellis, in the Temperate zone. The solar air conditioning was still functioning, inside the greenhouse, though one of the panes was broken. There’d been some apricots as well, espaliered against a wall; though only a few, browning where the wasps had eaten into them and beginning to rot. He’d devoured them anyway; also some lemons. They’d been very sour, but he’d forced himself to drink the juice: he was familiar wi
th scurvy from old seafaring movies. Bleeding gums, teeth coming out in handfuls. That hasn’t happened to him yet.
Fruits of the World is cleaned out now. How long till more fruits of the world appear and ripen? He has no clue. There ought to be some wild berries. He’ll ask the kids about that, the next time they come poking around: they’ll know about berries. But though he can hear them farther down the beach, laughing and calling to one another, they don’t seem to be coming his way this morning. Maybe they’re getting bored with him, tired of pestering him for answers he won’t give or that make no sense to them. Maybe he’s old hat, an outworn novelty, a mangy toy. Maybe he’s lost his charisma, like some shoddy, balding pop star of yesteryear. He ought to welcome the possibility of being left alone, but he finds the thought dispiriting.
If he had a boat he might row out to the tower blocks, climb up, rob nests, steal some eggs, if he had a ladder. No, bad idea: the towers are too unstable, even in the months he’s been here several of them have come crashing down. He could walk to the area of the bungalows and trailers, hunt for rats, barbecue them over the glowing coals. It’s something to consider. Or he could try going as far as the closest Module, better pickings than the trailers because the goodies there had been thicker on the ground. Or one of the retirement colonies, the gated communities, something like that. But he has no maps any more and he can’t risk getting lost, wandering around at dusk with no cover and no suitable tree. The wolvogs would be after him for sure.
He could trap a pigoon, bludgeon it to death, butcher it in secret. He’d have to hide the mess: he has a notion that the sight of full frontal blood and guts might take him over the threshold as far as the Children of Crake are concerned. But a pigoon feast would do him a world of good. Pigoons are fat, and fat is a carbohydrate. Or is it? He searches his mind for some lesson or long-lost chart that would tell him: he knew that stuff once, but it’s no use, the file folders are empty.
The MaddAddam Trilogy Page 13
