Final Jeopardy
Linda Fairstein
Manhattan ’s top sex crimes prosecutor stares at the shocking headline in the morning newspaper, reading her own obituary. But Assistant D.A. Alexandra Cooper is very much alive. The body found by police on the secluded road leading to Alexandra’s country house on Martha’s Vineyard belonged instead to the internationally acclaimed Hollywood star, Isabella Lascar.
Isabella had borrowed Alex’s home for a quiet holiday. Police found her body tall and slim, like Alex in a car rented in Cooper’s name, without any form of identification, and her face blown away by the shotgun blast that took her life.
When Alexandra tells the police who the victim was, the investigation takes two distinct paths. One makes the assumption that the movie star was the intended target of the killer, while the other recognises that Alex herself may be the next victim of the assassin.
Alexandra’s job is to send rapists and stalkers to jail, and she’s very good at it. So good, in fact, that the list of potential suspects who’d like to see her dead is horrifically long. On the other hand, Isabella had previously suffered the attentions of a stalker, and her fame had attracted an equally long list of obsessive fans. Or is the killer coming from an entirely different direction?
Final Jeopardy is a formidable thriller of intelligence and authenticity, and marks the debut of a character who will be entertaining readers for many years to come.
Linda Fairstein
Final Jeopardy
The first book in the Alex Cooper series
FOR
Esther Newberg
AND
Justin Feldman, Believers
CHAPTER 1
I sat on my living-room sofa at five o’clock in the morning with a copy of the mock-up of the front page of the day’s New York Post in my hand, looking at my own obituary.
The headline I was reading had been prepared hours earlier, when the cops thought that it was my head that had been blown apart by a rifle blast on a quiet country road in a little Massachusetts town called Chilmark.
“SEX PROSECUTOR SLAIN – FBI, STATE TROOPERS JOIN SEARCH FOR KILLER‘
Mike Chapman sat opposite me as he worked on his second egg sandwich and lukewarm cup of coffee. He had brought them along with the news story, and in the fashion of an experienced Homicide detective he continued chewing even as he described to me the details of the murder scene – bullet holes, blood spatter, and body bag.
“Good thing you’ve been a source for so many stories at the Post all these years. It’s a very complimentary obit…"
He stopped eating long enough for that familiar grin to emerge, then added, “And a great picture of you – looks like they airbrushed most of your wrinkles out. Your phone’ll be ringing off the hook once all those lonely guys in this city realize you’re still alive – maybe you’ll get lucky.”
Most of the time Mike could defuse every situation and get me to laugh, but I had been crying for so many hours that it was impossible to respond to his lousy cracks or to focus on anything else but the dreadful day that lay ahead.
A woman had been killed on the path leading to my country house, driving a car that had been rented in my name. The body of the tall, slender, thirtyish victim was missing her face, so most of the local cops who arrived on the scene assumed that I had been the target.
We were more than two hundred miles away from the crime scene, twenty stories above the noise of the garbage trucks that rolled through Manhattan streets every morning before dawn, in the safe confines of my high-rise apartment on the Upper East Side. Too many years of investigating break-ins of brownstones and townhouses, with rapists climbing in from fire escapes or pushing in vestibule doors behind unsuspecting tenants, had driven me to a luxury building low on quaintness and charm but high on doormen and rent.
My mother had come into town for two weeks to decorate for me when I moved a few years earlier, but the French provincial antiques and lavish Brunschwig fabrics were an incongruous backdrop for this deadly conversation.
“How’d you get the call?” Mike asked, brushing the crumbs off his slacks and onto the carpet, ready to give me his undivided attention.
“One of the guys in the unit is about to start a trial in front of Torres and grabbed me just as I was going to leave the office for the night. His victim is a junkie – she came in to be prepped for court and was so high she couldn’t hold her head up. God knows if she remembers anything about the rape. I had to make the arrangements to get a hotel room for her overnight so we could try to dry her out before she gets on the witness stand. By the time we finished it was nine-thirty, and I just called my friend Joan Stafford to meet for a late supper.”
“I didn’t ask you for your alibi, for Chrissakes. How’d you hear about this?”
“I can’t even focus straight, Mike. You’ve got to take me down to my office so I can be there before everyone starts to arrive – I’ll never make it through all the questions.”
“Just talk to me, Alex.”
Reliving the events of the past few hours as a witness and not a prosecutor was an unsettling role for me. I tried to reconstruct what had happened after I walked into my apartment shortly before midnight and headed to the answering machine to play back the messages as I started to undress.
Beep one: “Hi, Alex. I’m on the Ventura Freeway, taking the baby to his play group. Tell me more about the case with the therapist who seduced his patient. It sounds fascinating.
How many people do you think he’s fucked up? Speak with you later.” Nina Baum, my college roommate, still my best friend, making her regular phone car call from one of the endless L.A. roadways on which she seemed to spend her life.
Beep two: Just the deliberate click of a hang-up call.
