by Adam Hall
With our bearing of 225° from the radio tower we'd flown with Pegasus directly ahead and I could see the constellation now but Chirac had made a right-hand bank when I'd jumped and I didn't know if he'd resumed his course before levelling up to make the second drop or if he'd simply pulled out of the turn and levelled at a tangent. If I didn't see where the supply 'chute came down it would mean a search in the dark among the dunes with no certainty of ever finding it.
Warm air against my skin.
The lines whispering: I could feel their fine vibration.
Sudden inundation of optical stimuli and the world filled with contrasts — the far horizon-line where the stars met the rim of the earth and the rising undulations of the dunes blotting it out as I pulled on the lines to break the impact and then went limp and rolled once on my shoulder with the harness wrenching, dragged the release and tried to get up, couldn't.
Everything kaleidoscopic and the pain like a furnace roaring in my bones, try to see where it is, most important, the high stars sliding down the wall of night and sand in my mouth,get up, not really important yesvery, spitting the sand out, a dark shape moving over there where there's nothing, nothing to mark it, the canopy lowering, lowering,yes got it, the roaring and the red of stars flying, fall this way then,this way, fall with your head towards it and remember, remember when you wake, yourhead is towards it, the black sand bursting against my face.
Pale fire.
Blue, pale blue fire before my eyes.
A ring of it, a rosary, an annulus of luminescent blue.
The two pointers at right-angles, their blue, it doesn't take, their blue light trisecting the ring of fire, take long for the brain to seize when it wakes on what it can find, familiar things to facilitate recall, twelve and three, the underside of my wrist lying turned towards my eyes, three o'clock.
Your head is towards it.
Over there. It came down over there.
Three o'clock and all's well, we have the means to survive.
Got up and it happened again and I became very frustrated and spat out the sand, hanging on all fours like a dog and thinking this won't do at all, where's your dignity, now get up and stay there anddon't turn.
Over there.
Note carefully. The high dune to the left, curving to the unequal sided V where it joins the next, the lower one, and the bright star five degrees above it to the right. Observe and absorb.
I had a reference. The gap in the dunes and a star. It was the only known shape here where I was a stranger: it was a kind of temporary home.
It took time to get there. Over an hour. It was more like three hundred metres instead of a hundred and fifty and the directional error was ten degrees and the dunes were dark. I took the parachute with me because later it would make extra shade and I couldn't leave it behind, the idea wasn't actually to litter the desert with landmarks, but it took a bit of dragging. I couldn't fold it and the sand kept getting in it but it did a good enough job wiping out my tracks.
There was a light wind blowing, blowing from Diphda in the south, is it enough for your needs,mon ami? It had blown sand already against the container on that side and the 'chute was almost covered. The desert hides things from you: beware.
A rip-string and I pulled it, opening the polyester like a sardine-tin, putting the lid on its back and scooping sand in before the wind could lift it. The 200 °CA was on top and I took it out and stood it on the lid and pulled up the telescopic aerial, not hurrying, just a routine movement of the hands and perfectly confident, Loman. was experienced and the only time he'd ever lost a base was in Bangkok and we weren't there when it was blown and besides she had a gun, the big Colt that Chirac had lent me, hold it with both hands if you want to and be ready for the recoil. And anyway I'd asked Loman not to leave base because one gun wouldn't be enough if she were alone and they raided the place, feet on the stairs and the door kicked open and the first one going down but after that she'd lose her head and just go on pumping the thing wild with her eyes shut and they'd reach her before the sixth.
Chrome of the aerial shining, the low wind moving its tip.
3 MHz.
Channel 2.
Mike.
Tango.
It sounded strange, a human voice in so desolate a place.
Tango. Tango.
The same stars, these same stars, would be there above the gilded cupolas where the rats ran among the rotting palms. The town would be asleep.
Eyes closing and I opened them again quickly and took a breath, steadying. Fifty-six hours ago I'd got off the plane from Tokyo and the metabolic clock was still trying to get the time right, a feeling of not quite being here, of not being anywhere, just afloat on some kind of tide.
Tango. Tango.
A domed ceiling and a cracked mosaic floor, three faded Arabesque screens and the shabby appurtenances of a fifth-class hotel.
The other end of the lifeline.
What frequencies would you use in this area?
7 MHz for daytime propagation conditions, 3 MHz at night.
Tango. Tango.
The sand blown by the wind, its fine grains hitting the side of the polyester box with a dry whispering, the only answer.
Already in the past hour the sand had almost covered the spread of nylon: in the starlight I could just make out the few dark folds that remained. Soon it would cover the harness, then the box, and then if I went an sitting here like this, like a man in prayer, it would cover me as well, a desiccated mendicant forgotten by his gods as he intoned for their deaf ears the mystic word, until he was buried, grain upon grain, beneath his sins.
Tango. Tango.
