“Yes,” I answered, “there’s no one in sight.”
“Then I want you to be quite passive,” he said, and with this, he hoisted me up further until I hung with my own weight across the top of the fence. Leaving me hanging thus, he sprang up lightly, and, having got astride at the top, dropped down on the other side, when he once more took hold of me and drew me over. “It wasn’t so very difficult,” he said. “Of course, it would have been more so to a shorter man, but, on the other hand, it is extremely unlikely that the body was anything like your size and weight.”
We now followed the track up to the wood, which we entered by an opening in the fence, through which I assumed that the murderer had probably passed. I conducted Thorndyke by the nearest route to the boat-house, and, when he had thoroughly examined the place and made notes of the points that appeared to interest him, I showed him the way out by the turnstile.
It was here when we came in sight of the cottage that I bethought me of my promise to Miss Vyne, and somewhat sheepishly explained the matter to Thorndyke. “It won’t take me a minute to go in and sneak the things,” I said apologetically, and was proposing that he should walk on slowly, when he interrupted me.
“I’ll come in with you,” said he. “There may be something else to filch. Besides, I am rather partial to empty houses. There is something quite interesting, I think, in looking over the traces of recent occupation, and speculating on the personality and habits of the late occupiers. Don’t you find it so?”
I said “Yes,” truthfully enough, for it was a feeling of this kind that had first led me to look over the cottage. But my interest was nothing to Thorndyke’s; for no sooner had I let him in at the front door, than he began to browse about through the empty rooms and passages, for all the world like a cat that has just been taken to a new house. “This was evidently the studio,” he remarked, as we entered the room from which I had taken the canvas, “he doesn’t seem to have had much of an outfit, as he appears to have worked on his sketching-easel; you can see the indentations made by the toe-points, and there are no marks of the castors of a studio easel. You notice, too, that he sat on a camp-stool to work.”
It did not appear to me to matter very much what he had sat on, but I kept this opinion to myself and watched Thorndyke curiously as he picked up the empty paint tubes and scrutinized them one after the other. His inquisitiveness filled me with amused astonishment. He turned out the rubbish box completely, and having looked over every inch of the discarded canvases, he began systematically to examine, one by one, the pieces of paper on which the late resident had wiped his palette-knife.
Having rolled up and pocketed the waste canvases, I expressed myself as ready to depart. “If you’re not in a hurry,” said Thorndyke, “I should like to look over the rest of the premises.”
He spoke as though we were inspecting some museum or exhibition, and, indeed, his interest and attention, as he wandered from room to room, were greater than that of the majority of visitors to a public gallery. He even insisted on visiting the little stable and coachhouse, and when he had explored them both, ascended the ricketty steps to the loft over the latter. “I suppose,” said I, “this was the lumber room or store. Judging by the quantity of straw it would seem as if some cases had been unpacked here.”
“Probably,” agreed Thorndyke. “In fact, you can see where the cases have been dragged along, and also, by that smooth indented line, where some heavy metallic object has been slid along the floor. Perhaps if we look over the straw, we may be able to judge what those cases contained.”
It didn’t seem to me to matter a brass farthing what they contained, but again I made no remark; and together we moved the great mass of straw, almost handful by handful, from one end of the loft to the other, while Thorndyke, not only examined the straw but even closely scrutinized the floor on which it lay.
As far as I could see, all this minute and apparently purposeless searching was entirely without result, until we were in the act of removing the last armful of straw from the corner; and even then the object that came to light did not appear a very remarkable one under the circumstances, though Thorndyke seemed to find what appeared to me a most unreasonable interest in it. The object was a pair of canvas-pliers, which Thorndyke picked up almost eagerly and examined with profound attention. “What do you make of that, Jardine?” he asked, at length, handing the implement to me.
“It’s a pair of canvas-pliers,” I replied.
“Obviously,” he rejoined, “but what do you suppose they have been used for?”
