by George Moore
Father Oliver had taught Bridget Clery cleanliness; at least, he had persuaded her to keep the f owls out of the kitchen, and he had put a paling in front of the house and made a little garden — an unassuming one, it is true, but a pleasant spot of colour in the summer-time — and he wondered how it was that Father Moran was not ashamed of its neglected state, nor of the widow’s kitchen. These things were, after all, immaterial. What was important was that he should find no faintest trace of whisky in Moran’s room. It was a great relief to him not to notice any, and no doubt that was why Moran insisted on bringing him into the house. The specifications were a pretext. He had to glance at them, however.
‘No doubt if the abbey is to be roofed at all the best roof is the one you propose.’
‘Then you side with the Archbishop?’
‘Perhaps I do in a way, but for different reasons. I know very well that the people won’t kneel in the rain. Is it really true that he opposes the roofing of the abbey on account of the legend? I have heard the legend, but there are many variants. Let’s go to the abbey and you’ll tell the story on the way.’
‘You see, he’ll only allow a portion of the abbey to be roofed.’
‘You don’t mean that he is so senile and superstitious as that? Then the reason of his opposition really is that he believes his death to be implicit in the roofing of Kilronan.’
‘Yes; he thinks that;’ and the priests turned out of the main road.
‘How beautiful it looks!’ and Father Oliver stopped to admire.
The abbey stood on one of the lower slopes, on a knoll overlooking rich water-meadows, formerly abbatial lands.
‘The legend says that the abbey shall be roofed when a De Stanton is Abbot, and the McEvillys were originally De Stantons; they changed their name in the fifteenth century on account of a violation of sanctuary committed by them. A roof shall be put on those walls, the legend says, when a De Stanton is again Abbot of Kilronan, and the Abbot shall be slain on the highroad.’
‘And to save himself from a violent death, he will only allow you to roof a part of the abbey. Now, what reason does he give for such an extraordinary decision?’
‘Are Bishops ever expected to have reasons?’
The priests laughed, and Father Oliver said: ‘We might appeal to Rome.’
‘A lot of good that would do us. Haven’t we all heard the Archbishop say that any of his priests who appeals to Rome against him will get the worst of it?’
‘I wonder that he dares to defy popular opinion in this way.’
‘What popular opinion is there to defy? Wasn’t Patsy Donovan saying to me only yesterday that the Archbishop was a brave man to be letting any roof at all on the abbey? And Patsy is the best-educated man in this part of the country.’
‘People will believe anything.’
‘Yes, indeed.’
And the priests stopped at the grave of Seaghan na Soggarth, or ‘John of the Priests,’ and Father Oliver told Father Moran how a young priest, who had lost his way in the mountains, had fallen in with Seaghan na Soggarth. Seaghan offered to put him into the right road, but instead of doing so he led him to his house, and closed the door on him, and left him there tied hand and foot. Seaghan’s sister, who still clung to religion, loosed the priest, and he fled, passing Seaghan, who was on his way to fetch the soldiers. Seaghan followed after, and on they went like hare and hound till they got to the abbey. There the priest, who could run no further, turned on his foe, and they fought until the priest got hold of Seaghan’s knife and killed him with it.
‘But you know the story. Why am I telling it to you?’
‘I only know that the priest killed Seaghan. Is there any more of it?’
‘Yes, there is more.’
And Father Oliver went on to tell it, though he did not feel that Father Moran would be interested in the legend; he would not believe that it had been prophesied that an ash-tree should grow out of the buried head, and that one of the branches should take root and pierce Seaghan’s heart. And he was right in suspecting his curate’s lack of sympathy. Father Moran at once objected that the ash-tree had not yet sent down a branch to pierce the priest-killer’s heart.
‘Not yet; but this branch nearly touches the ground, and there’s no saying that it won’t take root in a few years.’
‘But his heart is there no longer.’
‘Well, no,’ said Father Oliver, ‘it isn’t; but if one is to argue that way, no one would listen to a story at all.’
