The Duke Of Chimney Butte

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by Ogden, George W


  He had speculated on this eventuality not a little during the days of his enforced idleness. This morning the thought was so strong in him that it amounted almost to a plan. Maybe there was a face in these calculations, a face illumined by clear, dark eyes, which seemed to strain over the brink of the future and beckon him on. Blood might stand between them, and differences almost irreconcilable, but the face withdrew never.

  It was evening before he worked through the herd and made it round to the place where Grace Kerr had cut the fence. There was no message for him. Without foundation for his disappointment, he was disappointed. He wondered if she had been there, and bent in his saddle to examine the ground across the fence.

  There were tracks of a horse, but whether old or new he was not educated enough yet in range-craft to tell. He looked toward the hill from which he had watched her ride to cut the fence, hoping she might appear. He knew that this hope was traitorous to his employer, he felt that his desire toward this girl was unworthy, but he wanted to see her and hear her speak.

  Foolish, also, to yield to that desire to let down the fence where he had hooked the wire and ride out to see if he could find her. Still, there was so little probability of seeing her that he was not ashamed, only for the twinge of a disloyal act, as he rode toward the hill, his long shadow ambling beside him, a giant horseman on a mammoth steed.

  He returned from this little sentimental excursion feeling somewhat like a sneak. The country was empty of Grace Kerr. In going out to seek her in the folly of a romance too trivial for a man of his serious mien, he was guilty of an indiscretion deserving Vesta Philbrook's deepest scorn. He burned with his own shame as he dismounted to adjust the wire, like one caught in a reprehensible deed, and rode home feeling foolishly small. Kerr! He should hate the name.

  But when he came to shaving by lamplight that night, and lifted out his pied calfskin vest to find his strop, the little handkerchief brought all the old remembrances, the old tenderness, back in a sentimental flood. He fancied there was still a fragrance of violet perfume about it as he held it tenderly and pressed it to his cheek after a furtive glance around. He folded it small, put it in a pocket of the garment, which he hung on the foot of his bed.

  An inspiration directed the act. Tomorrow he would ride forth clothed in the calfskin vest, with the bright handkerchief that he had worn on the Sunday at Misery when he won Grace Kerr's scented trophy. For sentimental reasons only; purely sentimental reasons.

  No, he was not a handsome man any longer, he confessed, grinning at the admission, rather pleased to have it as it was. That scar gave him a cast of ferocity which his heart did not warrant, for, inwardly, he said, he knew he was as gentle as a dove. But if there was any doubt in her mind, granted that he had changed a good deal since she first saw him, the calfskin vest and the handkerchief would settle it. By those signs she would know him, if she had doubted before.

  Not that she had doubted. As her anger and fear of him had passed that morning, recognition had come, and with recognition, confidence. He would take a look out that way in the morning. Surely a man had a right to go into the enemy's country and get a line on what was going on against him. So as he shaved he planned, arguing loudly for himself to drown the cry of treason that his conscience raised.

  Tomorrow he would take a further look through the herd and conclude his estimate. Then he'd have to go to Glendora and order cars for the first shipment. Vesta wouldn't be able to get all of them off for many weeks. It would mean several trips to Chicago for him, with a crew of men to take care of the cattle along the road. It might be well along into the early fall before he had them thinned down to calves and cows not ready for market.

  He shaved and smoothed his weathered face, turning his eyes now and again to his hairy vest with a feeling of affection in him for the garment that neither its worth nor its beauty warranted. Sentimental reasons always outweigh sensible ones as long as a man is young.

  He rode along the fence next morning on his way to the herd, debating whether he should leave a note on the wire. He was not in such a soft and sentimental mood this morning, for sense had rallied to him and pointed out the impossibility of harmony between himself and one so nearly related to a man who had attempted to burn him alive. It seemed to him now that the recollection of those poignant moments would rise to stand between them, no matter how gentle or far removed from the source of her being she might appear.

