by Tana French
“Howya,” he said, handing me one of the cups. “Thought you might want this. Tastes like washing-up liquid, though. Hospital canteen.”
“Thanks,” I said. “I think.” It was coffee, give or take. “How was last night?”
He shrugged. “Would’ve been better if our fella’d shown up.”
“Patience, old son. Rome wasn’t built in a day.”
Another shrug, down at the tinfoil that he was kicking harder. I realized that he had wanted to have our guy ready to present to me first thing this morning, all trussed up and oven-ready, the kill to prove that he was a man. He said, “The techs say they got a load done, anyway.”
“Good.” I leaned against the railings next to him and tried to get the coffee into me: one hint of a yawn and Cooper would boot me out the door. “How did the patrol floaters do?”
“Grand, I think. They picked up a few cars coming into the estate, but all the plates checked out to Ocean View addresses: just people heading home. A bunch of teenagers met up in one of the houses down the other end from us, brought a couple of bottles with them, played their music loud. Around half past two there was a car going around and around, slow, but it was a woman driving and she had a baby crying in the back, so the lads figured she was trying to get it to sleep. That was the lot.”
“You’re satisfied that if someone dodgy had been prowling around, they’d have spotted him?”
“Unless he was really lucky, yeah. I’d say so.”
“No more media?”
Richie shook his head. “I thought they’d be going after the neighbors, but nah.”
“Probably off looking for loved ones to hassle; juicier stuff there. It looks like the press office has them under control, for now anyway. I had a quick skim of the early editions: nothing we didn’t already know, and nothing about Jenny Spain being alive. We won’t be able to keep that to ourselves much longer, though. We need to get our hands on this guy fast.” Every front page had run with a howl-sized headline and an angelic blond shot of Emma and Jack. We had a week, two at the outside, to get this guy before we turned into worthless incompetents and the Super turned into a very unhappy camper.
Richie started to answer, but a yawn cut him off. “Get any sleep?” I asked.
“Nah. We talked about doing shifts, but the countryside’s bleeding noisy, did you know that? Everyone gives it loads about the peace and quiet, but that’s a load of bollix. The sea, and there were like a hundred bats throwing a party, and mice or something running around, all through the houses. And something went for a wander down the road; sounded like a tank, charging through all those plants. I tried checking it out with the goggles, but it headed down between the houses before I could get it. Something big, anyway.”
“Too creepy for you?”
Richie gave me a wry sideways grin. “I managed not to crap my kacks. Even if it’d been quiet, I wanted to be awake. In case.”
“I’d have been the same. How are you doing?”
“All right. A bit wrecked, like, but I’m not gonna crash out halfway through the post-mortem or anything.”
“If we get you a couple of hours’ kip somewhere along the way, can you take another night?”
“Little more of this”—he tilted the coffee cup—“and yeah, sure I can. Same as last night, yeah?”
“No,” I said. “One of the definitions of insanity, my friend, is doing the same thing again and again and hoping for different results. If our man could resist the bait last night, he can resist it tonight. We need better bait.”
Richie’s head turned towards me. “Yeah? I thought ours was pretty decent. Another night or two and I’d say we’ll have him.”
I raised my cup to him. “Vote of confidence appreciated. But the fact is, I misjudged our boy. He’s not interested in us. Some of them can’t stay away from the cops: they insert themselves into the investigation every way they can find, you can’t turn around without tripping over Mr. Helpful. Our guy isn’t like that, or we’d have him by now. He doesn’t give a damn what we do, or what the Bureau lads do. But you know what he’s very interested in, don’t you?”
“The Spains?”
“Ten points for you. The Spains.”
“We haven’t got the Spains, but. I mean, Jenny, yeah, but—”
“But even if Jenny was able to help us out, I want to keep her under wraps for as long as I can. True enough. What we do have, though, is Whatshername, that floater—what is her name?”
“Oates. Detective Janine Oates.”