Father Moran held his peace for a little while, and then he began talking about the penal times, telling how religion in Ireland was another form of love of country, and that, if Catholics were intolerant to every form of heresy, it was because they instinctively felt that the questioning of any dogma would mean some slight subsidence from the idea of nationality that held the people together. Like the ancient Jews, the Irish believed that the faith of their forefathers could bring them into their ultimate inheritance; this was why a proselytizer was hated so intensely.
‘More opinions,’ Father Oliver said to himself. ‘I wonder he can’t admire that ash-tree, and be interested in the story, which is quaint and interesting, without trying to draw an historical parallel between the Irish and the Jews. Anyhow, thinking is better than drinking,’ and he jumped on his car. The last thing he heard was Moran’s voice saying, ‘He who betrays his religion betrays his country.’
‘Confound the fellow, bothering me with his preaching on this fine summer’s day! Much better if he did what he was told, and made up his mind to put the small green slates on the abbey, and not those coarse blue things which will make the abbey look like a common barn.’
Then, shading his eyes with his hand, he peered through the sun haze, following the shapes of the fields. The corn was six inches high, and the potatoes were coming into blossom. True, there had been a scarcity of water, but they had had a good summer, thanks be to God, and he thought he had never seen the country looking so beautiful. And he loved this country, this poor Western plain with shapely mountains enclosing the horizon. Ponies were feeding between the whins, and they raised their shaggy heads to watch the car passing. In the distance cattle were grazing, whisking the flies away. How beautiful was everything — the white clouds hanging in the blue sky, and the trees! There were some trees, but not many — only a few pines. He caught glimpses of the lake through the stems; tears rose to his eyes, and he attributed his happiness to his native land and to the thought that he was living in it. Only a few days ago he wished to leave it — no, not for ever, but for a time; and as his old car jogged through the ruts he wondered how it was that he had ever wished to leave Ireland, even for a single minute.
‘Now, Christy, which do you reckon to be the shorter road?’
‘The shorter road, your reverence, is the Joycetown road, but I doubt if we can get the car through it.’
‘How is that?’
And the boy answered that since the Big House had been burnt the road hadn’t been kept in repair.
‘But,’ said Father Oliver, ‘the Big House was burnt seventy years ago.’
‘Well, your reverence, you see, it was a good road then, but the last time I heard of a car going that way was last February.’
‘And if a car got through in February, why can’t we get through on the first of June?’
‘Well, your reverence, there was the storm, and I do be hearing that the trees that fell across the road then haven’t been removed yet.’
‘I think we might try the road, for all that, for though if we have to walk the greater part of it, there will be a saving in the end.’
‘That’s true, your reverence, if we can get the car through; but if we can’t we may have to come all the way back again.’
‘Well, Christy, we’ll have to risk that. Now, will you be turning the horse up the road? And I’ll stop at the Big House — I’ve never been inside it. I’d like to see what it is like.’
Joycetown House was the last link
between the present time and the past. In the beginning of the century a duellist lived there; the terror of the countryside he, for he was never known to miss his man. For the slightest offence, real or imaginary, he sent seconds demanding redress. No more than his ancestors, who had doubtless lived on the islands, in Castle Island and Castle Hag, could he live without fighting. But when he completed his round dozen, a priest said, ‘If we don’t put a stop to his fighting, there won’t be a gentleman left in the country,’ and wrote to him to that effect.
The story runs how Joyce, knowing the feeling of the country was against him, tried to keep the peace. But the blood fever came on him again, and he called out his nearest neighbour, Browne of the Neale, the only friend he had in the world. Browne lived at Neale House, just over the border, in County Galway, so the gentlemen arranged to fight in a certain field near the mearing. It was Browne of Neale who was the first to arrive. Joyce, having to come a dozen miles, was a few minutes late. As soon as his gig was seen, the people, who were in hiding, came out, and they put themselves between him and Browne, telling him up to his face there was to be no fighting that day! And the priest, who was at the head of them, said the same; but Joyce, who knew his countrymen, paid no heed, but stood up in the gig, and, looking round him, said, ‘Now, boys, which is it to be? The Mayo cock or the Galway cock?’ No sooner did he speak these words than they began to cheer him, and in spite of all the priest could say they carried him into the field in which he shot Browne of the Neale.
