“You can’t wait forever, you know.”
“I realize that.” Sarah shot Diane a quick frown before putting her arm around Emily. Emily giggled and smiled up at her. Sylvia caught the fragrance of baby shampoo and something else, something sweet and fresh beneath it, and she wondered why Sarah, who used to speak confidently about having children someday, had not said a word on the subject in months. Perhaps the couple had decided against having children, or perhaps they had no choice. Sylvia didn’t want to pry, but her heart was troubled for Sarah and Matt, and she wished she knew how to help them.
“Where is Matthew, anyway?” Sylvia wondered aloud.
“He’s inspecting the orchards for storm damage,” Sarah said. “He said he’d try to make it back in time for the show, but …” She shrugged.
“He can’t miss this,” Judy protested.
“He won’t. There’s a new tape in the VCR.” Sarah smiled, tight-lipped. “You know how he is about those trees. Besides, he was here for the filming last fall, and that was the exciting part, right?”
Nonsense, Sylvia wanted to say, but she kept quiet.
“The show’s starting,” Summer announced, taking the remote from Sarah. Sylvia saw their eyes meet, and something passed between them. Whatever it was, it made Sarah relax, and so Sylvia did as well. Summer was an exceptional young woman—optimistic and empathetic, and more thoughtful than most people her age. Sylvia would miss her when she went off to graduate school in the fall. The young couldn’t help growing up and wanting to make their own ways through life, but Summer would be the first Elm Creek Quilter to leave their circle, and they would not feel whole without her.
Sylvia pushed the thoughts to the back of her mind, choosing instead to focus on the television. As the theme music played, a familiar man with graying hair and a red-and-black flannel coat appeared on the screen and walked across a gravel road toward the camera, a snowy cornfield in the background.
“Good morning, friends,” the man said. “I’m Grant Richards.”
“He looks better on TV than in person,” Diane said.
Grant Richards smiled out at them. “Welcome to America’s Back Roads, the show that takes you down the road less traveled to the heart of America, to the small towns where old-fashioned values still endure, where life goes on at a slower pace, where friends are friends for life, where the frantic clamor of the city ventures no closer than the evening news.”
Gwen grinned. “Apparently he’s never seen campus during Freshman Orientation.”
“He’s right about one thing, though,” Judy said. “Around here, friends are friends for life.”
“Hmph.” Sylvia frowned at the screen. “I don’t care for his folksy posturing. He makes it sound like we’re a bunch of hayseeds out in the middle of nowhere.”
“We are in the middle of nowhere,” Agnes pointed out, and no one contradicted her.
Grant continued. “This Sunday morning we’re traveling through the snow-covered hills of Pennsylvania, where you’ll meet a man who makes musical instruments out of old auto parts, a Tony Award–winning actress who abandoned the bright lights of Broadway to become a high school drama teacher, and a group of quilters dedicated to passing on their craft, warming toes and hearts alike in a place called Elm Creek Manor.”
The Elm Creek Quilters burst into cheers and applause.
Emily looked up at Sarah, puzzled. “We’re last?”
“Probably,” Sarah told her. “We won’t have to wait too long, though.” Emily’s face fell anyway, and Sarah laughed and kissed her on the top of her head.
The excitement in the room built through the first two segments. The weeks between the arrival of the producer’s first letter and the final wrap had passed swiftly compared to the months they had waited for this moment. Sylvia could hardly keep still. If she were almost three years old like Emily, she, too, would be bouncing up and down in her seat, but she settled for drumming her fingers on the arm of her chair.
Then, finally, it was time.
“There’s Elm Creek Manor,” Agnes said, just as the rest of them saw it. Grant Richards was walking up the front drive as he told the audience about Elm Creek Quilts, the business founded by Sylvia Compson and Sarah McClure, two women from Waterford.
“Sarah isn’t really from Waterford,” Diane said. “She moved here.”
The others shushed her.
“After months of preparation, Elm Creek Quilts welcomed their first guests.” Grant’s voice-over kept pace with a montage of scenes: quilters arriving at the manor, moving into their rooms, attending quilt classes, laughing and chatting as they strolled through the grounds.
