Praise for John D. MacDonald
“My favorite novelist of all time.”
—DEAN KOONTZ
“For my money, John D. MacDonald’s Travis McGee is one of the great characters in contemporary American fiction—not crime fiction; fiction, period—and millions of readers surely agree.”
—The Washington Post
“MacDonald isn’t simply popular; he’s also good.”
—ROGER EBERT
“MacDonald’s books are narcotic and, once hooked, a reader can’t kick the habit until the supply runs out.”
—Chicago Tribune Book World
“Travis McGee is one of the most enduring and unusual heroes in detective fiction.”
—The Baltimore Sun
“John D. MacDonald remains one of my idols.”
—DONALD WESTLAKE
“A dominant influence on writers crafting the continuing series character.”
—SUE GRAFTON
“The Dickens of mid-century America—popular, prolific and … conscience-ridden about his environment … a thoroughly American author.”
—The Boston Globe
“It will be for his crisply written, smoothly plotted mysteries that MacDonald will be remembered.”
—USA Today
“MacDonald had the marvelous ability to create attention-getting characters who doubled as social critics. In MacDonald novels, it is the rule rather than the exception to find, in the midst of violence and mayhem, a sentence, a paragraph, or several pages of rumination on love, morality, religion, architecture, politics, business, the general state of the world or of Florida.”
—Sarasota Herald-Tribune
BY JOHN D. MACDONALD
The Brass Cupcake
Murder for the Bride
Judge Me Not
Wine for the Dreamers
Ballroom of the Skies
The Damned
Dead Low Tide
The Neon Jungle
Cancel All Our Vows
All These Condemned
Area of Suspicion
Contrary Pleasure
A Bullet for Cinderella
Cry Hard, Cry Fast
You Live Once
April Evil
Border Town Girl
Murder in the Wind
Death Trap
The Price of Murder
The Empty Trap
A Man of Affairs
The Deceivers
Clemmie
Cape Fear (The Executioners)
Soft Touch
Deadly Welcome
Please Write for Details
The Crossroads
The Beach Girls
Slam the Big Door
The End of the Night
The Only Girl in the Game
Where Is Janice Gantry?
One Monday We Killed Them All
A Key to the Suite
A Flash of Green
The Girl, the Gold Watch & Everything
On the Run
The Drowner
The House Guest
End of the Tiger and Other Stories
The Last One Left
S*E*V*E*N
Condominium
Other Times, Other Worlds
Nothing Can Go Wrong
The Good Old Stuff
One More Sunday
More Good Old Stuff
Barrier Island
A Friendship: The Letters of Dan Rowan and John D. MacDonald, 1967–1974
The Travis McGee Series
The Deep Blue Good-by
Nightmare in Pink
A Purple Place for Dying
The Quick Red Fox
A Deadly Shade of Gold
Bright Orange for the Shroud
Darker than Amber
One Fearful Yellow Eye
Pale Gray for Guilt
The Girl in the Plain Brown Wrapper
Dress Her in Indigo
The Long Lavender Look
A Tan and Sandy Silence
The Scarlet Ruse
The Turquoise Lament
The Dreadful Lemon Sky
The Empty Copper Sea
The Green Ripper
Free Fall in Crimson
Cinnamon Skin
The Lonely Silver Rain
The Official Travis McGee Quizbook
The Empty Trap is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
2013 Random House Trade Paperback eBook Edition
Copyright © 1957 by John D. MacDonald.
Introduction copyright © 2013 by Dean Koontz
All rights reserved.
Published in the United States by Random House Trade Paperbacks, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York.
RANDOM HOUSE TRADE PAPERBACKS and colophon are trademarks of Random House, Inc.
eISBN: 978-0-307-82716-6
www.atrandom.com
Cover design: Joe Montgomery
v3.1
The Singular John D. MacDonald
Dean Koontz
When I was in college, I had a friend, Harry Recard, who was smart, funny, and a demon card player. Harry was a successful history major, while I passed more time playing pinochle than I spent in class. For the three and a half years that I required to graduate, I heard Harry rave about this writer named John D. MacDonald, “John D” to his most ardent readers. Of the two of us, Harry was the better card player and just generally the cooler one. Consequently, I was protective of my position, as an English major, to be the better judge of literature, don’t you know. I remained reluctant to give John D a look.
Having read mostly science fiction, I found many of my professors’ assigned authors markedly less exciting than Robert Heinlein and Theodore Sturgeon, but I was determined to read the right thing. For every Flannery O’Connor whose work I could race through with delight, there were three like Virginia Woolf, who made me want to throw their books off a high cliff and leap after them. Nevertheless, I continued to shun Harry’s beloved John D.
Five or six years after college, I was a full-time writer with numerous credits in science fiction, struggling to move into suspense and mainstream work. I was making progress but not fast enough to suit me. By now I knew that John D was widely admired, and I finally sat down with one of his books. In the next thirty days, I read thirty-four of them. The singular voice and style of the man overwhelmed me, and the next novel I wrote was such an embarrassingly slavish imitation of a MacDonald tale that I had to throw away the manuscript.
