Delphi Complete Works of Henry Wadsworth Longfellow (Delphi Poets Series Book 13)

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Delphi Complete Works of Henry Wadsworth Longfellow (Delphi Poets Series Book 13) Page 66

by Henry Wadsworth Longfellow


  He hath bought her for a gun and a knife!

  And the Curate replies: “O profligate,

  O Prodigal Son! return once more

  To the open arms and the open door

  Of the Church, or ever it be too late. 260

  Thank God, thy father did not live

  To see what he could not forgive;

  On thee, so reckless and perverse,

  He left his blessing, not his curse.

  But the nearer the dawn the darker the night, 265

  And by going wrong all things come right;

  Things have been mended that were worse,

  And the worse, the nearer they are to mend.

  For the sake of the living and the dead,

  Thou shalt be wed as Christians wed, 270

  And all things come to a happy end.”

  O sun, that followest the night,

  In you blue sky, serene and pure,

  And pourest thine impartial light

  Alike on mountain and on moor, 275

  Pause for a moment in thy course,

  And bless the bridegroom and the bride!

  O Gave, that from thy hidden source

  In you mysterious mountain-side

  Pursuest thy wandering way alone, 280

  And leaping down its steps of stone,

  Along the meadow-lands demure

  Stealest away to the Adour,

  Pause for a moment in thy course

  To bless the bridegroom and the bride! 285

  The choir is singing the matin song,

  The doors of the church are opened wide,

  The people crowd, and press, and throng

  To see the bridegroom and the bride.

  They enter and pass along the nave; 290

  They stand upon the father’s grave;

  The bells are ringing soft and slow;

  The living above and the dead below

  Give their blessing on one and twain;

  The warm wind blows from the hills of Spain, 295

  The birds are building, the leaves are green,

  And Baron Castine of St. Castine

  Hath come at last to his own again.

  The Student’s Second Tale: Finale

  “Nunc plaudite!” the Student cried,

  When he had finished; “now applaud,

  As Roman actors used to say

  At the conclusion of a play;”

  And rose, and spread his hands abroad, 5

  And smiling bowed from side to side,

  As one who bears the palm away.

  And generous was the applause and loud,

  But less for him than for the sun,

  That even as the tale was done 10

  Burst from its canopy of cloud,

  And lit the landscape with the blaze

  Of afternoon on autumn days,

  And filled the room with light, and made

  The fire of logs a painted shade. 15

  A sudden wind from out the west

  Blew all its trumpets loud and shrill;

  The windows rattled with the blast,

  The oak-trees shouted as it passed,

  And straight, as if by fear possessed, 20

  The cloud encampment on the hill

  Broke up, and fluttering flag and tent

  Vanished into the firmament,

  And down the valley fled amain

  The rear of the retreating rain. 25

  Only far up in the blue sky

  A mass of clouds, like drifted snow

  Suffused with a faint Alpine glow,

  Was heaped together, vast and high,

  On which a shattered rainbow hung, 30

  Not rising like the ruined arch

  Of some aerial aqueduct,

  But like a roseate garland plucked

  From an Olympian god, and flung

  Aside in his triumphal march. 35

  Like prisoners from their dungeon gloom,

  Like birds escaping from a snare,

  Like school-boys at the hour of play,

  All left at once the pent-up room,

  And rushed into the open air; 40

  And no more tales were told that day.

  PART THIRD.

  Prelude III.

  THE EVENING came; the golden vane

  A moment in the sunset glanced,

  Then darkened, and then gleamed again,

  As from the east the moon advanced

  And touched it with a softer light; 5

  While underneath, with flowing mane,

  Upon the sign the Red Horse pranced,

  And galloped forth into the night.

  But brighter than the afternoon

  That followed the dark day of rain, 10

  And brighter than the golden vane

  That glistened in the rising moon,

  Within, the ruddy fire-light gleamed;

  And every separate window-pane,

  Backed by the outer darkness, showed 15

  A mirror, where the flamelets gleamed

  And flickered to and fro, and seemed

  A bonfire lighted in the road.

  Amid the hospitable glow,

  Like an old actor on the stage, 20

  With the uncertain voice of age,

  The singing chimney chanted low

  The homely songs of long ago.

  The voice that Ossian heard of yore,

  When midnight winds were in his hall; 25

  A ghostly and appealing call,

  A sound of days that are no more!

  And dark as Ossian sat the Jew,

  And listened to the sound, and knew

  The passing of the airy hosts, 30

  The gray and misty cloud of ghosts

  In their interminable flight;

  And listening muttered in his beard,

  With accent indistinct and weird,

  “Who are ye, children of the Night?” 35

  Beholding his mysterious face,

  “Tell me,” the gay Sicilian said,

  “Why was it that in breaking bread

  At supper, you bent down your head

  And, musing, paused a little space, 40

  As one who says a silent grace?”