Then Sylvia appeared on-screen, Sarah by her side. “We wanted to create a place where quilters of all backgrounds and skill levels could come to quilt, to make new friends, to practice old skills and learn new ones,” Sylvia explained. “Quilters can come for a weekly quilt camp or they can rent a room for as long as they like and work independently. Beginning and intermediate quilters usually prefer the former; advanced quilters, the latter.”
Unconsciously, Sylvia sat up straight and touched her hair, pleased. She did look very smart there on the television in that nice blue skirt and blazer Sarah had insisted she purchase for the occasion. Her friends looked very nice, too, she thought, watching as the camera showed the Elm Creek Quilters sitting around a quilt frame, answering Grant’s questions as they worked. Sylvia couldn’t help smiling at the sight. They all looked so cheerful, so companionable.
On-screen, Grant admired Judy’s red-and-white Feathered Star quilt in the frame. “I guess you finish a quilt much faster when you all work on it together, right?”
“That’s exactly so,” Agnes said.
“That’s not what’s most important about working around the quilting frame, however,” Gwen said to the camera.
“Get ready, everyone,” Diane said, watching. “The professor is about to expound.” The real-life Gwen threw a pillow at her.
On-screen, Gwen’s expression had grown serious. “The quilting frame speaks to something deep within the woman’s soul. Too often, work in modern society isolates us in offices or cubicles. We speak to people on the phone or through the computer rather than face-to-face. The essential element of human contact has been lost. The quilting frame, on the other hand, draws us back together, back into a community.”
Gwen wrinkled her nose at the television. “Do I really sound that pompous when I talk?”
“Yes,” Diane said, throwing the pillow back at her.
Sylvia held up a hand. “That is a throw pillow, but let’s not take the name quite so literally, shall we?”
Gwen’s speech played on. “Women’s work used to be much more communal, as when the entire village would gather food together, as when the women would all go down to the river together and do the laundry by pounding the clothes on rocks.”
The camera caught Summer looking up from her quilting, her eyes wide and innocent. “That’s how they did it when you were a girl, right, Mom?”
Both on-screen and off, the Elm Creek Quilters laughed.
Even Grant chuckled before resuming the interview. “But what about you? How did you learn to quilt? There were no Elm Creek Quilters around to teach you as you now teach others.”
“My mother taught me,” Sylvia responded.
“And Sylvia, in turn, taught me.” Agnes gave her a sidelong glance. “Or at least she tried to.”
“My mom taught me,” Summer said.
Grant looked around the circle. “So most of you learned from your mothers, is that it?”
All but Sarah nodded. “Not me,” she declared. “I mean, please. The idea of my mother quilting….” She laughed and shook her head. “I don’t even think she knows which end of the needle to thread.”
On-screen, the Elm Creek Quilters smiled, but in the parlor, they didn’t.
“Oh, dear,” Agnes said.
“It seemed funnier at the time,” Bonnie said, looking f
rom the television to Sarah, who sat rigid and still on the edge of the sofa.
“I didn’t know they filmed that part,” she said.
Diane shot her a look of disbelief. “That little red light on the camera didn’t clue you in?”
“I thought they had stopped filming by then. Really.” Her eyes met Sylvia’s. “Really,” she insisted, as if something in Sylvia’s expression conveyed doubt.
“I believe you,” Sylvia said, although she wondered.
“What’ll your mom say when she sees this?” Summer asked.
“Maybe she won’t see it,” Sarah said.
“Of course she’ll see it,” Agnes said. “No mother would miss her daughter on national television.”
Sarah said nothing, but her expression was resolute, as if she had seized a thin thread of hope and had no intention of letting go.
Then the phone rang.
Agnes was closest, so she answered. “Good morning, Elm Creek Quilts.” A pause. “No, I’m Sylvia’s sister-in-law, Agnes. Would you like to speak to her?” A longer pause. “Sarah? Yes, Sarah’s here.” Her eyes went wide. “Oh, yes, hello. I’ve heard so much about you.” She threw Sarah a helpless look. “Why, yes, I’ll get her. Hold on, please.” She held out the phone to Sarah. “It’s your mother.”
