Shortly afterwards, I was formally incorporated into the household, and in a manner Brendan would himself have recognised. One night, as we were eating supper at the kitchen table, Horowicz turned to me. From now on, he declared, I would be known as Wigwam. ‘Why Wigwam?’ he said before I could open my mouth. ‘Because your initials are T.P.’ Despite the laughter that accompanied this declaration, the name stuck. I became Wigwam – or Wig, for short – not just to Clarise, for whom it was a huge relief, since she’d never been able to bring herself to use my first name, but to all the men living at the Cliff, and even, after a while, to myself.
Christmas was coming, Christmas in the Green Quarter, an event that filled the entire population with fear and dread. Everybody was aware of the statistics: some people would commit suicide, some would sink into severe depression, and so on.
‘There’s only one way of dealing with it,’ Clarise told me on a dark December morning as I was helping her with lunch. ‘Get drunk, then go to sleep.’
‘With a bit of hanky-panky in between, maybe,’ Horowicz said.
He was leaning in the kitchen doorway, just a few feet away from her. The space between them filled with the glint and glitter of his small sharp eyes.
But Clarise didn’t even look up from the shortcrust pastry she was rolling out. ‘No hanky-panky,’ she said. ‘Not for me. Not any more.’
Without another word, Horowicz rounded the table, hauled the back door open and slammed it shut behind him. A bird flew diagonally across the window like something chipped off by the impact.
Clarise turned to me. ‘You see? It’s starting already.’
Wind flooded round the edges of the house, making the lights in the kitchen flicker, and for a few moments the spirit of Christmas was in the room with us, glowering and baleful – pitiless.
Some years there would be three or four men who she felt might try and do away with themselves, but the only person who troubled her this year was Aaron. Did I know him? I shook my head. I’d had very little contact with Aaron. Whenever I spoke to him, he would look at me much as a statue might, with blank eyes. I had assumed he was heavily medicated, a fact which Clarise now confirmed. All the same, she was going to put a camp bed in his room, she said, and she wanted the rest of us to take turns sleeping in there, just to keep an eye on him.
That week, we drew numbers to see who would spend which nights in Aaron’s room, each number representing a date between Christmas Eve and New Year’s Day. Much to the relief of the other men, I was lumbered with twenty-five.
We sat down to Christmas dinner at half-past three. Afterwards, we gathered in the front room, which had been decorated with sprigs of holly and bunches of cheap balloons, and Jack Starling, who wasn’t one to miss an opportunity, served a punch that he had concocted especially for the occasion. I never found out what the ingredients were, but within an hour Lars had passed out under the tree – somebody tied his ankles together with tinsel so he would trip over when he stood up – and Bill Snape, a man known for his scholarly ways and his reserved demeanour, was attempting a headstand on the top of the piano. I had been watching Aaron surreptitiously ever since breakfast. He had drunk almost nothing. Once the meal was over, he sat on the sofa examining the two sides of his hand, his air of studiousness contrasting oddly with the yellow paper crown he was wearing.
Towards eleven, with the party in full swing, Aaron went upstairs. I waited a couple of minutes, then I followed. Though Clarise was already pretty far gone, she caught my eye and nodded in approval. When I opened Aaron’s door, a wedge of light from the landing showed me that he was lying on his back in bed with his eyes open and his hands behind his head.
‘I’m sleeping in here tonight,’ I said, ‘if that’s all right.’
He let out a quietly mocking laugh. ‘Make sure I don’t kill myself.’
I decided not to respond to that.
‘Last night it was Starling,’ Aaron said. ‘He was so drunk I could’ve done it ten times over.’
I closed the door, then took off my clothes and got into the camp bed. Downstairs, in the front room, Urban Smith was singing ‘In the Bleak Midwinter’, a carol that could easily have been the Green Quarter’s national anthem.
‘I still think about her all the time,’ Aaron said after a while.
‘Think about who?’
‘Lucette.’
