This Rough Magic

by Mercedes Lackey

  * * *

  Maria sighed happily, when the ceremony was over and the crowd had left the chapel, looking at her daughter who had lapsed back into sleep. "Thank you both. I . . . I so desperately want Alessia to have what I didn't. I must find that other woman who stepped in for Umberto's sister and thank her, too. I really thought . . ."

  Marco smiled reaching a finger to caress the baby's cheek. "You won't find her, Maria. But your daughter has a fairy-godmother."

  "What?" Maria looked at him as if she thought he had gone mad.

  "That was an undine," said Marco, calmly. "One of the water spirits of Venice."

  "What!" Now her mouth dropped open with shock.

  "She gave Alessia a powerful blessing too. Your little girl will never drown, and can call on the water-sprites for help."

  "But . . . she looked just like an ordinary woman." Fortunately, Maria had far too much trafficking with the Strega in her past to be offended by the notion that a pagan creature, inhuman to boot, had just become the godmother of her child.

  For an answer, Marco pointed to the pool of water on the floor, and the wet prints leading behind the statue of Saint Raphaella. "There's a water-door and a water-chapel through there. It is a consecrated place, too."

  Maria shook her head and stared at the footprints. "I don't think I am going to tell Umberto about this."

  Marco patted her shoulder "I don't think he'd understand and it would cause complications. Besides," he continued, feeling a laugh rising in his chest, "given the glamour that she used to make herself look human, I wonder if Umberto would believe you anyway. He'd probably think you'd just been seeing things!"

  * * *

  "Well, this is certainly an unexpected honor, Signor Lopez," said Petro Dorma, bowing. "You are the second great visitor I've had today."

  "My companions and I are simple men of God, Milord Dorma," reproached Eneko.

  "Traveling with a letter that bears the seal of the Grand Metropolitan in Rome? Not exactly 'simple,' I'd say. However that may be, you will do me the honor of staying here, I hope? Rooms will be made available for you."

  "We'd be pleased to. But we do not intend to stay very long. We want to find a passage to the Holy Land."

  Petro Dorma allowed himself a small smile. "Well, unlike Manfred of Brittany, you haven't walked in here and asked me to do so for you. He was here doing that not two hours ago. And—of course!—space for a couple of hundred knights, and—of course!—their horses. Emperor Charles Fredrik doesn't mind asking the impossible."

  "The Emperor is here?"

  Petro shook his head. "No, just Manfred, Erik, Ritter Eberhard of Brunswick—and an old friend, Francesca de Chevreuse. Oh, yes—and two hundred of those steel-clad Teutons. On their way to Jerusalem on a pilgrimage. Manfred needs one, I should think."

  Eneko Lopez smiled. "I will talk to Prince Manfred. I suspect our journey is for the same purpose. Perhaps he'll have space for a few priests among his knights."

  "He seemed to assume you would be joining them, in fact," said Petro. "Or, at least, he said so in our conversation. However, I'll pass on a message that you are desirous of seeing him, as I'll be seeing the fascinating Francesca this evening. And, speaking as the person who organized his ships, he does have space. Now, not to make too fine a point of it, Signor, but you and your companions appear to be generously splattered with marsh mud. I'm sure you'd all appreciate an opportunity to get clean, put on some fresh raiment, and then join us for our evening meal."

  Father Pierre laughed. "You mean, Milord Dorma, we smell like a swamp, and you'd prefer us to come to dinner without the bouquet?"

  "Well, I wouldn't have put it quite like that," said Petro Dorma, tinkling a small bell. "But . . . yes."

  "We're lucky we just smell of swamp," said Father Francis, looking across the piazza to the column where the winged Lion of Saint Mark gleamed in the late afternoon sun.

  A factotum arrived, bowed. "You called, milord?"

  "Alberto, take these good men and see them to the rooms reserved for our guests. Arrange hot water, baths, and fresh clothes, and the cleaning of their present clothes. See them comfortable and happy, please."

  The factotum bowed again. "If you will follow me, sirs."

  Chapter 17

  It was easier, Kat had learned, to say yes than to plan a wedding.

