by John Buchan
Here at first I found nothing but locked doors, obviously cupboards. But there was one open, and my torch showed me that it contained a very steep flight of stairs—the kind of thing that in old houses leads to the attics. I tried the boards, for I feared that they would creak, and I discovered that all the treads had been renewed. I can't say I liked diving into that box, but there was nothing else for it unless I were to give up.
At the top I found a door, and I was just about to try to open it when I heard steps on the other side.
I stood rigid in that narrow place, wondering what was to happen next. The man—it was a man's foot—came up to the door and to my consternation turned the handle. Had he opened it I would have been discovered, for he had a light, and Lord knows what mix-up would have followed. But he didn't; he tried the handle and then turned a key in the lock. After that I heard him move away.
This was fairly discouraging, for it appeared that I was now shut off from the rest of the house. When I had waited for a minute or two for the coast to clear, I too tried the handle, expecting to find it fast. To my surprise the door opened; the man had not locked, but unlocked it. This could mean only one of two things. Either he intended himself to go out by this way later, or he expected someone and wanted to let him in.
From that moment I recovered my composure. My interest was excited, there was a game to play and something to be done. I looked round the passage in which I found myself and saw the explanation of the architecture which had puzzled me. The old building in Little Fardell Street was the merest slip, only a room thick, and it was plastered against a much more substantial and much newer structure in which I now found myself. The passage was high and broad, and heavily carpeted, and I saw electric fittings at each end. This alarmed me, for if anyone came along and switched on the light, there was not cover to hide a cockroach. I considered that the boldest plan would be the safest, so I tiptoed to the end, and saw another passage equally bare going off at right angles. This was no good, so I brazenly assaulted the door of the nearest room. Thank Heaven! it was empty, so I could have a reconnoitring base.
It was a bedroom, well furnished in the Waring & Gillow style, and to my horror I observed that it was a woman's bedroom. It was a woman's dressing-table I saw, with big hair-brushes and oddments of scents and powders. There was a wardrobe with the door ajar full of hanging dresses. The occupant had been there quite lately, for wraps had been flung on the bed and a pair of slippers lay by the dressing-table, as if they had been kicked off hurriedly.
The place put me into the most abject fright. I seemed to have burgled a respectable flat and landed in a lady's bedroom, and I looked forward to some appalling scandal which would never be hushed up. Little Abel roosting in his pent-house seemed a haven of refuge separated from me by leagues of obstacles. I reckoned I had better get back to him as soon as possible, and I was just starting, when that happened which made me stop short. I had left the room door ajar when I entered, and of course I had switched off my torch after my first look round. I had been in utter darkness, but now I saw a light in the passage.
It might be the confounded woman who owned the bedroom, and my heart went into my boots. Then I saw that the passage lights had not been turned on, and that whoever was there had a torch like me. The footsteps were coming by the road I had come myself. Could it be the man for whom the staircase door had been unlocked?
It was a man all right, and, whatever his errand, it was not with my room. I watched him through the crack left by the door, and saw his figure pass. It was someone in a hurry who walked swiftly and quietly, and, beyond the fact that he wore a dark coat with the collar turned up and a black soft hat, I could make out nothing. The figure went down the corridor, and at the end seemed to hesitate. Then it turned into a room on the left and disappeared.
There was nothing to do but wait, and happily I had not to wait long, for I was becoming pretty nervous. The figure reappeared, carrying something in its hand, and as it came towards me I had a glimpse of its face. I recognised it at once as that of the grey melancholy man whom I had seen the first night in Medina's house, when I was coming out of my stupor. For some reason or another that face had become stamped on my memory, and I had been waiting to see it again. It was sad, forlorn, and yet in a curious way pleasant; anyhow there was nothing repellent in it. But he came from Medina, and at that thought every scrap of hesitation and funk fled from me. I had been right in my instinct; this place was Medina's, it was the Fields of Eden of the rhyme. A second ago I had felt a futile blunderer; now I was triumphant.