She had been his fiancée, he told me. He had loved her bony wrists and the way her knees almost knocked together when she walked. She had been clever too. A mind so sharp you could cut yourself on it. One night, while they were sleeping, policemen had burst into their flat. He would always remember the sight of Lucette struggling, half-naked, in the arms of strangers. One of them pointed a finger at him and said, Stay. As if he were a dog. The shame of it, that he couldn’t rescue her, protect her. The immense, excruciating shame. He hadn’t seen her since that night, but he knew she would never forgive him for not coming to her aid.
‘There wasn’t anything you could have done,’ I said.
‘I could’ve tried.’
‘It wouldn’t have made much difference.’
‘It would to me.’ Aaron lay still for a moment, then I heard his bedclothes rustle. I sensed that he had turned to face the wall.
I stared up at the ceiling, sleep eluding me. I had been at the Cliff for almost a month now, and though I had settled into the rhythms of life in the house my nights hadn’t been particularly restful. I woke too often, and had too many dreams. I would be walking through an empty building or caught in two minds on a street corner, or I would be running along a towpath, but whatever the location there was always something missing, something I had to find. I began to write my dreams down in a small green notebook, as if the process of transcription might reveal their truth, as if, once the dreams had been recorded, once they had been retained, they might be persuaded to give up their meaning. Sometimes I had the feeling that I cried out, as I had cried out when I stayed with John Fernandez, but in the morning nobody mentioned it, not even Horowicz, who slept in the room opposite mine. I wasn’t alone, perhaps. We were all troubled, it seemed, in one way or another. Once, I heard my own name being shouted in the middle of the night – Tom? Tommy? – and I sat upright in my bed and answered, Yes? but then I realised it was Clarise at the far end of the landing, Clarise calling for her dead husband in her sleep.
‘It’s never the things we do that we regret the most,’ I said. ‘It’s the things we didn’t do. Or haven’t done. Or can’t.’
I heard Aaron’s head turn on his pillow, but he didn’t say anything, and a curious, almost savage impatience took hold of me.
‘You know, there’s nothing particularly special about you,’ I said. ‘You’re just like all the rest of us. We’re all the same. Not because we’re melancholic – whatever that means – but because we’re haunted by the lives we could have had. The lives we never had a chance to live.’
I wasn’t talking to Aaron any more. I wasn’t even aware of him in the room – or even of the room itself. The air above my face vibrated like a cloud of midges. I remembered how I had tried to explain myself to Fernandez, and how, simply by talking, I’d made new discoveries about myself. Though Fernandez had listened, he had, in the end, become exasperated with me. You people who don’t know what you’re doing. Or perhaps it was because I had turned up on his doorstep. Because I’d seen through him, as he put it. But yes, I must have sounded delirious, frenetic. I had been suffering from shock, of course – I’d cut myself loose, left everything behind – and there had been exhaustion too. Now, though, I had more clarity. The authorities had deprived me of a life that was mine, and mine alone. They hadn’t asked my permission or given me a choice. They’d just taken it. By force. In a sense, then, I had been murdered. How I wished I’d shouted that at Dr Gilbert. You murderer!
A glass smashed one floor below.
I listened to the yelling and the helpless laughter, then I listened to people staggering to bed
, doors slamming shut, the throaty flushing of the lavatory, and when all that eventually died down, I listened to the window creak with cold and the air sigh in and out of Aaron’s lungs. Thinking back to the night of the bomb, the moment I disappeared, it seemed to me that what I’d done was both defy those in power and take a kind of revenge on them. It had been my way of saying, No, I won’t accept what you offered me. And no, I’m not going to be grateful. Finally, after twenty-seven years, I had asserted myself. Twenty-seven years! That’s how long it takes sometimes. To make the connections, to determine what you feel. To realise.
Aaron fell asleep, and then, perhaps an hour later, so did I, and by the time I woke again, at nine in the morning, Aaron was already dressed and standing at the bedroom window, watching the snow.
A white Christmas, the first in many years.
And nobody had killed themselves.
