Scarcely a week had elapsed after Markham had sent his drama to the manager, when he received a letter from this gentleman. The contents were laconic enough, but explicit. The manager “had perused the tragedy with feelings of extreme satisfaction;”—he congratulated the writer upon “the skill which he had made his combinations to produce stage effect;”—he suggested “a few alterations and considerable abbreviations;” and concluded by stating that “he should be most happy to introduce so promising an author to the public.” A postscript appointed a time for an interview at the manager’s own private residence.
At eleven o’clock the next morning Markham was ushered into the presence of the manager.
The great man was seated in his study, dressed in a magnificent Turkish dressing-gown, with a French skull-cap upon his head, and red morocco slippers upon his feet. He was a man of middle age—gentlemanly and affable in manner—and possessed of considerable literary abilities.
“Sit down, sir—pray, sit down,” said the manager, when Markham was introduced. “I have perused your tragedy with great attention, and am pleased with it. I am, moreover, perfectly willing to undertake the risk of bringing it out, although tragedy is at a terrible discount now-a-days. But, first and foremost, we must make arrangements about terms. What price do you put upon your manuscript?”
“I have formed no idea upon that subject,” replied Markham. “I would rather leave myself entirely in your hands.”
“Nay—you must know the hope you have entertained in this respect?” said the manager.
“To tell you the candid truth, this is my first essay,” returned Markham; “and I am totally unacquainted with the ordinary value of such labour.”
“If this be your first essay, sir,” said the manager, surveying Markham with some astonishment, “I can only assure you that it is a most promising one. But once again—name your price.”
“The manner in which you speak to me shows that if I trust to your generosity, I shall not do wrong.”
“Well, Mr. Preston,” cried the manager, pleased at this compliment, “I shall use you in an equally liberal manner. You must be informed that you will have certain pecuniary privileges, in respect to any provincial theatres at which your piece may be performed should it prove successful; and you will also have the benefit of the publication of the work in a volume. What, then, should you say if I were to give you fifty guineas for the play, and five guineas a-night for every time of its performance, after the first fortnight?”
“I should esteem your offer a very liberal one,” answered Richard, overjoyed at the proposal.
“In that case the bargain is concluded at once, and without any more words,” said the manager; then, taking a well-filled canvass bag from his desk, he counted down fifty guineas in notes, gold, and silver.
Markham gave a receipt, and they exchanged undertakings specifying the conditions proposed by the manager.
“When do you propose to bring out the piece?” inquired Richard, when this business was concluded.
“In about six weeks,” said the manager. “Shall you have any objection to attend the rehearsals, and see that the gentlemen and ladies of the company fully appreciate the spirit of the parts that will be assigned to them?”
“I shall not have the least objection,” answered Markham; “but I am afraid that my experience——”
“Well, well,” said the manager, smiling, “I will not press you. Leave it all to me—I will see justice done to your design, which I think I understand pretty well. If I want you I will let you know; and if you do not hear from me, you will see by the advertisements in the newspapers for what night the first representation will be announced.”
Markham expressed his gratitude to the manager for the kindness with which he had received him, and then took his leave, his heart elated with hope, and his mind relieved from much anxiety respecting the future.
When he left the manager’s residence he repaired to an adjacent tavern to procure some refreshment; and there, while engaged in the discussion of a sandwich and a glass of sherry, he cast his eyes over The Times newspaper.
A particular advertisement arrested his attention.
A gentleman—a widower—required a daily tutor for his two young sons, whom he was desirous of having instructed in Latin, history, drawing, arithmetic, &c. The boys were respectively nine and eleven years old. The advertiser stated that any individual who could himself teach the various branches of education specified, would be preferred to a plurality of masters, each proficient only in one particular study. Personal application was to be made between certain hours.
The residence of the advertiser was in Kentish Town; and this vicinity to Markham’s own abode induced him to think seriously of offering his services. He did not feel disposed to pursue his literary labours until after the representation of his drama, as he was as yet unaware of the reception it might experience at the hands of the public;—and he was also by no means inclined to remain idle. The occupation of daily tutor in a respectable family appeared congenial to his tastes; and he resolved to proceed forthwith to the residence of Mr. Gregory, in Kentish Town.
Arrived at the house, he was admitted into the presence of a gentleman of about fifty, with a serious and melancholy countenance, prepossessing manners, and a peculiar suavity of voice that gave encouragement to the applicant.
Markham told him in a few words that he was once possessed of considerable property, the greater portion of which he had lost through the unfortunate speculations of his guardian, and that he was now anxious to turn the excellent education which he had received to some advantage.
Mr. Gregory had only lately arrived in London with his family, from a very distant part of the country, where he had a house and small estate; but the recent death of a beloved wife had rendered the scenes of their wedded happiness disagreeable to him;—and this was the cause of his removal and his settlement in London. He lived in a very retired manner, and had previously known nothing of Markham—not even his name. He was therefore totally ignorant of Richard’s trial and condemnation for forgery. The young man felt the greatest possible inclination to reveal the entire facts to Mr. Gregory, whose amiable manners gave him confidence; but he restrained himself—for it struck him that others were dependent upon him—that he ought not to stand in his own light—and that his innocence of the crime imputed to him, and the consciousness of those upright and honourable intentions which on all occasions filled his breast, were a sufficient extenuation for this silence.