‘A queer people, the queerest in the world,’ Father Oliver thought, as he pulled a thorn-bush out of the doorway and stood looking round. There were some rough chimney-pieces high up in the grass-grown walls, but beyond these really nothing to be seen, and he wandered out seeking traces of terraces along the hillside.
On meeting a countryman out with his dogs he tried to inquire about the state of the road.
‘I wouldn’t be saying, your reverence, that you mightn’t get the car through by keeping close to the wall; but Christy mustn’t let the horse out of a walk.’
The countryman said he would go a piece of the road with them, and tell Christy the spots he’d have to look out for.
‘But your work?’
‘There’s no work doing now to speak of, your reverence.’
The three of them together just managed to remove a fallen tree, which seemed the most serious obstacle, and the countryman said once they were over the top of the hill they would be all right; the road wasn’t so bad after that.
Half a mile further on Father Oliver found himself in sight of the main road, and of the cottage that his sister Mary had lived in before she joined Eliza in the convent.
To have persuaded Mary to take this step proved Eliza’s superiority more completely than anything else she had done, so Father Oliver often said, adding that he didn’t know what mightn’t have happened to poor Mary if she had remained in the world. For her life up to the time she entered the convent was little else than a series of failures. She was a shop-assistant, but standing behind the counter gave her varicose veins; and she went to Dublin as nursery-governess. Father Oliver had heard of musical studies: she used to play the guitar. But the instrument was not popular in Dublin, so she gave it up, and returned to Tinnick with the intention of starting a rabbit and poultry farm. Who put this idea into her head was her secret, and when he received Eliza’s letter telling him of this last experiment, he remembered throwing up his hands. Of course, it could only end in failure, in a loss of money; and when he read that she was going to take the pretty cottage on the road to Tinnick, he had become suddenly sad.
‘Why should she have selected that cottage, the only pretty one in the county? Wouldn’t any other do just as well for her foolish experiment?’
VI
THE FLOWERED COTTAGE on the road to Tinnick stood in the midst of trees, on a knoll some few feet above the roadway, and Father Oliver, when he was a boy, often walked out by himself from Tinnick to see the hollyhocks and the sunflowers; they overtopped the palings, the sunflowers looking like saucy country girls and the hollyhocks like grand ladies, delicate and refined, in pink muslin dresses. He used to stand by the gate looking into the garden, delighted by its luxuriance, for there were clumps of sweet pea and beds of red carnations and roses everywhere, and he always remembered the violets and pansies he saw before he went away to Maynooth. He never remembered seeing the garden in bloom again. He was seven years at Maynooth, and when he came home for his vacations it was too late or too early in the season. He was interested in other things; and during his curacy at Kilronan he rarely went to Tinnick, and when he did, he took the other road, so that he might see Father Peter.
