CONTENTS
One
IN THE BEGINNING . . .
Two
IN A LAND FAR AWAY . . .
Three
IN THE DAYS . . .
Four
THERE ONCE WAS A MAN . . .
Five
AND HE WENT BY THE NAME OF . . .
Six
AND IN HIS HEART . . .
Seven
AND IT CAME TO PASS . . .
Eight
HE TUCKED THE TREASURE DEEP IN HIS SACK . . .
Nine
HE PICKED UP THE SWORD . . .
Ten
AND THERE HE MET . . .
Eleven
AN OLD MAN SAT BY THE SIDE OF THE ROAD . . .
Twelve
THE UNSEEN WORLD GATHERED . . .
Thirteen
TROUBLE WAS BOUND TO COME . . .
Fourteen
AND THE CHALLENGE OF HIS LIFE LOOMED . . .
Fifteen
AND HE WAS NEVER THE SAME AGAIN . . .
Sixteen
HAPPILY EVER AFTER . . .
Seventeen
AND IF HE’S NOT GONE, HE LIVES THERE STILL . . .
READING GROUP GUIDE
ABOUT DEBBIE MACOMBER
NOTES
to
Lois Dyer
fellow author and
special God-given
friend
Dear Friends,
Did you hear the one about . . . .
Oh my goodness, you won’t believe what happened to me . . .
Once upon a time a . . .
When we hear those words, we pause and listen because we know we’re about to hear a story. Everyone loves a story. What do you remember about the last sermon you heard? My guess is a story the preacher told to illustrate his point. That was exactly what Jesus did. He told stories, stories so rich they have touched lives every generation since.
Because I am primarily a fiction writer, one question I ask myself as I plot my books is “What if?” My mind starts playing with the idea of plot twists and unexpected turns taking the reader on a journey that all started with a “what if” question.
The point of this book is that we are writing our own stories, the story of our lives and we are sure to encounter plenty of twists and turns along this pathway called life. My hope is that these seventeen chapters will resonate with you as I tell my own story and hold open the door for you to consider yours.
As an author I work with an incredible publishing team. I would be remiss if I didn’t credit those who have worked so hard to craft this idea into a book . . . a story for you, my reader. First and foremost my agent and dear friend, Wendy Lawton. Wendy is amazing. Organized, articulate, talented, and generous. This is my first book working with editor Beth Adams, and I hope it’s one of many. Rebekah Nesbitt, editor in chief of Howard Books, is a bright shining star in the publishing arena. Anyone who has the pleasure to work with her sings her praises, and I’m happy to join that choir. Publisher Jonathan Merkh is amazing. He saw the vision for my nonfiction titles and has been a constant friend and encourager. I love you all and thank God for the opportunity to work with you.
Debbie Macomber
You can reach me in a variety of ways: my website at DebbieMacomber.com or on Facebook or by writing me directly at P.O. Box 1458, Port Orchard, WA 98366.
One
IN THE BEGINNING . . .
Let the redeemed of the Lord tell their story.
—PSALM 107:2
Once upon a time, in a land not far away, I grew up dreaming of castles, handsome knights, and princes on fiery steeds, like many young girls. My family was an ordinary one, with a mother and a father and one wicked brother who sold copies of my diary to all the boys in my junior high class.
Every fortnight of my childhood I would journey to the library, seeking more tales of valor and knights. As I opened the heavy library door, juggling a stack of books, the hush of the cavernous room felt like a medieval priory. The smell of books and ink, leather and floor wax, brought a smile of eager anticipation. Usually I had finished my last book the night before and couldn’t wait to begin a new adventure, hopefully one with knights willing to carry me off to the land of enchantment.
Because I am a slow reader, it took me a long time to read each story. Consequently I relished every scene, each fair maiden and fearsome dragon. I never understood why other kids were able to read so quickly. Not me. I had to read each sentence slowly and thoughtfully, but word by word, the story emerged. Like magic. I’d venture to faraway places, reading about princes and castles, but I also read about girls who lived in small towns just like Yakima, Washington.
After returning my stack of books to the counter, I would head for my favorite corner of the library to begin the deliciously difficult job of choosing a new stack of books. As I slid a book off the shelf and fingered the adhesive label on the spine, I anticipated the adventure I knew was tucked between the covers.
Someday . . . perhaps I could write these kinds of stories. Already the ideas whirled around inside my head. I never could read a book without making up a story of my own.
That dream never changed. I knew I wanted to write stories someday. Stories that would sit on library shelves just like these. Stories just waiting for someone to open the cover and join in the adventure.
Most people smiled indulgently when I shared my dream. Once, when I told a teacher that I planned to be a writer and one day I would write a book, she smiled and patted my hand. “You can’t write, Debbie,” she said. “why, you can’t even spell.”
But the dream refused to go away.
Then one day, when I was only nineteen, a handsome electrician drove up in a shiny black convertible. It wasn’t a steed, but I knew a prince when I saw one, and before long we were married. Soon we were living in a two-bedroom cottage with a white picket fence.