I opined that they had been used for straining canvases, that being their manifest function. “But,” objected Thorndyke, “he would hardly have strained his canvases up here. Besides, you will notice that they have, in fact, been used for something else. You observe that the handles are slightly bent, as if something had been held with great force, and if you look at the jaws, you will see that that something was a metallic object about three quarters of an inch wide with sharp corners. Now, what do you make of that?”
I looked at the pliers, inwardly reflecting that I didn’t care twopence what the object was, and finally said that I would give it up. “The problem does not interest you keenly,” Thorndyke remarked with a smile; “and yet it ought to, you know. However, we may consider the matter on some future occasion. Meanwhile, I shall follow your pernicious example and purloin the pliers.”
His interest in this complete stranger appeared to me very singular, and it seemed for the moment to have displaced that in the mysterious case which was the object of his visit to me. “A strange, vagabond sort of man that artist must have been,” he remarked, as we walked home across the Heath, “but I suppose one picks up vagabond habits in travelling about the world.”
“Do you gather that he had travelled much, then?” I asked.
“He appears to have visited New York, Brussels and Florence, which is a selection suggesting other travels.”
I was wondering vaguely how Thorndyke had arrived at these facts, and was indeed about to ask him, when he suddenly changed the subject by saying: “I suppose, Jardine, you don’t wander about this place alone at night?”
“I do sometimes,” I replied.
“Then I shouldn’t,” he said; “you must remember that a very determined attempt has been made on your life, and it would be unreasonable to suppose that it was made without some purpose. But that purpose is still unaccomplished. You don’t know who your enemy is, and, consequently, can take no precautions against him excepting by keeping away from solitary places. It is an uncomfortable thought, but at present, you have to remember that any chance stranger may be an intending murderer. So be on your guard.”
I promised to bear his warning in mind, though I must confess his language seemed to me rather exaggerated; and so we walked on, chatting about various matters until we arrived at my lodgings.
Thorndyke was easily persuaded to come in and have tea with me, and while we were waiting for its arrival, he renewed his examination of the sketch upon the wall.
“Aren’t you going to have this strained on a stretcher?” he asked.
I replied “yes,” and that I intended to take it with me the next time I went into town.
“Let me take it for you,” said Thorndyke. “I should like to show it to Jervis to illustrate the route that we have marked on the map. Then I can have it left at any place that you like.”
I mentioned the name of an artist’s-colourman in the Hampstead Road, and, unpinning the canvas, rolled it up and handed it to him.
He took it from me and, rolling it up methodically and carefully, bestowed it in his breast pocket. Then he brought forth the map, and, as we drank our tea and talked over our investigations, he checked our route on it and marked the position of the cottage. Shortly after tea he took his leave, and I then occupied an agreeable half-hour in composing a letter to Miss Vyne to accompany the loot from the deserted house.
* * *
X — THE UNHEEDED
WARNING
THORNDYKE’S warning, so emphatically expressed, ought to have been alike unnecessary and effective. As a matter of fact, it was neither. I suppose that to a young man, not naturally timorous, the idea of a constantly lurking danger amidst the prosaic conditions of modern civilization is one that is not readily accepted. At any rate, the fact is that I continued to walk abroad by day and by night with as much unconcern as if nothing unusual had ever befallen me. It was not that the recollection of those horrible hours in the poisoned cellar had in any way faded. That incident I could never forget. But I think, that in the back of my mind, there still lingered the idea of a homicidal lunatic; though that idea had been so scornfully rejected by Thorndyke.
But before I describe the amazing experience by which I once more came within a hair’s breadth of sudden and violent death, I must refer to another incident; not because it seemed to be connected with that alarming occurrence, but because it came first in the order of time, and had its own significance later.