  The momentous day when Marco's marriage was annulled and she had been able to actually say "yes" had been a wonderful one. The trouble then began immediately, although she had not realized it until the next day.

  But the next day . . .

  She awakened, remembered with a rush everything that had happened, but most importantly, that she was going to marry Marco! Accordingly, she had plotted her way through a wonderful bath, perfumed and luxurious, that Madelena set up for her before the fire, as soon as she had finished breaking her fast.

  A small wedding, she had planned. Just the grandfathers, Benito, Maria—perhaps a few guests. At St. Hypatia di Hagia Sophia. . . . Dare I ask Francesca?

  She would certainly ask Father Lopez to officiate.

  As the day progressed Kat had gotten the sinking realization—sinking like a stone anchor at sea—that the "small private wedding" she'd been planning was going to be a matter of public—very public—celebration. And she would have very little to say in the matter.

  * * *

  There was no question of where—the basilica. The Basilica di San Marco. With the banquet to follow at the Doge's palace, of course. Nor any question of who would be invited—everyone. Those not important enough for a place inside would be crowding the Piazza di San Marco. She had stopped worrying about who would pay for all of this once she got to that point. This was no longer a wedding, it was a state occasion, and the state would absorb it. The state would also absorb the feast for the common folk, which she insisted on.

  "My friends will be out there!" she had said stubbornly. "So unless you wish to have the ambassadors sharing their tables with Arsenalotti . . ."

  Petro Dorma had gotten her point immediately. There would be a feast with enough to stuff every man, woman, and child in Venice until they were sick.

  On one other thing she put her foot down. "My attendants will be Maria Garavelli, and Francesca de Chevreuse," she said to Dorma, flatly, when he presented her with a list of suitable bridal attendants. "Just Maria and Francesca. No one else."

  She fixed him with her best glare, the one that had usually cowed her most dangerous customers back in the days she'd been smuggling in order to keep Casa Montescue financially afloat. A canal-girl and a whore. But also the woman who got you the Arsenalotti and the woman who kept the Knots on your side.

  Dorma, caught in that glare, folded. "Maria Garavelli . . . Verrier," he agreed, swallowing. "That will please the Arsenalotti a great deal, certainly. And Francesca de Chevreuse has the good will of the Emperor Charles Fredrik."

  He did not ask her if she could render up the canal-girl in an acceptable guise; he had wisely left her alone to deal with the piles and piles of paper this behemoth of a celebration had already begun to generate.

  Benito, of course, would be one of Marco's attendants. She didn't know who the others would be, but it wouldn't surprise her to discover one would be his friend Rafael. Two more . . . interesting choices.

  But at least this way, none of the Case Vecchi can be offended, because we won't have chosen any of them. Or if they are offended, they can all be offended equally.

  * * *

  There had never been any question of what dress she would wear. "Your grandmother's," her grandfather had said with pride and a tear in his eye. There was no choice, really. The dress would reflect Casa Montescue, and that dress was, perhaps, the only piece of clothing in the entire house that reflected the fortune that had been in possession of the old House of Montescue.

  She had gone to the storeroom with no doubt in her mind that one thing, at least, would be as it had been in those happier times. After all, hadn't she
rummaged out her mother's old gowns to remake for Francesca, and hadn't they been as sound as a bell? The gown she'd found to remake into Maria's attendant's dress had been a glory of scarlet brocade, still, despite all these years.

  So the ruin that met her eyes when she opened the chest that contained her grandmother's wedding gown came as a total shock.

  Silk had discolored, rotted in some places; the brocade was tarnished, the bullion dulled and blackened, the pearls—

  She burst into tears, there on her knees beside the chest in the storehouse, and that was how Francesca had found her.

  Francesca had taken one look at the contents of the chest and gathered her into her arms to let her sob, rocking her a little, and making hushing sounds while she stroked Kat's hair.

  The last person to hold me like this was mother . . .

  "Here, now," Francesca murmured. "This isn't as bad as you think."

  "But it's ruined!" Kat wailed.

