by Ian Fleming
Bond walked over to the drink tray and poured himself a strong gin and tonic. There certainly had been a telephone call, but it could easily have been an arranged call from the factory. The story of the servant was plausible and it was reasonable that Goldfinger should go himself to bail the man out and take his chauffeur with him. Goldfinger had twice mentioned that Bond would be alone for half an hour during which he ‘would be left to his own devices’. This could be innocent, or it could be an invitation for Bond to show his hand, commit some indiscretion. Was somebody watching him? How many of these Koreans were there and what were they doing? Bond glanced at his watch. Five minutes had gone. He made up his mind. Trap or no trap, this was too good a chance to miss. He would have a quick look round – but an innocent one, with some sort of a cover story to explain why he had left the hall. Where should he begin? A look at the factory. His story? That his car had given trouble on the way over – choked petrol feed probably – and that he had gone to see if there was a mechanic who could give him a hand. Flimsy, but it would do. Bond downed his drink and went purposefully to the service door and walked through.
There was a light switch. He turned on the light and walked swiftly down a long passage. It ended with a blank wall and two doors to right and left. He listened for an instant at the left-hand one and heard muffled kitchen noises. He opened the right-hand door and found himself in the paved garage yard he might have expected. The only odd thing about it was that it was brilliantly lit by arc lights. The long wall of the factory occupied the far side and now the rhythmic engine thump was very loud. There was a plain wooden door low down in the wall opposite. Bond walked across the yard to it, looking around him with casual interest. The door was unlocked. He opened it with discretion and walked through, leaving the door ajar. He found himself in a small empty office lit by one naked bulb hanging from the ceiling. There was a desk with papers on it, a time-clock, a couple of filing cabinets and a telephone. Another door led from the office into the main factory space and there was a window beside the door for keeping an eye on the workmen. It would be the foreman’s office. Bond walked to the window and looked through.
Bond didn’t know what he had expected, but there seemed to be the usual accoutrements of a small metal-working business. Facing him were the open mouths of two blast furnaces, their fires now drawn. Beside these stood a row of kilns for the molten metal, of which sheets of different sizes and colours stood against the wall near by. There was the polished steel table of a circular saw, a diamond saw presumably, for cutting the sheets, and to the left in the shadows a big oil engine connected to a generator pounded away making power. To the right, under arc lights, a group of five men in overalls, four of them Koreans, were at work on – of all things – Goldfinger’s Rolls Royce. It stood there gleaming under the lights, immaculate save for the right-hand door which had been taken off its hinges and now lay across two nearby benches minus its door panel. As Bond watched, two men picked up the new door panel, a heavy, discoloured sheet of aluminium-coloured metal, and placed it on the door frame. There were two hand riveters on the floor and soon, Bond thought, the men would rivet the panel into place and paint it to match the rest of the car. All perfectly innocent and above-board. Goldfinger had dented the panel that afternoon and had had a quick repair job done in preparation for his trip tomorrow. Bond gave a quick, sour look round, withdrew from the window and went out by the factory door and closed it softly behind him. Nothing there, damn it. And now what was his story? That he had not wanted to disturb the men at their work – perhaps after dinner, if one of them had a moment.
Bond walked unhurriedly back the way he had come and regained the hall without misadventure.
Bond looked at his watch. Ten minutes to go. Now for the first floor. The secrets of a house are in the bedrooms and bathrooms. Those are the private places where the medicine cabinets, the dressing-table, the bedside drawers, reveal the intimate things, the frailties. Bond had a bad headache. He had gone to look for an aspirin. He acted the part for an invisible audience, massaged his temples, glanced up at the gallery, walked decisively across the floor and climbed the stairs. The gallery gave on to a brightly lit passage. Bond walked down it opening the doors and glancing in. But they were spare bedrooms, the beds not made up. They held a smell of must and shut windows. A large ginger cat appeared from nowhere and followed him, mewing and rubbing itself against his trouser legs. The end room was the one. Bond went in and closed the door to a crack.
