“Yes,” says Toby. It was Blanco, her old enemy. He’d had gangrene, but he was bent on murder despite that.
“You killed him, didn’t you?” says Ren. She must have known at the time.
“Let’s say I helped him enter a different plane of being,” says Toby. That was the Gardener way of putting it. “He would have died soon, but more painfully. Anyway, it was Urban Bloodshed Limitation.” First rule: limit bloodshed by making sure that none of your own gets spilled.
She’d dosed Blanco with Amanita and Poppy: a painless exit, and better than he deserved. Then she’d dragged him onto the ornamental planting ringed with whitewashed stones, as a gift for the wildlife. Was the dose of Amanita strong enough to poison anything that ate him? She hopes not: she wishes the vultures well.
The heavy wrought-iron gate is wide open. Toby had tied it shut when they’d left, but the rope has been chewed apart. The two Pigoons trot through first, snuffle around the walkway to the gatehouse, nose their way in. They come back out, then trot over to Blackbeard. Subdued grunting, eye-to-eye staring.
“They say the three men have been there. But they are not there now,” he says.
“Are they sure?” Toby asks. “There was a man in there earlier. A bad man. They don’t mean that one?”
“Oh no,” says Blackbeard. “They know about that one. He was dead, on the flowers. At first they wanted to eat him, but he had bad mushrooms in him. So they did not.”
Toby checks out the ornamental flowerbed. It used to say WELCOME TO ANOOYOO in petunias; now it’s a lush thicket of meadow weeds. Down among them, is that a boot? She has no desire to probe further.
She’d left Blanco’s knife there, with the body. It was a good one: sharp. But the MaddAddamites have other knives. She only hopes the Painballers haven’t retrieved it; but they, too, must have other knives.
Now they’re in the AnooYoo grounds proper. They keep to the main roadway, although there’s a forest path: Toby and Ren had taken it earlier, to stay in the shade. That was where they’d come upon Oates, slaughtered by the Painballers and minus his kidneys, strung up in a tree.
He must still be there, thinks Toby. They should find him, cut him down, give him a proper burial. His brothers, Shackleton and Crozier, will welcome that. A true composting, with his own tree planted on top of him. Restore him to the cool peace of rootlets, the calm dissolve of earth. But now is not the time.
Dogs barking, off in the woods. They stop to listen. “If those things come over wagging their tails, you need to shoot them,” says Jimmy. “Wolvogs; they’re vicious.”
“Ammunition’s rationed,” says Rhino. “Until we find more.”
“They won’t attack us now,” says Katuro. “Too many people. Plus two Pigoons.”
“We must’ve killed most of them by now,” says Shackleton.
They pass a burnt-out jeep, then an incinerated solarcar. Then a crashed pink mini-van with the AnooYoo logo on it: kissy lips, winky eye.
“Don’t look inside,” says Zeb, who has already looked. “Not pretty.”
And now there’s the Spa building up ahead, solid pink, still standing: no one has burned it down.
The main force of the Pigoons is milling around outside, probably finishing off the organic kitchen garden, one-time source of garnishes for the clients’ diet salads. Toby remembers the hours she’d spent alone in that garden after the Flood, hoping to raise enough edible plant life so she could keep going. It’s all churned earth by now.
At least she left the door unlocked.
Shadow, mildew. Her old self, bodiless, wandering the mirrorless halls. She’d put towels over the glass to blot out her own reflection.
“Come in,” she says to everyone. “Make yourselves at home.”
Fortress AnooYoo
The Crakers are entranced by the AnooYoo Spa. They walk carefully along the hallways, bending to touch the smooth, polished floor. They lift the pink towels that Toby had hung over the mirrors, glimpse the people in there, look behind the mirrors; then, when they realize the people are themselves, they touch their hair and smile to make their reflections smile too. They sit on the beds in the bedrooms, gingerly, then stand up again. In the gymnasium the children bounce on the trampolines, giggling. They sniff at the pink soap in the washrooms. There is still a lot of pink soap.