  These gloomy speculations rose and left him like a flock of somber birds as he lifted the slope. Grace Kerr herself was riding homeward, just mounting the hill over which she must pass in a moment and disappear. He unhooked the wire and rode after her. At the hilltop she stopped, unaware of his coming, and looked back. He waved his hat; she waited.

  "Have you been sick, Duke?" she inquired, after greetings, looking him over with concern.

  "My horse bit me," said he, passing it off with that old stock pleasantry of the range, which covered anything and everything that a man didn't want to explain.

  "I missed you along here," she said. She swept him again with that slow, puzzled look of inquiry, her eyes coming back to his face in a frank, unembarrassed stare. "Oh, I know what it is now! You're dressed like you were that day at Misery. I couldn't make it out for a minute."

  She was not wearing her mannish garb this morning, but divided skirts of corduroy and a white waist with a bit of bright color at the neck. Her white sombrero was the only masculine touch about her, and that rather added to her quick, dark prettiness.

  "You were wearing a white waist the first time I saw you," he said.

  "This one," she replied, touching it with simple motion of full identification.

  Neither of them mentioned the mutual recognition on the day she had been caught cutting the fence. They talked of commonplace things, as youth is constrained to do when its heart and mind are centered on something else which burns within it, the flame of which it cannot cover from any eyes but its own. Life on the range, its social disadvantages, its rough diversions, these they spoke of, Lambert's lips dry with his eagerness to tell her more.

  How quickly it had laid hold of him again at sight of her, this unreasonable longing! The perfume of his romance suffused her, purging away all that was unworthy.

  "I trembled every second that day for fear your horse would break through the platform and throw you," she said, suddenly coming back to the subject that he wanted most to discuss.

  "I didn't think of it till a good while afterward," he said in slow reflection.

  "I didn't suppose I'd ever see you again, and, of course, I never once thought you were the famous Duke of Chimney Butte I heard so much about when I got home."

  "More notorious than famous, I'm afraid, Miss Kerr."

  "Jim Wilder used to work for us; I knew him well."

  Lambert bent his head, a shadow of deepest gravity falling like a cloud over the animation which had brightened his features but a moment before. He sat in contemplative silence a little while, his voice low when he spoke.

  "Even though he deserved it, I've always been sorry it happened."

  "Well, if you're sorry, I guess you're the only one. Jim was a bad kid. Where's that horse you raced the train on?"

  "I'm resting him up a little."

  "You had him out here the other day."

  "Yes. I crippled him up a little since then."

  "I'd like to have that horse. Do you want to sell him, Duke?"

  "There's not money enough made to buy him!" Lambert returned, lifting his head quickly, looking her in the eyes so directly that she colored, and turned her head to cover her confusion.

  "You must think a lot of him when you talk like that."

  "He's done me more than one good turn, Miss Kerr," he explained, feeling that she must have read his harsh thoughts. "He saved my life only a week ago. But that's likely to happen to any man," he added quickly, making light of it.

  "Saved your life?" said she, turning her clear, inquiring eyes on him again
in that expression of wonder that was so vast in them. "How did he save your life, Duke?"

  "I guess I was just talking," said he, wishing he had kept a better hold on his tongue. "You know we have a fool way of saying a man's life was saved in very trivial things. I've known people to declare that a drink of whisky did that for them."

  She lifted her brows as she studied his face openly and with such a directness that he flushed in confusion, then turned her eyes away slowly.

  "I liked him that day he outran the flier; I've often thought of him since then."

  Lambert looked off over the wild landscape, the distant buttes softened in the haze that seemed to presage the advance of autumn, considering much. When he looked into her face again it was with the harshness gone out of his eyes.

  "I wouldn't sell that horse to any man, but I'd give him to you, Grace."

  She started a little when he pronounced her name, wondering, perhaps, how he knew it, her eyes growing great in the pleasure of his generous declaration. She urged her horse nearer with an impetuous movement and gave him her hand.