Beep three: “Yo, Coop. Wallace here. The lieutenant asked me to give you a heads up. The Con Ed rapist hit again today. Nothing for you to do now. Lady’s been to the hospital and released, so we put her to bed for the night. You do the same, and we’ll be down at your office tomorrow. Behave. G’night.” The deep, familiar voice of Mercer Wallace, formerly of Homicide, who was now my lead detective in the Special Victims Squad, the unit which investigated all of the sexual assault and child abuse cases that occurred in Manhattan.
Beep four: “I’m trying to reach a friend or next-of-kin to Alexandra Cooper. This is an emergency. Please call me, Chief Wally Flanders, Chilmark Police Martha’s Vineyard. It’s urgent – give a call as soon as you get this message. Area code 508-555-3044. Thanks.”
Of course I had known Wally for more than a decade – I had been going to the Vineyard since I had been in law school, and Wally was as much a local fixture as the fishing boats and the general store.
I picked up the phone to dial, wondering why he was looking for a friend or relative at my apartment instead of asking for me. When he got on the line, he expressed how surprised he was to hear my voice.
“Where are you?” he asked.
“In Manhattan, in my apartment, Chief.”
“Well, Alex, there’s been a terrible tragedy here. Terrible.
Was there somebody stayin‘ at your house, somebody you let use it?“
“Yes, Wally, a friend of mine is there. It’s okay, she’ll be staying there for a week or two. It’s no problem, I’ve arranged everything.”
My mind was racing but I had never connected the Vineyard with any kind of crime problem except the occasional house burglary. That’s why it has always been such a refuge for me, a world away from the grim business of investigating and prosecuting rape cases. Someone must have noticed an unfamiliar person coming or going into Daggett’s Pond Way and suspected a burglary.
“Not so easy, Alex. Your friend isn’t staying for as long as yo
u thought. She was shot sometime tonight, see, and my guys found the body a few hours ago. She’s dead, Alex, real dead.”
“Oh my God!” I repeated quietly several times into the telephone mouthpiece. I was incredulous, as people always are when they get this kind of news. And as intimately as I have worked with violence and murder for more than ten years, it had never ruptured the fragile line that separated my personal from my professional life.
“Alex? Alex? Are you alone there?”
“Yes.”
“Can you get someone over to give you a hand with this?”
With what? I thought. What else could anyone do except stare at me while I spun out of control?
Wally continued, “See, the big problem is that we thought it was you who got killed. That’s why we were tryin‘ to find your family, for notification. The press already thinks you’re the dead woman.”
“How did that happen?” I shrieked at him.
“Well, it’s really ugly. We figure that you mean she was riding in a convertible, top down and she had turned off the state road onto that wooded path that leads in to your house. Someone must have been waiting in there for you, and excuse me – just let out a blast which hit her square in the side of her head.”
I don’t suppose Wally could hear me but I was sitting on my bedroom floor, crying as he finished his story.
“We had a call during the evening to go up to the Patterson house, out your way. My boys found the body – couldn’t tell much about anything from looking at her and she didn’t have no ID. They called in the license plate and found that the Mustang had been rented in your name. Hell, it was your driveway, a rented car, and a girl with a similar build and size – it made sense that it was you.”
“I guess so,” I whimpered back to him.
“Well, I’m glad it’s not you, Alex. Everyone will be glad to know it’s not you. I figured the investigation would be a monster, tryin‘ to track down every pervert and madman you’ve sent to jail. That’s why I called in the FBI – figured we’d be hunting’ all over the place.”
Wally actually laughed a few times at that point.
“It’s a relief, really. I guess the off-island papers won’t even bother with us now.”
The chief had no idea how wrong he was and how bad this was going to be for that tranquil little island.
“Can you help us, Alex? Can you give us her name and who to notify?”
I mumbled the name into the phone, but Wally heard it loud and clear.
“Isabella Lascar.”
The news wires were about to explode with the information that the face of the dazzlingly beautiful actress and film star, Isabella Lascar, had been obliterated, and that what was left of her body lay in the tiny Vineyard morgue, with a toe tag mislabeled in the name of Alexandra Cooper.
Mike waited in the den, surfing the TV channels for clips about the murder, while I showered and dressed to go down to my office in the criminal courthouse. There wasn’t enough makeup in Manhattan to conceal the puffy circles beneath my eyes, so I just rolled on some lipstick and grabbed my sunglasses from the bedside table.
“You look like shit, blondie,” Mike offered as I headed for the front door.“Very bad for my image – doorman thinks I spent the night with a broad who looks like that.”
“If you think I look bad now, you’re going to love it when the District Attorney gets done with me in a few hours.
C’mon, let’s get going.“
Chapman is as dark-featured as I am fair – lots of thick, straight black hair and what people usually call an infectious grin, when he chose to display it. He was tall and lanky, and his years at Fordham University, where he graduated with a degree in history before following in his father’s footsteps and entering the Police Academy, left him with a taste for dressing in an almost preppy style which set him apart from most of his colleagues.
When I called the District Attorney after my conversation with Wally Flanders, he told me that he would assign a detective to stay with me for the next twenty-four hours, and I was as grateful for Mike Chapman’s jibes as I was for his company.
