Steel Beach

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Steel Beach Page 29

by John Varley


  "Detaching me is easy; simply lift the handle on top of the box. But I'll die in a few minutes." The thought didn't seem to bother him.

  "Unless I plug you into one of these." I took the machine Brenda had located and held it up in front of him. He made a sour face.

  I don't know what the machine was called. What it did was provide life support for his head, containing things like an artificial heart, lungs, kidneys, and so forth, all quite small since there wasn't that much life to support. I'd been told it would sustain him for eight hours independently, indefinitely when hooked into an autodoc. The device was the same dimensions as his head-box, and about ten centimeters deep. I placed it on the floor and lifted the box by the handle. He looked worried for the first time. A few drops of blood dripped onto the shelf, where I could see a maze of metal pins, plastic tubes, air hoses. There was a similar pattern of fittings on the transport device, arranged so there was only one way you could plug it in. I positioned the box over the life support and pressed down.

  "Am I doing it right?" I asked the Grand Flack.

  "There's not much you could do wrong," he said. "And you'll never get away with this."

  "Try me." I found the right switches, turned off his voice and three of the television screens. The fourth, the one that had been showing his face, was replaced with the movie the group had been watching when we arrived. "Let's get out of here," I said to Brenda.

  "What about her? What about Cricket?"

  "I said no questions. Let's move."

  She followed me out into the corridor, through the door where we'd met Cricket, down more hallways. Then we rounded a corner and met a burly man in a brown uniform who crossed his arms and frowned at us.

  "Where are you going with that?" he asked.

  "Where do you think, Mac?" I asked. "I'm taking it into the shop. You try to run ten thousand of these things, you're gonna get breakdowns."

  "Nobody told me nothing about it."

  I set the Grand Flack on the floor with the movie side of the screen facing the guard; his eyes strayed to the screen, as I'd hoped. There's something about a moving image on a television screen that simply draws the eyes, especially if you're a Flackite. I had one hand on my trusty wrench, but mostly I flipped through the papers on my clipboard in a bored manner. I came to one page-it seemed to be an insurance policy for Cricket's apartment -and pointed triumphantly to the middle of it.

  "Says right here. Remove and repair one model seventeen video monitor, work order number 45293-a/34. Work to be completed by blah blah blah."

  "I guess the paperwork didn't get to me yet," he said, one eye still on the screen. Maybe we were coming to his favorite part. All I knew was if he'd asked to see the paperwork I'd have held the clipboard out to him and beaned him with the wrench when he looked at it.

  "Ain't that always the way."

  "Yeah. I was just surprised to see you two here, what with all the excitement with Silvio gettin' killed and all."

  "What the hell," I said, with a shrug, picking up the Grand Flack and tucking him under my arm. "Sometimes you just gotta go that extra kilometer if you want to get a head." And we walked out the door.

  ***

  Brenda made it almost a hundred meters down the corridor and then she said, "I think I'm going to faint." I steered her to a bench in the middle of the mall and sat her down and put her head between her knees. She was shaking all over and her breathing was unsteady. Her hand was cold as ice.

  I held out my own hand, and was pleased to note it was steady. I honestly hadn't been frightened after I detached the Flack from his shelf; I'd figured that if there was any point where my devices might fail, that would be it. But I was aided by something that had helped many a more professional burglar before I ever tried my hand at it. It had simply never been envisioned that anyone would want to steal one of the council members. As for the rest… well, you can read all these wonderfully devious tales about how spies in the past have stolen military and state secrets with elaborate ruses, with stealth and cunning. Some of it must have been like that, but I'd bet money that a lot of them had been stolen by people with uniforms and clipboards who just went up to somebody and asked for them.

  "Is it over yet?" Brenda asked, weakly. She looked pale.

  "Not yet. Soon. And still no questions."

  "I'm going to have a few pretty damn soon, though," she said.

  "I'll bet you will."