I apologized to Harry for doubting him. He was so pleased to hear me proclaiming the joys of John D that he only said “I told you so” on, oh, twenty or thirty occasions.
Over the years, I have read every novel by John D at least three times, some of them twice that often. His ability to evoke a time and place—mostly Florida but also the industrial Midwest, Las Vegas, and elsewhere—was wonderful, and he could get inside an occupation to give you the details and the feel of it like few other writers I’ve ever read. His pacing was superb, the flow of his prose irresistible, and his suspense watch-spring tight.
Of all his manifest strengths as a writer, however, I am most in awe of his ability to create characters who are as real as anyone I’ve met in life. John D sometimes paused in the headlong rush of his story to spin out pages of background on a character. At first when this happened, I grumbled about getting on with the story. But I soon discovered that he could make the character so fascinating that when the story began to race forward again, I wanted it to slow down so I could learn more
about this person who so intrigued and/or delighted me. There have been many good suspense novelists in recent decades, but in my experience, none has produced characters with as much humanity and truth as those in MacDonald’s work.
Like most who have found this author, I am an admirer of his Travis McGee series, which features a first-person narrator as good as any in the history of suspense fiction and better than most. But I love the standalone novels even more. Cry Hard, Cry Fast. Where Is Janice Gantry? The Last One Left. A Key to the Suite. The Drowner. The Damned. A Bullet for Cinderella. The Only Girl in the Game. The Crossroads. All These Condemned. Those are not my only favorites, just a few of them, and many deal with interesting businesses and occupations. Mr. MacDonald’s work gives the reader deep and abiding pleasure for many reasons, not the least of which is that it portrays the contemporary life of his day with as much grace and fidelity as any writer of the period, and thus it also provides compelling social history.
In 1985, when my publisher, Putnam, wanted to send advance proof copies of Strangers to Mr. MacDonald among others, I literally grew shaky at the thought of him reading it. I suggested that they shouldn’t send it to him, that, as famous and prolific as he was, the proof would be an imposition on him; in truth, I feared that he would find the novel unsatisfying. Putnam sent it to him anyway, and he gave us an enthusiastic endorsement. In addition, he wrote to me separately, in an avuncular tone, kindly advising me how to avoid some of the pitfalls of the publishing business, and he wrote to my publisher asking her to please carefully consider the packaging of the book and not condemn it to the horror genre. She more or less condemned it to the genre anyway, but I took his advice to heart.
In my experience, John D. MacDonald, the man, was as kind and thoughtful as his fiction would lead you to believe that he must be. That a writer’s work accurately reflects his soul is a rarer thing than you might imagine, but in his case, the reflection is clear and true. For that reason, it has been a special honor, in fact a grace, to be asked to write this introduction.
Reader, prepare to be enchanted by the books of John D. MacDonald. And Harry, I am not as much of an idiot as I was in years gone by—though I know you won’t let me get away with claiming not to be to any degree an idiot anymore.
Contents
Cover
Other Books by This Author
Title Page
Copyright
Introduction
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
About the Author
1
The clouds were low over the mountains. The two cars had climbed the graveled road up out of the night into the first light of dawn. At times there would be a break in the cloud level and through them he could see the brown peaks above timberline touched with the gold and pink of the rising sun.
He was in the lead car, the dark blue Chrysler with Nevada plates. Tulsa Haynes drove slowly, big hands on the wheel. The world had been black shadows, with yellow headlights moving cautiously ahead. Now first light brought color into the world, a bronze to the backs of Tulsa’s hands, a blue gleam to the car hood. Tulsa turned the lights off and, moments later, the lights of the Pontiac that followed closely went off and the two cars moved up the mountain curves of the grey road.
He was in the middle, between Tulsa and Valerez. He sat awkwardly, wrists bound behind him, ankles lashed together, both tied tightly with a sheer nylon stocking, gossamer thin, unbreakably strong. Valerez, at Tulsa’s order, had unknotted the gag shortly after they had driven away from the Motel Montañas, had pulled the strip of toweling out of Lloyd’s mouth and dropped it out the side window. It was cold up in the dawn mountains. He could smell the dried acid of the perspiration on his clothing, the sweat of pain and fear. And he could smell the stink of his burned chest.
Valerez had just lighted another cigarette. Back in the motel Lloyd had seen the name on the packet. Delicados. Valerez held the cigarette to Lloyd’s lips. The paper had a sugary taste. The smoke was raw and strong when he sucked it down into his lungs.
Tulsa had been going more slowly, watching the drop at the right side of the road. He stopped. “You think it’s okay, Giz?”
“It is wild country. But we should look, maybe.”
Tulsa turned off the motor, took the key out, set the parking brake hard. Lloyd knew he took no chances. At no time had he left any opening. He was a professional. They got out and walked up ahead of the car, walked fifty feet. Benny, who had been driving the Pontiac, hurried to join them. There was no need for Benny to take precautions. Sylvia, his only passenger, was dead.
