A Home-Made Kaleidoscope.
At all glaziers’ shops there are heaps of broken glass, composed of fragments of what were once long strips, cut with the diamond from pieces of window-pane, when fitting them for the sash. If you secure three of these strips of the same size, and tie them together in the form shown by Fig. 213, the strings will keep the glass in position. Cut a piece of semi-transparent writing-paper in the form shown by Fig. 214, so that it will fit on one end of the prism. With mucilage or paste fasten the overlapping edges to the glass; then with dark or opaque paper make another piece to fit upon the opposite end of the kaleidoscope; the opaque end-piece should have a round hole in its centre about the size of a silver twenty-cent piece—this is for the observer’s eye. All that now remains to be done is to cover the sides of the apparatus with the same paper used for the eye-piece, and the kaleidoscope is finished.
Drop a few bits of colored glass, beads or transparent pebbles in and turn the writing-paper end to the light; place your eye at the hole cut for that purpose in the opaque paper end, and as you look keep the prism slowly turning; the reflection in the glass will make the objects within take all manner of ever-changing, odd, and beautiful forms. A kaleidoscope made in the manner described is as serviceable and produces as good results as one for which you would have to pay several dollars at a store. One of the home-made ones can be manufactured in ten minutes if the pieces of glass be of the same length, and need no trimming to make them even.
The Fortune-Teller’s Box.
There exists in all countries a class of people who make their living out of the proceeds derived from tricks and deceptions practised upon the ignorant, credulous, or superstitious portion of the population.
In the by-streets of almost any large city may be seen signs posted up on dingy looking houses, which, if they were to be believed, would lead us to think that the gifted race that live in these dwellings can, by the aid of spirits, fairies, or by the signs in the heavens, give accurate information of all past or future events.
Some of these so-called mediums make such bungling attempts at magic and necromancy that it is a wonder that they are able to deceive any one. Others, however, perform some really wonderful tricks.
With a little trouble and no expense any boy may fit himself out as a fortune-teller, and have an unlimited amount of fun with his friends, who may be mystified and puzzled by simple contrivances, which, if explained to them, would be immediately understood. The professional fortune-teller will take persons into a dimly lighted room and ask if they wish to see their future wives or husbands, as the case may be; of course they do. The witch then leads them up to a table, which has an apparatus on top arranged so as to allow the dupes to peer in for a sight of their lover. When they really see what appear to be live, moving figures inside the tube, they go their ways rejoicing, fully convinced that there is truth in magic. One of these fortune-teller boxes can be made of any old wooden box. Such as is used for soap or candies is generally about the proper dimensions.
Knock one end of the box out, and cut a square hole in the lid in which to fit an inverted L-shaped apparatus. The L should be open at both ends, but tightly closed upon the four sides. A small mirror must be fitted in the L at the angle (see B, Fig. 215), and the L fitted in the square hole in the top of the wooden box in such a manner that any image cast upon the large looking-glass, A, in the wooden box, will be again reflected in the smaller mirror, B, at the angle in the L, and from thence to the observers eye when placed at the open end of the L. This can best be arranged by experiment. The open end of the wooden box must fit closely in a square hole cut in the partition or curtain that separates the young magician’s apartment from a room or closet occupied by an accomplice. Cover the box with a cloth which has a square hole in it, and fits snugly around the bottom of the L, covering and concealing the suspicious-looking, large box beneath. If the work has been neatly done, the machine will look like an ordinary table or stand with an innocent-looking peep-box on top of it.
Secure some friend for an accomplice, whom you know to possess a ready wit and a knack for “making himself up,” with the aid of burnt cork and a few old clothes, so as to take any comic character that the occasion may require, with only a few moments’ notice.
Supply him with what wardrobe he may require, burnt corks, flour, etc., and then fix up the programme between you, so that the boy behind the screen will know just what to do, from listening to what is going on in front, at the fortune-teller’s box.
When all is arranged, the fortune-teller may announce to what friends or visitors he may have, that, owing to the conjunction of certain planets, he is enabled to entertain them by showing to all who have any desire or curiosity to see such wonders, glimpses of the past and future, and to prove it, if any of the company would like to behold a life-like, moving image of a future wife or husband, he (the fortune-teller) can bring up the image in a magic telescope, which was obtained from a direct descendant of Aladdin. The young magician must, by preconcerted arrangement, bring a man or boy out for a first peep. At a private signal of a word or exclamation, the accomplice steps in front of the open end of the wooden box behind the partition, dressed as an old colored lady. The image is at once reflected upon the mirror at A, and from that to B, thence to the observer’s eye. After the latter has had a good look, the rest of the company may be asked to take a peep and see their fortunate (?) friend’s choice for a wife. When they see the old colored lady there will be a great laugh, in which the boy upon whom the joke has been played will join with all the greater zest, because he knows he will soon have a chance to laugh at some one else. The fortune-teller must guard with zealous care the secret of the box, and must discourage any too curious persons from handling or examining the apparatus. A little mystery is necessary to keep up the fun.