Mr. Gregory, who was himself a highly-educated man, soon saw that Markham was competent to teach his children all that it was desirable for them to acquire; and he agreed to engage the applicant as his sons’ tutor. Richard offered to give him a reference to his solicitor; but Mr. Gregory declined to take it, saying, “Your appearance, Mr. Markham, is sufficient.”
On the following day Richard entered upon his new avocation. He was engaged to attend at Mr. Gregory’s house from ten till three every day. The employment was a pleasant one; and the pecuniary terms were liberal in the extreme.
Gustavus and Lionel Gregory were two intelligent and handsome youths; and they soon became greatly attached to their tutor.
From the mere fact of having never been accustomed to tuition, Richard took the greater pains to explain all difficult subjects to them; and so well did he adapt his plan of instruction to their juvenile capacities, that in the short space of a month, Mr. Gregory was himself perfectly astonished at the advance which his sons had made in their studies. He then determined that the advantages of the tutor’s abilities should be extended to his daughter, in respect to drawing; and Miss Mary-Anne Gregory was accordingly added to the number of Markham’s pupils.
Mary-Anne was, at the time of which we are writing, sixteen years of age. Delicate in constitution, and of a sweet and amiable disposition, she w
as an object of peculiar interest to all who knew her. Her long flaxen hair, soft blue eyes, pale countenance, and vermilion lips, gave her the appearance of a wax figure; and her light and airy form, flitting ever hither and thither in obedience to the innocent gaiety and vivacity of her disposition, seemed that of some fairy whose destinies belonged not to the common lot of mortals.
Although she was sixteen, she was considered but a mere girl; and she romped with her brothers, and with the young female friends who occasionally visited her, with all the joyousness and glee of a child of ten years old.
The animation of her countenance was on those occasions radiant and brilliant in the extreme:—a spectator could have snatched her to his arms and embraced her fondly,—not with a single gross desire—not with the shadow of an unhallowed motive; but, in the same way as a man, who, being a parent himself, is attached to children, suddenly seizes upon a lovely little boy or girl of two or three years old, and covers its cheeks with kisses.
Mary-Anne was by no means beautiful—not even pretty; and yet there was something altogether unearthly in the whole character and expression of her countenance. It was a face of angelic interest—indicative of a mental amiability and serenity truly divine.
Without possessing the ingredients of physical beauty—without regularity of feature or classical formation of head,—there was still about her an abstract loveliness, apart from shape and features, which was of itself positive and distinct, and seemed an emanation of mental qualities, infantine joyousness, and winning manners. It produced a sort of atmosphere of light around her—enveloping her as with a halo of innocence.
Her face was as pale—as colourless as the finest Parian marble, but also, like the surface of that beautiful material, spotless and devoid of blemish. Her pure forehead was streaked with small azure veins: her lips were thin, and of the brightest vermilion; and these hues placed in contrast with that delicate complexion, gave a sentiment and expression to her countenance altogether peculiar to itself.
Her eyes, of a light and yet too positive a blue to be mistaken for grey, were fringed with long dark lashes, which imparted to them—ever gay and sparkling as they were—a magic eloquence as powerful as that of the most faultless beauty. And, again, in strange contrast with those dark lashes was her flaxen hair, the whole of which fell in ringlets and in waves over her shoulders and her back, no portion of it being collected in a knot behind.
Then her form—it was so slight as to appear almost etherealised, and yet there was no mistaking the symmetry of its proportions.
Thus—without being actually beautiful—Mary-Anne was a creature of light and joy who was calculated to interest, fascinate, and win, in a manner which produced feelings of admiration and of love. Her appearance therefore produced upon the mind an impression that she was beautiful—very beautiful; and yet, if any one had paused to analyse her features, she would have been found to possess no real elements of physical loveliness. She was charming—fascinating—bewitching—interesting; therefore lovely in one sense, and loveable in all respects!
Mary-Anne was a very difficult pupil to teach. In the midst of the most serious study, that charming and volatile creature would start from her chair, run to her piano, and commence a lively air, which she would leave also unfinished, and then narrate some sprightly anecdote, or utter some artless sally, which would create a general laugh.
The seriousness of the tutor would be disturbed in spite of himself: and even her father, if present, could not find it in his heart to scold.
The drawing would at length be resumed; and for half an hour, the application of Mary-Anne would be intense. Then away would be flung the pencil; and a new freak must be accomplished before the study would be resumed.
Richard could not help liking this volatile, but artless and innocent creature,—as a man likes his daughter or his sister; and she, on her part, appeared to become greatly attached to her tutor.