It was just before 6 AM when we walked to the department car he had parked around the corner on Third Avenue. Mike unlocked the door and I got in, kicking aside the usual littered remains of empty cardboard coffee cups, crushed cigarette packs, and a month’s worth of tabloids.
“Fill me in, will you? Who’d you speak to last night, after you got the call?” he asked, as he started toward the FDR Drive.
“I began with the easy stuff. My parents first, just to let them know I was alive. My brothers. Next Joan, since we’d just had dinner, and I gave her the assignment of calling friends. Then, armed with a loaded glass of Dewar’s, I called the D.A.”
Paul Battaglia, the District Attorney of New York County, believed that your name belonged in a newspaper only three times: when you’re born, when you die, and when he announced your indictment at a press conference – at a date and time entirely of his choosing. Assistant district attorneys, as the five hundred and seventy-six of us who worked for him were called, flourished best out of the harsh glare of media light.
Battaglia was the only D.A. most New Yorkers remembered, and with good reason. He had been in office almost twenty years and, at the age of sixty-two, had a national reputation for his impeccable integrity and for running the best prosecutor’s office in the country.
Like most of my colleagues, I had joined the office immediately after law school, confident that it was the best training ground for trial attorneys anywhere. I had planned to stay the four years that Battaglia required as a commitment when he extended our job offers, and then move on to the more lucrative private – practice of law.
But like the overwhelming number of young lawyers on the staff, I fell in love with the challenge of the work – trying complicated felony cases to juries, working around the clock with cops in station houses and at crime scenes, and generally being on the side of the angels in the endless battles against violent crime in the big city.
And a major aspect of my happiness was my respect for Battaglia, who had given so much to me in the eleven years since he had hired me. I liked to think that I had not done anything to disappoint him, until last night.
“You know the man almost as well as I do, Mike. The kind of publicity this thing could generate will make him very unhappy.”
“Tell me what Lascar was doing at your country house in the first place.”
Isabella and I first met three years earlier, at the suggestion of Nina Baum, who had been my roommate at Wellesley. Nina was the head of the legal department at Virgo Studios and in charge of all the contract negotiations for the superstars in most of the company productions.
The three of us were about the same age, although Isabella’s official bio shaved a few years off, and she and Nina had become great friends after working together on a number of projects.
Lascar had a few minor speaking roles in some major movies in the late eighties, but it was her love scenes with Warren Beatty in Delirious cast as his mistress, living in the Hotel du Cap, while Beatty played a roguish bank robber working the Riviera – which brought her celebrity recognition.
When Virgo bought the rights to the best-selling novel Probable Cause, Nina called me to ask a favor. Isabella had been awarded the starring role in the movie, playing the part of the federal prosecutor who investigated and convicted a powerful senator for the hired killing of his wealthy wife in their Washington, D.C.“ townhouse. I had tried a number of high-profile rape and murder cases by then, and Nina wanted me to let Isabella spend time with me, in and out of court, to give her some flavor of the work and lifestyle of a woman litigator.
Battaglia and Isabella first met when I introduced her to him at lunch one day, at a restaurant near the courthouse. He had never heard of her at that point, and he mispronounced her name, calling her Miss Lasker. She placed her hand on his forearm, leaned into him with a smile, as she made the correction.<
br />
“It’s Lass-CAR, darling.
Accent on the second syllable. It’s French.“ She had come across the name of a character – a Lyonnaise courtesan in a De Maupassant short story, Isabella later told me, and had taken it for her own.
I reminded Mike of Battaglia’s reaction to my request.
“He was very good-natured about that nonsense. I asked him if Isabella could shadow me in the office and he agreed.
As usual, his instincts were right, though. He insisted that Virgo not list us in the credits at the end of the movie, just in case the depiction wasn’t too flattering.“
“So the scenes where she slept with her boss, three senators, and one of the jurors weren’t based on you?”
Mike chuckled.
“Neither were her devastating cross-examinations, Mike.
I think the only thing they used after spending three weeks with me was the scene when she left work early to go to a shoe sale at Saks. The rest was strictly Hollywood.“
Mike knew that Isabella and I had kept in touch ever since, and that she often called me when she was in New York. And never had she called without wanting something from somebody. She had developed quite a reputation as a bitch, which did not come as much of a surprise to me.
“Darling, it’s Iz,” the typical message began.
“I’m in town, at the Carlyle. Love to see you. By the way, don’t you have some little man who can breeze me through Customs when I come back from Milano next week?” or, “You know that pass you put in your windshield when you go to a police station? Can’t I just borrow it for my driver while I’m here for the week? It’ll save us getting all those lousy parking tickets.”
Always minor irritants. Improper, but minor.
Then it changed a few months ago, when Isabella had a serious problem: she was being stalked. The first letters went to her home in Bel Air, but whenever she arrived in Manhattan, the stalker knew to send the letters to the Carlyle and the phone calls followed.
Final Jeopardy Page 1