The Magic Cask.
After the fortune-teller has amused his friends sufficiently with his magic telescope, he may end the séance by inviting the company to another room and bidding them remain at the door while he examines something at the other end of the apartment—the something is covered with a cloth. Upon reaching the object, the magician must turn suddenly and face the guests in the doorway, and, in vehement language, accuse them of doubting the reality of the visions he has conjured up for them, stating that he overheard some among them say that it was nothing but a trick. Rather than be accused of such deception, he, the great wizard, prefers to perish! At this part the conjurer must quickly remove the cloth concealing the object in the corner, and disclose a barrel, marked in large letters, Gunpowder! Striking a match, the seemingly desperate wizard applies it to a fuse that hangs from the bung of the barrel, and, assuming a tragic attitude, awaits the result. The guests will be uncertain what to do, and, half in doubt whether to laugh or run, they will probably stand their ground, but anxiously watch the fuse as the light creeps up toward the bung of the terrible cask of gunpowder. When the fire reaches the barrel there is an instant of suspense; then some one in the secret lets an extensiontable leaf fall upon the floor in the hall or adjoining room, startling the guests and making a loud noise; instantly the staves of the barrel fly apart and fall upon all sides of the head, radiating out like the petals of a sunflower, from the centre of which the fortune-teller’s accomplice steps forth and greets the company.
How the Barrel is Made.
Any cask or barrel large enough to hold a boy in a crouching position will do to manufacture a magic barrel from. To make one of these trick-boxes requires no particular skill. It is necessary to remove one head for the top, and, after joining the parts of the other head firmly together by cleats nailed upon the inside (see Fig. 168.—Snow-ball Warfare), burn a hole with a red-hot poker through each stave near the bottom, then burn corresponding holes through the bottom head; make the staves fast to the bottom by tying them with pieces of heavy twine. Around the top of the staves of the barrel tie another piece of twine; remove all the hoops, and all that will hold the staves togethe
r will be the twine at the top (see Fig. 216); as soon as that is severed, the staves will fall asunder. Inside the barrel the accomplice crouches with open pen-knife in hand, and at the proper time he cuts the string by passing the blade of his knife between two staves. Left without support the barrel staves fall, exposing the gentleman within to the frightened spectators, who, when they discover that there really was no gun-powder in the cask, will welcome the new-comer most heartily.
In amateur theatricals the magic cask can be brought in very effectively with the aid of a red light and appropriate ceremony. The audience may be led to expect a most terrible explosion, and with bated breath watch the fuse as the light slowly creeps up nearer and nearer to the bung of the cask. When the time comes as much noise must be made as possible; then, as the staves fall on all sides and spread out like a sunflower, a red light suddenly thrown upon a boy dressed like a scarlet imp, makes a pretty as well as a mirth provoking transformation scene.
Before exhibiting it, the barrel should be tried to see that it works properly, and the boy in the barrel should rehearse his part, and not forget to have a sharp-bladed knife ready to cut the cord at the given signal, otherwise the whole scene will fall very flat.
CHAPTER XXXVIII.
HOW TO MAKE THE DANCING FAIRIES, THE BATHER, AND THE ORATOR.
THE guests are led to a room, which is discovered to be dimly lighted and apparently unoccupied; they are then told that it is the fairies’ night, and that although the little people are incapable of appearing in their natural form so as to be discernible, yet on certain nights of the year the fairies are willing to enter into and animate artificial figures made for their use. While talking in this style, the performer must borrow three or four pocket-handkerchiefs from the guests, and, after bidding the latter be seated, proceed to make the handkerchiefs up into little figures.
How to Make a Handkerchief Doll.
Roll up both edges of the handkerchief, as shown by Fig. 217. Fold the end A over toward the end B, as shown by Fig. 218. Next draw the end B up between the corners of A until the handkerchief takes the form illustrated by Fig. 219. Bring the ends of B under C, and tie them in a simple knot, allowing the ends to project as in Fig. 221, which shows the back. The handkerchief now has the appearance of a little white man (Fig. 220—front view).
After the handkerchief men are finished, the company must be requested to stand or sit where they are, near the door, and on no account to move for fear of frightening the little people. Carrying the handkerchief dolls to the middle of the room, under the chandelier, and making some passes over them, the magician leaves the figures sitting upright upon the floor. One of the company may be then asked to play upon the piano. No sooner does the first note struck upon the instrument sound through the room, than signs of life become noticeable among the handkerchief figures; they move, and, one by one, rise and stand. As the music becomes lively the handkerchiefs lose their diffidence and dance about in a very active manner. After the dance is over the handkerchiefs are returned to the owners and the room vacated, to give the fairies an opportunity to rest, and the children, that have, during the performance, been hiding behind the furniture, an opportunity to make their escape unobserved. The children are as necessary as the handkerchief dolls, for it is by means of silken threads in the hands of the little folks that the fairies are made to dance and move about. For each handkerchief there is a piece of thread long enough to reach over the chandelier down to the floor. Each piece of thread terminates in a hook made of a crooked pin. While the magician is making the customary passes, he deftly hooks the figures on to the pins. Old and worldly wise people have been completely mystified by this simple little trick.