As often happens when a fair damsel meets her Prince Charming, children followed, and soon the two-bedroom cottage became a four-bedroom castle. The kingdom flourished and prospered, and between soccer games and car pools, ballet classes and clarinet lessons, I dreamed about love and enchantment and the magic of romance. Money was scarce in those days, but there was never a shortage of books. Our four children knew their mommy loved to tell stories. That was a good thing, since they loved to listen to them. As I fixed frugal feasts that could stretch a pound of hamburger six ways to Sunday, I still dreamed of writing books and telling stories.
A dream that never dies eventually demands attention. Despite a budget that allowed nothing frivolous, I took that leap of faith and answered the call to write. We rented a typewriter for twenty-five dollars a month. Twenty-five whole dollars! That was a big chunk out of the castle coffers in those days.
But I faithfully wrote on that typewriter every day. I spun stories, wrote articles, and kept at it faithfully, despite receiving rejection after rejection. After a number of years, my patient prince came to me with a handful of bills. “Darling,” he said as he put his arm around me, “I’m going to have to ask you to get a job. Something that pays money.”
I looked at my typewriter, sitting on the kitchen table beside a mountain of typed pages tied into book-sized bundles with twine.
“We’re just not making it,” he said, “and I don’t know what else to do.”
I knew he was right. Maybe the fairy tale was ending. I knew that I couldn’t work, care for the kids, and still follow my dream. Maybe some dreams were just not meant to come true. I packed away the manuscripts and cleaned up the typewriter in preparation for returning it.
That nig
ht I didn’t sleep. I kept thinking about my dream.
In the wee hours, the prince stirred and saw me awake. “What’s wrong?” he asked.
“I think I could have made it,” I whispered. “I don’t know why, but I think I could have made it as a writer.”
My prince was quiet for a very long time before he took my hand. “If it means that much to you, then go for it.” He squeezed my hand. “We’ll figure something out. We’ll do whatever we have to do so you can write.”
And somehow we got by. Every day the two older children came home from school to the sound of typewriter keys clacking away. My big break didn’t happen the next year. Or the next. In fact, it didn’t happen for five long years. Then one day I received that magical telephone call. A publisher offered to buy my book.
That special story was the first of a whole bookcase full of books I would eventually write. I wrote book after book, and, I am grateful to say, readers bought those books. Some even went to the very library I used to haunt as a child. With confidence, they slid my books off the shelf, knowing they would find satisfying stories tucked between the covers.
To this day I walk up the staircase into my writing turret and continue to tell stories. Even though my publishers have sold more than one hundred million of my books, I am not finished telling stories.
I plan to write happily ever after.
I was born to be a storyteller. I’ve read stories, collected stories, written stories, and loved stories my entire life. There are no words that stir my soul more than “once upon a time.”
I relish every aspect of being a writer, but through the years I’ve had an insight about myself as an author: I’m happiest when I’m writing. Don’t get me wrong, I enjoy meeting my readers, doing interviews, and everything else that is involved in my career, but in the end—and the beginning—I am a writer, and telling a story is what’s most important to me.
The very first time I visited that library in my hometown, I was only four years old. When Miss Bunn, the librarian, handed me that very first book—a Little Golden Book—my mother said I took it with both hands, looked at it for the longest time, and then pressed it against my heart. My mother could not pry the book away from me. My love of books never waned. I struggled with reading until I was ten years old, but once the concept of sounding out words took hold in my mind, those books I carried home from the library never gathered dust. I read them under the covers long after the lights should have been out. I knew I needed to sleep, but the story kept moving forward, and I was caught up in the magic and wonder of it all. This was the same magic and wonder I longed to create someday myself. When I finally closed the book, sleep still eluded me. I would often lie awake into the wee hours of the morning, reliving the plot and the beauty of the story . . . and dreaming of one day creating my own.
I began to fantasize about writing my own stories not long after those library days. It didn’t matter that I suffered from what I came to understand was dyslexia or that I was a creative speller. (I still am!) I knew I wanted to tell stories. A fellow writer, Katherine Anne Porter, said it best: “A story is like something you wind out of yourself. Like a spider, it is a web you weave, and you love your story like a child.”
What I didn’t know at that time was that not only would all my writing wishes come true (above and beyond anything I could have ever dreamed or imagined), but I would come to see my own life as one grand story.
That’s what this book is about. Not the stories I write, nor the story of my life, though both will be part of the telling. I wanted to write this book to talk about Story. Story with a capital S. I want to help you view your own life as one continuous story. One never-ending story. And when you do, I hope you will recognize how God has held you in the palm of His hand the same way He has me.
