The Loved and the Lost
Page 27
IN THIS CITY (No. 10) ~ AUSTIN CLARKE
Stories 6x9 221 pages 978-1-55096-106-5 (tpb) $21.95
Clarke has caught the sorrowful and sometimes sweet longing for a home in the heart that torments the dislocated in any city. Eight masterful stories showcase the elegance of Clarke’s prose and the innate sympathy of his eye.
THE NEW YORKER STORIES (No. 11) ~ MORLEY CALLAGHAN
Stories 6x9 158 pages 978-1-55096-110-2 (tpb) $19.95
Callaghan’s great achievement as a young writer is marked by his breaking out with stories such as these in this collection... “If there is a better storyteller in the world, we don’t know where he is.” —New York Times
REFUS GLOBAL (No. 12) ~ THE MONTRÉAL AUTOMATISTS
Manifesto 6x9 142 pages 978-1-55096-107-2 (tpb) $21.95
The single most important social document in Quebec history, and the most important aesthetic statement a group of Canadian artists has ever made. This is basic reading for anyone interested in Canadian history or the arts in Canada.
TROJAN WOMEN (No. 13) ~ GWENDOLYN MACEWEN
Drama 6x9 142 pages 978-1-55096-123-2 (tpb) $19.95
A trio of timeless works featuring the great ancient theatre piece by Euripedes in a new version by MacEwen, and the translations of two long poems by the contemporary Greek poet Yannis Ritsos.
ANNA’S WORLD (No. 14) ~ MARIE-CLAIRE BLAIS
Novel 5.5x8.5 166 pages ISBN: 978-1-55096-130-0 $19.95
An exploration of contemporary life, and the penetrating energy of youth, as Blais looks at teenagers by creating Anna, an introspective, alienated teenager without hope. Anna has experienced what life today has to offer and rejected its premise. There is really no point in going on. We are all going to die, if we are not already dead, is Anna’s philosophy.
THE MANUSCRIPTS OF PAULINE ARCHANGE (No. 15) MARIE-CLAIRE BLAIS
Novel 5.5x8.5 324 pages ISBN: 978-1-55096-131-7 $23.95
For the first time, the three novelettes that constitute the complete text are brought together: the story of Pauline and her world, a world in which people turn to violence or sink into quiet despair, a world as damned as that of Baudelaire or Jean Genet.
A DREAM LIKE MINE (No. 16) ~ M.T. KELLY
Novel 5.5x8.5 174 pages ISBN: 978-1-55096-132-4 $19.95
A Dream Like Mine is a journey into the contemporary issue of radical and violent solutions to stop the destruction of the environment. It is also a journey into the unconscious, and into the nightmare of history, beauty and terror that are the awesome landscape of the Native American spirit world.
THE LOVED AND THE LOST (No. 17) ~ MORLEY CALLAGHAN
Novel 5.5x8.5 302 pages ISBN: 978-1-55096-151-5 (tpb) $21.95
With the story set in Montreal, young Peggy Sanderson has become socially unacceptable because of her association with black musicians in nightclubs. The black men think she must be involved sexually, the black women fear or loathe her, yet her direct, almost spiritual manner is at variance with her reputation.
NOT FOR EVERY EYE (No. 18) ~ GÉRARD BESSETTE
Novel 5.5x8.5 126 pages ISBN: 978-1-55096-149-2 (tpb) $17.95
A novel of great tact and sly humour that deals with ennui in Quebec and the intellectual alienation of a disenchanted hero, and one of the absolute classics of modern revolutionary and comic Quebec literature. Chosen by the Grand Jury des Lettres of Montreal as one of the ten best novels of post-war contemporary Quebec.
STRANGE FUGITIVE (No. 19) ~ MORLEY CALLAGHAN
Novel 5.5x8.5 242 pages ISBN: 978-1-55096-155-3 (tpb) $19.95
Callaghan’s first novel – originally published in New York in 1928 – announced the coming of the urban novel in Canada, and we can now see it as a prototype for the “gangster” novel in America. The story is set in Toronto in the era of the speakeasy and underworld vendettas.
IT’S NEVER OVER (No. 20) ~ MORLEY CALLAGHAN
Novel 5.5x8.5 190 pages ISBN: 978-1-55096-157-7 (tpb) $19.95
1930 was an electrifying time for writing. Callaghan’s second novel, completed while he was living in Paris – imbibing and boxing with Joyce and Hemingway (see his memoir, Classics No. 1, That Summer in Paris) – has violence at its core; but first and foremost it is a story of love, a love haunted by a hanging. Dostoyevskian in its depiction of the morbid progress of possession moving like a virus, the novel is sustained insight of a very high order.
AFTER EXILE (No. 21) ~ RAYMOND KNISTER
Poetry 5.5x8.5 240 pages ISBN: 978-1-55096-159-1 (tpb) $19.95
This book collects for the first time Knister’s poetry. The title After Exile is plucked from Knister’s long poem written after he returned from Chicago and decided to become the unthinkable: a modernist Canadian writer. Knister, writing in the 20s and 30s, could barely get his poems published in Canada, but magazines like This Quarter (Paris), Poetry (Chicago), Voices (Boston), and The Dial (New York City), eagerly printed what he sent, and always asked for more – and all of it is in this book.
