ALSO BY PETER SPIEGELMAN
Red Cat
Death’s Little Helpers
Black Maps
THIS IS A BORZOI BOOK
PUBLISHED BY ALFRED A. KNOPF
Copyright © 2011 by Peter Spiegelman
All rights reserved. Published in the United States by Alfred A. Knopf,
a division of Random House, Inc., New York, and in Canada by
Random House of Canada Limited, Toronto.
www.aaknopf.com
Knopf, Borzoi Books, and the colophon are registered trademarks of
Random House, Inc.
Library of Congress Cataloging-in-Publication Data
Spiegelman, Peter.
Thick as thieves / by Peter Spiegelman.—1st ed.
p. cm.
eISBN: 978-0-307-59680-2
I. Title.
PS3619.P543T47 2011
813′.6—dc22 2011017855
This is a work of fiction. Names, characters, places, and incidents
either are the product of the author’s imagination or are used
fictitiously. Any resemblance to actual persons, living or dead, events,
or locales is entirely coincidental.
Front-of-jacket photograph © NHPA/SuperStock
Jacket design by Evan Gaffney
v3.1
For my parents, Morton and Joyce,
and for my nephew Anthony, who we miss so much
“A plague upon it when thieves cannot be true one to another!”
—Falstaff to Prince Hal,
Henry IV, Part I, act II, scene 2
Acknowledgments
Many thanks are due to many people for their help while I was writing this book: Reed Coleman, for his time and excellent ear; Nina Spiegelman, for her early reading; Denise Marcil and Abner Stein, for their encouragement and enthusiasm; Myron Glucksman, for any number of things; Sonny Mehta, for his support, advice, and supreme patience; and Alice Wang, for—really—more than I can say.
Contents
Cover
Other Books by This Author
Title Page
Copyright
Dedication
Epigraph
Acknowledgments
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Epilogue
A Note About the Author
1
Inside the house now, the three of them stand still in the foyer, in the pale oblong of street light that falls through the transom, and Carr hears voices in the walls. A muted cough from the air ducts, a nervous murmur from the drapes, a creaking sigh from the paneling in the center hall—a muffled chorus, singing only to him. Home early. Not the maid’s night off. Tires in the driveway. Carr’s thighs are lead, and a clamp wraps around his chest. Adrenaline, he knows, but knowing doesn’t help. He reminds himself to inhale, to exhale, not too fast. Above his chanting fear he can hear Declan’s voice.
“Nothin’ like a house in the dark, lad.” The brogue that came and went, the rough laughter, the sharper edge of excitement, as if he were talking about a roller coaster. But Carr hates roller coasters, and always has. Inhale, exhale, not too fast.
The odors of the house come to him: lavender, cinnamon, lilac, vanilla, the chemical tang of a disinfectant—like a brothel above a bakery—but Piney Point Village is hardly that kind of Houston neighborhood. He takes another breath and catches a trace of cigars and of dog—an overweight, arthritic Lab that Carr knows is boarded at the vet’s all week. Bobby flicks a penlight and follows its beam to a plastic box on the wall.
“No mess,” Carr tells him.
“Yeah, yeah, I hear you,” Bobby says, irritation and Brooklyn plain in his raspy whisper. He sticks the penlight in his mouth, pops the cover off the box with a thin screwdriver, and pries loose a circuit board from the bracket underneath. He pulls a coil of wire from the wall behind it and picks delicately at the board, teasing up the contacts. Bobby’s moves are quick, and there’s time to spare when he reaches into his pocket, pulls out something like a matchbook, and snaps it onto one edge of the board. A green LED blinks fast on the matchbook as it talks to the processor in the basement. Don’t worry, be happy. The blinking is replaced by a steady glow, and Bobby lets the board hang by its wires down along the wall. He hooks the plastic cover on a corner of the bracket and takes the penlight from his mouth.
“Clean enough?” he asks.
Latin Mike answers. “Slick, cabrón, like always.” Mike is forty, older than Carr, older than any of them, but his rounded San Diego accent makes him sound like a kid.
Carr nods. “Bobby goes downstairs; start by the door to the garage. Mike takes the master. Check your headsets first.” Carr touches his own and swings down the mic on its wire arm. “You there, Vee?”
In the darkness Valerie’s voice is close, as if her lips are at his ear. “Where else?” she says. Her tone is amber, smoky, a little weary. Carr can almost feel her breath. “All quiet out front. A guy walking a dog at the corner; a drunk in a beemer.”
“And in back?” Carr asks.
Dennis answers. “Not even a drunk back here.” His voice is young and reedy and tentative, like Dennis himself.
Carr looks at Bobby and Latin Mike. “You guys hear everything?” Bobby barely nods; Mike won’t muster even that. Carr looks down. “Clean shoes?”
Latin Mike snorts. “We virgins now, jefe?” he says, the jefe laden with sarcasm. “We never done this before?” He walks off, into the deeper darkness of the house, and Bobby follows.