It was a couple of days after Thorndyke’s visit that I walked down the Hampstead Road with the intention of fetching the sketch from the artist’s-colourman’s. The shop was within a few hundred yards of Jacob Street, and as I crossed the end of that street, I was just considering whether I ought to look in on Batson, when a lady bowed to me and made as if she would stop. It was Mrs. Samway. Of course, I stopped and shook hands, and while I was making the usual polite enquiries, I felt myself once more impressed with the unusualness of the woman. Even in her dress she was unlike other women, though not in the least eccentric or bizarre. At present, she was clothed from head to foot in black; but a scarlet bird’s wing in the coquettish little velvet toque, and a scarlet bow at her throat, gave an effect of colour that, unusual as it was, harmonized completely and naturally with her jet-black hair and her strange, un-English beauty. “So you haven’t started for Paris yet,” I remarked.
“No,” she replied, “my husband has gone and may, perhaps, come back. At any rate, I am staying in England for the present.”
“Then I may possibly have the pleasure of seeing you again,” I said, and she graciously replied that she hoped it might be so, as we shook hands and parted. A few minutes later, in the artist’s-colourman’s shop, I had another chance meeting and a more agreeable one. The proprietor had just produced the sketch, now greatly improved in appearance by being strained on a stretcher, when the glass door opened and a young lady entered the shop. Imagine my surprise when that young lady turned out to be none other than Miss Vyne. “Well,” I exclaimed, as we mutually recognized each other, “what an extraordinary coincidence!”
“I don’t see that it is very extraordinary,” she replied. “Most of the Hampstead people come here because it’s the nearest place where you can get proper artist’s materials. Is that the sketch you were telling me about?”
“Yes,” I answered, “and it’s the pick of the loot. But it isn’t too late to alter your mind. Say the word and it’s yours.”
“Well,” she replied, with a smile, “I am not going to say the word, but I want to thank you for rescuing those other treasures for me.”
She had, as a matter of fact, already thanked me in a very pretty little note, but I was not averse to her mentioning the subject again. We stepped back to the door, and in the brighter light, looked at the sketch together. “It’s a pity,” she remarked, “that he handled it so carelessly before the paint was hard. Those fingermarks wouldn’t matter a bit on a brush-painted surface; but on the smooth knife-surface they are rather a disfigurement.”
She placed the sketch in my hand, and I backed nearer to the glass door to get a better light. Happening to glance up, I noticed that a sudden and very curious change had come over her; a look of haughty displeasure and even anger, apparently directed at somebody or something outside the shop.
For a few moments I took no notice; then, half-unconsciously, I looked round just as some person moved away from the door. I looked once more at Miss Vyne. She was quite unmistakably angry. Her cheeks were flushed and there was a resentful light in her eyes that gave her an expression quite new to me.
I suppose she caught my enquiring glance for she exclaimed: “Did you see that woman? I never heard of such impertinence in my life.”
“What did she do?” I asked.
“She came right up to the doorway and looked over your shoulder; and then stared at me in the most singular and insolent manner. I could have slapped her face.”
“Not through the glass door,” I suggested; on which her anger subsided in a ripple of laughter as quickly as it had arisen. “What was this objectionable person like?” I asked. “Was she a charwoman or a slavey?”
“Oh, not at all,” replied Miss Vyne. “Quite a ladylike looking person, except for her manners. Rather tastefully dressed, too; a black and vermilion scheme of colour.”
The reply startled me a little. “Had she a scarlet bird’s wing in her hat?” I asked.
“Yes, and a scarlet bow at her throat. I hope you are not going to say that you know her.”
It was a rather delicate situation. I could not actually disavow the acquaintance, but I did not feel inclined to have a black and scarlet fly introduced into the sweet-smelling ointment of my intercourse with the fair Sylvia; so I explained with great care the exact scope of the acquaintance; on which Miss Vyne remarked that “she supposed that doctors could not be held responsible for the people they knew”; and proceeded to make her purchases.
