I was making like the first man on the moon walking the deep creviced surfaces of the flintstones landscape. I was hoping to spot a rattler or a scorpion—àfter almost a decade of wandering through the southern and western states I’d never come across a rattler in the wild. Too many rattlesnake roundup jubilees and development moves have been killing them off. From the top of the boulders I also had a clear view of the bathrooms and the pathway. More cars were arriving than departing and families were going back and forth from their cars to the rest rooms. Finally the guy from the first stall stepped into the hot glare of sunlight shielding his eyes with an enormous hand. He was what some would consider a freak: a circus giant in american bloodlines and genealogies, the lumbering object of surprise and fear. Had he been of average size and carrying a machete or gun, no one would have given him a second glance. But to have a massive body and height and the two large hands broad as palm leaves caused kids and even adults to unconsciously move backward or sideways a couple of extra steps as if his height took up horizontal space along the path. His body was well proportioned to his height, slightly muscular like he’d been a farm laborer in his youth, but now he looked like a salesman: cheap cotton short-sleeved shirt and beige car-dealer pants. I found him very sexy because I love difference. An unbearably handsome face bores me unless something beneath its surface is crooked or askew: even a broken nose or one eye slightly higher than the other, or something psychological, something unfamiliar and maybe even suspect.
He looked up toward the boulders from under the roof of his hands, then crossed the pebble garden to begin climbing up. In case there were cops, I pretended not to see him and wandered out of view. State police get lots of overtime pay lurking around interstate rest stops hoping to catch some hungry queer kissing another in the loneliness of the tiled bathrooms. Some cops make it a point to step back from urinals and flash their hard dicks at a suspected queer and then arrest him when he makes a move to show he’s interested. In new jersey, an undercover cop used his eighteen-year-old son who would stand at the urinals five hours at a stretch and display a hard-on to anyone entering the bathroom. In north Carolina I read a newspaper story in which the columnist was worried about how the sleaze types, attracted to the highway rest stops because queers supposedly made such easy robbery targets, might accidentally beat up and and mug a family man. Funny thing was I’d seen and met family men on their knees in rest stops around the nation. The best part of the article was a map of the state that noted which rest stops had the most homosexual activity—that helped keep me from feeling lonely that day.
We met at the far end of the landscape and both acted shy, but within minutes were in our separate cars heading onto the interstate to look for a side road that would give us cover away from the eyes of the world, a place away from the trooper patrol cars where we could get to know each other. There is no such place in that part of arizona. I was tailing him when he finally pulled onto the service road leading over a small bridge and crossing the interstate in the direction of Meteor Crater. Our cars drifted down a service road in a swirl of dust and pebbles, past a low-set gas station offering free pieces of petrified wood to customers. About a quarter mile farther down the road, a mile from the crater parking lot, he pulled over onto the shoulder and stopped the engine. I pulled up behind him and walked to the passenger side of his car, opened the door and slid into the hot front seat. He was staring straight ahead out the windshield at a plume of dust that grew larger and larger because it contained a car filled with vacationers. His hands were gently smoothing over the folds in his trousers around the general area of his crotch.
The service road leading to the crater is made of a brown asphalt material, roped on both sides with dry red earth and plains of scrub brush and an occasional loping boulder pocked with holes made by the friction of wind-driven sand. In the distance, in any given direction, all you can see is the general curve of the earth and maybe the beginnings of mountains far away in purple tones looking like goofy cartoon hats or sideways faces. The sky is a bowl; it is like the inside curve of the eye if it were mirrored and it’s filled with a dusty white blue that catches like imaginary chalk in the throat and it contains the hot disk of sun and a hot wind that buffets the sides of the car and enters over the top of the window glass. After the tourist car passed, and he could make sure of its disappearance in the rearview mirror, his face turned toward me and began the slow swim through space toward mine. His rich dark eyes set into the general outline of his face slowly obscured my view of his hand undoing the zipper of his trousers and reaching into the resulting envelope of cloth, “You ain’t a cop are you?” The heat inside the car was so saunalike that I was pouring sweat down my face, under my arms and over my chest where it cooled in the slight breeze. His face was an inch from mine when he saw the answer—no—in my eyes and his tongue slipped between parted lips and entered my mouth.