  "Not . . . quite." Francesca took her chin in one hand and tilted her face to look up. "First, I don't think this is as bad as it looks. And second—" Her eyes twinkled, and Kat gulped down her sobs and sniffled "I've been casting about for a gift that you won't already have three dozen of. Unless you really, truly, desire another incomparably, grandiosely hideous silver saltcellar?"

  Kat shuddered. "A twenty-third? None of which I dare have melted down?"

  Francesca's silvery laugh startled a moth up out of the chest. "You clothed me—now allow me to clothe you. Madame Louise has, as you may have noticed, a very accomplished suite of seamstresses working for her. She still is very obliged to me."

  "I had noticed," Kat said, a little embarrassed by the envy she felt for the wonderfully, flatteringly fashionable gown that Francesca wore—and for the air with which Francesca wore it. Next to the former courtesan, she felt as ungainly as a calf.

  "Just close up the chest and we'll have it taken down to the gondola. I just came to thank you for the invitation to be your attendant, and to explain that it would be better for a certain party if I declined it."

  Francesca's raised eyebrow and one finger tapping a ring with an elaborate crest gave Kat the hint.

  "Oh. Oh." She sighed. "Oh, bilgewater. I suppose it wouldn't be a good idea, would it? Your—friend—"

  "Shouldn't be too publicly associated with me," Francesca agreed cheerfully. "Now, if you still want to name someone who will provide everything I can without the shock value . . ."

  She shook her head.

  "Never mind, then. Let's get this down to my gondola, and we'll salvage every scrap that we can from it—and what can't be salvaged, we'll replace. We," she added, again with that significant tap on her ring, and Kat found herself having to stifle a slightly hysterical giggle at the idea that Manfred of Brittany was going to find himself paying for the dress of a lady he barely knew and had not the slightest chance of finagling into his bed.

  * * *

  It was the both of them, she and Marco together, who approached the last possibly difficult bit of the wedding plans that deviated from Petro Dorma's orchestrations.

  Marco tapped on the door, at precisely the time of their carefully made appointment. One no longer sought the quarters of Eneko Lopez unannounced, not now that he was openly the Grand Metropolitan's representative and quartered in the palace of the Doge.

  "Come in," came the harsh voice. "I assume it is you, Marco Valdosta."

  Marco pushed open the door. Lopez sat at a desk where he had been writing. He pushed his work away, and raised an eyebrow when he saw that Kat was with him. "I had wondered if you felt the need of spiritual counsel," he said dryly.

  "Actually, we had a favor to ask of you," Kat said, hesitantly. "The Patriarch is conducting the Nuptial Mass, of course, but . . ."

  She couldn't get the words out; Marco squeezed her hand and supplied them. "We'd like you to be the officiating priest for the marriage."

  Kat saw the imperturbable Eneko Lopez at a complete loss for words, at least for a moment or two.

  "I . . . would be very pleased," he said at last. "In fact, quite honored. But why? Why me?"

  "For a great many reasons," Kat said. "But it just seemed to us that—as a priest, as the kind of priest you are, you have to do so many things that are so difficult, so dangerous—and no one ever asks you to do anything that is, well, pleasant." She hesitated; corrected herself. "Joyful."

  Then she added, very softly: "We don't think you have nearly enough joy in your life. And you can't do without it, you know. It reminds you why you have to face the bad parts."

  For a moment, she wondered if she'd insulted him. Then amazingly, the grim, stern, rather frightening Eneko Lopez reached up and wiped the merest glitter of a tear from his eye.

  "Thank you," he said simply. "I would be delighted."

  * * *

  The Church of St. Hypatia di Hagia Sophia was silent, that silence that speaks of emptiness. For a moment, Kat wondered if she'd come too early. Still, it was supposed to be the night before her wedding day. There would be much to do, if she did go ahead and marry Marco. Part of her, the part that was pragmatic, the part that most people saw, said that she was being ridiculous. At this point, the thing had a momentum of its own, and would carry her along whether or not she wanted it to. But as Patriarch Michael had said, humans were creatures of spirit as well as mundane flesh. And her spirit was troubled. It was always here that she came when she needed to sort that out.

  Ah. Yes, there was a solitary Sibling in her white robes. Kat walked to the counseling booth, sat down and waited. A few moments later a female voice said: "Peace be with you, my child. How may I counsel you?"