In fact, nothing terrible happened, not unless you counted the bizarre events of Boxing Day night. Sometime towards dawn on the 27th I was woken by shrill screams coming from below. As I opened my door, Clarise thundered past in her quilted housecoat, a beige eye-mask pushed high up on her forehead. I followed her down the stairs and into the kitchen where we found Brendan Burroughs stretched out on the table, his naked torso slathered in flour, sugar and raw eggs. Starling and Horowicz were standing over him, beating him with wooden spoons.
When Clarise finally found her voice, she asked the two men what in the world they thought they were doing.
‘What’s it look like?’ Horowicz said.
‘I don’t know,’ Clarise said. ‘I’ve no idea. That’s why I’m asking.’
Horowicz came round the table and stood in front of her, his body swaying, and he spoke very slowly, as though he thought she was stupid.
‘Can’t you see?’ he said. ‘We’re making a cake.’
In the New Year I began to go for long walks after supper, partly because I wanted to escape the endless drinking sessions in the front room, which left me feeling irritable and jaded, but also because I was finally becoming curious about the town to which I had been sent. Iron Vale was famous for its trains. It was here, once upon a time, that locomotive engines for the entire country had been manufactured. During the last two decades, however, the foundries and rolling mills had closed, and all that remained of the glory days was the railway station, which stood high on a ridge with its own ornate red-brick clock tower. Certainly Victor would have known about the town, and during my first desultory walks I often felt his presence quite distinctly, Victor as a young man, his big head topped with unlikely corrugations of black hair, his eyes pale with enthusiasm.
I quickly settled on one or two favourite routes. I would often make my way out to a piece of flat land that lay at the edge of a housing estate. It was the strangest place. There were roads and pavements, there were street lights too, but there were no buildings. The roads turned corners, linking up with one another, forming orderly rectangles and squares, and yet the areas of scrub grass in between, where the houses should have been, were strewn with rubbish – umbrellas, condoms, microwaves. Crows sat on top of every street lamp like memorials to some dark event. I suppose the council had simply run out of money, but it always looked to me as if something sinister or supernatural had occurred. Other times I would wander out into the country, to a village a couple of miles south of where we lived. I would walk over an old stone bridge and down into a churchyard that stood right on the river. Though small, the church was exquisite, its walls built from a mixture of red and white sandstone, most of which had been quarried from the river bed itself, while the bridge, with its elaborate arches, seemed to hark back to a more dynamic era, when local people had been full of energy and aspiration. On my first visit I entered through a heavy iron gate that groaned loudly on its hinges. Moving among the tombs, I found the most beautiful surnames – Story, Eden, Raine. Towards the rear of the church, where the property had been allowed to go to seed, the dead became anonymous, their dim brown slabs illegible and tilting haphazardly among the weeds and tall grasses. Even here, though, there was a sense of release, a feeling of having been freed from time’s net. This wouldn’t be such a bad place to be buried, I thought. The river’s constant presence near by. Trees shifting in the breeze that lifted off the water. And, in the distance, a long low ridge – the moors – on which, that very afternoon, unearthly bright-orange sunlight fell. No, not a bad place at all.
One January night, standing in the middle of the bridge and looking down into the churchyard, I saw three scraps of white in the darkness. At first I couldn’t decide what they were, then one of the scraps shifted, developing a head and arms, and in that same moment I remembered someone telling me that White People were often to be found in cemeteries. Various theories had been put forward, the most obvious being that they instinctively identified with dead people. After all, one could argue that White People were dead too. Dead in the eyes of the authorities, at least. Bureaucratically dead. As I watched, the three figures moved behind a row of yew trees, then they appeared again, their white cloaks showing in stark relief against one of the grander tombs. Thinking it might be interesting to observe them at close range, I crossed the bridge, swung a leg over the churchyard wall – the gate would have made too much noise – and stepped down into coarse grass. I wasn’t sure why I was so curious, or what it was I hoped to learn. I felt compelled, though – guided even. It was as if my body comprehended something that my mind did not.
