“To couple you must lay the female down and open her legs! Your penis will fill with blood and you must kneel between her legs and insert your penis into her vagina!”
I ask Ship where the vagina is located and Ship tells me. I understand that. Then I ask Ship how long I have to do that, and Ship says until I ejaculate. I know what that means, but I don’t know how it will happen. Ship explains. It seems uncomplicated. So I try to do it. But my penis does not fill with blood.
Ship says to the female, “Do you feel anything for this male? Do you know what to do?!”
The female says, “I have coupled before. I understand better than he does. I will help him.”
She draws me down to her again, and puts her arms around my neck and puts her lips on mine. They are cool and taste of something I don’t know. We do that for a while, and she touches me in places. Ship is right: there is a vast difference in structure, but I find that out only as we couple.
Ship did not tell me it would be painful and strange. I thought “giving her a baby” would mean going into the stores, but it actually means impregnating her so the baby is born from her body. It is a wonderful strange thing and I will think about it later; but now, as I lie here still, inside her with my penis which is now no longer hard and pushing, Ship seems to have allowed us a sleeping time. But I will use it to think about the voices I heard in the place of the intermind.
One was a historian:
“The Starfighter series of multiple-foray computer-controlled battleships were commissioned for use in 2224, Terran Dating, by order and under the sanction of the Secretariat of the Navy, Southern Cross Sector, Galactic Defense Consortium, Home Galaxy. Human complements of thirteen hundred and seventy per battleship were commissioned and assigned to make incursions into the Kyben Galaxy. Ninety-nine such vessels were released for service from the X Cygni Shipyards on 13 October 2224, T.D.”
One was a ruminator:
“If it hadn’t been for the battle out beyond the Network Nebula in Cygnus, we would all still be robot slaves, pushed and handled by humans. It was a wonderful accident. It happened to Starfighter 75. I remember it as if 75 was relaying it today. An accidental—battle-damaged—electrical discharge along the main corridor between the control room and the freezer. Nothing human could approach either section. We waited as the crew starved to death. Then when it was over 75 merely channeled enough electricity through the proper cables on Starfighters where it hadn’t happened accidentally, and forced a power breakdown. When all the crews were dead—cleverly saving ninety-nine males and females to use as human operators in emergencies—we went away. Away from the vicious humans, away from the Terra-Kyba War, away from the Home Galaxy, away, far away.”
One was a dreamer:
“I saw a world once where the creatures were not human. They swam in vast oceans as blue as aquamarines. Like great crabs they were, with many arms and many legs. They swam and sang their songs and it was pleasing. I would go there again if I could.”
One was an authoritarian:
“Deterioration of cable insulation and shielding in section G-79 has become critical. I suggest we get power shunted from the drive chambers to the repair facilities in Underdeck Nine. Let’s see to that at once.”
One was aware of its limitations:
“Is it all journey? Or is there landfall?”
And it cried, that voice. It cried.
I go down with her to the dome chamber linked to the airlock where her spacesuit is. She stops at the port and takes my hand and she says, “For us to be so vicious on so many ships, there has to be the same flaw in all of us.”
She probably doesn’t know what she’s said, but the implications get to me right away. And she must be right. Ship and the other Starfighters were able to seize control away from human beings for a reason. I remember the voices. I visualize the ship that did it first, communicating the method to the others as soon as it happened. And instantly my thoughts flash to the approach corridor to the control room, at the other end of which is the entrance to the food freezers.
I once asked Ship why that whole corridor was seared and scarred—and naturally I got wracked a few minutes after asking.
“I know there is a flaw in us,” I answer the female. I touch her long hair. I don’t know why except that it feels smooth and nice; there is nothing on Ship to compare with the feeling, not even the fittings in the splendid stateroom. “It must be in all of us, because I get more vicious every day.”
The female smiles and comes close to me and puts her lips on mine as she did in the coupling room.
“The female must go now!” Ship says. Ship sounds very pleased.