He passed my door and turned down the passage which ran at right angles. I stepped after him and saw the light halt at the staircase door, and then disappear. My first impulse was to follow, tackle him in the shop, and get the truth out of him, but I at once discarded that notion, which would have given the whole show away. My business was to make further discoveries. I must visit the room which had been the object of his visit.
I was thankful to be out of that bedroom. In the passage I listened, but could hear no sound anywhere. There was indeed a sound in the air, but it appeared to come from the outer world, a sound like an organ or an orchestra a long way off. I concluded that there must be a church somewhere near where the choir-boys were practising.
The room I entered was a very queer place. It looked partly like a museum, partly like an office, and partly like a library. The curiosity shop had been full of rubbish, but I could see at a glance that there was no rubbish here. There were some fine Italian plaques—I knew something about these, for Mary collected them—and a set of green Chinese jars which looked the real thing. Also, there was a picture which seemed good enough to be a Hobbema. For the rest there were several safes of a most substantial make; but there were no papers lying about, and every drawer of a big writing-table was locked. I had not the wherewithal to burgle the safes and the table, even if I had wanted to. I was certain that most valuable information lurked somewhere in that place, but I did not see how I could get at it.
I was just about to leave, when I realised that the sound of music which I had heard in the passage was much louder here. It was no choir-boys' practising, but strictly secular music, apparently fiddles and drums, and the rhythm suggested a dance. Could this odd building abut on a dance-hall? I looked at my watch and saw that it was scarcely eleven and that I had only been some twenty minutes indoors. I was now in a mood of almost foolhardy confidence, so I determined to do a little more research.
The music seemed to come from somewhere to the left. The windows of the room, so far as I could judge, must look into Wellesley Street, which showed me how I had misjudged that thoroughfare. There might be a dancing-hall tucked in among the automobile shops. Anyhow I wanted to see what lay beyond this room, for there must be an entrance to it other than by the curiosity shop. Sure enough I found a door between two bookcases covered with a heavy portière, and emerged into still another passage.
Here the music sounded louder, and I seemed to be in a place like those warrens behind the stage in a theatre, where rooms are of all kinds of shapes and sizes. The door at the end was locked, and another door which I opened gave on a flight of wooden steps. I did not want to descend just yet, so I tried another door, and then shut it softly. For the room it opened upon was lighted, and I had the impression of human beings not very far off. Also the music, as I opened the door, came out in a great swelling volume of sound.
I stood for a moment hesitating, and then I opened that door again. For I had a notion that the light within did not come from anything in the room. I found myself in a little empty chamber, dusty and cheerless, like one of those cubby-holes you see in the Strand, where the big plate-glass front window reaches higher than the shop, and there is a space between the ceiling and the next floor. All one side was of glass, in which a casement was half open, and through the glass came the glare of a hundred lights from somewhere beyond. Very gingerly I moved forward, till I could look down on what was happening below.
For the last few seconds I think I had known what I was going to see. It was the dancing-club which I had visited some weeks before with Archie Roylance. There were the sham Chinese decorations, the blaze of lights, the nigger band, the whole garish spectacle. Only the place was far more crowded than on my previous visit. The babble of laughter and talk which rose from it added a further discord to the ugly music, but there was a fierce raucous gaiety about it all, an overpowering sense of something which might be vulgar but was also alive and ardent. Round the skirts of the hall was the usual rastaquouère crowd of men and women drinking liqueurs and champagne, and mixed with fat Jews and blue-black dagos the flushed faces of boys from barracks or college who imagined they were seeing life. I thought for a moment that I saw Archie, but it was only one of Archie's kind, whose lean red visage made a queer contrast with the dead white of the woman he sat by.