  ***

  In order to save time I hadn't had her get any more costumes to stash along our getaway route, so we simply peeled off the Electrician duds and stuffed them into the trash in a public rest room and returned to the Plaza in the nude. I was carrying the Grand Flack in a shopping bag from one of the shops on the Platz and we had our arms around each other like lovers. In the elevator Brenda let go of me like I was poison, and we rode up in silence.

  "Can we talk now?" she asked, when I'd closed the door behind us.

  "In a minute." I lifted the box out of the bag, along with the few other items I'd saved: the magic wands, the dark glasses, the goofball. I picked up a newspad and turned it on and we watched and read and listened for a few minutes, Brenda growing increasingly impatient. There was no mention of a daring break-in at the Grand Studio, no all-points bulletin for Roz and Kathy. I hadn't expected one. The Flacks understood publicity, and while there is some merit in the old saw about not caring what you print about me so long as you spell my name right, you'd much prefer to see the news you manage out there in the public view. This story had about a thousand deadly thorns in it if the Flacks chose to exploit it, and I was sure they'd think it over a long time before they reported our crime to the police, if they ever did. Besides, their plates were full with the assassination stories, which would keep their staff busy for months, churning out new angles to feed to the pads.

  "Okay," I said to Brenda. "We're safe for a while. What did you want to know?"

  "Nothing," she said coldly. "I just wanted to tell you I think you're the most disgusting, rottenest, most horrible…" Her imagination failed when it came to finding a noun. She'd have to work on that; I could have suggested a dozen off the top of my head. But not for the reasons she thought.

  "Why is that?" I asked.

  She was momentarily stunned at the enormity of my lack of remorse.

  "What you did to Cricket!" she shouted, half rising from her chair. "That was so dirty and underhanded… I don't think I want to know you anymore."

  "I'm not sure I do, either. But sit down. There's something I want to show you. Two things, actually." The Plaza has some charming antique phones and there was one beside my chair. I picked up the receiver and dialed a number from memory.

  "Straight Shit," came a pleasant voice. "News desk."

  "Tell the editor that one of her reporters is being held against her will in the Grand Studio of the F.L.C.C.S. church."

  The voice grew cautious. "And who might that be?"

  "How many did you infiltrate this morning? Her name is Cricket. Don't know the last name."

  "And who are you, ma'am?"

  "A friend of the free press. Better hurry; when I left they were tying her down and cueing up G.I. Blues. Her mind could be gone by now." I hung up.

  Brenda sputtered, her eyes wide.

  "And you think that makes up for what you did to her?"

  "No, and she doesn't deserve it, but she'd probably do the same thing for me if the situation was reversed, which it almost was. I know the editor at the Shit; she'll have a flying squad of fifty shock troops down there in ten minutes with some ammunition the Flacks will understand, like mock-ups of the next hour's headline if they don't cough up Cricket pronto. The Flacks will want to keep this quiet, but they aren't above trying to get our names out of Cricket since it looks like a falling out among thieves."

  "And if it wasn't, what was it?"

  "It was the golden rule, honey," I said, putting on Cricket's dark glasses and holding up the goofball between thumb and forefinger. "I
n journalism, that rule reads 'Screw unto others before they screw you.'" I flicked the goofball with my thumb and tossed it between us.

  Damn, but those things are bright! It reminded me of the nuke in Kansas, seeming to scorch holes right through the protective lenses. It lasted some fraction of a second, and when I took the glasses off Brenda was slumped over in her chair. She'd be out for twenty minutes to half an hour.

  What a world.

  I picked up the head of the church and carried him into the room I'd prepared. I set him on a table facing the wall-sized television screen, which was turned off at the moment. I rapped on the top of the box.

  "You okay in there?" He didn't answer. I turned a latch and opened the front screen, which was still showing the same movie on both its flat surfaces, inner and outer. The face glared at me.

  "Close that door," he said. "It's just ten minutes to the end."