“Is this the Egg?” they ask. Or the younger ones do. They have a faint memory of a similar place, with high walls and smooth floors. “Is this the Egg where we were made?” “No, the Egg is not the same.” “The Egg is far. It is more far than this.” “The Egg has Crake in it, the Egg has Oryx. They are not here.” “Can we go to the Egg?” “We do not want to go to the Egg now, it is dark.” “Does the Egg have the pink things in it, like this? The flower-smelling things we can eat?” “That is not a plant, that is a soap. We do not eat a soap,” and so on.
At least they aren’t singing, thinks Toby. They haven’t sung much on the way here either. They’ve been looking and listening. They seem to know there is danger.
Fortunately there haven’t been any leaks in the roof. Toby is happy about that: it means the beds, despite being slightly musty, are still sleepable. As de facto hostess, she assigns rooms. For herself she picks a Couples room. The Spa contained three of those, in the unlikely event that a husband and wife or equivalent would check in together, to undergo joint facials and cleansings and tweaks and polishes. But this offering was not popular, or not among heterosexual couples – usually women liked to have such adjustments done in private so they could emerge like butterflies from a perfumed cocoon and astound the multitudes with their ravishing beauty. Toby used to run this place, so she knows. She knows, also, about the disappointment felt by these women, when, despite the large amounts of money they’d spent, they did not look very much better.
In the closet she stashes her belongings, such as they are. Her well-worn binoculars: she hasn’t had much use for them at the cobb house because there were few vistas there, but they’ll be essential now. Her rifle, and the ammunition. She left a cache of bullets here at the Spa, so she can top up her supply now. Once that’s gone the rifle will be of no use, unless she can learn to make gunpowder.
She places her toothbrush in the ensuite bathroom. She needn’t have bothered bringing the one from the cobb house: there are a lot of toothbrushes at the Spa, all pink; and, in the supply room, a whole shelf of AnooYoo’s guest mini-toothpastes, two kinds: Cherry Blossom Organic, biodegradable with anti-plaque micro-organisms; and Kiss-in-the-Dark Chromatic Sparkle Enhancer.
The second one claims to make your entire mouth glow in the dark. Toby never tried it out, but some women swore by it. She wonders how Zeb would react if he were to be confronted with a disembodied glowing mouth. Tonight will not be the night to find out, however: she’ll be on sentry duty, up on the rooftop, and a light-up mouth would make an excellent target for a sniper.
Her old journals; she’s gathered them up from where she’d slept on one of the massage tables, out of some nun-like sense of penitence. Here they are, written in AnooYoo appointment books, with the kissy-mouth logo and the winking eye. She’d recorded the Gardener days, the Feasts and Festivals, and the phases of the moon; and the daily happenings, if any. It had helped to keep her sane, that writing. Then, when time had begun again and real people had entered it, she’d abandoned it here. Now it’s a whisper from the past.
Is that what writing amounts to? The voice your ghost would have, if it had a voice? If so, why is she teaching this practice to little Blackbeard? Surely the Crakers would be happier without it.
She slides the journals into a dresser drawer. She’d like to read them over sometime, but there’s no space for that right now.
The toilets still have water in them, plus a lot of dead flies. She flushes: the collector barrels on the roof must be functional, which is a blessing. And there’s a vast supply of pink toilet paper, with flower petals pressed into it. Some of the earlier AnooYoo botanical-items toilet paper e
xperiments had not gone well, as there had been some unexpected allergies.
She needs to post a Boil Water advisory, however. Seeing water actually coming out of a tap, some people might get carried away.
After washing her face and putting on a clean pink top-to-toe from the Housekeeping closet, she rejoins the others. There’s a heated discussion going on in the main foyer: what to do with the Mo’Hairs overnight? The broad AnooYoo lawn is now thigh-high in meadow growth, so grazing them in the daytime won’t pose a problem, but they’ll need to be sheltered or guarded once darkness falls: there may be liobams. Crozier is all for herding them into the gym: he’s become quite attached to them, and is worried. Manatee points out that the floor is slippery and they may skid and break their legs, not to mention the sheep-shit factor. Toby suggests the kitchen garden: it has a fence, which is still largely intact – the Pigoons have entered by means of the holes they dug, but these can be quickly filled. Then a sentry on the rooftop can keep an eye on the flock and report any unusual bleating.