One of them would be there. Loman might have had to leave base to contact Chirac or use a phone if the wire had come adrift again on the junction-board or he could have gone down there to the hall to fix it but in that case Diane would be manning the transceiver, and would answer.
The wind gusted, scattering the sand.
A faint gleam on the aerial and the chrome rims of the dials. It was a good-looking set: a matt-black case with a neutral grille and the controls tapered and finely-knurled, the on-off switch recessed so that a chance movement wouldn't activate it. The illuminated dials were dark.
No adequate excuses. Flight-disorientation, the blast-wave, the general wear-and-tear of getting here alive. Not really adequate.
I put the switch to the “on” position and checked the frequency again at 3 MHz.
Tango.
Tango. Base receiving.
A good signal, loud and clear.
I'm down.
Are you in the target area?
I don't know.
He waited and I didn't say anything so he came in again.
Do you have any problem?
Not really.
He waited again.
I wasn't being very communicative. You're supposed to volunteer a bit of information, not leave your director to tease it out of you. Thing was, I wanted to go to sleep now.
Was the drop made successfully as concerns bearings?
Oh yes.Put the little bastard out of his misery or he'll keep you talking all bloody night.On Chirac's reckoning I'm somewhere near the target, but it's too dark here to see anything. There aren't any rocks on the skyline. Going to take a dekko in the morning.
Silence again.
Are you perfectly fit?
What?
Are you in a fit physical condition?
Of course I am.
Bloody sauce. Resented that. I told him:
Listen: there's a telescopic rifle in Kaifra. Christ sake watch out for it. And the Mercedes is a write-off.
He was thinking about this.
We heard some shots.
Kaifra was a small-oasis town and you'd hear the stuff coming out of.44 Magnum wherever you were.
They were the ones.
You are not wounded?
No. Another thing is that I think there's more than one network trying to penetrate our op
eration. Been working a few things out and there's one or two inconsistencies.
He considered this.
You're talking about their apparent indecisiveness during the pre-jump phase?
Their inconsistency.
Yes. This has already been the subject of signals with Control but we're glad to have you confirm.
A pat on the head for a good little ferret, dear Lord you banish me unto the wilderness and the only company you can find for me is Loman's.
One star, the bright star that had guided me here, was going on and off at intervals and I took note of it.
When will you start looking for the objective?
At dawn.
Not before?
Rather quick.
It's too dark. Instructions?
On, off. On, off.
It wasn't the star doing it. I was doing it myself. The star was lying exactly on the horizon and my head kept going down, fatigue, reaction setting in, so the star looked as if it were goingon and off.
Silence. He was sulking.
No instructions.
Tango out.
Quick fade of the image: the dome and the arabesque screens.
Mike back into the recessed clip and the switch down and next time don't forget to turn the bloody thing on when you want to call up base, save a lot of worry, I thought they'd had it, both of them, thought we'd all had it.
'Loman could do the worrying now. He'd got his executive into the field but the bearings were all to hell and we'd got to cool our heels for another three hours before we could get moving again and in three hours the opposition could make up a lot of ground. There'd been no security blackout for the take-off from the South 4 strip: London could have sent in a unit of screened ground-staff with a pre-arranged access to facilities but even then there would have been people at South 4 who knew that a glider had gone up, and short of requesting Petrocombine's co-operation in treating the event as a para-military secret it would have been impossible to keepthe thing hush. The opposition cells would be routinely combing the area for items of intelligence and if they picked up the news that a glider had been towed airborne they'd want to know where it had landed and if they drew blank at all the local airstrips they'd assume there'd been a desert drop and they'd send for a direction-finding unit, fully urgent, because radio would be the only means of communication between the field and base.
Once the opposition set up a D/Fing operation in a town as small as Kaifra I'd give our base twenty-four hours before it was blown.
There was a sleeping-bag in the container and I unrolled it and threw it down but it was no go: I'd have to make an effort, some kind of effort, to find out if I'd come down anywhere near the target. This before I could sleep.
Even if there were only a thin chance of locating the freighter's wreckage before first light it was worth having a go because in the night's cool the sweat-loss and water-intake would be less than a tenth of the quantities produced by the day's heat.
There was another thing: psychologically I'd been homing-in on the target since they'd shown me the picture of it in London. The smudge on the photograph had become the subject of intellectual attraction and I felt its influence on me now, stronger than before because it was closer.
It was impossible to judge how far I stood from the nearest dune: I could only see it in two dimensions, its dark spine humped against the stars and breaking the distant skyline. It was less than a thousand yards away but the desert is like the ocean: the chance of death by isolation is immeasurably greater, and values become changed. Go a thousand yards in the dark and you may never come back.
There was a torch among the supplies, with some spare batteries, but I wouldn't use light for a marker: you learn to conserve, to know the sudden pricelessness of ordinary things. There was a tin mug and I put it upside down on the tip of the aerial and waited for the wind to send it ringing; then I walked to the dune and climbed it.
