Delphi Complete Works of Henry Wadsworth Longfellow (Delphi Poets Series Book 13)

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Delphi Complete Works of Henry Wadsworth Longfellow (Delphi Poets Series Book 13) Page 71

by Henry Wadsworth Longfellow


  Of treason or lese-majesty, 20

  Such an accomplished knight was he.

  His dwelling was just beyond the town,

  At what he called his country-seat;

  For, careless of Fortune’s smile or frown,

  And weary grown of the world and its ways, 25

  He wished to pass the rest of his days

  In a private life and a calm retreat.

  But a double life was the life he led,

  And, while professing to be in search

  Of a godly course, and willing, he said, 30

  Nay, anxious to join the Puritan church,

  He made of all this but small account,

  And passed his idle hours instead

  With roystering Morton of Merry Mount,

  That pettifogger from Furnival’s Inn, 35

  Lord of misrule and riot and sin,

  Who looked on the wine when it was red.

  This country-seat was little more

  Than a cabin of logs; but in front of the door

  A modest flower-bed thickly sown 40

  With sweet alyssum and columbine

  Made those who saw it at once divine

  The touch of some other hand than his own.

  And first it was whispered, and then it was known,

  That he in secret was harboring there 45

  A little lady with golden hair,

  Whom he called his cousin, but whom he had wed

  In the Italian manner, as men said,

  And great was the scandal everywhere.

  But worse than this was the vague surmise, 50

  Though none could vouch for it or aver,

  That the Knight of the Holy Sepulchre

  Was only a Papist in disguise;

  And the more to imbitter their bitter lives,

  And the more to trouble the public mind, 55

  Came letters from England, from two other wives,

  Whom he had carelessly left behind;

  Both of them letters of such a kind

  As made the governor hold his breath;

  The one imploring him straight to send 60

  The husband home, that he might amend;

  The other asking his instant death,

  As the only way to make an end.

  The wary governor deemed it right,

  When all this wickedness was revealed, 65

  To send his warrant signed and sealed,

  And take the body of the knight.

  Armed with this mighty instrument,

  The marshal, mounting his gallant steed,

  Rode forth from town at the top of his speed, 70

  And followed by all his bailiffs bold,

  As if on high achievement bent,

  To storm some castle or stronghold,

  Challenge the warders on the wall,

  And seize in his ancestral hall 75

  A robber-baron grim and old.

  But when through all the dust and heat

  He came to Sir Christopher’s country-seat,

  No knight he found, nor warder there,

  But the little lady with golden hair, 80

  Who was gathering in the bright sunshine

  The sweet alyssum and columbine;

  While gallant Sir Christopher, all so gay,

  Being forewarned, through the postern gate

  Of his castle wall had tripped away, 85

  And was keeping a little holiday

  In the forests, that bounded his estate.

  Then as a trusty squire and true

  The marshal searched the castle through,

  Not crediting what the lady said; 90

  Searched from cellar to garret in vain,

  And, finding no knight, came out again

  And arrested the golden damsel instead,

  And bore her in triumph into the town,

  While from her eyes the tears rolled down 95

  On the sweet alyssum and columbine,

  That she held in her fingers white and fine.

  The governor’s heart was moved to see

  So fair a creature caught within

  The snares of Satan and of sin, 100

  And he read her a little homily

  On the folly and wickedness of the lives

  Of women half cousins and half wives;

  But, seeing that naught his words availed,

  He sent her away in a ship that sailed 105

  For Merry England over the sea,

  To the other two wives in the old countree,

  To search her further, since he had failed

  To come at the heart of the mystery.

  Meanwhile Sir Christopher wandered away 110

  Through pathless woods for a month and a day,

  Shooting pigeons, and sleeping at night

  With the noble savage, who took delight

  In his feathered hat and his velvet vest,

  His gun and his rapier and the rest. 115

  But as soon as the noble savage heard

  That a bounty was offered for this gay bird,

  He wanted to slay him out of hand,

  And bring in his beautiful scalp for a show,

  Like the glossy head of a kite or crow, 120

  Until he was made to understand

  They wanted the bird alive, not dead;

  Then he followed him whithersoever he fled,

  Through forest and field, and hunted him down,

  And brought him prisoner into the town. 125

  Alas! it was a rueful sight,

  To see this melancholy knight

  In such a dismal and hapless case;

  His hat deformed by stain and dent,

  His plumage broken, his doublet rent, 130

  His beard and flowing locks forlorn,

  Matted, dishevelled, and unshorn,

  His boots with dust and mire besprent;

  But dignified in his disgrace,

  And wearing an unblushing face. 135

  And thus before the magistrate

  He stood to hear the doom of fate.