Sarah dragged herself out of her seat, took the phone and the receiver, and carried them as far toward the doorway as the cord would permit. Watching her, Summer fingered the remote as if unsure whether to lower the volume so that Sarah could hear her mother better or turn up the sound to give Sarah some semblance of privacy.
Sylvia turned back to the television and pretended to concentrate on the show. The other Elm Creek Quilters followed suit, but Sylvia doubted they were paying any more attention than she herself was.
“Hi, Mother…. Yes. I know. I know. I’m sorry, but—” Sarah winced and held the receiver away from her ear for a moment. “Look, I said I was sorry…. I didn’t know the camera was on…. Of course that makes a difference.” A pause. “Well, so what? I didn’t mention you by name or anything…. It’s not an excuse. It’s the truth.” Silence. “I said I was sorry. It was just a joke. Summer told a joke about her mom, and so I—” Sarah’s mouth tightened. “I do not. That’s unfair, Mother.” Her face went scarlet. “He would not. Dad would never say such a thing. I’m sorry, okay? I’m sorry. What else do I have to do? … I can’t apologize on national television and you know it.” Silence. “Fine. If that’s the way you feel, have it your way.” She slammed down the phone and stormed across the room to return it to the table.
“How did it go?” Diane asked.
Sarah shot her a dark glare and flung herself onto the sofa. “How do you think?”
Emily didn’t recognize the sarcasm. “Bad?” she guessed, looking up at Sarah with wide eyes.
Sarah softened and snuggled her close. “Not so bad,” she assured her, but she gave the others a look that told them otherwise. “She’ll never let this one go. Never. She’s convinced I made her look like a fool.”
“Well …” Summer hesitated. “You kind of did.”
“Not intentionally,” Sarah protested. “She thinks I did it on purpose, just to humiliate her. Honestly. She’s so self-absorbed. She thinks everything’s about her.”
“Hmph,” Sylvia said, thinking.
Sarah turned to her. “For goodness’ sake, Sylvia, what’s ‘Hmph’ supposed to mean?”
Sylvia refused to be baited. “Don’t lash out at me, young lady. I’m not the one you’re angry at, and neither is your mother.” To her satisfaction, Sarah’s anger wavered. “You know your words were thoughtless and silly, just as you know your mother’s feelings are justified. You’re embarrassed and ashamed, and rightfully so. If I were your mother, I would have given you an earful, too.”
Sarah sank back into the sofa, defeated. “If you were my mother, none of this would have happened.”
“Now, now,” Sylvia said. “You’ll put things right. Take an hour or so to cool down, then get back on that phone and apologize.”
“I did apologize.”
“I mean apologize sincerely.”
Sarah shook her head. “I can’t. You don’t know her like I do. There’s no use talking to her when she’s this upset.”
“Call her tomorrow, then.”
“I can’t.” Sarah rose. “You don’t understand.”
“Explain it to us,” Gwen said. “We’ll listen. We want to understand.”
But Sarah just shook her head and left the room.
“What should we do?” Judy asked.
“Nothing,” Diane said. “We should stay out of it.”
“There must be some way we can help.” Summer looked around the circle of friends anxiously. “Isn’t there?”
No one could answer her.
The show had ended, though no one had seen the last half of their segment. Sylvia considered rewinding the tape they had made for Matt and playing the last part, but decided against it. Already the Elm Creek Quilters were getting to their feet, preparing to leave. She would save the tape for another day.
Later, when she was alone, Sylvia mulled over the morning’s events as she quilted in the west sitting room. She thought of a promise Sarah had made to her nearly two years before as they sat on the front veranda negotiating their agreement to launch a new business together.
“I don’t know what kind of conflict stands between you and your mother,” Sylvia had said, “but you must promise me you’ll talk to her and do your best to resolve it. Don’t be a stubborn fool like me and let grudges smolder and relationships die.”
