Table of Contents
Excerpt
Outback Cowboy
Blurb
Prologue
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Preview the Next Book
Note from Mari and Lexxie
eBooks by Mari Carr
eBooks by Lexxie Couper
Mari and Lexxie recommend Dakota Cassidy
Excerpt
The thought of his twin brother hit Dylan with something he hadn’t expected. Homesickness. Perhaps it was the alien environment. He stopped at the massive windows that comprised the east-facing wall of Monet’s apartment, his gaze moving over the bright lights of New York. His watch told him it was ten p.m. That meant it was two p.m. tomorrow back home. If he called now, would he get Hunter?
And if you do? What are you going to say?
Pulling his stare from the alien nightscape, he looked for a phone. The sounds of sirens, car horns and constant traffic wafting up from the streets below was nothing like the silence of Farpoint at night, a silence broken only by the occasional song of crickets and frogs in the nearby billabong. It only furthered Dylan’s sense of being out of whack.
In the wrong place, wanting the wrong woman, in the wrong time. You shoulda stayed home.
Spying what he was after, he crossed to the paisley sofa and picked up a paint-and clay-splattered cordless phone. It only took him two goes to correctly recall the prefix needed for dialing Australia from the U.S. and then, as he stood staring out the window, the dial tone clicked and a familiar woman’s voice said, “Hello. Farpoint Creek.”
Monet didn’t mean to eavesdrop. She’d sequestered herself away in her bedroom, as far from her bathroom as possible, and called Annie’s cell over and over again so she didn’t have to hear the shower running. If she heard the shower running she knew exactly what would happen. Her thoroughly visual mind would present her with thoroughly detailed images of Dylan, thoroughly naked and wet, separated from her by only a few feet of floor space and one bathroom door.
It hadn’t helped. For one, Annie hadn’t answered a single time, damn it. For another, Monet’s mind had done exactly what she hadn’t wanted it to and by the fourth unsuccessful attempt to call her best friend, images of Dylan—stripped of his clothes but not his rugged cowboy sexiness—filled her head.
She’d sat on her bed, wishing to God Annie would answer her phone as she stared fixedly at the wall, trying desperately to not think about the naked man in her shower.
Now, standing at her bedroom door, watching Dylan Sullivan talk quietly on the landline phone in the middle of her studio, she realized she was in trouble. Big trouble.
She was sexually attracted to Annie’s cowboy. A lot.
His deep voice stroked her senses, the words too low for her to understand but not low enough she couldn’t discern his Australian accent. She loved the way he sounded. She loved the way her name sounded on his lips. She could happily sit and listen to him recite the alphabet and by the time he reached Z, which he would no doubt pronounce as zed, she would be so turned on, all it would take was one single flick of her clit and she’d come.
God, she was pathetic. And a coward. If nothing else, she still hadn’t addressed the kiss back in the gallery. She had to assure Dylan it wouldn’t happen again. She remembered how hesitant he’d been to step out of the elevator. As if he were worried she was going to jump his bones the second he was in her apartment.
“Okay,” Dylan’s voice grew a tad louder and Monet swallowed, noticing his back was straighter, his shoulders squarer. “Okay, yeah. I’ll do that.”
Whoever he was talking to on the other end said something that made Dylan shake his head. “No. I know. I promise.”
There was another pause, during which Monet realized her heart was thumping so hard in her chest she could hear it, and then Dylan said, “Love you too.”
Monet’s mouth went dry.
Outback Cowboy
Farpoint Creek Cattle Station, Book 2
Mari Carr and Lexxie Couper
Published 2017 by Book Boutiques.
ISBN: 978-1-946363-07-7
Copyright © 2017, Mari Carr and Lexxie Couper.
All rights reserved.
No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Book Boutiques.
This book is a work of fiction. Any similarity to actual persons, living or dead, locales, or events is wholly coincidental. The names, characters, dialogue, and events in this book are from the author’s imagination and should not to be construed as real.