  In vain he strove with wonted ease

  To modify and extenuate

  His evil deeds in church and state, 140

  For gone was now his power to please;

  And his pompous words had no more weight

  Than feathers flying in the breeze.

  With suavity equal to his own

  The governor lent a patient ear 145

  To the speech evasive and high-flown,

  In which he endeavored to make clear

  That colonial laws were too severe

  When applied to a gallant cavalier,

  A gentleman born, and so well known, 150

  And accustomed to move in a higher sphere.

  All this the Puritan governor heard,

  And deigned in answer never a word;

  But in summary manner shipped away,

  In a vessel that sailed from Salem Bay, 155

  This splendid and famous cavalier,

  With his Rupert hat and his popery,

  To Merry England over the sea,

  As being unmeet to inhabit here.

  Thus endeth the Rhyme of Sir Christopher, 160

  Knight of the Holy Sepulchre,

  The first who furnished this barren land

  With apples of Sodom and ropes of sand.

  The Landlord’s Tale: Finale

  THESE are the tales those merry guests

  Told to each other, well or ill;

  Like summer birds that lift their crests

  Above the borders of their nests

  And twitter, and again are still. 5

  These are the tales, or new or old,

  In idle moments idly told;

  Flowers of the field with petals thin,

  Lilies that neither toil nor spin,

  And tufts of wayside weeds and gorse 10

  Hung in the parlor of the inn

  Beneath the sign of the Red Horse.

  And st
ill, reluctant to retire,

  The friends sat talking by the fire

  And watched the smouldering embers burn 15

  To ashes, and flash up again

  Into a momentary glow,

  Lingering like them when forced to go,

  And going when they would remain;

  For on the morrow they must turn 20

  Their faces homeward, and the pain

  Of parting touched with its unrest

  A tender nerve in every breast.

  But sleep at last the victory won;

  They must be stirring with the sun, 25

  And drowsily good night they said,

  And went still gossiping to bed,

  And left the parlor wrapped in gloom.

  The only live thing in the room

  Was the old clock, that in its pace 30

  Kept time with the revolving spheres

  And constellations in their flight,

  And struck with its uplifted mace

  The dark, unconscious hours of night,

  To senseless and unlistening ears. 35

  Uprose the sun; and every guest,

  Uprisen, was soon equipped and dressed

  For journeying home and city-ward;

  The old stage-coach was at the door,

  With horses harnessed, long before 40

  The sunshine reached the withered sward

  Beneath the oaks, whose branches hoar

  Murmured: “Farewell forevermore.”

  “Farewell!” the portly Landlord cried;

  “Farewell!” the parting guests replied, 45

  But little thought that nevermore

  Their feet would pass that threshold o’er;

  That nevermore together there

  Would they assemble, free from care,

  To hear the oaks’ mysterious roar, 50

  And breathe the wholesome country air.

  Where are they now? What lands and skies

  Paint pictures in their friendly eyes?

  What hope deludes, what promise cheers,

  What pleasant voices fill their ears? 55

  Two are beyond the salt sea waves,

  And three already in their graves.

  Perchance the living still may look

  Into the pages of this book,

  And see the days of long ago 60

  Floating and fleeting to and fro,

  As in the well-remembered brook

  They saw the inverted landscape gleam,

  And their own faces like a dream

  Look up upon them from below. 65

  FLOWER-DE-LUCE

  CONTENTS

  Flower-de-Luce

  Palingenesis

  The Bridge of Cloud

  Hawthorne

  Christmas Bells

  The Wind over the Chimney

  The Bells of Lynn

  Killed at the Ford

  Giotto’s Tower

  To-morrow

  Divina Commedia

  Noël

  Flower-de-Luce

  The poems in this division were published under the title Flower-de-Luce in 1867. The title poem was written March 20, 1866.

  BEAUTIFUL lily, dwelling by still rivers,

  Or solitary mere,

  Or where the sluggish meadow-brook delivers

  Its waters to the weir!

  Thou laughest at the mill, the whir and worry 5

  Of spindle and of loom,

  And the great wheel that toils amid the hurry

  And rushing of the flume.

  Born in the purple, born to joy and pleasance,

  Thou dost not toil nor spin, 10

  But makest glad and radiant with thy presence

  The meadow and the lin.

  The wind blows, and uplifts thy drooping banner,

  And round thee throng and run

  The rushes, the green yeomen of thy manor, 15

  The outlaws of the sun.

  The burnished dragon-fly is thy attendant,

  And tilts against the field,

  And down the listed sunbeam rides resplendent

  With steel-blue mail and shield. 20

  Thou art the Iris, fair among the fairest,

  Who, armed with golden rod

  And winged with the celestial azure, bearest

  The message of some God.

