The boatman pulled on one oar to turn the boat a little to the left.
“Where are we?” said the voice of the Chevalier Tialys, small but strong as ever, though there was a harsh edge to it, as if he, too, had been suffering pain.
“Near the island,” said the boatman. “Another five minutes, we’ll be at the landing stage.”
“What island?” said Will. He found his own voice strained, too, so tight it hardly seemed his.
“The gate to the land of the dead is on this island,” said the boatman. “Everyone comes here, kings, queens, murderers, poets, children; everyone comes this way, and none come back.”
“We shall come back,” whispered Lyra fiercely.
He said nothing, but his ancient eyes were full of pity.
As they moved closer, they could see branches of cypress and yew hanging down low over the water, dark green, dense, and gloomy. The land rose steeply, and the trees grew so thickly that hardly a ferret could slip between them, and at that thought Lyra gave a little half-hiccup-half-sob, for Pan would have shown her how well he could do it; but not now, maybe not ever again.
“Are we dead now?” Will said to the boatman.
“Makes no difference,” he said. “There’s some that came here never believing they were dead. They insisted all the way that they were alive, it was a mistake, someone would have to pay; made no difference. There’s others who longed to be dead when they were alive, poor souls; lives full of pain or misery; killed themselves for a chance of a blessed rest, and found that nothing had changed except for the worse, and this time there was no escape; you can’t make yourself alive again. And there’s been others so frail and sickly, little infants, sometimes, that they’re scarcely born into the living before they come down to the dead. I’ve rowed this boat with a little crying baby on my lap many, many times, that never knew the difference between up there and down here. And old folk, too, the rich ones are the worst, snarling and savage and cursing me, railing and screaming: what did I think I was? Hadn’t they gathered and saved all the gold they could garner? Wouldn’t I take some now, to put them back ashore? They’d have the law on me, they had powerful friends, they knew the Pope and the king of this and the duke of that, they were in a position to see I was punished and chastised . . . But they knew what the truth was in the end: the only position they were in was in my boat going to the land of the dead, and as for those kings and Popes, they’d be in here, too, in their turn, sooner than they wanted. I let ’em cry and rave; they can’t hurt me; they fall silent in the end.
“So if you don’t know whether you’re dead or not, and the little girl swears blind she’ll come out again to the living, I say nothing to contradict you. What you are, you’ll know soon enough.”
All the time he had been steadily rowing along the shore, and now he shipped the oars, slipping the handles down inside the boat and reaching out to his right for the first wooden post that rose out of the lake.
He pulled the boat alongside the narrow wharf and held it still for them. Lyra didn’t want to get out: as long as she was near the boat, then Pantalaimon would be able to think of her properly, because that was how he last saw her, but when she moved away from it, he wouldn’t know how to picture her anymore. So she hesitated, but the dragonflies flew up, and Will got out, pale and clutching his chest; so she had to as well.
“Thank you,” she said to the boatman. “When you go back, if you see my dæmon, tell him I love him the best of everything in the land of the living or the dead, and I swear I’ll come back to him, even if no one’s ever done it before, I swear I will.”
“Yes, I’ll tell him that,” said the old boatman.
He pushed off, and the sound of his slow oar strokes faded away in the mist.
The Gallivespians flew back, having gone a little way, and perched on the children’s shoulders as before, she on Lyra, he on Will. So they stood, the travelers, at the edge of the land of the dead. Ahead of them there was nothing but mist, though they could see from the darkening of it that a great wall rose in front of them.
Lyra shivered. She felt as if her skin had turned into lace and the damp and bitter air could flow in and out of her ribs, scaldingly cold on the raw wound where Pantalaimon had been. Still, she thought, Roger must have felt like that as he plunged down the mountainside, trying to cling to her desperate fingers.
They stood still and listened. The only sound was an endless drip-drip-drip of water from the leaves, and as they looked up, they felt one or two drops splash coldly on their cheeks.
