Granny's Wonderful Chair (Yesterday's Classics)

by Browne, Frances

  As for Prince Wisewit, he went home with the rest of the company, leading Snowflower by the hand, and telling them all how he had been turned into a bird by the cunning fairy Fortunetta, who found him off his guard in the forest; how she had shut him up under the cushion of that curious chair, and given it to old Dame Frostyface; and how all his comfort had been in little Snowflower, to whom he told so many stories.

  King Winwealth was so rejoiced to find his brother again, that he commanded another feast to be held for seven days. All that time the gates of the palace stood open; all comers were welcome, all complaints heard. The houses and lands which Queen Wantall had taken away were restored to their rightful owners. Everybody got what they most wanted. There were no more clamours without, nor discontents within the palace; and on the seventh day of the feast who should arrive but Dame Frostyface, in her grey hood and mantle.

  Snowflower was right glad to see her grandmother—so were the king and prince, for they had known the dame in her youth. They kept the feast for seven days more; and when it was ended everything was right in the kingdom. King Winwealth and Prince Wisewit reigned once more together; and because Snowflower was the best girl in all that country, they chose her to be their heiress, instead of Princess Greedalind. From that day forward she wore white velvet and satin; she had seven pages, and lived in the grandest part of the palace. Dame Frostyface, too, was made a great lady. They put a new velvet cushion on her chair, and she sat in a gown of grey cloth, edged with gold, spinning on an ivory wheel in a fine painted parlour. Prince Wisewit built a great summer-house, covered with vines and roses, on the spot where her old cottage stood. He also made a highway through the forest, that all good people might come and go there at their leisure; and the cunning fairy Fortunetta, finding that her reign was over in those parts, set off on a journey round the world, and did not return in the time of this story. Good boys and girls, who may chance to read it, that time is long ago. Great wars, work, and learning, have passed over the world since then, and altered all its fashions. Kings make no seven-day feasts for all comers now. Queens and princesses, however greedy, do not mine for gold. Chairs tell no tales. Wells work no wonders; and there are no such doings on hills and forests, for the fairies dance no more. Some say it was the hum of schools—some think it was the din of factories that frightened them; but nobody has been known to have seen them for many a year, except, it is said, one Hans Christian Andersen, in Denmark, whose tales of the fairies are so good that they must have been heard from the fairies themselves.

  It is certain that no living man knows the subsequent history of King Winwealth's country, nor what became of all the notable characters who lived and visited at his palace. Yet there are people who believe that the monarch still falls asleep on his throne, and into low spirits after supper; that Queen Wantall and Princess Greedalind have found the gold, and begun to buy; that Dame Frostyface yet spins—they cannot tell where; that Snowflower may still be seen at the new year's time in her dress of white velvet, looking out for the early spring; that Prince Wisewit has somehow fallen under a stronger spell and a thicker cushion, that he still tells stories to Snowflower and her friends, and when both cushion and spell are broken by another stroke of Sturdy's hatchet—which they expect will happen some time—the prince will make all things right again, and bring back the fairy times to the world.

  Yesterday's Classics

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  Yesterday's Classics republishes classic books for children from the golden age of children's literature, the era from 1880 to 1920. Many of our titles are offered in high-quality paperback editions, with text cast in modern easy-to-read type for today's readers. The illustrations from the original volumes are included except in those few cases where the quality of the original images is too low to make their reproduction feasible. Unless specified otherwise, color illustrations in the original volumes are rendered in black and white in our print editions.