Madeleine L’Engle, in her book The Rock That Is Higher: Story as Truth, wrote:
Story makes us more alive, more human, more courageous, more loving. Why does anybody tell a story? It does indeed have something to do with faith, faith that the universe has meaning, that our little human lives are not irrelevant, that what we choose or say or do matters, matters cosmically. It is we humans who either help bring about, or hinder the coming of the kingdom . . . . Our truest response to the irrationality of the world is to paint or sing or write, for only in such response do we find truth.1
We are the stories other people read. Those stories have power—power to heal and power to change, power to direct and encourage. Story enriches our life and the lives of those around us.
As I travel around the country and talk to people, I see stories. One of my joys when meeting readers is hearing their stories. Often they touch and inspire me, and again I am reminded that God has been able to use even me, through the power of story.
WHAT IS STORY?
People have told stories as far back as we can trace. I recently listened to a recording of my friend Liz Curtis Higgs speaking about the story of Ruth from the Bible. Ruth lived about 3,200 years ago, but the book of Ruth wasn’t committed to writing until the ninth century BC. That means that the story was preserved in oral tradition from generation to generation. Those who don’t understand the sacred trust of an ancient storyteller might wonder how faithful the story eventually recorded was to the actual event. No worry. There’s little chance of change. Generations heard these stories over and over and the tiniest deviation would be cause for the storyteller to be run out of the village ahead of an angry mob. People take their stories seriously.
Each culture has had its storytellers, from the Scottish bards to the African griots. Storytelling has been a noble profession from earliest memory. Eventually stories moved from oral tradition, the spoken word, to the written word. With the advent of the printing press, these marvelous tales of old migrated to books. In modern times, our stories are also told on screens both large and small.
E. M. Forster, in his classic book Aspects of the Novel, likens story to a tapeworm, its beginning and end completely arbitrary. He illustrates his point with the storytelling of Scheherazade, the legendary Persian queen and narrator of One Thousand and One Nights, summing up the fact that the story is about, in three simple words, what happens next. Here’s what Forster wrote:
Scheherazade avoided her fate because she knew how to wield the weapon of suspense—the only literary tool that has any effect upon tyrants and savages. Great novelist though she was—exquisite in her descriptions, tolerant in her judgments, ingenious in her incidents, advanced in her morality, vivid in her delineations of character, expert in her knowledge of three Oriental capitals—it was yet on none of these gifts that she relied when trying to save her life from her intolerable husband. They were but incidental. She only survived because she managed to keep the king wondering what would happen next. Each time she saw the sun rising she stopped in the middle of a sentence, and left him gaping. “At this moment Scheherazade saw the morning appearing and, discreet, was silent.” This uninteresting little phrase is the backbone of the One Thousand and One Nights, the tapeworm by which they are tied together and the life of a most accomplished princess was preserved.2
Aren’t we just like Scheherazade’s husband, in that we want to know what happens next?
WHY TELL STORIES?
Storytelling is a natural, time-honored way of making sense of seemingly random events. When I am writing my books I’ll often begin by telling several different stories that seem unconnected until, little by little, I bring the stories and the characters together and start to intertwine them. By the time the reader reaches the end of the book, hopefully the plot has magically come together. I explain, when people ask, that this form of storytelling is like braiding hair. Each thick strand is turned over the others, building, one upon another, until the braid is complete.
Culminating all the elements of the plot is important. We work to make sense of the world around us. We want to make sense of the people we know and of what is happening to us. The writer Joan Didion said, “Ha
d I been blessed with even limited access to my own mind, there would have been no reason to write. I write entirely to find out what I am thinking, what I am looking at, what it means.”
THE GOD WHO TOLD STORIES
From the time I was that little girl with a dream, I also had a hunger for God. I didn’t really come to know Him in the same close relationship I enjoy now until after I was married and had two of my children. Still, for as long as I can remember I had an unquenchable longing for Him. From the moment I intentionally made Him the centerpiece of my life in 1972, I’ve taken the book He wrote and read it faithfully cover to cover each and every year. And you know what I realized? The Bible, from the first pages of Genesis, has plenty of lessons and ideas, proverbs and poems. However, when Jesus came along, He was the God who told stories. Moses may have delivered the tablets that began with “Thou shalt not . . .” but Jesus sat down with an expectant crowd gathered around Him and began, “A farmer went out to sow his seed . . .”
So we will look at story through the pages of this book. You’ll notice that I’ve pulled familiar phrases from classic stories and folktales for the chapter titles. For me, just hearing the words “a long, long time ago,” or “in a faraway land,” or “happily ever after,” offers a sense of anticipation, of excitement and expectation. A story is about to unfold, and those key words tell all we need to know about the kind of story it will be.
Liz Curtis Higgs, in talking about the story of Ruth, tells us that the Hebrew word that opens the story, wayehi, which is translated as “In the days,” or “And it came to pass,” actually embodied so much more to those Hebrew listeners. When they heard wayehi, they leaned in eagerly so as not to miss a word, because it literally meant, “Trouble is on the horizon but redemption is coming.”
Don’t you love that? With a single word, the author of Ruth managed to capture the attention of the audience. Now that’s the power of a good storyteller.
Once Upon a Time: Discovering Our Forever After Story Page 1