He was practically certain that the last time he saw the garden in bloom was just before he went to Maynooth. However this might be, it was certain he would never see it in bloom again. Mary had left the cottage a ruin, and it was sad to think of the clean thick thatch and the whitewashed walls covered with creeper and China roses, for now the thatch was black and mouldy; and of all the flowers only a few stocks survived; the rose-trees were gone — the rabbits had eaten them. Weeds overtopped the currant and gooseberry bushes; here and there was a trace of box edging. ‘But soon,’ he said, ‘all traces will be gone, the roof will fall in, and the garden will become part of the waste.’ His eyes roved over the country into which he was going — almost a waste; a meagre black soil, with here and there a thorn-bush and a peasant’s cabin. Father Oliver knew every potato field and every wood, and he waited for the elms that lined the roadway a mile ahead of him, a long, pleasant avenue that he knew well, showing above the high wall that encircled a nobleman’s domain. Somewhere in the middle of that park was a great white house with pillars, and the story he had heard from his mother, and that roused his childish imaginations, was that Lord Carra was hated by the town of Tinnick, for he cared nothing for Ireland and was said to be a man of loose living, in love with his friend’s wife, who came to Tinnick for visits, sometimes with, sometimes without, her husband. It may have been his Lordship’s absenteeism, as well as the scandal the lady gave, that had prompted a priest to speak against Lord Carra from the altar, if not directly, indirectly. ‘Both are among the gone,’ Father Oliver said to himself. ‘No one speaks of them now; myself hasn’t given them a thought this many a year—’ His memories broke off suddenly, for a tree had fallen, carrying a large portion of the wall with it, but without revealing the house, only a wooded prospect through which a river glided. ‘The Lord’s mistress must have walked many a time by the banks of that river,’ he said. But why was he thinking of her again? Was it the ugly cottage that put thoughts of her into his mind? for she had done nothing to alleviate the lives of the poor, who lived without cleanliness and without light, like animals in a den. Or did his thoughts run on that woman, whom he had never seen, because Tinnick was against her and the priest had spoken slightingly of the friends that Lord Carra brought from England? The cause of his thoughts might be that he was going to offer Nora Glynn to his sister as music-mistress. But what connection between Nora Glynn and this dead woman? None. But he was going to propose Nora Glynn to Eliza, and the best line of argument would be that Nora would cost less than anyone as highly qualified as she. Nuns were always anxious to get things cheap, but he must not let them get Nora too cheap. But the question of price wouldn’t arise between him and Eliza. Eliza would see that the wrong he did to Nora was preying on his conscience, and that he’d never be happy until he had made atonement — that was the light in which she would view the matter, so it would be better to let things take their natural course and to avoid making plans. The more he thought of what he should say to Eliza, the less likely was he to speak effectively; and feeling that he had better rely on the inspiration of the moment, he sought distraction from his errand by noting the beauty of the hillside. He had always liked the way the road dipped and then ascended steeply to the principal street in the town. There were some pretty houses in the dip — houses w
ith narrow doorways and long windows, built, no doubt, in the beginning of the nineteenth century — and his ambition was once to live in one of these houses.
The bridge was an eighteenth-century bridge, with a foaming weir on the left, and on the right there was a sentimental walk under linden-trees, and there were usually some boys seated on the parapet fishing. He would have liked to stop the car, so remote did the ruined mills seem — so like things of long ago that time had mercifully weaned from the stress and struggle of life.
At the corner of the main street was the house in which he was born. The business had passed into other hands, but the old name— ‘Gogarty’s Drapery Stores’ — remained. Across the way were the butcher and the grocer, and a little higher up the inn at which the commercial travellers lodged. He recalled their numerous leather trunks, and for a moment stood a child again, seeing them drive away on post-cars. A few more shops had been added — very few — and then the town dwindled quickly, slated roofs giving way to thatched cottages, and of the same miserable kind that was wont to provoke his antipathy when he was a boy.
This sinful dislike of poverty he overcame in early manhood. A high religious enthusiasm enabled him to overcome it, but his instinctive dislike of the lowly life — intellectual lowliness as well as physical — gathered within these cottages, seemed to have returned again. He asked himself if he were wanting in natural compassion, and if all that he had of goodness in him were a debt he owed to the Church. It was in patience rather than in pity maybe that he was lacking; and pursuing this idea, he recalled the hopes he entertained when he railed off a strip of ground in front of Bridget Clery’s house. But that strip of garden had inspired no spirit of emulation. Eliza was perhaps more patient than he, and he began to wonder if she had any definite aim in view, and if the spectacle of the convent, with its show of nuns walking under the trees, would eventually awaken some desire of refinement in the people, if the money their farms now yielded would produce some sort of improvement in their cottages, the removal of those dreadfully heavy smells, and a longing for colour that would find expression in the planting of flowers.