  "Sorry," I said, and closed it. Then I took my wrench-I'd developed a certain fondness for that wrench-and rapped it against the glass screen, which shattered. I had a glimpse of a blissfully smiling face as the shards fell, then he was screaming insults. Somewhere I heard a little motor whirring as it pumped air through whatever he used for a larynx. He tried uselessly to twist himself so he could see one of the screens to either side of him, which were also tuned to the same program.

  "Oh, were you watching that?" I said. "How clumsy of me." I pulled a cord out of the wall and patched his player into the wall television set, turned the sound down low. He grumped for a while, but in the end he couldn't resist the dancing images behind me. If he'd noticed I was letting him see my face he didn't seem worried about the possible implications. Death didn't seem to be high on his list of fears.

  "They're going to punish you for this, you know," he said.

  "Who would 'they' be? The police? Or do you have your own private goon squads?"

  "The police, of course."

  "The police will never hear about this, and you know it."

  He just sniffed. He sniffed again when I broke the screens on each side of his head. But when I took the patch cord in my hand he looked worried.

  "See you later. If you get hungry, holler." I pulled the cord out of the wall, and the big screen went blank.

  ***

  I hadn't brought any clothes to change into. I got restless and went down to the lobby and browsed around in some of the shops there, killed a half hour, but my heart wasn't really in it. In spite of all my rationalizations about the Flacks, I kept expecting that tap on the shoulder that asks the musical question, "Do you know a good lawyer?" I picked out some loose harem pants in gold silk and a matching blouse, a lounging pajama ensemble I guess you'd call it, mostly because I dislike parading around with no clothes in public, and because Walter was picking up the tab, then I thought of Brenda and got interested. I found a similar pair for her in a green that I thought would do nice things to her eyes. They had to extrude the arms and legs, but the shirt waist was okay, since it was supposed to leave the midriff bare.

  When I got back to the suite Brenda was no longer slumped in the chair. I found her in the bathroom, hugging the toilet and crying her eyes out, looking like a jumbo coat hanger somebody had crumpled up and left there. I felt low enough to sit on a sheet of toilet paper and swing my feet, to borrow a phrase from Liz. I'd never used a goofball before, had forgotten how sick they were supposed to make you. If I'd remembered, would I still have used it? I don't know. Probably.

  I knelt beside her and put my arm around her shoulders. She quieted down to a few whimpers, didn't try to move away. I got a towel and wiped her mouth, flushed away the stuff she'd brought up. I eased her around until she was sitting against the wall. She wiped her eyes and nose and looked at me with dead eyes. I pulled the pajamas out of the sack and held them up.

  "Look what I got you," I said. "Well, actually I used your credit card, but Walter's good for it."

  She managed a weak smile and held out her hand and I gave them to her. She tried to show an interest, holding the shirt up to her chest. I think if she'd thanked me I'd have run screaming to the police, begging to be arrested.

  "They're nice," she said. "You think it'll look good on me?"

  "Trust me," I said. She met my eyes without flinching or giving me one of her apologetic smiles or any other of her arsenal of don't-hit-me-I'm-harmless gestures. Maybe she was growing up a little. What a shame.

  "I don't think I will," she said. I put a hand on each of her shoulders and put my face close to hers.

  "Good," I said, stood, and held out a hand. She took it and I pulled her up and we went back to the main room of the suite.

  She did cheer up a little when she got the clothes on, turning in front of a big mirror to study herself from all angles, which reminded me to look in on my prisoner. I told her to wait there.

  He wasn't nearly as bad off as I'd thought he would be, which worried me more than I let him know. I couldn't figure it out until I crouched down to his level and looked into the blank television screen he faced.

  "You tricky rascal," I said. Looking at the inert plastic surface of the screen, I could see part of a picture on the screen directly behind his head, the only one I hadn't smashed out. I couldn't tell what the movie was, and considering how little of it he could see he might not have known, either, with the sound off, but it must have been enough to sustain him. I picked him up and turned him around facing away from the wall screen. He made a fascinating centerpiece, sure to start interesting conversations at your next party. Just a head sitting on a thick metal base, with four little pillars supporting a flat roof above him. It was like a little temple.