Carr takes a long breath and lets it out slowly. He strains to hear them rummaging upstairs and down, but they’re silent. No, not virgins. There’s a half-moon table in the foyer, black lacquer with a vase of drooping gladiolas on top and a drawer beneath. Carr thumbs his own penlight and opens it.
* * *
Carr has progressed to the office, a mahogany annex to the living room, with many bookshelves but few books. There’s a claw-footed desk squatting in the middle, and he’s going through the center drawer when Latin Mike’s voice crackles in his ear. “Got a box in the master, in the walk-in, behind the suits. Looks like a real piece of shit.”
A surge of anger runs through Carr’s gut. “Leave it,” he says.
“Five minutes max and I’m in this thing.”
“I said leave it.”
“It’s low-hanging fruit, jefe.”
“We’re not here for fruit. Now stay off the air unless you find it.”
<
br /> If Mike has an answer Carr doesn’t hear it over Bobby’s laugh. “You want low fruit, bro, you should see the liquor store goin’ on down here. We lift a case of Dom, he’d never miss it.”
Carr grits his teeth. There’d been none of this bullshit with Declan. With Deke, once they were inside, it was all business. There was no idle chatter, just that gravelly brogue calling out the numbers, and the clipped, whispered acknowledgments from each of them. Carr knows that Mike and Bobby are fucking with him, trying to get a rise, but he’s not going to give them the pleasure. He takes a breath and is about to speak when Valerie cuts through Bobby’s chuckles. “You girls want to shut the fuck up while this cruiser passes by?” she whispers.
Mike and Bobby go silent and there’s a chunk of ice in Carr’s gut. He kills his penlight. Valerie’s voice is a low monotone. “Half a block down … two houses now … goddamn it, he’s slowing down. Fuck—is there a backup you guys forgot about? ’Cause he’s stopped right in front.” Her voice gets softer and the sound of rustling fabric is loud in Carr’s ear. He can picture her slouching low behind the wheel.
Bobby starts to talk but Carr cuts him off. “Quiet!” he whispers, and then to Valerie: “We burned or what, Vee?”
“I don’t know,” she whispers. “I don’t … wait—he’s rolling away. One house down … now two. He’s at the corner, taking … a left.”
Something releases in Carr’s chest. “Dennis, anything?”
“He just went past. He’s hanging a right on Smithdale.”
Carr flicks on his light again. Bobby’s voice leaps into his ear. “I didn’t forget a fuckin’ thing, Vee.”
“You forgot how to keep quiet,” Valerie says, the tension in her voice replaced by anger. “You forgot how to keep your head in the game—you and Mike both.”
“Don’t drag me into this, chica.”
“Then shut the fuck up, the both of you, and get back to work.”
It’s ten minutes later when Bobby calls in. “I got it. On a table at the top of the basement stairs, in a bowl with loose change and gas receipts.” Thirty seconds after that, the three of them are in the foyer again.
“Everything buttoned up?” Carr asks.
“Shipshape, jefe.”
“Bobby?”
“Gotta clean this up,” he says, pushing his chin at the box dangling down the wall. He hands Carr the card he’s holding and digs in his vest for the screwdriver.
Carr runs his light over the ID card—hard gray plastic, with a picture of an office building on one side and a red nylon lanyard clipped to one end. He turns the card over and looks at the bar codes and mag strip and photo of the bland, balding man in the center. It’s a better picture of Jerry Molloy, he thinks, than the portrait above the living room mantel.
2
There are candles burning in green glass spheres, and green paper lanterns hanging, and the air above the patio is tinted the color of an aquarium gone bad. It smells of citronella, and cigarettes, and a hundred clashing colognes. Valerie walks from the bar, a pitcher of Shiner Bock in each hand. She wears a short, flowered dress that clings to her as if it’s wet, and her bare arms and legs are gleaming. Her dark blond hair is pinned in a haphazard pile, and her long, limber body is like a burning fuse as she twists through the crowd.
Every eye in the place—male and female—follows her back to the table, though Carr tries to avoid watching. Looking is what she wants, he thinks, and it feels too much like strings being pulled. Still, over the top of his glass, he looks—and so do Bobby, Latin Mike, and Dennis. Because, despite how long they’ve known her, how many times they’ve seen her work a room, there is always with Valerie the promise of something they haven’t seen before.
Their table is in a far corner, and the four men sit with their backs to the low cinder-block wall that separates the patio from the surrounding hardpan lot. Carr watches the crowd, which is watching them, and he doesn’t care for the attention. Valerie slides the pitchers into the center of the table and sits next to Carr. “What’s your problem?” she asks.
“You riled up the natives, chica,” Mike answers, before Carr can speak.
“Place needs something,” Valerie says. “The music sucks.” She’s smiling and her cheeks are flushed.
“He don’t want them noticing us, right, jefe?”
Carr leans back and looks up through the rafters and the open roof—at the hovering mosquitoes, the flickering bats, the washed-out stars above. A warm breeze works its fingers beneath his shirt. He’s had three beers, and there’s a pleasant foaminess somewhere around his forebrain. He knows where Mike is going and he’s too tired to follow. He keeps quiet but it doesn’t help.