“Her. You may not have noticed this, but from a distance, in the right context, Detective Oates could quite probably pass for Fiona Rafferty. Same height, same build, same hair—Detective Oates’s is a lot neater, luckily, but I’m sure she could mess it up if we asked her to. Get her a red duffle coat and Bob’s your uncle. It’s not that they’re actually anything alike, but to spot that you’d have to get a proper look, and for that, you’d need a decent vantage point and your binoculars.”
Richie said, “We clear out at six again, she drives up—have we got a yellow Fiat in the pool, yeah?”
“I’m not sure, but if we don’t, we can just have a marked car drop her off. She goes into the house and spends the night doing whatever she thinks Fiona Rafferty would do, as obviously as possible—wandering around looking distraught with the curtains open, having a read of Pat and Jenny’s papers, that kind of thing. And we wait.”
Richie drank his coffee, with an unconscious grimace on each sip, and considered that. “You think he knows who Fiona is?”
“I think there’s a damn good chance he does, yeah. Remember, we don’t know where he came into contact with the Spains; it could have been somewhere that involved Fiona too. Even if it wasn’t, she may not have been out here in a few months, but for all we know he’s been watching them for a lot longer than that.”
On the horizon the outline of low hills was starting to take shape, darker against darkness. Somewhere beyond them, the first light was moving up the sand in Broken Harbor, seeping into all those empty houses, into the emptiest one of all. It was five to six. I said, “Have you ever been to a post-mortem?”
Richie shook his head. He said, “There’s a first time for everyone.”
“There is, yeah, but it’s not usually like this. This is going to be bad. You should be there, but if you’re seriously not on for it, this is when you need to speak up. We can say you’re getting some kip after the stakeout.”
He crushed his paper cup into a wad and tossed it at the bin with a hard downward snap of his wrist. “Let’s go,” he said.
* * *
The morgue was in the hospital basement, small and low-ceilinged, with dirt and probably worse things ground into the grout between the floor tiles. The air was chilly and damp, motionless. “Detectives,” Cooper said, eyeing Richie with a faint anticipatory smirk. Cooper is maybe fifty, but in the tube lighting, against white tile and metal, he looked ancient: grayish and shriveled, like an alien stepped out of some hallucination, probes at the ready. “How nice to see you. We will begin, I think, with the adult male: age before beauty.” Behind him, his assistant—heavy build, stolid stare—pulled open a storage drawer with a horrible grating screech. I felt Richie brace his shoulders beside me, a tiny jerk.
They broke the seals on the body bag, unzipped it to reveal Pat Spain in his blood-stiffened pajamas. They photographed him clothed and naked, took blood and fingerprints, bent close while they picked at his skin with tweezers and clipped his fingernails for DNA. Then the assistant swung the instrument tray around to Cooper’s elbow.
Post-mortems are brutal things. This is the part that always catches rookies off guard: they expect delicacy, tiny scalpels and precision cuts, and instead they get bread knives sawing fast careless gashes, skin ripped back like sticky paper. Cooper at work looks more like a bu
tcher than a surgeon. He doesn’t need to take care to minimize scarring, hold his breath making sure not to nick an artery. The flesh he works on isn’t precious any more. When Cooper is done with a body, no one else will need it, ever again.
Richie did well. He didn’t flinch when the pruning shears snapped Pat’s ribs open, or when Cooper folded Pat’s face downwards on itself, or when the skull saw sent up a thin acrid smell of scorched bone. The squelching sound when the assistant dumped the liver on the weighing scales made him jump, but that was all.
Cooper moved deftly and efficiently, dictating into the hanging mike and ignoring us. Pat had eaten a cheese sandwich and some crisps, three or four hours before he died. Traces of fat in his arteries and around his liver said he should have been getting fewer crisps and more exercise, but overall he had been in good shape: no illnesses that showed, no abnormalities, a long-ago broken collarbone and thickened ears that could have been rugby injuries. I said quietly, to Richie, “Healthy man’s scars.”