“Can’t stay here,” said Lyra.
They moved off the wharf, keeping close together, and made their way to the wall. Gigantic stone blocks, green with ancient slime, rose higher into the mist than they could see. And now that they were closer, they could hear the sound of cries behind it, though whether they were human voices crying was impossible to tell: high, mournful shrieks and wails that hung in the air like the drifting filaments of a jellyfish, causing pain wherever they touched.
“There’s a door,” said Will in a hoarse, strained voice.
It was a battered wooden postern under a slab of stone. Before Will could lift his hand and open it, one of those high, harsh cries sounded very close by, jarring their ears and frightening them horribly.
Immediately the Gallivespians darted into the air, the dragonflies like little warhorses eager for battle. But the thing that flew down swept them aside with a brutal blow from her wing, and then settled heavily on a ledge just above the children’s heads. Tialys and Salmakia gathered themselves and soothed their shaken mounts.
The thing was a great bird the size of a vulture, with the face and breasts of a woman. Will had seen pictures of creatures like her, and the word harpy came to mind as soon as he saw her clearly. Her face was smooth and unwrinkled, but aged beyond even the age of the witches: she had seen thousands of years pass, and the cruelty and misery of all of them had formed the hateful expression on her features. But as the travelers saw her more clearly, she became even more repulsive. Her eye sockets were clotted with filthy slime, and the redness of her lips was caked and crusted as if she had vomited ancient blood again and again. Her matted, filthy black hair hung down to her shoulders; her jagged claws gripped the stone fiercely; her powerful dark wings were folded along her back; and a drift of putrescent stink wafted from her every time she moved.
Will and Lyra, both of them sick and full of pain, tried to stand upright and face her.
“But you are alive!” the harpy said, her harsh voice mocking them.
Will found himself hating and fearing her more than any human being he had ever known.
“Who are you?” said Lyra, who was just as repelled as Will.
For answer the harpy screamed. She opened her mouth and directed a jet of noise right in their faces, so that their heads rang and they nearly fell backward. Will clutched at Lyra and they both clung together as the scream turned into wild, mocking peals of laughter, which were answered by other harpy voices in the fog along the shore. The jeering, hate-filled sound reminded Will of the merciless cruelty of children in a playground, but there were no teachers here to regulate things, no one to appeal to, nowhere to hide.
He set his hand on the knife at his belt and looked her in the eyes, though his head was ringing and the sheer power of her scream had made him dizzy.
“If you’re trying to stop us,” he said, “then you’d better be ready to fight as well as scream. Because we’re going through that door.”
The harpy’s sickening red mouth moved again, but this time it was to purse her lips into a mock kiss.
Then she said, “Your mother is alone. We shall send her nightmares. We shall scream at her in her sleep!”
Will didn’t move, because out of the corner of his eye, he could see the Lady Salmakia moving delicately along the branch where the harpy was perching. Her dragonfly, wings quivering, was being held by Tialys on the ground, and then two things happened: the Lady leapt at t
he harpy and spun around to dig her spur deep into the creature’s scaly leg, and Tialys launched the dragonfly upward. In less than a second Salmakia had spun away and leapt off the branch, directly onto the back of her electric blue steed and up into the air.
The effect on the harpy was immediate. Another scream shattered the silence, much louder than before, and she beat her dark wings so hard that Will and Lyra both felt the wind and staggered. But she clung to the stone with her claws, and her face was suffused with dark red anger, and her hair stood out from her head like a crest of serpents.
Will tugged at Lyra’s hand, and they both tried to run toward the door, but the harpy launched herself at them in a fury and only pulled up from the dive when Will turned, thrusting Lyra behind him and holding up the knife.
The Gallivespians were on her at once, darting close at her face and then darting away again, unable to get in a blow but distracting her so that she beat her wings clumsily and half-fell onto the ground.
Lyra called out, “Tialys! Salmakia! Stop, stop!”