Someone once said that the ancients believed that light came from within the eyes and that you cast this light upon things in the world wherever you turned. I remember wondering if the world disappeared or was cast into darkness when you closed your eyes, or, even further, if you died, did the world die also. This guy was so intensely sexy I almost couldn’t look him in the eye. His body had such presence or something, I don’t know what it was; perhaps his height, his large hands, the way he might look sitting in a chair with his clothes having disappeared and his legs pulled apart with me in front of him standing, his head viewed from above, or kneeling, his knees viewed from a close angle. Or maybe it’s the shadows of his crotch where it meets the plastic cushion of the chair my face a camera, moving into a slow close-up of his dick, the head of it peeking from the fold of foreskin, a sexy soft-lined pink eye in a hard organ and the sense of it warm in my palms and maybe I just want to feel the sense of it sinking upward in my wet mouth; maybe it’s the feeling of my moist palms running over the front of his chest through the folds of his open shirt, soon to have him more naked, his dark head tilted back and small pockets of pleasure sound escaping from the back of his throat. Maybe I just anticipate seeing that light in his eyes, that glitter of life glazing over in the heat. Or maybe it’s the way his arms lift up over his head in the limited space so I can better lick the heat of his body.
If light does come from within does that make us walking movie projectors? Are we casting form onto a dark screen? When I move my eyes very slowly from left to right while sitting still, I can feel and hear a faint clicking sensation suggesting that vision is made up of millions of tiny stills as in transparencies. Since everything is generally in movement around us, then vision is made up of millions of “photographed” and recalled pieces of information. In the seventeenth century a jesuit friar by the name of Scheiner engaged in an experiment where he peels away opaque layers at the back of the eye and revealed a faint image, a transparency of what the eye had imprinted upon it at the moment of its owner’s death. Another scientist took the excised eyes of guillotined prisoners and studied them under a microscope to see if there were any legible images imprinted on them. This scientist wanted to see if an image was recorded despite the black hood placed over the guillotine victims’ heads at the moment of decapitation. He reported finding one image that was fairly consistent in the eyes he examined: something like a small cloud with two tiny arms waving out from the sides.
Sometimes when I’m caught in the flow of rush-hour traffic in the tangled arteries of interstate ramps and elevated roadways that surrounded an enormous and unfamiliar city, I come to believe that I no longer exist and similarly all the forms and shapes of metal and glass that contain what appear to be human beings are also a fragment of imagination: something like a vision cast into time and space from something outside of myself. I move to a place in the back of my head and merely witness it all. I am amazed by the undefined spectacle of this vision as I pass through, waiting for the code or the anchor that reels me in, brings me through its contours and sets me down like gravity.
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nbsp; He was whispering behind my closed eyelids. Time had lost its strobic beat and all structures of movement and sensation and taste and sight and sound became fragmented, shifting around like particles in lakewater. I love getting lost like this. I’m trying to recall where his hands were, or how they felt under my shirt, or grasping the back of my neck while his tongue licked across my jaw, over my throat. I’m trying to recall the drift of it, trying to recall where we were. I remember sitting in his car, mine parked a few yards behind his in the side weeds. We were in the front seat of his salesman station wagon with the windows open and my door slightly ajar, the two of us jerking off and the rearview mirror adjusted so I could see the span of road behind us while he kept his eyes peeled, scanning the road in front of us, both of us looking for any signs of cop or trooper cars that might glide up silently and unannounced. But in the rear-view mirror I saw nothing but empty space and earth and sky except for the lower part of one electrical stanchion—it might’ve been a radar tower—two grazing cows beside it and nothing else but the curve of the earth and out in front of the car through the frame of windshield: nothingness and here we are, here I am, some fugitive soul having passed through the void of the cities, skimmed across the emptiness of landforms and roadways through holes in the mountains westward to this one point in the dead road where vehicles have stopped to rest in the boiling heat and the entire landscape is silent except for the dull flat whine of insects and the dry brush. The oval stones and straw-colored vegetation and cracked red earth and everything feels dried and red except for the pale hanging color of the sky emitting a tone that matches or continues the tone of the human body in absolute stillness. And to be surrounded by this sense of displacement, as this guy’s tongue pulls across my closed eyelids and down the bridge of my nose, or to be underneath all that stillness with this guy’s dick in my mouth, lends a sense of fracturing. It’s as if one of my eyes were hovering a few feet above the car and slowly revolving to take in the landscape and the small car with two humans inside slowly licking each other’s bodies into a state of free-floating space and semiconsciousness and an eventual, small, momentary death.
