One morn it chanced that they who sought his cell found him with his head upon his bosom, kneeling before the image of the virgin patroness of his shrine. Fearing to disturb his devotions, they stood reverently looking on; and thus silently did they tarry for an hour; but, as in that space he had shown no signs of motion, fearing the worst, they ventured to approach him. He was cold as the marble before which he knelt. In the act of humblest intercession—it may be, in the hope of grace—had Cyprian's spirit fled.
"Blessed are they who die in the Lord," exclaimed his brethren, regarding his remains with deepest awe. On being touched, the body fell to the ground. It was little more than a skeleton.
Under the cloisters of the holy pile were his bones interred, with a degree of pomp and ostentation that little accorded with the lowliness and self-abasement of this man of many sorrows.
This chapel, at the time of which we treat, was pretty much in the same condition as it existed in the days of its holy inmate. Hewn out of the entrails of the rock, the roof, the vaults, the floor, were of solid granite. Three huge cylindrical pillars, carved out of the native rock, rough as the stems of gnarled oak-trees, lent support to the ceiling. Support, however, was unneeded; an earthquake would scarce have shaken down those solid rafters. Only in one corner, where the water welled through a crevice of the rock, in drops that fell like tears, was decay manifest. Here the stone, worn by the constant dripping, had, in some places, given way. In shape, the vault was circular. The interval between each massive pillar formed a pointed arch. Again, from each pillar sprang other arches, which crossed by diagonal, ogive branches, weaving one into the other, and radiating from the centre, formed those beautifully intricate combinations upon which the eye of the architectural enthusiast loves to linger. Within the ring formed by these triple columns, in which again the pillars had their own web of arches, was placed an altar of stone, and beside it a crucifix of the same rude material. Here also stood the sainted image of her who had filled the prior with holy aspirations, now a shapeless stone. The dim lamp, that, like a star struggling with the thick gloom of the wintry cell, had shed its slender radiance over the brow of the Virgin Thecla, was gone. But around the keystone of the central arches, whence a chain had once depended, might be traced in ancient characters, half effaced by time, the inscription:
STA THECIA ORA PRO NOBIS
One outlet only was there from the chapel—that which led by winding steps to the monastery; one only recess—the prior's cell. The former faced the altar; the latter yawned like the mouth of a tomb at its back. Altogether it was a dreary place. Dumb were its walls as when they refused to return the murmured orisons of the anchorite. One uniform sad colouring prevailed throughout. The grey granite was grown hoar with age, and had a ghostly look; the columns were ponderous, and projected heavy shadows. Sorrow and superstition had their tale, and a moral gloom deepened the darkness of the spot. Despair, which had inspired its construction, seemed to brood therein. Hope shunned its inexorable recesses.
Alone, within this dismal sanctuary, with hands outstretched towards the desecrated image of its tutelar saint, knelt Sybil. All was darkness. Neither the heavy vapours that surrounded her, nor the shrine before which she bent, were visible; but, familiar with the dreary spot, she knew that she had placed herself aright. Her touch had satisfied her that she bowed before the altar of stone; that her benighted vision was turned towards the broken image of the saint, though now involved in gloom the most profound; and with clasped hands and streaming eyes, in low and mournful tones, she addressed herself in the hymn to the tutelar saint of the spot.
The sweet, sad voice of the singer died faintly away. The sharpness of her sorrow was assuaged. Seldom, indeed, is it that fervent supplication fails to call down solace to the afflicted. Sybil became more composed. She still, however, trembled at the thoughts of what remained to be done.
"They will be here ere my prayer is finished," murmured she—"ere the end is accomplished for which I came hither alone. Let me, oh! let me make my peace with my Creator, ere I surrender my being to his hands, and then let them deal with me as they will." And she bowed her head in lowly prayer.
Again raising her hands, and casting her eyes towards the black ceiling, she implored, in song, the intercession of the saintly man who had bequeathed his name to the cell. Scarcely had she concluded this hymn, when the torch of the knight of Malta in part dissipated the gloom that hung around the chapel.
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CHAPTER XI
THE BRIDAL
SLOWLY did the train descend; solemnly and in silence, as if the rites at which they were about to assist had been those of funereal, and not of nuptial, solemnisation. Indeed, to look upon those wild and fierce faces by the ruddily-flashing torchlight, which lent to each a stern and savage expression; to see those scowling visages surrounding a bride from whose pallid cheeks every vestige of colour, and almost of animation, had fled; and a bridegroom, with a countenance yet more haggard, and demeanour yet more distracted—the beholder must have imagined that the spectacle was some horrible ceremonial, practised by demons rather than human beings. The arched vault, the pillars, the torchlight, the deep shadows, and the wild figures, formed a picture worthy of Rembrandt or Salvator.
"Is Sybil within the chapel?" asked Barbara.
"I am here," returned a voice from the altar.
"Why do we tarry?" said the gipsy queen. "We are all assembled. To the altar."
"To the altar!" shrieked Eleanor. "Oh! no—no—"
"Remember my threat, and obey," muttered Barbara. "You are in my power now."
A convulsive sob was all the answer Eleanor could make.