The dancing was madder and livelier than on the last occasion. There was more vigour in the marionettes, and I was bound to confess that they knew their trade, little as I valued it. All the couples were expert, and when now and then a bungler barged in he did not stay long. I saw no sign of the girl in green whom Archie had admired, but there were plenty like her. It was the men I most disliked, pallid skeletons or puffy Latins, whose clothes fitted them too well, and who were sometimes as heavily made-up as the women.
One especially I singled out for violent disapproval. He was a tall young man, with a waist like a wasp, a white face, and hollow drugged eyes. His lips were red like a chorus-girl's, and I would have sworn that his cheeks were rouged. Anyhow he was a loathsome sight. But ye gods! he could dance. There was no sign of animation in him, so that he might have been a corpse, galvanised by some infernal power and compelled to move through an everlasting dance of death. I noticed that his heavy eyelids were never raised.
Suddenly I got a bad shock. For I realised that this mannequin was no other than my ancient friend, the Marquis de la Tour du Pin.
I hadn't recovered from that when I got a worse. He was dancing with a woman whose hair seemed too bright to be natural. At first I could not see her face clearly, for it was flattened against his chest, but she seemed to be hideously and sparsely dressed. She too knew how to dance, and the slim grace of her body was conspicuous even in her vulgar clothes. Then she turned her face to me, and I could see the vivid lips and the weary old pink and white enamel of her class. Pretty, too …
And then I had a shock which nearly sent me through the window. For in this painted dancer I recognised the wife of my bosom and the mother of Peter John.
Chapter 14 SIR ARCHIBALD ROYLANCE PUTS HIS FOOT IN IT
Three minutes later I was back in the curiosity shop. I switched off my light, and very gently opened the street door. There was a sound of footsteps on the pavement, so I drew back till they had passed. Then I emerged into the quiet street, with Abel's little brazier glowing in front of me, and Abel's little sharp face poked out of his pent-house.
"All right, sir?" he asked cheerfully.
"All right," I said. "I have found what I wanted."
"There was a party turned up not long after you had gone in. Lucky I had locked the door after you. He wasn't inside more than five minutes. A party with a black topcoat turned up at the collar—respectable party he looked—oldish—might have been a curate. Funny thing, sir, but I guessed correctly when you were coming back, and had the door unlocked ready for you… . If you've done with me I'll clear off."
"Can you manage alone?" I asked. "There's a good deal to tidy up."
He winked solemnly. "In an hour there won't be a sign of anything. I have my little ways of doing things. Good night, sir, and thank you." He was like a boots seeing a guest off from an hotel.
I found that the time was just after half-past eleven, so I walked to Tottenham Court Road and picked up a taxi, telling the man to drive to Great Charles Street in Westminster. Mary was in London, and I must see her at once. She had chosen to take a hand in the game, probably at Sandy's instigation, and I must find out what exactly she was doing. The business was difficult enough already with Sandy following his own trail and me forbidden to get into touch with him, but if Mary was also on the job it would be naked chaos unless I knew her plans. I own I felt miserably nervous. There was nobody in the world whose wisdom I put higher than hers, and I would have trusted her to the other side of Tophet, but I hated to think of a woman mixed up in something so ugly and perilous. She was far too young and lovely to be safe on the back-stairs. And yet I remembered that she had been in uglier affairs before this and I recalled old Blenkiron's words: "She can't scare and she can't soil." And then I began to get a sort of comfort from the feeling that she was along with me in the game; it made me feel less lonely. But it was pretty rough luck on Peter John. Anyhow I must see her, and I argued that she would probably be staying with her Wymondham aunts, and that in any case I could get news of her there.
The Misses Wymondham were silly ladies, but their butler would have made Montmartre respectable. He and I had always got on well, and I think the only thing that consoled him when Fosse was sold was that Mary and I were to have it. The house in Great Charles Street was one of those tremendously artistic new dwellings with which the intellectual plutocracy have adorned the Westminster slums.
"Is her ladyship home yet?" I asked.
"No, Sir Richard, but she said she wouldn't be late. I expect her any moment."