  "I didn't mean for you to take it that way, Duke, but I appreciate it more than I can tell you."

  Her eyes were earnest and soft with a mist of gratitude that seemed to rise out of her heart. He held her hand a moment, feeling that he was being drawn nearer to her lips, as if he must touch them, and rise refreshed to face the labors of his life.

  "I started out on him to look for you, expecting to ride him to the Pacific, and maybe double back. I didn't know where I'd have to go, but I intended to go on till I found you."

  "It seemed almost a joke," she said, "that we were so near each other and you didn't know it."

  She laughed, not seeming to feel the seriousness of it as he felt it. It is the woman who laughs always in these little life-comedies of ours.

  "I'll give him to you, Grace, when he picks up again. Any other horse will do me now. He carried me to the end of my road; he brought me to you."

  She turned her head, and he hadn't the courage in him to look and see whether it was to hide a smile.

  "You don't know me, Duke; maybe you wouldn't—maybe you'll regret you ever started out to find me at all."

  His courage came up again; he leaned a little nearer, laying his hand on hers where it rested on her saddle-horn.

  "You wanted me to come, didn't you, Grace?"

  "I hoped you might come sometime, Duke."

  He rode with her when she set out to return home to the little valley where he had interposed to prevent a tragedy between her and Vesta Philbrook. Neither of them spoke of that encounter. It was avoided in silence as a thing of which both were ashamed.

  "Will you be over this way again, Grace?" he asked when he stopped to part.

  "I expect I will, Duke."

  "Tomorrow, do you think?"

  "Not tomorrow," shaking her head in the pretty way she had of doing it when she spoke in negation, like an earnest child.

  "Maybe the next day?"

  "I expect I may come then, Duke—or what is your real name?"

  "Jeremiah. Jerry, if you like it better."

  She pursed her lips in comical seriousness, frowning a little as if considering it weightily. Then she looked at him in frank comradeship, her dark eyes serious, nodding her head.

  "I'll just call you Duke."

  He left her with the feeling that he had known her many years. Blood between them? What was blood? Thicker than water? Nay, impalpable as smoke.

  * * *

  CHAPTER XVIII

  THE RIVALRY OF COOKS

  Taterleg said that he would go to Glendora that night with Lambert, when the latter announced he was going down to order cars for the first shipment of cattle.

  "I've been layin' off to go quite a while," Taterleg said, "but that scrape you run into kind of held me around nights. You know, that feller he put a letter in the post office for me, servin' notice I was to keep away from that girl. I guess he thinks he's got me buffaloed and on the run."

  "Which one of them sent you a letter?"

  "Jedlick, dern him. I'm goin' down there from now on every chance I get and set up to that girl like a Dutch uncle."

  "What do you suppose Jedlick intends to do to you?"

  "I don't care what he aims to do. If he makes a break at me, I'll lay him on a board, if they can find one in the Bad Lands long enough to hold him."

  "He's got a bad eye, a regular mule eye. You'd better step easy around him and not stir him up too quick."

  Lambert had no faith in the valor of Jedlick at all, but Taterleg would fight, as he very well knew. But he doubted whether there was any great chance of the two coming together with Alta Wood on the watch between them. She'd pat one and she'd rub the other, soothing them and drawing them off until they forgot their wrath. Still, he did not want Taterleg to be running any chance at all of making trouble.

  "You'd better let me take your gun," he suggested as they approached the hotel.

  "I can take care of it," Taterleg returned, a bit hurt by the suggestion, lofty and distant in his declaration.

  "No harm intended, old feller. I just didn't want you to go pepperin' old Jedlick over a girl that's as fickle as you say Alta Wood is."

  "I ain't a-goin' to pull a gun on no man till he gives me a good reason, Duke, but if he gives me the reason, I want to be heeled. I guess I was a little hard on Alta that time, because I was a little sore. She's not so foolish fickle as some."