I did not take the sketch away with me after all, for it occurred to me that I might as well leave it to be framed; but instead, I carried forth with me the parcel containing Miss Vyne’s purchases. I had not far to carry it, for she was returning at once to Hampstead. I was tempted to return, for the sake of enjoying a chat with her, too, but discreetly withstood the temptation, and, having escorted her to a tram, I turned my face south and walked away at a leisurely pace into the jaws of an all-unsuspected danger.
It was some hours, however, before anything remarkable happened.
My immediate objective was Lincoln’s Inn Fields, where, at the College of Surgeons, a lecture on Epidermic Appendages was to be delivered by the Hunterian Professor; and there, in the college theatre, I spent a delightful hour while the genial professor took his hearers with him on a personally-conducted tour among structures that ranged from the plumage of the sun-bird to the dermal plates of the crocodile, from the silken locks of beauty to the quills of the porcupine or the mail of the armadillo.
When I came out, the dusk was just closing in. It was a slightly foggy evening. The last glow of the sunset in the western sky lighted up the haze into a rosy back-ground, against which the shadowy buildings were relieved in shapes of cloudy grey. It was a lovely effect; an effect such as London alone can show, and fugitive as a breath on a mirror. As I sauntered westward up the Strand I presently bethought me that, before the light should have faded completely, I would see how the effect looked by the riverside. Walking quickly down Buckingham Street, I came out on to the Embankment and looked into the west. But the light was nearly gone, the shadows of evening were closing in fast, and the fog, creeping up the river, ushered in the night.
I leaned on the parapet and watched the last glimmer die away; watched the darkness deepen on the river and the faint lights on the barges moored on the southern shore at first twinkle pallidly and then fade out as the fog thickened. I lit my pipe and looked down at the dark water swirling past, and gradually fell into a train of half-dreamy meditation.
Not for the first time since the occurrence, my thoughts turned to Mrs. Samway. Why had she stared at Miss Vyne in that singular manner—if indeed it was really Mrs. Samway, and if she really had stared in the manner alleged? It was an odd affair; but, after all, it did not very much matter. And with this, my thoughts rambled off in a new direction.
It was to the cottage on the Heath that they wandered this time, and the picture of Thorndyke’s cat-like prowlings and pryings arose be
fore me. That was very queer, too. Was it possible that this learned and astute man habitually went about eagerly probing into the personal habits and trivial actions of chance strangers? The apparently puerile inquisitiveness that he had displayed seemed totally out of character with all that I knew about the man; but then it often happens that the private life of public men develops personal traits that are surprising and disappointing to those who have only known them in connection with their public activities.
I had become so completely immersed in my thoughts as to be almost oblivious of what was happening around. Indeed, there was mighty little happening. The gathering darkness and the thin fog limited my view to a few square yards. Now and again, a muffled hoot from the lower river spoke of life and movement on the water, and at long intervals an occasional wayfarer would pass along the pavement behind me.
My reflections had reached the point recorded above, when a person emerged from the obscurity near to the parapet and approached as if to pass close behind me. I only caught the dusky shape indistinctly with the tail of my eye; so indistinctly that I could not say certainly whether it was that of a man or a woman, for I was still gazing down at the dark water. He or she approached quietly, swerving towards me across the wide pavement, and was in the act of passing quite close to me when the thing happened. Of a sudden, I felt my knees clasped in a powerful grip, and at the same moment I was lifted off my feet and thrust forward over the parapet. Instinctively, I clutched at the stonework, but its flat surface offered nothing for my fingers to grasp. Then my assailant let go, and the next instant I plunged head-first into the icy water.
It was fortunate for me that the tide was nearly full, else must I, almost certainly, have broken my neck. As it was, my head struck on the firm mud at the bottom with such force, that for some moments I was half-stunned. Nevertheless, I must have struck out automatically, for when I began to recover my wits my head was above water, and I was swimming as actively as my clinging garments would let me. But, apparently, in those moments of dazed semi-consciousness, I must have struck out towards the middle of the river, for now I was encompassed by a murky void in which nothing was visible save one or two reddish, luminous patches—presumably, the lamps on the Embankment.
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