The unexpected request had clearly caught Sarah by surprise. “I don’t think you know how difficult that will be.”
“I don’t pretend to know, but I can guess. I don’t expect miracles. All I ask is that you learn from my mistakes and try.”
Sarah had given her a long, steady look, and for a moment Sylvia had been certain that she would refuse and that their agreement to create Elm Creek Quilts would founder on this one point. Sylvia had been tempted to tell Sarah she would take back the condition, but she held fast, determined to see to it that Sarah would learn from her older friend’s mistakes and not have to endure the hard lessons of a lifetime, if she could be spared them.
Her patience had been rewarded.
“All right,” Sarah had said at last. “If that’s one of your conditions, I’ll try. I can’t promise you that anything will come of it, but I’ll try.”
Nearly two years had come and gone since Sarah had spoken those words, and what had she to show for it? Sylvia let her hands fall to her lap, still holding her quilting. She sat there for a long while, lost in thought.
So many things could go wrong, she knew. But life carried no guarantees for anyone. That couldn’t keep one paralyzed, fearing to act. That was no way to live.
Once Sylvia made up her mind, she saw no reason to wait. She put her quilting aside and went to the parlor, where she eased the door shut so she could make her call in privacy.
Two
Spring came to the hills of central Pennsylvania early that year. By mid-March, buds had formed on the stately elm trees lining the road to Elm Creek Manor, where Sarah, Sylvia, and the other Elm Creek Quilters waited for the first group of campers of the season to arrive. Sarah was pleased that Sylvia had agreed to direct their guests to the front entrance rather than the back.
“But parking is behind the manor,” Sylvia had argued at first. “They’ll only have to move their cars later.”
“We’ll do it for them, like valet parking. This way they won’t have to carry their luggage all the way from the back door to the foyer for registration.” Sarah didn’t tell Sylvia she was more concerned about the first impression the quilters formed of Elm Creek Manor. She knew how they would feel as they approached in their cars, in groups and alone: first the gray stone manor itself would strike them, strong and serene in a sea of green grass. Then they would notice the wide veranda
running the length of the building, lined with tall columns supporting a roof that bathed the veranda in cool shade. As they drew closer, they would see the two stone staircases that arced away from each other as they descended from the veranda. Their cars would come to a stop at the foot of those stairs in the driveway, which encircled a fountain in the shape of a rearing horse, the symbol of the Bergstrom family, the founders of Elm Creek Manor.
But Sarah didn’t tell Sylvia this. Sylvia was pragmatic, not sentimental. Fortunately, Sarah’s argument about carrying luggage through the house convinced her. Sarah could hardly keep from grinning as one quilter after another stepped out of her car, awestruck and thrilled that she would be able to spend a week in such a grand place.
“That makes eight,” Judy said as the latest arrival took her room key and followed Matt upstairs. As caretaker of Elm Creek Manor, he spent most of his time maintaining the grounds and the building, but on check-in days, he carried bags and parked cars. The Elm Creek Quilters took turns sitting behind the registration desk and directing cars up the driveway. There wasn’t really enough work to keep them all busy, but they thought it better, friendlier, to have everyone there on the first day to welcome their guests.
Sylvia checked her clipboard. “Four more to go, unless we have a cancellation.” Her gaze returned to the wall opposite the front doors.
“What are you thinking about?” Sarah asked her. Sylvia had been uncharacteristically quiet that day, and she had been studying the wall above the entrance to the banquet hall off and on throughout registration.
Sylvia walked to the center of the foyer. “It occurred to me that this wall is the first thing our guests see when they enter the manor, as they look up to climb the stairs.” She gestured, showing them the straight line from the twelve-foot double doors to the wall just beneath the balcony. “Our guests ought to see something a trifle more attractive than a bare wall when they arrive. We ought to have a quilt hanging there.” She tapped her chin with a finger. “Perhaps one of my old quilts will do.”
Summer joined Sylvia in the center of the room and contemplated the wall. “We could hang Sarah’s sampler there, if she’s willing to give it up. That’s the quilt that brought us together.”
An Elm Creek Quilts Sampler Page 27