THE COMPLETE STORIES OF MORLEY CALLAGHAN (Nos. 22-25)
Four Volumes ~ Stories 5.5 x 8.5 (tpb) (tpb) $19.95
v1 ISBN: 978-1-55096-304-5 352 Pages
v2 ISBN: 978-1-55096-305-2 344 Pages
v3 ISBN: 978-1-55096-306-9 360 Pages
v4 ISBN: 978-1-55096-307-6 360 Pages
The complete short fiction of Morley Callaghan is brought together as he comes into full recognition as one of the singular storytellers of our time. “Attractively produced in four volumes, each introduced by Alistair Macleod, André Alexis, Anne Michaels and Margaret Atwood, and each containing ‘Editor’s Endnotes.’ The project is nothing if not ambitious... and provides for the definitive edition.”
—Books in Canada
And, so that the reader may appreciate this writer’s development and the shape of his career – and for those with a scholarly approach to the reading of these collections – each book contains an on-end section providing the year of publication for each story, a Questions section related to each volume’s stories, and comprehensive editorial notes. Also included are historical photographs, manuscript pages, and more.
CONTRASTS: IN THE WARD ~ A BOOK OF POETRY AND PAINTINGS (No. 26) ~ LAWREN HARRIS
Poetry/16 Colour Paintings 7x7 168 pages
ISBN: 978-1-55096-308-3 (special edition pb) $24.95
Group of Seven painter Lawren Harris’s poetry and paintings take the reader on a unique historical journey that offers a glimpse of our country’s past as it was during early urbanization. “This small album of poetry, paintings, and biographical walking tour ought to be on every ‘Welcome to Toronto’ (and ‘Canada’) book list. Gregory Betts’s smart, illustrative writing, which convinces by style as well as content, and Exile Editions’ winning presentation, combine to make Lawren Harris: In the Ward a fresh look at the early work of one of Canada’s most iconic modernists.” —Open Book Toronto
WE WASN’T PALS ~ CANADIAN POETRY AND PROSE OF THE FIRST WORLD WAR (No. 27) ~ ED. BRUCE MEYER AND BARRY CALLAGHAN
Poetry/Prose 5.5x8.5 320 pages ISBN: 978-1-55096-315-1 (tpb) $18.95
For decades the literature of Canada’s experience in World War One lay ignored and was dismissed by readers, critics, and literary historians. Here, at last, is the imaginative testimony of those who served in the trenches and hospitals of the Great War. These pages chronicle the struggle to put into words the horrors, the insights, and the tribulations that ultimately shaped a nation’s character. In the voices of Frank Prewett, W. Redvers Dent, nurse Bertha Carveth, fighter pilot Hartley Munro Thomas, and other members of a generation that gave their lives and their souls to the war, this is the first anthology since 1918 of poetry, fiction, essays, songs, and illustrations that adds an important new chapter to Canada’s literature. Preface and Introduction by Bruce Meyer; Foreword by Barry Callaghan; Afterword by Margaret Atwood.
LUKE BALDWIN’S VOW (No. 28) ~ MORLEY CALLAGHAN
Novel 5.5 x 8.5 196 pages 978-1-55096-604-6
A story of a boy and his dog and their adventures, which will appeal to the many children who are dog lovers. It is also a sensitive story of love and loss, and of making a new life for oneself. Although it was first published seventy years ago, only a few details (such as clothing) really indicate that it is not a contemporary story.
Luke is not yet 12 when his father dies of a heart attack, leaving him an orphan. Small for his age and something of a loner, he moves from the city to the country to live with his aunt and uncle. He is naturally homesick and grieving the loss of his father. His well- meaning and kindly aunt and uncle do their best for him; but his only real friend and comfort becomes Dan, the farm’s elderly, one-eyed collie. Practical Uncle Henry considers Dan useless now that he is too old to be a watchdog and decides that Dan should be “put down.” Luke, whose sense of dignity and loyalty transcend the practical, frantically tries to save Dan’s life, providing for heart-racing suspense as he makes his stand against the expedient world of adults.
Foreword by Jane Urquhart
COYOTE CITY / BIG BUCK CITY : TWO PLAYS (No. 29) ~ DANIEL DAVID MOSES
Drama 5.5 x 8.5 260 pages 978-1-55096-678-7 $19.95
Respected First Nations Canadian playwright and Governor General’s Award finalist Daniel David Moses is known for using storytelling and theatrical conventions to explore the consequences of the collision between Native and non-Native cultures. Coyote City and Big Buck City are the first two in his series of four City Plays that track the journey of one particular Native family between a world of Native spiritual traditions and the materialist urban landscape in which we all attempt to survive. Coyote City, a tragedy, begins with a phone call from a ghost that sends a young Native woman, Lena, her family in pursuit, on a search in the city for her missing lover Johnny. Big Buck City, a farce, tells the story of Lena’s subsequent reunion in that city with her family just in time for the nativity – it is Christmas – of her own miraculous child.
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