I crept slowly forwards, crouching among the gravestones. I imagined this would be, among other things, a test of their psychic powers. Would they detect my presence? And if they did, what then? My heart beat harder, as though there was the possibility of danger. As I reached the yew trees, the moon rolled out into a patch of clear sky, and I saw them ahead of me, passing through a gap in the fence at the back of the cemetery. Now, perhaps, I could close the distance between us. I ran to the fence, then knelt in the shadow of an overgrown holly bush to catch my breath. I could hear them on the other side. There weren’t any words, just odd little grunts and snuffles. No wonder some people thought of them as animals.
I stole a look over the fence. Clouds hung before me, rimmed in silver. To my right was the bridge, the black river flowing underneath. I lifted my head a fraction higher. There they were, below me. They had removed all their clothes, and they were standing in the shallows, two men and a woman. Pale as stone or marble, they looked like damaged statues, half their legs gone, the tips of their fingers too. They began to wash themselves. They didn’t hurry, despite the fact that it was winter, and I wondered whether they had lost the ability to feel the cold, along with everything else. The river swirled around their knees with the dark glint of crude oil. I was struck by how methodical and self-contained they were. Their nakedness had no sexual overtone. In fact, they behaved as unselfconsciously as children. There was also an understated dignity about the scene which I found strangely poignant, and which gave me the feeling, just for a moment, that I was looking at a painting. These people had nothing – nothing, that is, except their freedom, the license to go wherever they pleased … As I watched them, an idea occurred to me. I wouldn’t do anything just yet, though. No, I would wait. I needed to think things through. Prepare myself.
I had been standing by the fence for about five minutes when the woman’s body stiffened. She had been bent over, scooping water on to her back, first over one shoulder, then the other, but now, suddenly, she had frozen, one hand braced on her thigh, the other still dangling in the river. Her head turned towards me. My chest locked, all the breath held deep inside. I didn’t think she’d seen me. She acted more as if she’d picked up the scent of something foreign, something that didn’t belong. Her eyes still angled in my direction, she slowly straightened up and, tilting her head sideways, wrung out the thick cable of her hair. Black water spilled from between her hands. Without even exchanging a glance, the two men stopped washing and began to wade towards the bank.
I ducked down, then hurried off through the churchyard. I wasn’t embarrassed, or even afraid exactly – Victor had always maintained that White People were peaceful and harmless, and that people only feared them out of ignorance – but at the same time I didn’t want to risk a confrontation. Vaulting over the wall, I kept low until I reached the far end of the bridge. There was nobody in the river now, and the cemetery lay quiet and dark and still. They must have fled along the bank. I glanced at the watch Clarise had given me for Christmas. Twenty-five to twelve. It had been time for me to leave in any case, or she’d start worrying. She could never rest easy in her bed until she was sure that all her boys were home.
On arriving back, I saw that the downstairs lights had been switched off. I unlocked the front door, locked it again behind me and was just making for the stairs when a figure stepped away from the banisters.
‘You’re up to something, aren’t you?’ Horowicz’s face rose out of the grey gloom of the hall.
‘I’ve been out for a walk,’ I said, ‘as usual.’
He gave me a knowing look, then laughed softly, cynically, and shook his head. ‘You can’t fool me, Wig. I’ve been watching you.’
After a brief silence, I moved past him and started to climb the stairs. When I reached the landing, he was still standing in the hall, looking up at me, his eyes glinting in the half-light like a drawer full of knives.
In recent years, Iron Vale had become home to the Museum of Tears, and it was the inalienable right of every melancholic, no matter where they might live, to have a sample of their tears stored within the museum walls. All you had to do was write to the curators, enclosing proof of identity. They would send you an air-tight glass vial, no bigger than a lipstick. The next time you cried, you collected your tears and transferred them to the vial. Some people waited for an important event – the death of a loved one being the most obvious, perhaps – but it was up to you to choose which aspect of your melancholy nature you wanted to preserve. When it was done, you sealed the vial and returned it to the museum, where it would be catalogued and then put on display, along with millions of others.
Divided Kingdom Page 28