All the lights were on. Perhaps one of the servants was in the bathroom. Bond walked boldly across to the communicating door and opened it. More lights, but no one. It was a big bathroom, probably a spare room converted into a bathroom and, in addition to the bath and lavatory, it held various fitness machines – a rowing machine, a fixed bicycle wheel, Indian clubs and a Ralli Health Belt. The medicine cabinet contained nothing except a great variety of purges – senna pods, cascara, Calsalettes, Enos and various apparatus for the same purpose. There were no other drugs and no aspirin. Bond went back into the bedroom and again drew a blank. It was a typical man’s room, comfortable, lived in, with plenty of fitted cupboards. It even smelled neutral. There was a small bookcase beside the bed in which all the books were history or biography, all in English. The drawer of the bedside table yielded a solitary indiscretion, a yellow-backed copy of The Hidden Sight of Love, Palladium Publications, Paris.
Bond glanced at his watch. Five more minutes. It was time to go. He took a last look round the room and moved to the door. Suddenly he stopped. What was it he had noticed almost subconsciously ever since he had come into the room? He sharpened his senses. There was an incongruity somewhere. What was it? A colour? An object? A smell? A sound? That was it! From where he stood he could hear the faintest, mosquito-shrill whine. It was almost extra-sensory in its pitch. Where did it come from? What was making it? Now there was something else in the room, something that Bond knew all too well, the smell of danger.
Tensely Bond stepped closer to the fitted cupboard beside the door, softly opened it. Yes, it came from inside the cupboard, from behind a range of sports coats that reached down to the top of three banks of drawers. Sharply Bond swept the coats aside. His jaws clenched at what was behind them.
From three slots near the top of the cupboard, sixteen-millimetre film was inching down in three separate strips into a deep bin behind the false front of the drawers. The bin was almost half full of the slimy snakes of the stuff. Bond’s eyes narrowed tensely as he watched the damning evidence coil slowly down on to the pile. So that was it – cine-cameras, three of them, their lenses concealed God knows where – in the hall, in the garage courtyard, in this room – had been watching his every move from the moment Goldfinger had left the house, switching on the cameras, and, of course, the dazzling lights, as he went out of the door. Why hadn’t Bond seen the significance of those lights? Why hadn’t he had the elementary imagination to see the trap as well as smell it? Cover stories, indeed! What use were they now when he had spent half an hour snooping round and finding nothing for his pains? That too! He had discovered nothing – unearthed no secret. It had all been an idiotic waste of time. And now Goldfinger had him. Now he was finished, hopelessly blown. Was there any way of saving something from the wreckage? Bond stood riveted, staring at the slow cataracts of film.
Let’s see now! Bond’s mind raced, thinking of ways out, excuses, discarding them all. Well, at least by opening the cupboard door he had exposed some of the film. Then why not expose it all? Why not, but how? How could the open cupboard door be explained except by his doing? There came a miaow from the open slit of the bedroom door. The cat! Why shouldn’t the cat have done it? Pretty thin, but at least it was the shadow of an alibi. Bond opened the door. He picked the cat up in his arms. He went back with it to the cupboard, stroking it brusquely. It purred. Bond leant over the bin of film, picking it up in handfuls so that it would all get the light. Then, when he was satisfied that it must be ruined, he tossed it
back and dropped the cat in on top of it. The cat would not be able to get out easily. With any luck it would settle down and go to sleep. Bond left the cupboard door three inches ajar to spoil the continuing film and the bedroom door the same amount and ran down the passage. At the top of the stairs he slowed and sauntered down. The empty hall yawned at his play-acting. He walked across to the fireplace, dashed more drink into his glass and picked up The Field. He turned to the golf commentary by Bernard Darwin, ran his eye down it to see what it was about, and then settled into one of the club chairs and lit a cigarette.