The spies reined back their dragonflies and skimmed high over the children’s heads. Other dark forms were clustering in the fog, and the jeering screams of a hundred more harpies sounded from farther along the shore. The first one was shaking her wings, shaking her hair, stretching each leg in turn, and flexing her claws. She was unhurt, and that was what Lyra had noticed.
The Gallivespians hovered and then dived back toward Lyra, who was holding out both hands for them to land on. Salmakia realized what Lyra had meant, and said to Tialys: “She’s right. We can’t hurt her, for some reason.”
Lyra said, “Lady, what’s your name?”
The harpy shook her wings wide, and the travelers nearly fainted from the hideous smells of corruption and decay that wafted from her.
“No-Name!” she cried.
“What do you want with us?” said Lyra.
“What can you give me?”
“We could tell you where we’ve been, and maybe you’d be interested, I don’t know. We saw all kinds of strange things on the way here.”
“Oh, and you’re offering to tell me a story?”
“If you’d like.”
“Maybe I would. And what then?”
“You might let us go in through that door and find the ghost we’ve come here to look for; I hope you would, anyway. If you’d be so kind.”
“Try, then,” said No-Name.
And even in her sickness and pain, Lyra felt that she’d just been dealt the ace of trumps.
“Oh, be careful,” whispered Salmakia, but Lyra’s mind was already racing ahead through the story she’d told the night before, shaping and cutting and improving and adding: parents dead; family treasure; shipwreck; escape . . .
“Well,” she said, settling into her storytelling frame of mind, “it began when I was a baby, really. My father and mother were the Duke and Duchess of Abingdon, you see, and they were as rich as anything. My father was one of the king’s advisers, and the king himself used to come and stay, oh, all the time. They’d go hunting in our forest. The house there, where I was born, it was the biggest house in the whole south of England. It was called—”
Without even a cry of warning, the harpy launched herself at Lyra, claws outstretched. Lyra just had time to duck, but still one of the claws caught her scalp and tore out a clump of hair.
“Liar! Liar!” the harpy was screaming. “Liar!”
She flew around again, aiming directly for Lyra’s face; but Will took out the knife and threw himself in the way. No-Name swerved out of reach just in time, and Will hustled Lyra over toward the door, because she was numb with shock and half-blinded by the blood running down her face. Where the Gallivespians were, Will had no idea, but the harpy was flying at them again and screaming and screaming in rage and hatred:
“Liar! Liar! Liar!”
And it sounded as if her voice were coming from everywhere, and the word echoed back from the great wall in the fog, muffled and changed, so that she seemed to be screaming Lyra’s name, so that Lyra and liar were one and the same thing.
Will had the girl pressed against his chest, with his shoulder curved over to protect her, and he felt her shaking and sobbing against him; but then he thrust the knife into the rotten wood of the door and cut out the lock with a quick slash of the blade.
Then he and Lyra, with the spies beside them on their darting dragonflies, tumbled through into the realm of the ghosts as the harpy’s cry was doubled and redoubled by others on the foggy shore behind them.
TWENTY-TWO
THE WHISPERERS
Thick as Autumnal Leaves that strow the Brooks
In Vallombrosa, where th’Etrurian shades
High overarch’t imbowr …
• JOHN MILTON •
The first thing Will did was to make Lyra sit down, and then he took out the little pot of bloodmoss ointment and looked at the wound on her head. It was bleeding freely, as scalp wounds do, but it wasn’t deep. He tore a strip off the edge of his shirt and mopped it clean, and spread some of the ointment over the gash, trying not to think of the filthy state of the claw that made it.
Lyra’s eyes were glazed, and she was ash-pale.
“Lyra! Lyra!” he said, and shook her gently. “Come on now, we’ve got to move.”
She gave a shudder and took a long, shaky breath, and her eyes focused on him, full of a wild despair.
“Will—I can’t do it anymore—I can’t do it! I can’t tell lies! I thought it was so easy—but it didn’t work—it’s all I can do, and it doesn’t work!”