  Kat sighed. "By telling me I'm being stupid, probably. I am supposed to marry tomorrow."

  The dress is ready. It fits like a second skin, and where Francesca found all the bits on no notice at all, I will never know. I look like a queen in it, and Maria looks like a princess in hers. The feasting has already begun, the Basilica is full of candles and flowers and priests. Everything is in place for tomorrow. Only I—only I am suddenly afraid!

  "And? Do you love this man?"

  "More than anything on earth."

  "Is there any reason why you should not be married, daughter?

  "No." Kat twisted her hands. "The Patriarch himself has sanctioned the marriage."

  "I see. Does your husband-to-be abuse you?"

  "Marco? He's the gentlest soul in Venice! The kindest, softest, bravest . . ."

  "Then what is the problem, daughter? Is it sexual . . ." The woman hesitated, an element of doubt in her voice. The Siblings were all sworn to chastity and celibacy. Perhaps her counselor felt she might be out of her depth here.

  "No. It's . . . It's nothing like that. It's spiritual, if anything."

  "Ah. Marriage is a holy institution sanctified by our Lord himself. It is intended to be a union of bodies, minds and spirits."

  Kat took a deep breath. "The man I am going to . . . supposed to . . . marry, is possessed. Sort of. Um. Part of him is a pagan magical creature. I am a Christian."

  There was a silence. "I think, Katerina Montescue, that it would be easier if we went out into the church and I used those murals you sometimes sit and admire to advise you."

  "You know who I am?"

  There was a gentle snort of laughter from the other side of the scrim. "Katerina, all Venice knows who you are, now. But I have seen you come to this church for many years. I knew exactly who you were when I sat with Eneko Lopez and listened to you tell of your problems with the smuggling of supplies for the Strega. I listened with some amusement when you put him in his place with questions about Dottore Marina. Then, as now, I listened under the seal of counsel. I did not betray you then. I will not betray you now, just because I step outside of the booth."

  Kat went out, to find the Sibling waiting for her. "Come. Let us go to the Chrysostom murals. They are not your favorites, but they make my point well."

  They walked down until th
ey stood below the first mural. The golden preacher was portrayed as a gaunt man with the eyes of a hawk. His painted gaze was unrelenting. They seemed to stare through her.

  "He reminds me of Signor Lopez," said Kat, quietly.

  The Sibling nodded. "I think they were cut of the same cloth. He was, like Eneko, a very intense man. And very charismatic. Not always right, however, nor always wise. Narrow-minded and even outright bigoted at times. Yet, with him our Hypatia formed one of the most influential alliances in the history of the Church. It was the meeting of those two great minds that set the course of the Christian Church from thenceforth, and put an end to—well, ameliorated, at least—what had become an increasingly entrenched tradition of schismatic dogmatism and heresy-hunting."

  She paused for a moment. "I will not attempt, here and now, to explain the theological complexities of the matter. In the millennium that has gone by since, their tradition has become known as 'Petrine,' just as that of Saint Augustine has been called 'Pauline.' But, as is so often true, the names obscure as much as they reveal. Both creeds within the church are more like umbrellas than fences. Do not forget that if Sachs was a Pauline, so was the courageous young prince who broke the back of Chernobog's monster—and his companion Erik belongs to the Gaelic creed, which has its own history and doctrines altogether."

  Her mouth grew a little tight. "Nor should you think for a moment that simply because a man calls himself a 'Petrine' that he is not capable of the vilest sins and crimes."

  The Sibling pointed to the next panel, which showed the two, back-to-back. "There you see Hypatia writing, developing the philosophy, and Chrysostom, brilliant orator that he was, expounding it. He provided most of the driving force, she—when necessary, which it often was—provided the diplomacy. Because of that alliance, Hypatia and Chrysostom were able to formalize a doctrine of compassion and acceptance that emphasized wisdom and learning. But—"

  She chuckled. "Not without a multitude of clashes, and even more in the way of compromises. And both of them left their own traditions, which are somewhat distinct. I represent one, Father Eneko Lopez another. The Church needs both, you know."