  The Jew replied, with solemn air,

  “I said the Manichæan’s prayer.

  It was his faith, — perhaps is mine, —

  That life in all its forms is one, 45

  And that its secret conduits run

  Unseen, but in unbroken line,

  From the great fountain-head divine

  Through man and beast, through grain and grass.

  Howe’er we struggle, strive, and cry, 50

  From death there can be no escape,

  And no escape from life, alas!

  Because we cannot die, but pass

  From one into another shape:

  It is but into life we die. 55

  “Therefore the Manichæan said

  This simple prayer on breaking bread,

  Lest he with hasty hand or knife

  Might wound the incarcerated life,

  The soul in things that we call dead: 60

  ‘I did not reap thee, did not bind thee,

  I did not thrash thee, did not grind thee,

  Nor did I in the oven bake thee!

  It was not I, it was another

  Did these things unto thee, O brother; 65

  I only have thee, hold thee, break thee!’”

  “That birds have souls I can concede,”

  The Poet cried, with glowing cheeks;

  “The flocks that from their beds of reed

  Uprising north or southward fly, 70

  And flying write upon the sky

  The biforked letter of the Greeks,

  As hath been said by Rucellai;

  All birds that sing or chirp or cry,

  Even those migratory bands, 75

  The minor poets of the air,

  The plover, peep, and sanderling,

 
That hardly can be said to sing,

  But pipe along the barren sands, —

  All these have souls akin to ours; 80

  So hath the lovely race of flowers:

  Thus much I grant, but nothing more.

  The rusty hinges of a door

  Are not alive because they creak;

  This chimney, with its dreary roar, 85

  These rattling windows, do not speak!”

  “To me they speak,” the Jew replied;

  “And in the sounds that sink and soar,

  I hear the voices of a tide

  That breaks upon an unknown shore!” 90

  Here the Sicilian interfered:

  “That was your dream, then, as you dozed

  A moment since, with eyes half-closed,

  And murmured something in your beard.”

  The Hebrew smiled, and answered, “Nay; 95

  Not that, but something very near;

  Like, and yet not the same, may seem

  The vision of my waking dream;

  Before it wholly dies away,

  Listen to me, and you shall hear.” 100

  The Spanish Jew’s Tale

  Azrael

  KING SOLOMON, before his palace gate

  At evening, on the pavement tessellate

  Was walking with a stranger from the East,

  Arrayed in rich attire as for a feast,

  The mighty Runjeet-Sing, a learned man, 5

  And Rajah of the realms of Hindostan.

  And as they walked the guest became aware

  Of a white figure in the twilight air,

  Gazing intent, as one who with surprise

  His form and features seemed to recognize; 10

  And in a whisper to the king he said:

  “What is you shape, that, pallid as the dead,

  Is watching me, as if he sought to trace

  In the dim light the features of my face?”

  The king looked, and replied: “I know him well; 15

  It is the Angel men call Azrael,

  ‘T is the Death Angel; what hast thou to fear?”

  And the guest answered: “Lest he should come near,

  And speak to me, and take away my breath!

  Save me from Azrael, save me from death! 20

  O king, that hast dominion o’er the wind,

  Bid it arise and bear me hence to Ind.”

  The king gazed upward at the cloudless sky,

  Whispered a word, and raised his hand on high,

  And lo! the signet-rig of chrysoprase 25

  On his uplifted finger seemed to blaze

  With hidden fire, and rushing from the west

  There came a mighty wind, and seized the guest

  And lifted him from earth, and on they passed,

  His shining garments streaming in the blast, 30

  A silken banner o’er the walls upreared,

  A purple cloud, that gleamed and disappeared.

  Then said the Angel, smiling: “If this man

  Be Rajah Runjeet-Sing of Hindostan,

  Thou hast done well in listening to his prayer; 35

  I was upon my way to seek him there.”

  The Spanish Jew’s Tale: Interlude

  “O EDREHI, forbear to-night

  Your ghostly legends of affright,

  And let the Talmud rest in peace;

  Spare us your dismal tales of death

  That almost take away one’s breath; 5

  So doing, may your tribe increase.”

  Thus the Sicilian said; then went

  And on the spinet’s rattling keys

  Played Marianina, like a breeze

  From Naples and the Southern seas, 10

  That brings us the delicious scent

  Of citron and of orange trees,

  And memories of soft days of ease

  At Capri and Amalfi spent.