“It’s not all you can do. You can read the alethiometer, can’t you? Come on, let’s see where we are. Let’s look for Roger.”
He helped her up, and for the first time they looked around at the land where the ghosts were.
They found themselves on a great plain that extended far ahead into the mist. The light by which they saw was a dull self-luminescence that seemed to exist everywhere equally, so that there were no true shadows and no true light, and everything was the same dingy color.
Standing on the floor of this huge space were adults and children—ghost people—so many that Lyra couldn’t guess their number. At least, most of them were standing, though some were sitting and some lying down listless or asleep. No one was moving about, or running or playing, though many of them turned to look at these new arrivals, with a fearful curiosity in their wide eyes.
“Ghosts,” she whispered. “This is where they all are, everyone that’s ever died . . .”
No doubt it was because she didn’t have Pantalaimon anymore, but she clung close to Will’s arm, and he was glad she did. The Gallivespians had flown ahead, and he could see their bright little forms darting and skimming over the heads of the ghosts, who looked up and followed them with wonder; but the silence was immense and oppressive, and the gray light filled him with fear, and Lyra’s warm presence beside him was the only thing that felt like life.
Behind them, outside the wall, the screams of the harpies were still echoing up and down the shore. Some of the ghost people were looking up apprehensively, but more of them were staring at Will and Lyra, and then they began to crowd forward. Lyra shrank back; she didn’t have the strength just yet to face them as she would have liked to do, and it was Will who had to speak first.
“Do you speak our language?” he said. “Can you speak at all?”
Shivering and frightened and full of pain as he and Lyra were, they had more authority than the whole mass of the dead put together. These poor ghosts had little power of their own, and hearing Will’s voice, the first clear voice that had sounded there in all the memory of the dead, many of them came forward, eager to respond.
But they could only whisper. A faint, pale sound, no more than a soft breath, was all they could utter. And as they thrust forward, jostling and desperate, the Gallivespians flew down and darted to and fro in front of them, to prevent them from crowding too close. The ghost children looked up wit
h a passionate longing, and Lyra knew at once why: they thought the dragonflies were dæmons; they were wishing with all their hearts that they could hold their own dæmons again.
“Oh, they en’t dæmons,” Lyra burst out compassionately; “and if my own dæmon was here, you could all stroke him and touch him, I promise—”
And she held out her hands to the children. The adult ghosts hung back, listless or fearful, but the children all came thronging forward. They had as much substance as fog, poor things, and Lyra’s hands passed through and through them, as did Will’s. They crammed forward, light and lifeless, to warm themselves at the flowing blood and the strong-beating hearts of the two travelers, and both Will and Lyra felt a succession of cold, delicate brushing sensations as the ghosts passed through their bodies, warming themselves on the way. The two living children felt that little by little they were becoming dead, too; they hadn’t got an infinite amount of life and warmth to give, and they were so cold already, and the endless crowds pressing forward looked as if they were never going to stop.
Finally Lyra had to plead with them to hold back.
She held up her hands and said, “Please—we wish we could touch you all, but we came down here to look for someone, and I need you to tell me where he is and how to find him. Oh, Will,” she said, leaning her head to his, “I wish I knew what to do!”
The ghosts were fascinated by the blood on Lyra’s forehead. It glowed as brightly as a holly berry in the dimness, and several of them had brushed through it, longing for the contact with something so vibrantly alive. One ghost girl, who when she was alive must have been about nine or ten, reached up shyly to try and touch it, and then shrank back in fear; but Lyra said, “Don’t be afraid—we en’t come here to hurt you—speak to us, if you can!”
The ghost girl spoke, but in her thin, pale voice, it was only a whisper.
“Did the harpies do that? Did they try and hurt you?”
“Yeah,” said Lyra, “but if that’s all they can do, I en’t worried about them.”
The Amber Spyglass: His Dark Materials Page 27