But where will the Crakers sleep? They don’t like sleeping inside buildings. They want to sleep in the meadow, where there are a lot of leaves for them to eat as well. But with the Painballers on the loose and possibly in a hunting mood, that’s out of the question.
“On the roof,” says Toby. “There are some planters up there in case they want a snack.” So that’s decided.
The afternoon thunderstorm comes and goes. Once it’s over the Pigoons go for a dip in the swimming pool; the fact that it’s growing algae and waterweeds and has a lively population of frogs does not deter them. They’ve solved the problem of how to get in and out of it by shoving a collection of poolside furniture into the shallow end: the deck chairs make a sort of ramp, which provides a foothold. The younger ones enjoy splashing and squealing; the older sows and boars take brief dips, then watch over their piglets and shoats indulgently, lounging at poolside. Toby wonders if pigs get sunburn.
Dinner is somewhat haphazard, though served in grand style on the round tables and pink tablecloths of the main dining room. A foraging posse has scoured the meadow, so there’s a hefty salad of wild greens. Rebecca has found a small unopened bottle of olive oil and made a classic French dressing. Steamed purslane, parboiled burdock root, wolvog jerky, Mo’Hair milk. There was a residual jar of sugar in the kitchen, so each of them has a teaspoonful of it for dessert. Toby isn’t used to sugar any more: the potent sweetness goes through her head like a blade.
“I’ve got some news for you,” says Rebecca when they’re cleaning up. “Your pals caught a frog for you. They asked me to cook it.”
“A frog?” says Toby.
“Yeah. They couldn’t get a fish.”
“Oh crap,” says Toby. The Crakers will be asking for their nighttime story. With any luck, they’ve forgotten to bring the red Snowman hat.
It’s mellow evening now, the sun subsiding. Crickets trill, birds flock to roost, amphibians ribbet from the swimming pool or twang like rubber bands. Toby looks for something to wrap herself in while standing sentry: the rooftop can be cool.
As she’s swaddling up in a pink bedspread, little Blackbeard sidles into her room. He spots himself in the mirror, smiles, waves at himself, does a tiny dance. Once that’s over, he delivers his message: “The Pig Ones are saying that the three bad men are over there.”
“Over where?” says Toby, her heart quickening.
“Across the flowers. Behind the trees. They can smell them.”
“They shouldn’t go too close,” says Toby. “The bad men might have sprayguns. The sticks that make holes. With blood coming out.”
“The Pig Ones know that,” says Blackbeard.
Toby climbs the stairs to the rooftop, binoculars around her neck, rifle slung and ready. A number of the Crakers are already up there, waiting expectantly. Zeb is there too, leaning against the railing.
“You’re very pink,” he says. “The colour suits you. The silhouette too. Michelin Tire Man?”
“Are you being an asshole?”
“Not on purpose,” he says. “Crows making a racket.” And they are making one. Caw caw caw over at the edge of the forest. Toby lifts the binoculars: nothing to be seen.
“It could be an owl,” she says.
“Could be,” says Zeb.
“The Pigoons keep saying there are three men. Not two.”
“I’d be surprised if they’re wrong,” says Zeb.
“Do you think it might be Adam?” says Toby.
“Remember what you said about hope?” says Zeb. “You said it can be bad for you. So I’m trying not to.”
There’s a flicker of something light, over among the branches. Is it a face? Gone again.
“The worst thing,” says Toby, “is the waiting.”
Blackbeard tugs at her bedspread. “Oh Toby,” he says. “Come! It is time for us to hear the story that you will tell to us. We have brought the red hat.”
The Train to CryoJeenyus
The Story of the Two Eggs and Thinking
Thank you. I am happy that you remembered to bring the red hat.