"Our number is not complete," said the priest, who had looked in vain for the sexton. "Peter Bradley is not with us."
"Ha!" exclaimed Barbara. "Let him be sought for instantly."
"Their search need not extend beyond this spot," said Peter, stepping forward.
The knight of Malta advanced towards the altar. The torchlight reddened upon the huge stone pillars. It fell upon the shrine, and upon the ghastly countenance of Sybil, who stood beside. Suddenly, as the light approached her, an object, hitherto hidden from view, was revealed. Sybil uttered a prolonged and fearful shriek; the knight recoiled likewise in horror; and a simultaneous cry of astonishment burst from the lips of the foremost of the group. All crowded forwards, and universal consternation prevailed amongst the assemblage. Each one gazed at his neighbour, anxious to learn the occasion of this tumult, and vague fears were communicated to those behind, from the terrified glances, which were the only answers returned by their comrades in front.
"Who has dared to bring that body here?" demanded Barbara, in a tone in which anger struggled with apprehension, pointing at the same time to the ghastly corpse of a female, with streaming hair, at the altar's feet. "Who has dared to do this, I say? Quick! remove it. What do you stare at? Cravens! is this the first time you have looked upon a corpse, that you shrink aghast—that you tremble before it? It is a clod—ay, less than a clod. Away with it! away, I say."
"Touch it not," cried Luke, lifting a cloud of black hair from off the features; "it is my mother's body."
"My daughter!" exclaimed the sexton.
"What!" vociferated Barbara, "is that your daughter—is that the first Lady Rookwood? Are the dead arisen to do honour to these nuptials? Speak! You can, perchance, explain how she came hither."
"I know not," returned Peter, glancing fiercely at Barbara; "I may, anon, demand that question of you. How came this body here?"
"Ask of Richard Checkley," said Barbara, turning to the priest. "He can, perchance, inform you. Priest," added she, in a low voice, "this is your handiwork."
"Checkley!" screamed Peter. "Is that Richard Checkley? is that—"
"Peace!" thundered Barbara; "will none remove the body? Once more I ask you, do you fear the dead?"
A murmur arose. Balthazar alone ventured to approach the corpse.
Luke st
arted to his feet as he advanced, his eyes glaring with tiger fury.
"Back, old man," cried he, "and dare not, any of you, to lay a sacrilegious finger on her corpse, or I will stretch him that advances as lowly as lies my mother's head. When or how it came hither matters not. Here, at the altar, has it been placed, and none shall move it hence. The dead shall witness my nuptials. Fate has ordained it—my fate! o'er which the dead preside. Her ring shall link me to my bride. I knew not, when I snatched it from her death-cold finger, to what end I preserved it. I learn it now. It is here." And he held forth a ring.
"'Tis a fatal boon, that twice-used ring," cried Sybil; "such a ring my mother, on her deathbed, said should be mine. Such a ring she said should wed me—"
"Unto whom?" fiercely demanded Luke.
"UNTO DEATH!" she solemnly rejoined.
Luke's countenance fell. He turned aside, deeply abashed, unable further to brook her gaze; while, in accents of such wildly-touching pathos as sank into the hearts of each who heard her—hearts, few of them framed of penetrable stuff—the despairing maiden burst into the following strain:
THE TWICE USED RING 1
"Beware thy bridal day!"
On her deathbed sighed my mother;
"Beware, beware, I say,
Death shall wed thee, and no other.
Cold the hand shall grasp thee,
Cold the arms shall clasp thee,
Colder lips thy kiss shall smother!
Beware thy bridal kiss!
"Thy wedding-ring shall be
From a clay-cold finger taken;
From one that, like to thee,
Was by her love forsaken.
For a twice-used ring
Is a fatal thing;
Her griefs who wore it are partaken—
Beware that fatal ring!
Set to music by Mr. F. Romer.
"The altar and the grave
Many steps are not asunder;
Bright banners o'er thee wave,
Shrouded horror lieth under.
Blithe may sound the bell,
Yet 'twill toll thy knell;
Scathed thy chaplet by the thunder—
Beware that blighted wreath!"
Beware my bridal day!
Dying lips my doom have spoken;
Deep tones call me away;
From the grave is sent a token.
Cold, cold fingers bring
That ill-omen'd ring;
Soon will a second heart be broken!
This is my bridal day!
There was a deep, profound silence as the last melancholy cadence died away, and many a rugged heart was melted, even to tears. Eleanor, meanwhile, remained in a state of passive stupefaction, vacantly gazing at Sybil, upon whom alone her eyes were fixed, and appearing indistinctly to apprehend the meaning of her song.
"This is my bridal day," murmured she, in a low tone, when Sybil had finished. "Said not that sweet voice so? I know 'tis my bridal day. What a church you have chosen, mother! A tomb—a sepulchre—but 'tis meet for such nuptials as mine—and what wedding guests! Was that pale woman in her shroud-like dress invited here by you? Tell me that, mother."
"My God, her senses are gone!" cried Mrs. Mowbray. "Why did I venture into this horrible place!"