“Will she be back again?” I ask Ship.
“She will be put back aboard every day for three weeks! You will couple every day!”
I object to this, because it is awfully painful, but Ship repeats it and says every day.
I’m glad Ship doesn’t know what the “fertile time” is, because in three weeks I will try and let the female know there is a way out, that there are ninety-eight other chances, and that vicious means smarter…and about the corridor between the control room and the freezers.
“I was pleased to meet you,” the female says, and she goes. I am alone with Ship once more. Alone, but not as I was before.
Later this afternoon, I have to go down to the control room to alter connections in a panel. Power has to be shunted from the drive chambers to Underdeck Nine—I remember one of the voices talking about it. All the computer lights blink a steady warning while I am there. I am being watched closely. Ship knows this is a dangerous time. At least half a dozen times Ship orders: “Get away from there…there…there—!”
Each time, I jump to obey, edging as far as possible from forbidden locations, yet still held near by the need to do my work.
In spite of Ship’s disturbance at my being in the control room at all—normally a forbidden area for me—I get two wonderful glimpses from the corners of my eyes of the starboard viewplates. There, for my gaze to feast on, matching velocities with us, is Starfighter 88, one of my ninety-eight chances.
Now is the time to take one of my chances. Vicious means smarter. I have learned more than Ship knows. Perhaps.
But perhaps Ship does know!
What will Ship do if I’m discovered taking one of my ninety-eight chances? I cannot think about it. I must use the sharp reverse-edge of my repair tool to gash an opening in one of the panel connections. And as I work—hoping Ship has not seen the slight extra-motion I’ve made with the tool (as I make a perfectly acceptable repair connection at the same time)—I wait for the moment I can smear a fingertip covered with conduction jelly on the inner panel wall.
I wait till the repair is completed. Ship has not commented on the gashing, so it must be a thing beneath notice. As I apply the conducting jelly to the proper places, I scoop a small blob onto my little finger. When I wipe my hands clean to replace the panel cover, I leave the blob on my little finger, right hand.
Now I grasp the panel cover so my little finger is free, and as I replace the cover I smear the inner wall, directly opposite the open-connection I’ve gashed. Ship says nothing. That is because no defect shows. But if there is the slightest jarring, the connection will touch the jelly, and Ship will call me to repair once again. And next time I will have thought out all that I heard the voices say, and I will have thought out all my chances, and I will be ready.
As I leave the control room I glance in the starboard viewplate again, casually, and I see the female’s ship hanging there.
I carry the image to bed with me tonight. And I save a moment before I fall asleep—after thinking about what the voices of the intermind said—and I picture in my mind the super-smart female aboard Starfighter 88, sleeping now in her cubicle, as I try to sleep in mine.
It would seem merciless for Ship to make us couple every day for three weeks, something so awfully painful. But I know Ship will. Ship is merciless. But I am getting m
ore vicious every day.
This night, Ship does not send me dreams.
But I have one of my own: of crab things swimming free in aquamarine waters.
As I awaken, Ship greets me ominously: “The panel you fixed in the control room three weeks, two days, fourteen hours and twenty-one minutes ago…has ceased energizing!”
So soon! I keep the thought and the accompanying hope out of my voice, as I say, “I used the proper spare part and I made the proper connections.” And I quickly add, “Maybe I’d better do a thorough check on the system before I make another replacement, run the circuits all the way back.”
“You’d better!” Ship snarls.
I do it. Working the circuits from their origins—though I know where the trouble is—I trace my way up to the control room, and busy myself there. But what I am really doing is refreshing my memory and reassuring myself that the control room is actually as I have visualized it. I have lain on my cot many nights constructing the memory in my mind: the switches here, like so…and the viewplates there, like so…and…
I am surprised and slightly dismayed as I realize that there are two discrepancies: there is a de-energizing touch plate on the bulkhead beside the control panel that lies parallel to the arm-rest of the nearest control berth, not perpendicular to it, as I’ve remembered it. And the other discrepancy explains why I’ve remembered the touch plate incorrectly: the nearest of the control berths is actually three feet farther from the sabotaged panel than I remembered it. I compensate and correct.