What had he found out? What was there on the plus side? Precious little except that Goldfinger suffered from constipation and a dirty mind and that he had wanted to put Bond through an elementary test. He had certainly done it expertly. This was no amateur. The technique was fully up to SMERSH standards, and it was surely the technique of somebody with a very great deal to hide. And now what would happen? For the cat alibi to stand up, Goldfinger would have to have left two doors, one of them vital, ajar, and the cat had got into the room and been intrigued by the whine of the cameras. Most unlikely, almost incredible. Goldfinger would be ninety per cent certain it was Bond – but only ninety. There would still be that ten per cent of uncertainty. Would Goldfinger have learnt much more than he knew before – that Bond was a tricky, resourceful customer and that Bond had been inquisitive, might be a thief? He would guess Bond had been to the bedroom, but Bond’s other movements, for whatever they were worth, would remain a secret on the exposed film.
Bond got up and took a handful of other magazines and threw them down beside his chair. The only thing for him to do was brazen it out and make a note for the future, if there was to be a future, that he had better wake his ideas up and not make any more mistakes. There wouldn’t be enough ginger cats in the world to help him out of one more tight spot like the one he was in.
There had been no noise of a car coming down the drive, not a sound from the door, but Bond felt the evening breeze on his neck and he knew that Goldfinger had come back into the room.
11 ....... THE ODD-JOB MAN
BOND THREW down The Field and stood up. The front door closed noisily. Bond turned. ‘Hullo.’ His face registered polite surprise. ‘Didn’t hear you arrive. How did it go?’
Goldfinger’s expression was equally bland. They might have been old friends, neighbours in the country who were accustomed to drop in on each other for a drink. ‘Oh, it sorted itself out. My chap had had a row in a pub with some American Air Force men who had called him a bloody Jap. I explained to the police that Koreans don’t like being called Japs. They let him off with a caution. Terribly sorry to have been so long. Hope you weren’t bored. Do have another drink.’
‘Thanks. But it’s hardly seemed five minutes since you left. Been reading what Darwin has to say about the fourteen club rule. Interesting point of view …’ Bond launched into a detailed review of the article, adding his own comments on the rule.
Goldfinger stood patiently until it was over. He said, ‘Yes, it’s a complicated business. Of course you play rather a different game from me, more workmanlike. With my kind of swing, I find I need all the clubs I’m allowed. Well, I’ll just go up and wash and then we’ll have dinner. Shan’t be a moment.’
Bond busied himself noisily with pouring another drink, sat down and picked up Country Life. He watched Goldfinger climb the stairs and disappear down the corridor. He could visualize every step. He found he was reading the periodical upside down. He turned it round and stared blindly at a fine photograph of Blenheim Palace.
There was dead silence upstairs. Then a distant lavatory chain was pulled and a door clicked shut. Bond reached for his drink, took a deep swallow and put the glass down beside his chair. Goldfinger was coming down the stairs. Bond turned the pages of Country Life and flicked ash off his cigarette into the grate.
Now Goldfinger was crossing the floor towards him. Bond lowered his paper and looked up. Goldfinger was carrying the ginger cat tucked carelessly under one arm. He reached the fireplace, bent forward and pressed the bell.
He turned towards Bond. ‘Do you like cats?’ His gaze was flat, incurious.
‘Sufficiently.’
The service door opened. The chauffeur stood in the frame. He still wore his bowler hat and his shiny black gloves. He gazed impassively at Goldfinger. Goldfinger crooked a finger. The chauffeur approached and stood within the circle by the fire.
Goldfinger turned to Bond. He said conversationally, ‘This is my handy man.’ He smiled thinly. ‘That is something of a joke. Oddjob, show Mr Bond your hands.’ He smiled again at Bond. ‘I call him Oddjob because that describes his functions on my staff.’
The Korean slowly pulled off his gloves and came and stood at arm’s length from Bond and held out his hands palm upwards. Bond got up and looked at them. They were big and fat with muscle. The fingers all seemed to be the same length. They were very blunt at the tips and the tips glinted as if they were made of yellow bone.
‘Turn them over and show Mr Bond the sides.’
There were no finger-nails. Instead there was this same, yellowish carapace. The man turned the hands sideways. Down each edge of the hands was a hard ridge of the same bony substance.
Bond raised his eyebrows at Goldfinger.