"Ask not why now, madam," rejoined the priest. "The hour for consideration is past. We must act. Let the marriage proceed, at all hazards; we will then take means to extricate ourselves from this accursed place."
"Remove that horrible object," said Mrs. Mowbray; "it fascinates the vision of my child."
"Lend me your hand, Richard Checkley," said Peter, sternly regarding the priest.
"No, no," replied the priest, shuddering; "I will not—cannot touch it. Do you alone remove it."
Peter approached Luke. The latter now offered no further opposition, and the body was taken away. The eyes of Eleanor followed it into the dark recesses of the vault; and when she could no longer distinguish the white flutter of the cereclothes, her labouring bosom seemed torn asunder with the profound sigh that burst from it, and her head declined upon her shoulder.
"Let me see that ring," said the priest, addressing Luke, who still held the wedding-ring between his fingers.
"I am not naturally superstitious," said Mrs. Mowbray; "whether my mind be affected with the horrors of this place, I know not; but I have a dread of that ring. She shall not use it."
"Where no other can be found," said the priest, with a significant and peculiar look at Mrs. Mowbray, "I see no reason why this should be rejected. I should not have suspected you, madam, of such weakness. Grant there were evil spell, or charm, attached to it, which, trust me, there is not—as how should there be, to a harmless piece of gold?—my benediction, and aspersion with holy lymph, will have sufficient power to exorcise and expel it. To remove your fears, it shall be done at once."
A cup containing water was brought, together with a plate of salt (which condiment the devil is said to abhor, and which is held to be a symbol of immortality and of eternity; in that, being itself incorruptible, it preserves all else from corruption), and, with the customary Romish formula of prayer and exorcism, the priest thrice mingled the crystal particles with the pure fluid; after which, taking the ring in his hand with much solemnity, he sprinkled it with a few drops of the water which he had blessed; made the sign of the cross upon the golden circlet; uttered another and more potent exorcism to eradicate and expel every device of Satan, and delivered it back to Luke.
"She may wear it now in safety," said the sexton, with strong contempt. "Were the snake himself coiled round that consecrated bauble, the prayers of the devout Father Checkley would unclasp his lithest folds. But wherefore do we tarry now? Naught lies between us and the altar. The path is clear. The bridegroom grows impatient."
"And the bride?" asked Barbara.
"Is ready," replied the priest. "Madam, delay not longer. Daughter, your hand."
Eleanor gave her hand. It was clammy and cold. Supported by her mother, she moved slowly towards the altar, which was but a few steps from where they stood. She offered no resistance, but did not raise her head. Luke was by her side. Then for the first time did the enormity of the cruel, dishonourable act he was about to commit, strike him with its full force. He saw it in its darkest colours. It was one of those terrible moments when the headlong wheel of passion stands suddenly still.
"There is yet time," groaned he. "Oh! let me not damn myself perpetually! Let me save her; save Sybil; save myself."
They were at the altar—that wild wedding train. High overhead the torch was raised. The red light flashed on bridegroom and on bride, giving to the pale features of each an almost livid look; it fell upon the gaunt aspect of the sexton, and lit up the smile of triumphant malice that played upon his face; it fell upon the fantastical habiliments of Barbara, and upon the haughty but perturbed physiognomy of Mrs. Mowbray; it fell upon the salient points of the Gothic arches; upon one moulded pillar; upon the marble image of the virgin Thecla; and on the scarcely less marble countenance of Sybil, who stood behind the altar, silent, statue-like, immovable. The effect of light and shade on other parts of the scene, upon the wild drapery, and harsh lineaments of many of the group, was also eminently striking.
Just as the priest was about to commence the marriage service, a yelling chorus, which the gipsies were accustomed to sing at the celebration of the nuptials of one of their own tribe, burst forth. Nothing could be more horribly discordant than their song.
This uncouth chorus ended, the marriage proceeded. Sybil had disappeared. Had she fled? No! she was by the bride. Eleanor mechanically took her place. A faint voice syllabled the responses. You could scarcely have seen Miss Mowbray's lips move. But the answers were given, and the priest was satisfied.
He took the ring, and sprinkled it once again with the holy water, in the form of the cross. He pronounced the prayer: "Benedic, Domine, annulum hunc, quem nos in tuo nomine benedicimus, ut quœ eum gestaverit, fidelitatem
integram suo sponso tenens, in pace et voluntate tuâ permaneat atque in mutuâ charitate semper vivat."
He was about to return the ring to Luke, when the torch, held by the knight of Malta, was dashed to the ground by some unseen hand, and instantly extinguished. The wild pageant vanished as suddenly as the figures cast by a magic-lantern upon a wall disappear when the glass is removed. A wild hubbub succeeded. Hoarsely above the clamour arose the voice of Barbara.
"To the door, quickly!—to the door! Let no one pass. I will find out the author of this mishap anon. Away!"
She was obeyed. Several of the crew stationed themselves at the door.
"Proceed now with the ceremony," continued Barbara. "By darkness, or by light, the match shall be completed."
The ring was then placed upon the finger of the bride; and as Luke touched it, he shuddered. It was cold as that of the corpse which he had clasped but now. The prayer was said, the blessing given, the marriage was complete.
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