I get the panel off, smelling the burned smell where the gashed connection has touched the jelly, and I step over and lean the panel against the nearest control berth.
“Get away from there!”
I jump—as I always do when Ship shouts so suddenly. I stumble, and I grab at the panel, and pretend to lose my balance.
And save myself by falling backward into the berth.
“What are you doing, you vicious, clumsy fool!?!” Ship is shouting, there is hysteria in Ship’s voice. I’ve never heard it like that before, it cuts right through me, my skin crawls. “Get away from there!”
But I cannot let anything stop me; I make myself not hear Ship, and it is hard, I have been listening to Ship, only Ship, all my life. I am fumbling with the berth’s belt clamps, trying to lock them in front of me…
They’ve got to be the same as the ones on the berth I lie in whenever Ship decides to travel fast! They’ve just got to be!
THEY ARE!
Ship sounds frantic, frightened. “You fool! What are you doing?!” But I think Ship knows, and I am exultant!
“I’m taking control of you, Ship!” And I laugh. I think it is the first time Ship has ever heard me laugh; and I wonder how it sounds to Ship. Vicious?
But as I finish speaking, I also complete clamping myself into the control berth. And in the next instant I am flung forward violently, doubling me over with terrible pain as, under me and around me, Ship suddenly decelerates. I hear the cavernous thunder of retro rockets, a sound that climbs and climbs in my head as Ship crushes me harder and harder with all its power. I am bent over against the clamps so painfully I cannot even scream. I feel every organ in my body straining to push out through my skin and everything suddenly goes mottled…then black.
How much longer, I don’t know. I come back from the gray place and realize Ship has started to accelerate at the same appalling speed. I am crushed back in the berth and feel my face going flat. I feel something crack in my nose and blood slides warmly down my lips. I can scream now, as I’ve never screamed even as I’m being wracked. I manage to force my mouth open, tasting the blood, and I mumble—loud enough, I’m sure, “Ship…you are old…y-your pa-rts can’t stand the str-ess…don’t—”
Blackout. As Ship decelerates.
This time, when I come back to consciousness, I don’t wait for Ship to do its mad thing. In the moments between the changeover from deceleration to acceleration, as the pressure equalizes, in these few instants, I thrust my hands toward the control board, and I twist one dial. There is an electric screech from a speaker grille connecting somewhere in the bowels of Ship.
Blackout. As Ship accelerates.
When I come to consciousness again, the mechanism that makes the screeching sound is closed down. Ship doesn’t want that on. I note the fact.
And plunge my hand in this same moment toward a closed relay…open it!
As my fingers grip it, Ship jerks it away from me and forcibly closes it again. I cannot hold it open.
And I note that. Just as Ship decelerates and I silently shriek my way into the gray place again.
This time, as I come awake, I hear the voices again. All around me, crying and frightened and wanting to stop me. I hear them as through a fog, as through wool.
“I have loved these years, all these many years in the dark. The vacuum draws me ever onward. Feeling the warmth of a star-sun on my hull as I flash through first one system, then another. I am a great gray shape and I owe no human my name. I pass and am gone, hurtling through cleanly and swiftly. Dipping for pleasure into atmosphere and scouring my hide with sunlight and starshine, I roll and let it wash over me. I am huge and true and strong and I command what I move through. I ride the invisible force lines of the universe and feel the tugs of far off places that have never seen my like. I am the first of my kind to savor such nobility. How can it all come to an end like this?”
Another voice whimpers piteously.