  Thou art the Muse, who far from crowded cities 25

  Hauntest the sylvan streams,

  Playing on pipes of reed the artless ditties

  That come to us as dreams.

  O flower-de-luce, bloom on, and let the river

  Linger to kiss thy feet! 30

  O flower of song, bloom on, and make forever

  The world more fair and sweet.

  Palingenesis

  In a letter dated March 20, 1859, Mr. Longfellow says: “For my own part, I am delighted to hear the birds again. Spring always reminds me of the Palingenesis, or re-creation, of the old alchemists, who believed that form is indestructible and that out of the ashes of a rose the rose itself could be reconstructed, — if they could only discover the great secret of Nature. It is done every spring beneath our windows and before our eyes; and is always so wonderful and so beautiful!” The poem, which was printed in the Atlantic for July, 1864, appears to have been written, or at any rate revised, just before publication.

  I LAY upon the headland-height, and listened

  To the incessant sobbing of the sea

  In caverns under me,

  And watched the waves, that tossed and fled and glistened,

  Until the rolling meadows of amethyst 5

  Melted away in mist.

  Then suddenly, as one from sleep, I started;

  For round about me all the sunny capes

  Seemed peopled with the shapes

  Of those whom I had known in days departed, 10

  Apparelled in the loveliness which gleams

  On faces seen in dreams.

  A moment only, and the light and glory

  Faded away, and the disconsolate shore

  Stood lonely as before; 15

  And the wild-roses of the promontory

  Around me shuddered in the wind, and shed

  Their petals of pale red.

  There was an old belief that in the embers

  Of all things their primordial form exists, 20

  And cunning alchemists

  Could re-create the rose with all its members

  From its own ashes, but without the bloom,

  Without the lost perfume.

  Ah me! what wonder-working, occult science 25

  Can from the ashes in our hearts once more

  The rose of youth restore?

  What craft of alchemy can bid defiance

  To time and change, and for a single hour

  Renew this phantom-flower? 30

  “Oh, give me back,” I cried, “the vanished splendors,

  The breath of morn, and the exultant strife,

  When the swift stream of life

  Bounds o’er its rocky channel, and surrenders

  The pond, with all its lilies, for the leap 35

  Into the unknown deep!”

  And the sea answered, with a lamentation,

  Like some old prophet wailing, and it said,

  “Alas! thy youth is dead!

  It breathes no more, its heart has no pulsation; 40

  In the dark places with the dead of old

  It lies forever cold!”

  Then said I, “From its consecrated cerements

  I will not drag this sacred dust again,

  Only to give me pain; 45

  But, still remembering all the lost endearments,

  Go on my way, like one who looks before,

  And turns to weep no more.”

  Into what land of harvests, what plantations

  Bright with autumnal foliage and the glow 50

  Of sunsets burning low;

  Beneath what midnight skies, whose constellations
>
  Light up the spacious avenues between

  This world and the unseen!

  Amid what friendly greetings and caresses, 55

  What households, though not alien, yet not mine,

  What bowers of rest divine;

  To what temptations in lone wildernesses,

  What famine of the heart, what pain and loss,

  The bearing of what cross! 60

  I do not know; nor will I vainly question

  Those pages of the mystic book which hold

  The story still untold,

  But without rash conjecture or suggestion

  Turn its last leaves in reverence and good heed, 65

  Until “The End” I read.

  The Bridge of Cloud

  BURN, O evening hearth, and waken

  Pleasant visions, as of old!

  Though the house by winds be shaken,

  Safe I keep this room of gold!

  Ah, no longer wizard Fancy 5

  Builds her castles in the air,

  Luring me by necromancy

  Up the never-ending stair!

  But, instead, she builds me bridges

  Over many a dark ravine, 10

  Where beneath the gusty ridges

  Cataracts dash and roar unseen.

  And I cross them, little heeding

  Blast of wind or torrent’s roar,

  As I follow the receding 15

  Footsteps that have gone before.

  Naught avails the imploring gesture,

  Naught avails the cry of pain!

  When I touch the flying vesture,

  ‘T is the gray robe of the rain. 20

  Baffled I return, and, leaning

  O’er the parapets of cloud,

  Watch the mist that intervening

  Wraps the valley in its shroud.

  And the sounds of life ascending 25

  Faintly, vaguely, meet the ear,

  Murmur of bells and voices blending

  With the rush of waters near.

  Well I know what there lies hidden,

  Every tower and town and farm, 30

  And again the land forbidden

 

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