In any attempt at magic or fortune-telling, the success of the experiment depends more upon the manner in which the deceptions are performed than upon the tricks themselves. The magician or fortune-teller must be a person not liable to become flustered and confused at any little mishap. A boy with a cool head and ready invention can smooth over the most palpable mistakes and make his audience believe them all in the programme.
The Bather
is sure to produce a laugh whenever exhibited by a clever person. The preparations must be made in an apparently careless manner, so as not to attract attention. Tie a simple knot in the end of a handkerchief and let it rest against the knuckles of the left hand, while the rest of the handkerchief dangles below, as in Fig. 222; do this as if you were only absent-mindedly playing with your pocket-handkerchief. Wrap the handkerchief around your two first fingers, as in Fig. 223; then, as if you had just thought of it, ask the company if they ever noticed how becoming the bathing costumes are to most people, adding, that to you a bather running down the beach always looks like this—here you make the little figure run rapidly along your lap or the table-top toward the company (Fig. 223). The ends of the fingers protruding from below the white handkerchief look exceedingly comical, while the knot on top will be at once recognized as the bather’s head, done up in a handkerchief or towel to keep the salt water out of the hair. If among the company there be any who are familiar with the scenes at seaside summer resorts, they will be convulsed with laughter. Some people can entertain a company for a whole hour with nothing but a glib tongue and a pocket-handkerchief.
The Orator.
This comical little toy can be made by a boy who has really no know1edge of drawing.
From some colored chromo or illustrated paper cut out an appropriate face and paste it on a piece of card-board, as in the accompanying illustration (Fig. 224). Where the arms are to be, cut two holes large enough to admit two fingers of your hand. From a piece of dark cloth cut two pieces shaped like the front of a coat and paste them on in the proper place (Fig. 224). Cut another triangular piece of cloth for the vest; let it be red or some bright color. Paste the vest on as shown by the diagram; make a collar by drawing the outlines as in the illustration and leaving it white between them; any bit of bright ribbon will do for the necktie. Draw a couple of straight lines beneath the figure to represent the top to a speaker’s stand. From the same material that is used for the coat cut two pieces of cloth, of the shape shown by Fig. 225, A, for the sleeves. Let them be of such length that when the top edge is folded back the distance of the vertical cuts shown on the diagram, and the sleeve wrapped around the forefinger, the end of the finger will protrude the length of the nail. Sew or paste the edges of the sleeves together and put the slit ends (A, Fig. 225) through the arm-holes cut in the card-board; bend back the slits and paste them upon the back of the card-board. Make the cuffs of white paper (Fig. 225, B), and fasten them inside the sleeves by a few stitches of thread.
The orator is now finished and ready to deliver his oration. Hold the card up in front of you and thrust your first two fingers through the sleeves. The flesh-colored tips of your fingers peeping from beneath the white cuff look like little fists, and when the fingers are moved around in mimic gestures, the effect is comical beyond measure and will create a laugh wherever exhibited. If the picture-head of some well-known public man can be procured, it will add greatly to the effect produced upon the audience. A comical speech should be prepared and recited with accompanying movements of the arms (fingers). The little man can be made to scratch his nose, roll up his sleeves, and go through many other movements in a most natural and life-like manner.
CHAPTER XXXIX.
HOW TO MAKE VARIOUS AND DIVERS WHIRLIGIGS.
WHO can watch machinery of any kind in motion, without experiencing an indefinable sort of pleasure? No matter how simple the contrivance may be, if it move it immediately interests us. This instinct, if I may so call it, that prompts us to watch and play with machinery is implanted in the brain of the lower animals as well as of man. I think no one can doubt that a kitten or a dog enjoys chasing a ball, and enters into the sport with as much zest as a college-boy does his game of football. It is this same indefinable desire for observing and experimenting with moving objects that prompts us to throw stones
for the purpose of seeing them skip over the surface of the water, and to this instinct must be attributed the pleasure experienced by the school-boy with his
Potato Mill,
which consists of simply a stick, a potato, a buck-eye, or a horse-chestnut, and a string. The stick is whittled into the form shown in the illustration; a string is fastened to the stick about one-half inch below the knob on the top. The buckeye has a large hole bored through the middle, and a small hole bored through one side, to the middle hole; the string from the stick passes through the hole in the side of the buckeye; the end of the stick is sharpened and thrust into a potato.
If the string be wound around the stick, and the buckeye held between the thumb and forefinger, the stick and potato may be made to spin rapidly by alternately pulling the string and allowing it to slacken; the motion imparted by the first pull continues long enough to wind the string in the opposite direction, and thus, for an indefinite time, or until the string wears out by friction, the potato mill may be kept buzzing at a great rate.
The American Boy's Handy Book Page 26