Manufactured in the USA.
Email [email protected] with questions, or inquiries about Book Boutiques.
Blurb
Flying halfway ’round the world to meet his potential soul mate sounds like a fine idea to Dylan Sullivan—until he discovers said soul mate, Annie, has gone looking for him. In Australia. Now Dylan’s adrift, a bloke from the Outback alone in the bloody big city. Until he’s rescued by Monet, a gorgeous local artist…and Annie’s best friend.
A dyed-in-the-wool New Yorker, Monet has never met anyone like Dylan. Taking temporary care of the sizzling-hot cowboy is easy; he’s friendly, funny and interesting. Keeping her hands off him is decidedly not easy. That horny accent, that killer grin…and as a successful artist, Monet is very much a hands-on sort of girl.
Dylan and Monet hold back until they learn Annie is engaged in her own foreign affair in Oz. Then all bets—and clothes—are off. But it can only be a fling. An Aussie cowboy doesn’t belong in New York any more than a city girl belongs in the Outback.
Now if only their hearts would listen.
Previously Published
(2012) Ellora's Cave, Misplaced Cowboy | (2015) Mari Carr and Lexxie Couper, Cowboy
Dedication
To all the Australian stockmen who make Australia the country it is. And to all the women who love them.
Acknowledgement
Cover Artist: Valerie Tibbs, Tibbs Design
Prologue
Annie: Mornin’ sunshine!
Dylan: G’day, love. How’re things in your neck of the woods this evening?
Annie: Long-ass day. Started with rain. Ended with rain. The middle bit was filled with my boss calling me Princess in a staff meeting. Grrrrr. I may end up killing him soon.
Dylan: Don’t kill him. I’m too far away to bail you out.
Annie: LOL. Thanks for the offer, but Monet’s already promised to have my back with the bail money.
Dylan: I think I like this Monet.
Annie: Yeah. She rocks. Actually, she might be the only thing rocking in my world these days.
Dylan: That doesn’t sound good.
Annie: It’s not. You ever been sick of your life, Dylan?
Dylan: Me? Sick of life? Nope. Sick of Hunter at times. The bloody bastard’s been giving me a hard time about chatting with a woman in America again. I told him if he says another word, he’s dead.
Annie: Careful. I’m too far away to bail you out. Snort! Sometimes I wish we lived closer.
Dylan: Me too, love. But let’s be serious, a city girl wouldn’t last a day in the Outback.
Annie: What? You must be joking. I’d last a hell of a lot longer on your little ranch than you would in my big city.
Dylan: Station, Annie. Station. We don’t own ranches Down Under. Do you reckon you’d ha
ndle the snakes in the loo?
Annie: I deal with the rats in the sewers just fine.
Dylan: I’ll accept your offer of rats in the sewers and give back crocs in the river and spiders on the toilet seat. How’s that sound?
Annie: Deal.
Dylan: Two days. I’d give you two days before you were on a plane heading back to New York. Me, of course, well…I’d make one hell of a city boy. Blend in like I was born and bred there.
Annie: You wouldn’t last a New York minute, tough guy.
Dylan: I tell you what. Let’s see who outlasts the other. A Yank in the Outback or an Aussie in New York. Next week. Game?
Annie: Game on.
Dylan: Let me take a look at the flights online.
Annie: LMAO. Are we seriously doing this?
Dylan: I’ve never been more serious in my life. Okay. I’ll see you in four days, city girl. This Saturday. Qantas. Sydney International. One p.m.
Chapter 1
New York
Dylan Sullivan gazed up at the Empire State Building towering a thousand feet above him and thought, Bugger.
He considered going with the tried and true, “I don’t think we’re in Kansas anymore, Toto”, but seeing as he’d never been to the U.S. before now, let alone Kansas, and he didn’t have a little yappy dog prancing around his feet, he decided it was both clichéd and inappropriate.