Periodically a car would come. It would start as a bright spark in the distance, a glint of hot metal joining the earth and sky, and soon the unraveling shape of clouds of dust would rise beneath rear wheels, and after a long and soundless moment of this speck vibrating against the horizon, its shape would slowly become discernible and fluctuate into largeness and take on the shape of a tourist’s camper or a small sedan and it would eventually gain color and the dark windshield would materialize around a face or two that were first just blank smudges and then would gain features as hot air and sound drifted by. In the moment of their approach, we would stop, rearrange our anatomies, zip up our pants and assume the body language and gaze of tourists losing themselves in the sky for an afternoon. Our hands always the hands of fear and apprehension—mixed with pleasure and frustration—until the car revealed its occupants and intentions. The momentary disengagement from the accelerations where the mind travels in sex, the multiple hands floating back and forth on the textures of trousers waiting for the vehicle to disappear so they can resume their rituals and rhythms of unfastening buckles and zippers, and our faces turn away from the hot shield of sky and burrow into the folds of each other’s clothes and bodies.
A solitary tiny bird drops out of the air onto an oval-shaped blue stone and pees noiselessly onto its hot surface. The hallucinatory sensation I recall from the depths of fever is the idea that this guy and I are part of the same vascular system; he and I are two eyeballs sitting in the dark recesses of a metallic skull viewing the world through the windshield the way one’s eyes would if they could proportion and transmit information independent of each other as well as recall separate private histories. The automobile is a vehicle of motion just like the human body, its motor, the brain, claiming or recalling distance and motion and passage.
My eyes are microscopes. My eyes are magnifying lenses. My face is plowing through the heat and sensations of this guy’s flesh, through the waves of sweat, and in my head is the buzzing sensation of either insect or atmosphere. I see the hallucinogenic way his pores are magnified and each hair is discernible from the other and the uncircumcised dick is bouncing up against my lips as it’s released from the trousers. The sensation of its thickness pulls against the surface of my tongue and rubs the walls of my throat, burying itself past the gag-reflex and then the slow slide of its withdrawal as a disembodied hand descends against the back of my neck, just barely grazing the hairline of the scalp and in the periphery of vision there’s the steel-blue glaze of the steering wheel and the threads weaving themselves into the fabric of his trousers and the sound of his body bending and the cool sensation of my shirt being pulled up over my back and the shock of his tongue trailing saliva up my backbone and under my shoulder blades and I am losing the ability to breathe and feeling a dizziness descend, feeling the drift and breeze created by the whirling dervish, using the centrifugal motion of spinning and spinning and spinning to achieve that weightlessness where polar gravity no longer exists. The sounds of his breath and the echo of body movements I am no longer able to separate. The pressure of the anxiety slips closer in the shape of another vehicle or of the cops arriving, nearing the moment where the soul and the weight of flesh disappears in the fracture of orgasm: the sensation of the soul as a stone skipping across the surface of an abandoned lake, hitting blank spots of consciousness, all the whirl of daily life and civilization spiraling like a noisy funnel into my left ear, everything disintegrating, a hyperventilating break through the barriers of time and space and identity. And all of it mixing with the stream of semen drifting over the line of my jaw and collecting in a pool in a pocket created by the back of my neck where it meets his upper thigh and abdomen. I’m tipping over the edge in slow motion. In the moment of my orgasm, as I’m losing myself, I become vaguely aware of his hands cradling my skull and his face appearing out of the hot sky leaning in, or else he’s pulling my face up close to his and I’m breaking the mental and physical barrier, I’m listening to my soul speak in sign language or barely perceptible whisperings and I’m lost in the idea that at the exact moment of the kill, the owl’s eyes are always closed, and I feel his tongue burning down my throat and the car is in a seizure and he’s smacking me in the face to rouse me from this sleep, leaning in close again like something on the screen of a drive-in movie, his lips forming the whispered sounds, “Where were you?” and had a cop car pulled up in that moment and had I possession of a gun, I’d have not thought twice about opening fire.