Finally Cooper straightened, stretching his back, and turned to us. “To summarize,” he informed us, with satisfaction, “my preliminary statement at the scene was correct. As you will remember, I posited that the cause of death was either this wound”—he prodded the gash in the middle of Pat Spain’s chest with his scalpel—“or this one.” A poke to the slit below Pat’s collarbone. “In point of fact, each of these was potentially fatal. In the first, the blade glanced off the central edge of the sternum and nicked the pulmonary vein.”
He folded back Pat’s skin—delicately, holding the flap between thumb and finger—and pointed with his scalpel, to make sure Richie and I both saw exactly what he meant. “Absent any other wounds or any medical treatment, this injury would have resulted in death within approximately twenty minutes, as the subject gradually bled out into the chest cavity. As it happened, however, this sequence of events was interrupted.”
He let the skin drop back into place and reached to pry up the flap below the collarbone. “This is the wound that proved fatal. The blade entered between the third and fourth ribs, at the mid-clavicular line, causing a one-centimeter laceration to the right ventricle of the heart. Blood loss would have been rapid and extensive. The drop in blood pressure would have led to unconsciousness within fifteen or twenty seconds, and to death perhaps two minutes later. The cause of death was exsanguination.”
So there was no way Pat had been the one who got rid of the weapons; not that I thought he had been, not any more. Cooper tossed his scalpel into the instrument tray and nodded to the assistant, who was threading a thick, curved needle and humming softly to himself. I said, “And the manner of death?”
Cooper sighed. He said, “I understand that you currently believe a fifth party was present in the house at the time of the deaths.”
“That’s what the evidence tells us.”
“Hmm,” Cooper said. He flicked something unthinkable off his gown, onto the floor. “And I am sure this leads you to assume that this subject”—a nod at Pat Spain—“was a victim of homicide. Unfortunately, some of us do not have the luxury of assumption. All of the wounds are consistent with either assault or self-infliction. The manner of death was either homicide or suicide: undetermined.”
Some defense lawyer was going to love that all over. I said, “Then let’s leave that blank on the paperwork for now, and come back to it when we’ve got more evidence. If the lab finds DNA under his fingernails—”
Cooper leaned over to the hanging mike and said, without bothering to look at me, “Manner of death: undetermined.” That little smirk slid over me, to Richie. “Do cheer up, Detective Kennedy. I doubt there will be any ambiguity as to the next subject’s manner of death.”
Emma Spain came out of her drawer with her bedsheets folded neatly around her like a shroud. Richie twitched, at my shoulder, and I heard the fast rasp as he started scratching at the inside of a pocket. She had curled up all cozy in those same sheets, two nights ago, with a good-night kiss. If he started thinking along those lines, I would have a new partner by Christmas. I shifted, nudging against his elbow, and cleared my throat. Cooper gave me a long stare across that small white shape, but Richie got the message and went still. The assistant unfolded the sheets.
I know detectives who learn the knack of unfocusing their eyes at the bad parts of post-mortems. Cooper violates dead children searching for signs of violation, and the investigating officer stares intently at nothing but a blur. I watch. I don’t blink. The victims didn’t get to choose whether or not to endure what was done to them. I’m spoiled enough, next to them, without claiming to be too delicate even to endure looking.
Emma was worse than Patrick not just because she was so young, but because she was so unblemished. Maybe this sounds twisted, but the worse the injuries, the easier the autopsy. When a body comes in macerated to something from an abattoir, the Y incision and the grating snap as the top of the skull comes off don’t pack much punch. The injuries give the cop in you something to focus on: they turn the victim from a human being into a specimen, made out of urgent questions and fresh clues. Emma was just a little girl, tender-soled bare feet and freckled snub nose, sticking-out belly button where her pink pajama top had ridden up. You would have sworn that she was only a hairsbreadth from alive; that if you had just known the right words to say in her ear, the right spot to touch, you could have woken her. What Cooper was about to do to her in our name was a dozen times more brutal than anything her murderer had done.
The assistant took off the paper bags tied over her hands to preserve evidence, and Cooper bent over her with a palette knife to take fingernail scrapings. “Ah,” he said suddenly. “Interesting.”