Dylan’s chest squeezed tight. His dog, Mutt, was on the other side of the world, probably curled up asleep in the back of Dylan’s pickup on the cattle station he and his brother called home. Either that or causing havoc with the wild kangaroos that kept seeking out water around the main house. The fact Mutt wasn’t at his side, where the dog spent pretty much every minute of the day when Dylan was working, just drove home the point that Dylan was out of his comfort zone. Way out.
An Australian stockman had no business being in America. None at all. There wasn’t a cow, kangaroo or shed to be seen.
Reaching up, Dylan removed his hat—a thoroughly beat-up, well-worn Akubra—and dragged his fingers through his hair.
What the bloody hell had he been thinking, flying to America?
What had you been thinking? You’d been thinking about Annie. About finally meeting her face to face. About seeing if she smells as good as you think she does. About finding out if her lips are as soft as they look…
Yeah, that’s what he’d been thinking. Of course, when he’d touched down at JFK International Airport, Annie had been a no-show. Which left Dylan, well…screwed.
Turning away from the Empire State Building, he surveyed the mass of people swarming around him. It had seemed like a good idea at the time to leave the airport. Annie hadn’t arrived but that didn’t mean she’d stood him up. After a few months of talking on the Net, he figured her to be a pretty decent woman. Not the kind to leave a man in the lurch after agreeing to a cross-global meeting. Hell, she’d been all for the challenge of a city girl and a country boy facing off, and he’d told her what flight he was coming in on in his last email. But the moment he’d deplaned, things had started going wrong.
He didn’t believe in omens, not like Aunt Joyce back home who wouldn’t leave her house if she saw a row of ducks break formation, but when he’d gone to collect his luggage—one solitary duffel bag—and found it missing, he should have suspected things wouldn’t go as planned.
After two hours of waiting for Annie, of standing in a busy airport surrounded by people who all looked as if they were in a major rush, Dylan had decided to brave the unknown world beyond the glass doors and seek her out. He had her address. Perhaps there was something wrong? A problem preventing her getting to the airport?
A traffic jam had brought his cab to a halt, however, before he could make it to Annie’s apartment. Determined not to wait in the stuffy vehicle, he’d elected to walk the rest of the way.
He hadn’t expected a doorman who wouldn’t let him pass. Why would he? He’d spent his entire life on Farpoint Creek cattle station, a place half the size of Texas and roughly a thousand kilometers from Australia’s closest high-rise apartment complex.
The man, a round and somewhat squishy bloke decked out in a burgundy suit complete with gold buttons and matching cap, stood in Dylan’s path, staring up at him with unwavering determination. “I’m sorry, sir.” He shook his head, his American accent highlighting how disconnected Dylan felt from everything he knew. “But Ms. Prince is not in residence and I cannot let you pass.”
Dylan frowned, his exhausted brain telling him he’d missed something really important in the man’s statement. “Sorry? What did you say?”
The man straightened a little more. “Ms. Prince is not home.”
Dylan let out a ragged sigh. He removed his hat, raked his fingers through his hair and returned the damn thing to his head. Not home? Maybe she was at the airport waiting for him after all? Could they have just missed each other? “Do you know when she’ll be back?”
If possible, the doorman snapped his spine straighter. Dylan wondered for a jet-lagged second if the bloke thought he was going to throw a crocodile or something at him. “I can’t divulge that information, sir. Now, if you will please step away from the door?”
There was a threat in the words. Even in his tired state, Dylan could hear it. Or a promise. Walk away from the door before I call the authorities.
Dylan walked away from the door. It wasn’t in his nature to back down, but he’d come to New York to meet a woman he’d been flirting with on the Net, not to start an international conflict between Australia and the U.S.
Stepping to the side of the building’s double glass doors, he leaned his back against the cool marble wall. He’d wait it out. Wherever Annie was, she’d come back, find him there—the unmistakable Aussie stockman in a sea of suave New Yorkers—laugh at his obvious fish-out-of-waterness and then they’d go inside and see if they had the same chemistry in the flesh that they did online.