  “Not so,” the eager Poet said; 15

  “At least, not so before I tell

  The story of my Azrael,

  An angel mortal as ourselves,

  Which in an ancient tome I found

  Upon a convent’s dusty shelves, 20

  Chained with an iron chain, and bound

  In parchment, and with clasps of brass,

  Lest from its prison, some dark day,

  It might be stolen or steal away,

  While the good friars were singing mass. 25

  “It is a tale of Charlemagne,

  When like a thunder-cloud, that lowers

  And sweeps from mountain-crest to coast,

  With lightning flaming through its showers,

  He swept across the Lombard plain, 30

  Beleaguering with his warlike train

  Pavia, the country’s pride and boast,

  The City of the Hundred Towers.”

  Thus heralded the tale began,

  And thus in sober measure ran. 35

  The Poet’s Tale

  Charlemagne

  OLGER the Dane and Desiderio,

  King of the Lombards, on a lofty tower

  Stood gazing northward o’er the rolling plains,

  League after league of harvests, to the foot

  Of the snow-crested Alps, and saw approach 5

  A mighty army, thronging all the roads

  That led into the city. And the King

  Said unto Olger, who had passed his youth

  As hostage at the court of France, and knew

  The Emperor’s form and face: “Is Charlemagne 10

  Among that host?” And Olger answered: “No.”

  And still the innumerable multitude

  Flowed onward and increased, until the King

  Cried in amazement: “Surely Charlemagne

  Is coming in the midst of all these knights!” 15

  And Olger answered slowly: “No; not yet;

  He will not come so soon.” Then much disturbed

  King Desiderio asked: “What shall we do,

  If he approach with a still greater army?”

  And Olger answered: “When he shall appear, 20

  You will behold what manner of man he is;

  But what will then befall us I know not.”

  Then came the guard that never knew repose,

  The Paladins of France; and at the sight

  The Lombard King o’ercome with terror cried: 25

  “This must be Charlemagne!” and as before

  Did Olger answer: “No; not yet, not yet.”

  And then appeared in panoply complete

  The Bishops and the Abbots and the Priests

  Of the imperial chapel, and the Counts; 30

  And Desiderio could no more endure

  The light of day, nor yet encounter death,

  But sobbed aloud and said: “Let us go down

  And hide us in the bosom of the earth,

  Far from the sight and anger of a foe 35

  So terrible as this!” And Olger said:

  “When you behold the harvests in the fields

  Shaking with fear, the Po and the Ticino

  Lashing the city walls with iron waves,

  Then may you know that Charlemagne is come.” 40

  And even as he spake, in the northwest,

  Lo! there uprose a black and threatening cloud,

  Out of whose bosom flashed the light of arms

  Upon the people pent up in the city;

  A light more terrible than any darkness, 45

  And Charlemagne appeared; — a Man of Iron!

  His helmet was of iron, and his gloves

  Of iron, and his breastplate and his greaves

  And tassets were of iron, and his shield.

  In his left hand he held an iron spear, 50

  In his right hand his sword invincible.

  The horse he rode on had the strength of iron,

  And color of iron. All who went before him,

  Beside him and behind him, his whole host,

  Were armed with iron, and
their hearts within them 55

  Were stronger than the armor that they wore.

  The fields and all the roads were filled with iron,

  And points of iron glistened in the sun

  And shed a terror through the city streets.

  This at a single glance Olger the Dane 60

  Saw from the tower, and turning to the King

  Exclaimed in haste: “Behold! this is the man

  You looked for with such eagerness!” and then

  Fell as one dead at Desiderio’s feet.

  The Poet’s Tale: Interlude

  WELL pleased all listened to the tale,

  That drew, the Student said, its pith

  And marrow from the ancient myth

  Of some one with an iron flail;

  Or that portentous Man of Brass 5

  Hephæstus made in days of yore,

  Who stalked about the Cretan shore,

  And saw the ships appear and pass,

  And threw stones at the Argonauts,

  Being filled with indiscriminate ire 10

  That tangled and perplexed his thoughts;

  But, like a hospitable host,

  When strangers landed on the coast,

  Heated himself red-hot with fire,

  And hugged them in his arms, and pressed 15

  Their bodies to his burning breast.

  The Poet answered: “No, not thus

  The legend rose; it sprang at first

  Out of the hunger and the thirst

  In all men for the marvellous. 20

  And thus it filled and satisfied

  The imagination of mankind,

  And this ideal to the mind

  Was truer than historic fact.

  Fancy enlarged and multiplied 25

  The terrors of the awful name

  Of Charlemagne, till he became

  Armipotent in every act,

  And, clothed in mystery, appeared

  Not what men saw, but what they feared. 30

  “Besides, unless my memory fail,

  Your some one with an iron flail

  Is not an ancient myth at all,

  But comes much later on the scene

  As Talus in the Faerie Queene, 35

  The iron groom of Artegall,

  Who threshed out falsehood and deceit,

  And truth upheld, and righted wrong,

  And was, as is the swallow, fleet,

  And as the lion is, was strong.” 40

 

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