  "When she's trying to hold three men in line at once it looks to me she must be playin' two of 'em for suckers. But go to it, go to it, old feller; don't let me scare you off."

  "I never had but one little fallin' out with Alta, and that was the time I was sore. She wanted me to cut off my mustache, and I told her I wouldn't do that for no girl that ever punched a piller."

  "What did she want you to do that for, do you reckon?"

  "Curiosity, Duke, plain curiosity. She worked old Jedlick that way, but she couldn't throw me. Wanted to see how it'd change me, she said. Well, I know, without no experimentin'."

  "I don't know that it'd hurt you much to lose it, Taterleg."

  "Hurt me? I'd look like one of them flat Christmas toys they make out of tin without that mustache, Duke. I'd be so sharp in the face I'd whistle in the wind every time my horse went out of a walk. I'm a-goin' to wear that mustache to my grave, and no woman that ever hung her stockin's out of the winder to dry's goin' to fool me into cuttin' it off."

  "You know when you're comfortable, old feller. Stick to it, if that's the way you feel about it."

  They hitched at the hotel rack. Taterleg said he'd go on to the depot with Lambert.

  "I'm lookin' for a package of express goods I sent away to Chicago for," he explained.

  The package was on hand, according to expectation. It proved to be a five-pound box of chewing gum, "All kinds and all flavors," Taterleg said.

  "You've got enough there to stick you to her so tight that even death can't part you," Lambert told him.

  Taterleg winked as he worked undoing the cords.

  "Only thing can beat it, Duke—money. Money can beat it, but a man's got to have a lick or two of common sense to go with it, and some good looks on the side, if he picks off a girl as wise as Alta. When Jedlick was weak enough to cut off his mustache, he killed his chance."

  "Is he in town tonight, do you reckon?"

  "I seen his horse in front of the saloon. Well, no girl can say I ever went and set down by her smellin' like a bunghole on a hot day. I don't travel that road. I'll go over there smellin' like a fruit-store, and I'll put that box in her hand and tell her to chaw till she goes to sleep, an then I'll pull her head over on my shoulder and pat them bangs. Hursh, oh, hursh!"

  It seemed that the effervescent fellow could not be wholly serious about anything. Lambert was not certain that he was serious in his attitude toward Jedlick as he went away with his sweet-scented box under his arm.

  By the time Lambert had fi
nished his arrangements for a special train to carry the first heavy shipment of the Philbrook herd to market it was long after dark. He was in the post office when he heard the shot that, he feared, opened hostilities between Taterleg and Jedlick. He hurried out with the rest of the customers and went toward the hotel.

  There was some commotion on the hotel porch, which it was too dark to follow, but he heard Alta scream, after which there came another shot. The bullet struck the side of the store, high above Lambert's head.

  * * *

  CHAPTER XIX

  THE SENTINEL

  There appeared in the light of the hotel door for a moment the figures of struggling men, followed by the sound of feet in flight down the steps, and somebody mounting a horse in haste at the hotel hitching-rack. Whoever this was rode away at a hard gallop.

  Lambert knew that the battle was over, and as he came to the hitching-rack he saw that Taterleg's horse was still there. So he had not fled. Several voices sounded from the porch in excited talk, among them Taterleg's, proving that he was sound and untouched.

  His uneasiness gone, Lambert stood a little while in front, well out in the dark, trying to pick up what was being said, but with little result, for people were arriving with noise of heavy boots to learn the cause of the disturbance.

  Taterleg held the floor for a little while, his voice severe as if he laid down the law. Alta replied in what appeared to be indignant protest, then fell to crying. There was a picture of her in the door a moment being led inside by her mother, blubbering into her hands. The door slammed after them, and Taterleg was heard to say in loud, firm voice:

  "Don't approach me, I tell you! I'd hit a blind woman as quick as I would a one-armed man!"

  Lambert felt that this was the place to interfere. He called Taterleg.

  "All right, Duke; I'm a-comin'," Taterleg answered.

 

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