In the photographs, taken from the near-vertical, the definition of the shale upthrust had been vague, but I would expect a stratified configuration at ground-level in this region, like the rocks near Kaifra, sharp and broken and sloping, distinct from the curvilinear dunes. But I saw nothing like that, though I twice turned full circle. The skyline was uniformly smooth.
Then I began shouting and turned again, my voice going into the distant dark and dying there. Twenty or thirty feet high, the squadron-leader had said, so there'd be an echo from them if they weren't too far away.
Tang-o… Tang-o Vic-tor…
My feet burying deeper as I turned.
My eyes closed so that I could listen better.
Shouting, turning under the dome of stars.
Tang-o… Vic-tor…
Dying away.
All I could see from the height where I stood, all I could hear, was the margin of error, wide as the endless dunes.
11: SIGNAL
A sense of frightening exposure.
Last night there had been the stars, their names known and their order long ago established by the ancients. Now there was nothing. A map had been replaced by a blank sheet of paper. In the dark it had been possible to believe that when morning came I might see familiar shapes, however far away: buildings or trees. Morning had come and I saw nothing.
For another minute I lay with my eyes open, pinned to the earth's surface in infinite solitude. It was the sameness of this terrain that appalled: if there had been a range of higher dunes within sight, or a rock or a tree, any kind of feature to break the facelessness here, I could have related with it and arrived at some kind of orientation: I could have noted that it was on my left or on my right, in front of me or behind; and there could have been the idea that if I set out to reach it Imight find other features becoming visible beyond it as l approached.
There was nothing.
Nothing to see, nothing to hear. The silence was absolute.
During the night the low wind had died, and my sleeping-bag was only half-covered by drifts of sand; but my tracks to and from the high dune had disappeared. This was the desert, and if a man chose to disturb the perfection of these primeval sands, let it be shown that his passing shall leave no trace.
Idrank from one of the five-litrebidons and pressed the sides before screwing the cap on. The sun was a diameter above the horizon and I thoughtof opening for reception but Loman would only order a change of frequency for daytime conditions and ask if I'dsighted the objective and that wasn't a question I wanted to hear put into words.
I hadn't been delaying things since first light but there was a marked reluctance to go and find out the worst: and I could do that by going to the dune over there and climbing it. We don't mind if London's policy is to send us in with only a minimum of data but we always know that at any stage of an operation it can take us beyond the point of no return: and that point could already be behind me now.
Edwards had been in this position eighteen months ago in Jugoslavia: in the thick of a direct Control-to-field signals exchange in the final phase of the mission he'd found out by accident that if he failed to reach the objective he'd automatically become expendable — and he'd kicked. We didn't expect to see him back in London for at least ten years if he were lucky but he'd infiltrated a CIA courier line and did a fast deal with a batch of strict shut documentation and got a flight out of Zagreb with a party of chess-players on a cultural exchange and asked to see Parkis the minute he reached the Bureau and Parkis had flayed him alive and then fired him.
The point Edwards had been trying to make was that it's all right if an executive fouls up a job and Control throws him to the dogs before he can do any more damage, but it's not all right for the Bureau to send him out on a Curtain thing without telling him there's a high risk of his becoming expendableautomatically because the mission's been planned like that.
There's no middle line we can take on this one. The complexities of an intelligence operation don't even have a static design: its pattern shifts as the mission progresse
s, and values are changed hourly. Control can put a man in the field on a routine bugging stint at a pre-summit convention and the whole thing can suddenly hot up and he's out there trying to handle something so big that if he drops it he won't survive and all you can blame the Bureau for is not pulling him out for the sake of his own skin.
But that isn't what the Bureau is for.
Parkis had given us the picture after he'd fired Edwards: Parkis doesn't like unrest among the ferrets. During the end-phase of the mission it had been decided that the only way to get Edwards right through to the objective was by cutting him off from most of his escape lines and letting the opposition think that no one would attempt this brand of the impossible unless he were a lunatic. To an extent it came off because they withdrew a lot of surveillance and Edwards got through to the signals room of the Hungarian Embassy and was closing on the objective — his actual mission was a cipher-bust near the centre of the Jugoslavian network — when he'd seen what London had done to his escape lines and panicked and got out.
We don't like Parkis but we thought he was right. All we ask is that the Bureau doesn't plan a mission thatdepends on an expendable executive. That, in certain cases, would amount to murder.
In my case there was a fact among the unknown background data that I knew must exist and that I had tacitly accepted when Loman had given me final briefing at the Yasmina. It was obvious, and it was this: if I failed to reach Tango Victor I couldn't expect to be pulled out of the area. The entry in the book wouldn't readMission Failed butExecutive Deceased. In most cases it comes to the same thing but there's a technical nuance because the failure of a big operation creates a lot of depression at the Bureau and it makes the whole thing look a bit better if it can be shown that the executive lost his life in the attempt: it means that no one can say he wasn't trying hard enough.