Although Mr. Gregory followed no profession, being a man of considerable independent property, he was nevertheless much from home, passing his time either at the library of the British Museum or at his Club. Richard and Mary-Anne were thus much together,—too much for the peace of that innocent and fascinating girl!
She speedily conceived a violent passion for her tutor, which he, however, neither perceived nor returned.
She was herself unaware of the nature of her own feelings towards him;—she knew as much of love and its sensations as a beauteous savage girl, in some far-off isle, knows of Christianity;—and hers was an attachment which could only be revealed to herself by some accident, which might excite her jealousy or awaken her grief.
One morning, before the usual lessons of the day commenced, Mr. Gregory entered the study, and, addressing himself to Markham, said, “We must now give the young people a holiday for a short time. Proper relaxation is as necessary to their bodily welfare as education to their mental well-being. We will suspend their studies for a month, if you be agreeable, Mr. Markham. I shall, however, be always pleased to see you as often as you choose to call during that interval; and every Sunday, at all events, we shall expect the pleasure of your company to dinner as usual.”
“What!” cried Mary-Anne; “is Mr. Markham to discontinue his daily visits for a whole month?”
“Certainly, my dear,” said her father. “Mr. Markham requires a holiday as well as you.”
“I want no holiday,” exclaimed Mary-Anne, pouting her lip, in a manner that was quite charming, and which might remind the reader of the petite moue that Esmeralda was accustomed to make in Victor Hugo’s admirable novel Notre Dame de Paris.
“But you always take a holiday, my dear,” returned her father with a smile; “and therefore you fancy that others do not require a temporary relaxation. Gustavus and Lionel want a holiday; and Mr. Markham cannot be always poring over books and drawings.”
“Well, I wish Mr. Markham to take the trouble to come every morning and give me my drawing lesson,” said the young lady, with a little air of decision and firmness, which was quite comic in its way; “and if he will not,” she added, “then I will never learn to draw any more—and that is decided.”
Mr. Gregory surveyed his daughter with an air of astonishment.
Probably he half penetrated the secret—for her passion could not be called her secret, because she was totally unconscious of the nature of her feelings, and sought to conceal nothing.
Had she been aware of the real sentiment which she experienced, she would have at once revealed it; for she was guileless and unsuspicious—ignorant of all deceit—devoid of all hypocrisy—and endowed with as much simplicity and artlessness as a child of six years old.
“Mr. Markham must have a holiday, my dear,” said Mr. Gregory, at length, with a peculiar emphasis; “and I beg that no further objection may be offered.”
Mary-Anne instantly burst into tears, exclaiming, in a voice almost choked with sobs, “Mr. Markham may have his holiday, if he likes; but I will not learn any thing more of him when the studies begin again.”
And she retired in a pet to another apartment.
Markham was himself astonished at this singular behaviour on the part of his interesting pupil.
He was, however, far from suspecting the real cause, and took his leave with a promise to return to dinner on the following Sunday, until which time there was then an interval of five days.
Three days after the one on which the above conversation took place, Markham was about to issue from his dwelling to proceed into town for the purpose of calling upon the manager, as he had that morning seen his drama advertised for early representation,—when Whittingham informed him that a young lady desired to speak to him in the drawing-room.
The idea of Isabella instantly flashed through the mind of Richard:—but would she call upon him, alone and unattended? No—for Isabella was modesty and p
rudence personified.
Then, who could it be?
Markham asked this question of his butler.
“A remarkable sweet creatur,” said Whittingham; “and come quite spontaneous like. Beautiful flaxy hair—blue eyes—pale complexion—”
“Impossible! you do not say that, Whittingham?” cried Markham, on whom a light now broke.
“Do I look like a man that speaks evasiously, Master Richard?” demanded the butler, shifting his inseparable companion—the white napkin—from beneath one arm to the other.
Markham repaired to the drawing-room:—his suspicions were verified;—the moment he entered the apartment, he beheld Miss Gregory seated upon the sofa.
“Well, Mr. Markham,” she said, extending to him her hand, and smiling so sweetly with her vermilion lips, which disclosed a set of teeth not quite even, but as white as ivory, that Richard could not find it in his heart to be angry with her; “I was resolved not to pass the day without seeing you; and as you would not come to me, I was compelled to come to you.”
“But, Miss Gregory,” said Markham, “are you not aware that you have taken a most imprudent step, and that the world would highly censure your conduct?”
“Why?” demanded Mary-Anne, in astonishment.
“Because ladies, no matter whether single or married, never call upon single gentlemen; and society has laid down certain rules in this respect, which—”
“My dear Mr. Markham, you are not giving me a lesson now, remember, in my father’s study,” interrupted Mary-Anne, laughing heartily. “I know nothing about the rules of society in this respect, or that respect, or any other respect. All I know is, that I cried all night long after you left us the other day; and I have been very miserable until this morning, when I suddenly recollected that I knew your address, and could come and call on you.”
The Mysteries of London Volume 1 Page 91