He reached for tweezers, did something finicky at her right hand, and straightened up holding the tweezers high. “These,” he said, “were between the index and middle fingers.”
Four fine, pale hairs. A blond man crouched over the pink ruffled bed, that tiny girl fighting— I said, “DNA. Is there enough there for a shot at DNA?”
Cooper shot me a thin smile. “Control your excitement, Detective. Microscopic comparison will, of course, be necessary, but judging by color and texture, there appears to be every probability that these hairs come from the head of the victim herself.” He dropped them into an evidence bag, pulled out his fountain pen and bent to scribble something on the label. “Assuming the evidence bears out the preliminary theory of suffocation, I would theorize that her hands were trapped beside her head by the pillow or other weapon, and that, unable to claw at the attacker, she pulled at her own hair in her final moments of consciousness.”
That was when Richie left. At least he managed not to put a fist through the wall, or puke his guts onto the floor. He just turned on his heel, walked out and closed the door behind him.
The assistant sniggered. Cooper gave the door a long, chilly stare. “I apologize for Detective Curran,” I said.
He transferred the stare to me. “I am not accustomed,” he told me, “to having my post-mortems interrupted without an excellent reason. Do you, or does your colleague, have an excellent reason?”
So much for Richie getting on Cooper’s good side. And that was the least of our problems. Whatever flak Quigley had been giving Richie in the squad room was nothing to what he could expect from now on, if he didn’t get his arse back into the morgue and see this thing through. We were talking lifetime nickname here. Cooper probably wouldn’t spread the word—he likes being above gossip—but the glint in the assistant’s eye said he couldn’t wait.
I kept my mouth shut while Cooper worked his way through the external examination. No more nasty surprises along the way, thank Christ. Emma was a little above average height for six, average weight, healthy in every way that Cooper could check. There were no healed fractures, no burn marks or scars, none of the hideous spoor of abuse, physical or sexual. Her teeth were clean and healthy, no fillings;
her nails were clean and clipped; her hair had been trimmed not long ago. She had spent the little life she had being well taken care of.
No conjunctival hemorrhages in her eyes, no bruising to her lips where something had been pressed over her mouth, nothing that could tell us anything about what he had done to her. Then Cooper, shining his pencil torch into Emma’s mouth like he was her GP, said, “Hm.” He reached for his tweezers again, tilted her head farther back and maneuvered them deep into her throat.
“If I remember correctly,” he said, “the victim’s bed held a number of ornamental pillows, embroidered with anthropomorphic animals in multicolored wool.”
Kittens and puppies, staring in the torchlight. “That’s correct,” I said.
Cooper pulled the tweezers out of her mouth with a flourish. “In that case,” he said, “I believe we have evidence of cause of death.”
A wisp of wool. It was sodden and darkened, but when it dried out it would be rose pink. I thought of the kitten’s pricked ears, the puppy’s hanging tongue.
“As you have seen,” Cooper said, “smothering often leaves so few signs that it is impossible to diagnose definitively. In this case, however, if this wool matches that used in the pillows, I will have no difficulty in stating that the victim was smothered with one of the pillows from her bed—the Bureau may well be able to identify the specific weapon. She died either from anoxia or from cardiac arrest pursuant to anoxia. The manner of death was homicide.”
He dropped the tag of wool into an evidence bag. As he sealed it, he gave it a nod and a brief, satisfied smile.
The internal exam gave us more of the same: a healthy little girl, nothing to say she had ever been ill or hurt in her life. Emma’s stomach contained a partially digested meal of minced beef, mashed potato, vegetables and fruit: cottage pie, with fruit salad for dessert, eaten about eight hours before she died. The Spains seemed like the family-dinner type, and I wondered why Pat and Emma hadn’t eaten the same meal that night, but that was a small enough thing that it could easily go unexplained forever. A queasy stomach that couldn’t take cottage pie, a kid being given the meal she had refused at lunchtime: murder means that little things get swept away, lost for good on the ebb of that red tsunami.