Goldfinger said, ‘We will have a demonstration.’ He pointed at the thick oak banisters that ran up the stairs. The rail was a massive six inches by four thick. The Korean obediently walked over to the stairs and climbed a few steps. He stood with his hands at his sides, gazing across at Goldfinger like a good retriever. Goldfinger gave a quick nod. Impassively the Korean lifted his right hand high and straight above his head and brought the side of it down like an axe across the heavy polished rail. There was a splintering crash and the rail sagged, broken through the centre. Again the hand went up and flashed down. This time it swept right through the rail leaving a jagged gap. Splinters clattered down on to the floor of the hall. The Korean straightened himself and stood to attention, waiting for further orders. There was no flush of effort in his face and no hint of pride in his achievement.
Goldfinger beckoned. The man came back across the floor. Goldfinger said, ‘His feet are the same, the outside edges of them. Oddjob, the mantelpiece.’ Goldfinger pointed at the heavy shelf of carved wood above the fireplace. It was about seven feet off the ground – six inches higher than the top of the Korean’s bowler hat.
‘Garch a har?’
‘Yes, take off your coat and hat.’ Goldfinger turned to Bond. ‘Poor chap’s got a cleft palate. I shouldn’t think there are many people who understand him beside me.’
Bond reflected how useful that would be, a slave who could only communicate with the world through his interpreter – better even than the deaf mutes of the harems, more tightly bound to his master, more secure.
Oddjob had taken off his coat and hat and placed them neatly on the floor. Now he rolled his trouser legs up to the knee and stood back in the wide well-planted stance of the judo expert. He looked as if a charging elephant wouldn’t put him off balance.
‘Better stand back, Mr Bond.’ The teeth glittered in the wide mouth. ‘This blow snaps a man’s neck like a daffodil.’ Goldfinger drew aside the low settee with the drink tray. Now the Korean had a clear run. But he was only three long steps away. How could he possibly reach the high mantelpiece?
Bond watched, fascinated. Now the slanting eyes in the flat yellow mask were glinting with a fierce intentness. Faced by such a man, thought Bond, one could only go down on one’s knees and wait for death.
Goldfinger lifted his hand. The bunched toes in the polished soft leather shoes seemed to grip the ground. The Korean took one long crouching stride with knees well bent and then whirled off the ground. In mid-air his feet slapped together like a ballet dancer’s, but higher than a ballet dancer’s have ever reached, and then the body bent sideways and downwards and the right foot shot out like a piston. There came a crashing thud. Gr
acefully the body settled back down on the hands, now splayed on the floor, the elbows bent to take the weight and then straightened sharply to throw the man up and back on his feet.
Oddjob stood to attention. This time there was a gleam of triumph in his flat eyes as he looked at the three-inch jagged bite the edge of his foot had taken out of the mantelpiece.
Bond looked at the man in deep awe. And only two nights ago, he, Bond, had been working on his manual of unarmed combat! There was nothing, absolutely nothing, in all his reading, all his experience, to approach what he had just witnessed. This was not a man of flesh and blood. This was a living club, perhaps the most dangerous animal on the face of the earth. Bond had to do it, had to give homage to this uniquely dreadful person. He held out his hand.
‘Softly, Oddjob.’ Goldftnger’s voice was the crack of a whip.
The Korean bowed his head and took Bond’s hand in his. He kept his fingers straight and merely bent his thumb in a light clasp. It was like holding a piece of board. He released Bond’s hand and went to his neat pile of clothes.
‘Forgive me, Mr Bond, and I appreciate your gesture.’ Goldfinger’s face showed his approval. ‘But Oddjob doesn’t know his own strength – particularly when he is keyed up. And those hands are like machine-tools. He could have crushed your hand to pulp without meaning to. Now then,’ Oddjob had dressed and was standing respectfully at attention, ‘you did well, Oddjob. I’m glad to see you are in training. Here –’ Goldfinger took the cat from under his arm and tossed it to the Korean who caught it eagerly – ‘I am tired of seeing this animal around. You may have it for dinner.’ The Korean’s eyes gleamed. ‘And tell them in the kitchen that we will have our own dinner at once.’