“Like they took us for locals before she crossed the floor?” Bobby says.
Mike gives Bobby a low five. “We blend in, cabrón; we natives.” Latin Mike looks at Carr and frowns. “They get a bad vibe from us, jefe.”
Carr drains his beer glass. “Vibes are one thing; Vee makes us memorable.”
“Memorable for sure,” Bobby says, and winks at Valerie, who winks back.
Mike snorts. “Face it, pendejo, we fit better in Caracas or Recife than we do up here.”
Dennis wipes sweat from his face and joins in. “Down there we’re just norteamericanos—oil workers, contractors, whatever—nobody gives a damn. Just a few more Yankees passing through.”
“Speak for yourself, yanqui,” Mike says. “But the point is, what the fuck we doing up here? Too much homeland security horseshit—what we need the headaches for? It’s not like we have problems finding work.”
Carr sighs. “Not this kind of work.”
Mike downs half his beer and points a finger at Carr. He’s smiling, but with him that’s a tactic. “This kind of work is too fucking complicated—too many moving parts.”
“You used to worry about the same shit five years ago, if I remember right, but things turned out okay.”
“Damn straight I was worried. We had a good thing going, fishing where the fish were stupid—why mess with what works? But Deke was a man with a plan, and there was no arguing with him. Plus, I had faith in the guy.”
“And you don’t in me.”
“No offense, cabrón, but you’re not Deke.”
Carr leans forward. “Sure, Mike, no offense.”
“For chrissakes!” Valerie says, and slams her own glass on the tabletop. “Why don’t you two get a room if you’re going at this bullshit again. This was supposed to be a party.” Bobby smirks and Dennis giggles with relief. Under the table Valerie’s hand finds Carr’s thigh. He doesn’t jump, but it’s a near thing. Her palm is hot through the fabric of his jeans. Carr nods slowly and reaches for a pitcher. He proffers it across the table.
“Let me top that off,” he says, and Mike holds out his glass.
Valerie is right, Carr knows: they’ve gone around like this a dozen times or more, and there’ll be time enough to go around again. But not now. Now, the night before they work again, it’s time to drink. It’s a lesson he had from Declan, who was ever alert to the peril of idle hands.
“Busy is best for these nippers,” he’d told Carr. “Otherwise it’s all worry and gossip and chewin’ the arses off one another. Keep ’em busy, and when they’ve done their chores, get ’em pissed.” More than tradition, these outings are an antidote to the jitters and jumps and sheer stir-craziness that come to a boil on the eve of every job. But like so much else he’s learned from Declan, Carr knows he doesn’t do it quite as well. Pirate king, father confessor, jolly Jack Falstaff—Carr is none of these, though he has developed other talents: watchfulness, patience, an attention to detail—the talents of a planner, a technician. Not exactly inspirational, he knows. Not like Declan. Still, one does what one can.
Carr works a smile onto his face and fills glasses until the pitcher is empty. Valerie’s hand is gone now, and the music is louder, if unimproved. Valerie is dancing with Mike to something twangy, and Dennis watches them, tapping the tabl
etop in time to nothing Carr can hear. Bobby is eyeing the local talent. The peaceable kingdom. Carr finishes his beer. He leans back and looks at the wrung-out sky and thinks of limes.
Declan was cutting them the first time they met—a bet with a barman at a marble and frosted glass palace in Las Lomas. Teddy Voigt, Carr’s immediate boss at Integral Risk Associates, and the closest thing he’d had to a friend there, had arranged the get-together, not forty-eight hours after Carr had been fired and just forty-eight hours before Carr had to vacate his company-owned apartment—the graceful exit being one of the things Carr had relinquished when he’d hit his most profitable client in the face.
Hunched over the granite bar, Declan was a rhino at a tea party: red-faced, craggy, and ancient next to the silken youth that crowded the club—more like one of the bodyguards loitering on the sidewalk outside. The paring knife was nearly lost in his fist, but the edge of the blade was a blur and the slices he cut were translucent green petals. Whatever the bet was, Declan won going away, and whatever the prize, Declan declined payment and instead bought the barman a shot of Patrón. Which, Carr came to realize, was essential Declan: good with bartenders, good with knives, good with tactical mercy.
Good at other things too, Carr learned as they bar-hopped across the leafy night, from Las Lomas to an English pub in Polanco to a hipster saloon in Condesa. Good at Gallic bonhomie and fatalistic, self-deprecating humor. Good at oblique but relentless interrogation. Good at large volumes of pricey tequila, chased by even larger volumes of beer. Good, despite how much he’d had to drink, at negotiating the unforgiving chaos of traffic in Mexico City.
Good too at throwing an elbow into a man’s windpipe, then breaking his wrist, for slapping a woman to the pavement. That took place in the doorway of their last stop: a workingman’s tavern in Santa María la Ribera that was little more than a dim hallway drenched in nicotine and sentimental guitars. The patrons seemed to take the violence in stride, if they noticed it at all, and the smile never left Declan’s face. He’d made his pitch to Carr at a table near the kitchen.
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