"Then I think I'll come in and wait. How are you, Barnard? Found your city legs yet?"
"I am improving, Sir Richard, I thank you. Very pleased to have Miss Mary here, if I may take the liberty of so speaking of her. Miss Claire is in Paris still, and Miss Wymondham is dancing to-night, and won't be back till very late. How are things at Fosse, sir, if I may make so bold? And how is the young gentleman? Miss Mary has shown me his photograph. A very handsome young gentleman, sir, and favours yourself."
"Nonsense, Barnard. He's the living image of his mother. Get me a drink, like a good fellow. A tankard of beer, if you have it, for I've a throat like a grindstone."
I drank the beer and waited in a little room which would have been charming but for the garish colour scheme which Mary's aunts had on the brain. I was feeling quite cheerful again, for Peter John's photograph was on the mantelpiece and I reckoned that any minute Mary might be at the doorway.
She came in just before midnight. I heard her speak to Barnard in the hall, and then her quick step outside the door. She was preposterously dressed, but she must have done something to her face in the taxi, for the paint was mostly rubbed from it, leaving it very pale.
"Oh, Dick, my darling," she cried, tearing off her cloak and running to my arms. "I never expected you. There's nothing wrong at home?"
"Not that I know of, except that it's deserted. Mary, what on earth brought you here?"
"You're not angry, Dick?"
"Not a bit—only curious."
"How did you know I was here?"
"Guessed. I thought it the likeliest cover to draw. You see I've been watching you dancing to-night. Look here, my dear, if you put so much paint and powder on your face and jam it so close to old Turpin's chest, it won't be easy for the poor fellow to keep his shirt-front clean."
"You—watched—me—dancing! Were you in that place?"
"Well, I wouldn't say in it. But I had a prospect of the show from the gallery. And it struck me that the sooner we met and had a talk the better."
"The gallery! Were you in the house? I don't understand."
"No more do I. I burgled a certain house in a back street for very particular reasons of my own. In the process I may mention that I got one of the worst frights of my life. After various adventures I came to a place where I heard the dickens of a row which I made out to be dance music. Eventually I found a dirty little room with a window and to my surprise looked down on a dancing-hall. I know it, for I had once been there with Archie Roylance. That was queer enough, but imagine my surprise when I saw my
wedded wife, raddled like a geisha, dancing with an old friend who seemed to have got himself up to imitate a wax-work."
She seemed scarcely to be listening. "But in the house! Did you see no one?"
"I saw one man and I heard another. The fellow I saw was a man I once met in the small hours with Medina."
"But the other? You didn't see him? You didn't hear him go out?"
"No." I was puzzled at her excitement. "Why are you so keen about the other?"
"Because I think—I'm sure—it was Sandy—Colonel Arbuthnot."
This was altogether beyond me. "Impossible!" I cried. "The place is a lair of Medina's. The man I saw was Medina's servant or satellite. Do you mean to say that Sandy has been exploring that house?"
She nodded. "You see it is the Fields of Eden."
"Oh, I know. I found that out for myself. Do you tell me that Sandy discovered it too?"
"Yes. That is why I was there. That is why I have been living a perfectly loathsome life and am now dressed like a chorus girl."
"Mary," I said solemnly, "my fine brain won't support any more violent shocks. Will you please to sit down beside me, and give me the plain tale of all you have been doing since I said good-bye to you at Fosse?"
"First," she said, "I had a visit from a dramatic critic on holiday, Mr. Alexander Thomson. He said he knew you and that you had suggested that he should call. He came three times to Fosse, but only once to the house. Twice I met him in the woods. He told me a good many things, and one was that he couldn't succeed and you couldn't succeed, unless I helped. He thought that if a woman was lost only a woman could find her. In the end he persuaded me. You said yourself, Dick, that Nanny was quite competent to take charge of Peter John, with Dr. Greenslade so close at hand. And I hear from her every day, and he is very well and happy."