And the fish. It is not a fish exactly, it is more like a frog. But you caught it in the water, and we are far from the ocean, so I am sure that Crake will understand, and will know that it was too far for you to go all the way to the ocean in order to catch a fish there.
Thank you for cooking it. For asking Rebecca to cook it. Crake has told me that I do not have to eat all of it. A nibble will be enough.
There.
Yes, the frog … the fish has a bone in it. A smelly bone. That is why I spat it out. But we do not need to talk about the smelly bone right now.
Tomorrow is a very important day. Tomorrow, all of us with two skins must finish the work that Crake began – the work of clearing away the chaos. That work was the Great Rearrangement, and it made the Great Emptiness.
But that was only part of the work of Crake. The other part was when he made you. He made your bones out of the coral on the beach, which is white like bones but not smelly. And he made your flesh out of a mango, which is sweet and soft. He did all this inside the giant Egg, and he had some helpers there. And Snowman-the-Jimmy was his friend – he was inside the Egg as well.
And Oryx was there too. Sometimes she was in the form of a woman with green eyes like yours, and sometimes she was in the form of an owl. And she laid two smaller owl eggs, inside the giant Egg. One smaller owl egg was full of animals and birds and fish – all her Children. Yes, and bees. And butterflies too. And ants, yes. And beetles – very many beetles. And snakes. And frogs. And maggots. And rakunks, and bobkittens, and Mo’Hairs, and Pigoons.
Thank you, but I don’t think we need to list every one of them.
Because we would be here all night.
Let us just say that Oryx made very many Children. And each one was beautiful in its own special way.
Yes, it was kind of her to make each and every one of them, inside the smaller owl egg that she laid. Except maybe the mosquitoes.
The other egg she laid was full of words. But that egg hatched first, before the one with the animals in it, and you ate up many of the words, because you were hungry; which is why you have words inside you. And Crake thought that you had eaten all the words, so there were none left over for the animals, and that was why they could not speak. But he was wrong about that. Crake was not always right about everything.
Because when he was not looking, some of the words fell out of the egg onto the ground, and some fell into the water, and some blew away in the air. And none of the people saw them. But the animals and the birds and the fish did see them, and ate them up. They were a different kind of word, so it was sometimes hard for people to understand the animals. They had chewed the words up too small.
And the Pigoons – the Pig Ones – ate up more of the words than any of the other animals did. You know how they love to eat. So the Pig Ones can think very well.
Then Oryx made a new kind of thing,
called singing. And she gave it to you because she loved birds and she wanted you to be able to sing that way as well. But Crake did not want you to do the singing. It worried him. He thought that if you could sing like birds you would forget to talk like people, and then you would not remember him or understand his work – all the work that he had done to make you.
And Oryx said, You will just have to suck it up. Because if these people cannot sing, they will be like … they will be like nothing. They will be like stones.
Suck it up means … we will talk about that some other time.
Now I will tell a different part of the story, which is about why Crake decided to make the Great Emptiness.
For a long time, Crake thought. He thought and thought. He told no one about all his thoughts, though he told some of them to Snowman-the-Jimmy and some of them to Zeb and some of them to Pilar and some of them to Oryx.
This is what he thought:
The people in the chaos cannot learn. They cannot understand what they are doing to the sea and the sky and the plants and the animals. They cannot understand that they are killing them, and that they will end by killing themselves. And there are so many of them, and each one of them is doing part of the killing, whether they know it or not. And when you tell them to stop, they don’t hear you.
So there is only one thing left to do. Either most of them must be cleared away while there is still an earth, with trees and flowers and birds and fish and so on, or all must die when there are none of those things left. Because if there are none of those things left, then there will be nothing at all. Not even any people.
But shouldn’t you give those ones a second chance? he asked himself. No, he answered, because they have had a second chance. They have had many second chances. Now is the time.
So Crake made some little seeds that tasted very good; and they made people very happy at first, when they ate them. But then those who ate the seeds would become very sick, and would come to pieces, and would die. And he sprinkled the seeds over all the earth.
The MaddAddam Trilogy Page 96