These are strange and dangerous times. Some of us are born with the cross hairs of a rifle scope printed on our backs or skulls. Sometimes it’s a matter of thought, sometimes activity, and most times it’s color. I don’t receive the proper kind of paycheck to take out a seventy-year lease on my life. If I submit my gray cells to certain men and women in this country for a total overhaul and redesign I might have something called peace in my life. But what one sees if they look closely into the pupils of my eyes are a series of activities that are merely things that have occurred to me in the years of my childhood and teens. Others may be genetic, others a conditioning and response, but overall I trust myself in a way no other could. If those cops showed up in that moment I described above, I thoroughly believe that they have no right and that their laws don’t reflect me. It is easy for some in this country to be vicious and murderous when they have the support of rich white men and women in power. Those people consistently abstract human life and treat minorities as nothing more than clay pigeons at a skeet-shooting range. They toss up a fake moral screen, nail it to the wall of a tv and newscaster’s set and unfurl it like a movie screen. These fake moral backdrops are conceived at will and displayed like artifacts of the human sensibility as built by a caring god through millions of years.
But the very same man who orders the death of journalists off the coast of costa rica as th
ey are uncovering a story dealing with our government’s importation of cocaine and our government’s use of drug profits to fund the contras is the very same man who will stand on a studio set, airfield, white house garden or convention podium and talk in the fake moral code about the humane and glorious designs he has planned for the social fabric of america if elected president. And the same man who stands before you at the altar of the church with seven television cameras pointed at his face and talks about the sanctity of the fetus is the same man who kisses the hands of dictators in central america—dictators responsible for the pillaging of an entire country dissolving in poverty, as well as the murder of hundreds of thousands of people he perceives as disagreeing with his power structure. The rich have interchangeable heads and their interpretations of law and religion are just as manufactured, false, interchangeable and disposable as the fake moral screen. They have an entire media system to dispense their manipulations of those scrambling for food shelter and some illusion of security. Our borders are opening and closing to refugees of the countries our government pillages, based solely on whether or not those governments toe our party line. The u.s. uses its economic blockades to starve entire populations and accelerate peoples’ deaths from malnutrition or collapsed medical care systems. The bureaucratic distancing technique in washington d.c. creates poverty and mass death in another region of the hemisphere and allows officials here to proclaim that the attacked country’s political system is what has made it fail. Because I am born into a created system of corruption does not mean I have to turn the other way when the fake moral screens are unfurled. I am just as capable of creating my own moral contexts. In fact, using our government’s techniques, I can reinvent and redefine a screen for my own needs. Since my existence is essentially outlawed before I even come into knowledge of what my desires are or what my sensibility is, then I can only step back from the arms of government and organized religion and use similar techniques to walk from here to there. If the cops roll up in their vehicle with their shotguns cradled and bolted between the front seats, and the design of their genes and gray cells makes it possible for them to put the guns on our bodies, then I can in that moment unfurl a screen that creates a horizon and landscape that is uninfected by the letters and words of “law” and pull out my weapon and defend myself from intrusive and disruptive actions. Of course, those in power count on the fact that we are stuck inside these gravity vehicles called bodies. The pressure that gravity sustains on our bodies keeps us crawling around in this preinvented existence with the neighbors split-rail fencing preventing us from crawling out. The pressure for escape has led us from our tadpole ancestors through time till now to develop an appetite for speed. Speed of consumption, speed of physical movement, speed of transmitting and receiving information. Since speed is a luxury for those who have power and money, many of us have traded physical speed for fantasy like this mental projection: surround ourselves with enough material goods and maybe we won’t see the stinking mess outside the windows, if we are lucky enough to have windows. It is no accident that every guidebook in every conceivable language contains the translated phrase: DO YOU HAVE A ROOM WITH A BETTER VIEW?
Close to the Knives Page 5