Lloyd Wescott watched them. They pointed over the drop. It was very still in the mountains, with no sound of bird or insect. They talked together and he could not hear them. Tulsa stood with his big hands on his hips. Had he not been beside the others, his breadth of shoulder would have made him look shorter than his six feet. He wore tailored khakis, skin-tight at the waist, taut around lean hips. The short stiff black hair was like a cap, and when the sun broke through, Lloyd saw a pink highlight on Tulsa’s quarter profile, on the high hard cheekbone. Benny, the squat little man with the clown face, pranced and gesticulated as he talked. Valerez, the stranger, had put his dark suit coat on over the pink shirt, the dark maroon knit tie with the ruby pin. His black hair gleamed above the pale, narrow, handsome face, and he stood a little apart from the other two.
Careful selection of grave, Lloyd thought. And I can be grateful to them for one thing. There isn’t any room in me for fear, or regret or remorse. No room for anything but hate. Life ends here. The lights go out. I should be thinking about eternity, and remembering, in this last time left to me, all the bright days of my life. And all I can think about is how I want to see them dead.
Tulsa made a gesture of impatience, of decision, then sent Benny back to the Pontiac. Tulsa returned to the Chrysler, leaned on the window frame on the driver’s side and looked in at Lloyd.
“I’ll make it easy,” he said.
“Thanks.” The word was blurred by Lloyd’s broken mouth.
“You got more guts than I figured, boy. Harry said make it rough for both of you. She got it rough. But the way I figure, she knew what she was doing, and you got suckered along. This wasn’t your league, Lloyd. So I’ll make it easy. You won’t know about it.”
“Don’t … do me any favors.”
“I’ll let Harry know you took it good. And she took it bad.”
Benny swung the Pontiac around the Chrysler, brought it to a precise stop aimed at an angle toward the drop. Tulsa said to Valerez, “How soon before anybody finds them?”
“One cannot say. A week, a month, maybe one hour. But it does not matter.”
“What the hell do you mean?”
“These people, you think they call the policia? There will be things of value, perhaps pieces of the car to be taken to a village, sold for a few centavos.”
Tulsa snapped his thick fingers. “God damn. I nearly forgot. Harry woulda chewed me good. Benny!”
“Yeah?”
“Get those rings off her.”
“Rings? Sure.” He dived back into the Pontiac. After a few moments he called to Tulsa, “They’re on tight.”
“Those rings are worth three grand,” Tulsa said. “Harry told me before he married her.”
“Thirty-six thousand pesos,” Valerez said wistfully.
Benny came back with the rings and gave them to Tulsa. Benny looked in brightly at Lloyd. “How they breaking, pal?”
“Cut his ankles loose, Giz,” Tulsa said. Valerez leaned in and, with quick blade thrust, deftly slit the nylon at his ankles. Tulsa pulled him out the other side of the car and set him on his feet. Lloyd’s knees sagged. Tulsa cursed and bent as though to carry him over his shoulder. Lloyd felt there might be one slim chance if he k
ept on his feet. Not a chance to save himself. It had gone far beyond that.
“Can walk,” he said, and locked his knees. The pain of the burned feet was excruciating.
“A gutsy guy,” Benny said admiringly. “He maybe was in the wrong business, Tuls.”
They held his arms, Tulsa on his left, Benny on his right, and walked him toward the Pontiac. He walked as steadily and as strongly as he could, forcing himself with what was left of strength and will. Tulsa did not relax his hold, but Benny did. He felt the slackening of the grip. He timed his steps, summoned up the last bit of explosive energy in deadened muscles, then lunged hard to his right. Tulsa hauled him back. But his shoulder had slammed hard into Benny’s. Benny lost his grip and staggered toward the brink, giving a shrill yelp of fright. He fell, scrabbling at the gravel, half over, sliding further, yelling again. Valerez reached him at the last instant, caught his wrist. They were both poised there and Lloyd tried to dive at them, to take both of them over with him, but Tulsa held him. All energy gone, Lloyd sagged to his knees. Valerez pulled Benny back onto the road. Benny sat, his face grey, cursing thickly. He got up slowly, came over and kicked Lloyd in the side.
“God damn, Tuls,” he said. “I’m shakin’ all over. Jesus!” He kicked Lloyd again, heavily.
“Cut it out,” Tulsa said. “Get him on his feet.”
“I’ve always been scared of falling off something high.”
When they stood him up, Lloyd thought he wouldn’t be able to speak, but he managed to say, “Then … that’s the … way you’re … going to die … Benny.”
“What the hell do you mean?”
“Everybody … dies the way … they’re scared of.”
“Hey, is he kiddin’ me, Tuls? Is he?”
“Shut up. Get the door open there.”
Tulsa put him in the car, behind the wheel. Sylvia was slumped against the door on the far side, body slack in death, black hair wreathing the side of the empurpled face. Benny had dressed her after death, dressed her in the yellow short-sleeved sweater, the pistachio flannel skirt. Tulsa gave an order, and Valerez and Benny Bernholz went over the car, wiping it clean.
“When I say go, push with your shoulders,” he said. “Don’t touch it.”
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