A lifetime on Farpoint Creek had, if nothing else, taught him patience.
Forty-five minutes later the doorman stormed over to him, squishy face set in a menacing glare. “Listen, buddy—”
Dylan stuck out his hand. “Dylan Sullivan.”
The doorman blinked. He jerked his glare—now a slightly confused glower—to Dylan’s extended hand then back up to Dylan’s face. “Err…Tommy. Tommy Taberknackle.”
Dylan gave him a smile and a nod. “G’day, Tommy.”
The doorman blinked again, his hand slipping into Dylan’s. “I…you shouldn’t be…that is, Ms. Prince isn’t…”
A naked, entwined couple moving behind Tommy caught Dylan’s attention.
He frowned, watching the utterly erotic sculpture of a man and a woman making out move along the footpath, wrapped in the slim arms of someone he couldn’t quite see. The sculpture stopped. The arms adjusted the art as a leather-clad knee came up to help balance it precariously before one of the slim arms waved about in the air.
A husky female voice called out, “Taxi!”—a fraction of a second before the sculpture tumbled sideways.
Dylan leapt forward. He snared the sculpture—bronze? Is it bronze?—just as it fell from the unseen husky-voiced woman’s arms.
She spun to face him, a relieved sigh escaping her full lips as Dylan held up the unscathed sculpture. “Don’t worry, love.” He gave her a lopsided grin. “I got it.”
Those full lips curled into a smile. “Thank you,” she said, her accent subtle and—to Dylan’s ears—very, very sexy. She reached out to take the sculpture back but he shook his head.
“It’s all right.” He repositioned the artwork in his arms—definitely bronze, judging by its weight and surface temperature—and smiled some more. “I’ll keep a hold of it until you get a taxi.”
“Thank you again.”
He nodded. “Welcome.” Damn, she was pretty. Even with black sunglasses hiding her eyes, he couldn’t help but notice. The kind of pretty that came from a finely structured face, thick black hair
that fell about her shoulders in an unruly mass of waves and a turned-up nose just made for dropping a kiss on.
“Are you Australian?”
Dylan grinned. “The hat doesn’t give it away?”
She laughed, the sound warm and relaxed and thoroughly…stimulating. A twinge of pressure pulled at his groin, making things down there a tad uncomfortable. “The hat may have helped. But I have to admit, it was mainly the accent.”
Dylan did his best to ignore the completely unexpected physical reaction to her laugh. “Bugger. I was hoping I’d blend right in around here.”
The woman’s lips twitched. Dylan got the distinct impression her hidden gaze was taking him in from head to toe. “I think,” she leaned forward as though sharing a secret, “the chance of you blending in anywhere is fairly remote.”
Dylan’s cock jerked. He swallowed, his grip on her sculpture tightening. His sleep-deprived brain told him she’d just paid him a compliment. His red-blooded male hormones told him just as quickly what to do about that compliment. His common sense, however, told him he’d flown halfway around the world to meet with Annie Prince, and whoever the woman with the sexy voice, kissable lips, gorgeous mane of hair and altogether too concealing sunglasses was, she sure as hell wasn’t Annie.
He swallowed again, unable to think of a single bloody thing to say.
“So,” the woman continued. “What’s an Australian cowboy doing in New—”
Her question stopped dead. She stood motionless for a split second, her lips parted, then she pushed those dark sunglasses to the top of her head and stared at Dylan with eyes the color of a cloudless summer day. “You’re Australian.”
Dylan nodded. Hadn’t they already established that?
Her blue gaze roamed over him, from the tip of his hat to his boots and back up to his face. “You’re a cowboy.”
“Stockman,” he said. “We’re called stockmen back home. Or graziers. But yeah, I guess over here you’d call me a—”
Outback Cowboy Page 1