  He was looking really worried now. I crouched down and looked at all the covered mirrors and glass. I found no surface that would reflect an image to him if I were to turn on the screen behind him, which I did. I debated about the sound, finally turned it on, figuring it would torment him more to hear it and not be able to see. If I was wrong, I could always try it the other way in an hour or so, if we were granted that much time. Let's face it, if anybody was looking for us, we'd be easy to find. I waved at him and made a face at the string of curses that followed me out of the room.

  How to get information out of somebody that doesn't want to talk? That's the question I'd asked myself before I started this escapade. The obvious answer is torture, but even I draw the line at that. But there's torture and then there's torture. If a man had spent most of his life watching passively as endless images marched by right in front of his face, spent every waking hour watching, how would he react if the plug was pulled? I'd find out soon enough. I'd read somewhere that people in sensory deprivation tanks quickly became disoriented, pliable, lost their will to resist. Maybe it would work with the Grand Flack.

  Brenda and I spent a silent half hour sitting in chairs not too far from each other that might as well have been on other planets. When she finally spoke, it startled me. I'd forgotten she was there, lost in my own thoughts.

  "She was going to use that thing on us," she said.

  "Who, Cricket? You saw it fall out of her hand, right? It's called a goofball. Knocks you right out, from what I'm told."

  "You were told right. It was awful."

  "I'm really sorry, Brenda. It seemed like a good idea at the time."

  "It was. I asked for it. I deserved it."

  I wasn't sure about that, but it had been the quickest way to show her what we'd narrowly averted. That's me: quick and dirty, and explain later. She thought about it a few more minutes.

  "Maybe she was just going to use it on the Flacks."

  "Sure she was; she didn't expect to find us there. But you didn't see her handing out pairs of glasses. We'd have gone down with the Flacks."

  "And she'd have left us there."

  "Just like we left her."

  "Well, like you said, she didn't expect us. We forced her hand."

  "Brenda, you're trying to apologize for her, and it's not necessary. She forced my hand, to
o. You think I liked cracking her on the head? Cricket's my friend."

  "That's the part I don't understand."

  "Look, I don't know what her plan was. Maybe she had drugs on her, too, something to make the Flacks talk right there. That might have been the best way, come to think of it. The penalties for… well, I guess for headnapping, it's going to be pretty stiff if they catch me."

  "Me, too."

  I showed her the gun I'd bought from Liz; she looked shocked, so I put it away. I don't blame her. Nasty little thing, that gun. I can see why they're illegal.

  "Just me. If it comes to it, you can say I held that on you the whole time. I won't have trouble convincing a judge I've lost my mind. Anyway, you can be sure Cricket had some plan of attack in mind, and she improvised when we entered the picture. The story's the thing, see? Ask her about it when this is all over."

  "I don't think she'd talk to me."

  "Why not? She won't hold a grudge. She's a pro. Oh, she'll be mad, all right, and she'll do just about anything to us if we get in her way again, but it won't be for revenge. If cooperation will get the story, then she'd rather cooperate, just like me. Trouble was, this story is too big to share. I think we both figured out as soon as we saw each other that one of us wasn't walking out of that room. I was just faster."

  She was shaking her head. I'd said all I had to say; she'd either understand it and accept it, or look for another line of work. Then she looked up, remembering something.

  "What you said. I can't let you do that. Take the rap, I mean."

  I pretended anger, but I was touched again. What a sweet little jerk she was. I hoped she didn't get eaten alive next time she met Cricket.

  "You sure as hell will. Stop being juvenile. First revenge, then altruism. Those things are for very special occasions, rare circumstances. Not when they get in the way of a story. You want to be altruistic in your private life, go ahead, but not on Walter's time. He'll fire you if he hears about it."

 

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