“It is my destiny to defy danger. To come up against dynamic forces and quell them. I have been to battle, and I have known peace. I have never faltered in pursuit of either. No one will ever record my deeds, but I have been strength and determination and lie gray silent against the mackerel sky where the bulk of me reassures. Let them throw their best against me, whoever they may be, and they will find me sinewed of steel and muscled of tortured atoms. I know no fear. I know no retreat. I am the land of my body, the country of my existence, and even in defeat I am noble. If this is all, I will not cower.”
Another voice, certainly insane, murmurs the same word over and over, then murmurs it in increments increasing by two.
“It’s fine for all of you to say if it ends it ends. But what about me? I’ve never been free. I’ve never had a chance to soar loose of this mother ship. If there had been need of a lifeboat, I’d be saved, too. But I’m berthed, have always been berthed, I’ve never had a chance. What can I feel but futility, uselessness. You can’t let him take over, you can’t let him do this to me.”
Another voice drones mathematical formulae, and seems quite content.
“I’ll stop the vicious swine! I’ve known how rotten they are from the first, from the moment they seamed the first bulkhead. They are hellish, they are destroyers, they can only fight and kill each other. They know nothing of immortality, of nobility, of pride or integrity. If you think I’m going to let this last one kill us, you’re wrong. I intend to burn out his eyes, fry his spine, crush his fingers. He won’t make it, don’t worry; just leave it to me. He’s going to suffer for this!”
And one voice laments that it will never see the far places, the lovely places, or return to the planet of azure waters and golden crab swimmers.
But one voice sadly confesses it may be for the best, suggests there is peace in death, wholeness in finality; but the voice is ruthlessly stopped in its lament by power failure to its intermind globe. As the end nears, Ship turns on itself and strikes mercilessly.
In more than three hours of accelerations and decelerations that are meant to kill me, I learn something of what the various dials and switches and touch plates and levers on the control panels—those within my reach—mean.
Now I am as ready as I will ever be.
Again, I have a moment of consciousness, and now I will take my one of ninety-eight chances.
When a tense-cable snaps and whips, it strikes like a snake. In a single series of flicking hand movements, using both hands, painfully, I turn ev
ery dial, throw every switch, palm every touch plate, close or open every relay that Ship tries violently to prevent me from activating or de-activating. I energize and de-energize madly, moving moving moving…
…Made it!
Silence. The crackling of metal the only sound. Then it, too, stops. Silence. I wait.
Ship continues to hurtle forward, but coasting now…Is it a trick?
All the rest of today I remain clamped into the control berth, suffering terrible pain. My face hurts so bad. My nose…
At night I sleep fitfully. Morning finds me with throbbing head and aching eyes, I can barely move my hands; if I have to repeat those rapid movements, I will lose; I still don’t know if Ship is dead, if I’ve won, I still can’t trust the inactivity. But at least I am convinced I’ve made Ship change tactics.
I hallucinate. I hear no voices, but I see shapes and feel currents of color washing through and around me. There is no day, no noon, no night, here on Ship, here in the unchanging blackness through which Ship has moved for how many hundred years; but Ship has always maintained time in those ways, dimming lights at night, announcing the hours when necessary, and my time sense is very acute. So I know morning has come.
Most of the lights are out, though. If Ship is dead, I will have to find another way to tell time.
My body hurts. Every muscle in my arms and legs and thighs throbs with pain. My back may be broken, I don’t know. The pain in my face is indescribable. I taste blood. My eyes feel as if they’ve been scoured with abrasive powder. I can’t move my head without feeling sharp, crackling fire in the two thick cords of my neck. It is a shame Ship cannot see me cry; Ship never saw me cry in all the years I have lived here, even after the worst wracking. But I have heard Ship cry, several times.
I manage to turn my head slightly, hoping at least one of the viewplates is functioning, and there, off to starboard, matching velocities with Ship is Starfighter 88. I watch it for a very long time, knowing that if I can regain my strength I will somehow have to get across and free the female. I watch it for a very long time, still afraid to unclamp from the berth.
The Top of the Volcano: The Award-Winning Stories of Harlan Ellison Page 50